The Practice of Creativity

Posts Tagged ‘novels

Would you like to have a personal coaching session with me to help support you with your goals in 2018? I’m happy to say it’s possible to have that for a GREAT price and FANTASTIC cause. I have donated an hour of my services to a great nonprofit–Y.O.G.A for Youth, NC. This organization helps to empower at risk young people by teaching them the tools of yoga. This is an organization that I have been involved with and supported in various ways over the past decade.

They have an online auction fundraiser with some incredible items to bid on–including a personal coaching session with me! I’d love to support you with your goals in 2018 related to writing and/or creativity.

I will tailor the one hour coaching session to the needs of the individual. Themes could include: effective goal setting and making good on your resolutions for 2018, how to create ‘smackdab’ in the midst of a busy life, how to create with consistency, passion and purpose, how to recognize and conquer your internal and external saboteurs, how to strengthen a relationship with your creative self, etc.

Check it all out here:
http://www.biddingowl.com/Auction/home.cfm?auctionID=13206
Feel free to pm me with questions or shoot me an email at mtb@creativetickle.com

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Hi creatives,

I just got back from teaching at the incredible North Carolina Writers’ Network fall conference. It was a blast. I also enjoyed supporting the conference’s first ever NaNoWriMo launch. I’ll have updates about all this and more very shortly. In the mean time, I wanted to share some upcoming local events that I’m proud to be a part of.

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Are you a fan of the science fiction writer Octavia Butler? Want to talk about Octavia Butler’s acclaimed science fiction novel Parable of the Sower? Do you want to learn more about Afrofuturism?

Come join me on Wednesday (tonight!), Nov 8 @7pm at Flyleaf Books! I will have the distinct honor of hosting a conversation about Octavia Butler and Parable of the Sower with my special guest and colleague, Dr. Lilly Nguyen! We will explore the themes in Parable of the Sower and how they engage us on critical questions of humanity’s future, race, gender and transformation. We’ll discuss how Butler’s work has propelled our own, and how it can relate to, inform, and inspire other lives.

It’s OK if you are new to Octavia Butler, read Parable a long time ago, are reading it now, or just want to come and listen!
This is part of a free event series celebrating the US premiere of Octavia E. Butler’s Parable of the Sower at Carolina Performing Arts, an opera created, written, and composed by Toshi Reagon and Bernice Johnson Reagon.

Check out more here!

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I’m super excited to be reading from Reenu-You this Saturday at the wonderful Ngozi Design Collective at 11am at 321 West Main Street, Durham. I will be joined by speculative fiction author Nicole Kurtz. We will read from our recent publications and discuss how African American female creators are reshaping the landscape of all things sci-fi, fantasy and horror in books, TV and film. Door prizes and refreshments! I’d love to see you there!

Hi folks,

You’ve written your best work and honed it to perfection. Now what? Do you know what venue to submit to? How do you find great venues? How do you write a query letter? How do you beat the odds of rejection?

If you struggle with these questions—consider taking my upcoming workshop: Charting Your Path to Publication: Tips, Techniques, and Lessons for Writers!

I am teaching ‘Charting Your Path’ as a Saturday morning workshop at the upcoming North Carolina Writers’ Network fall conference, Nov 3-5, in Wrightsville Beach!

 

I created this workshop because I know firsthand how challenging it is to take consistent steps to submit one’s work for publication. I also know the joys and frustrations in establishing a publication record that makes one proud. In my coaching work, I often hear from clients about their frustration, lack of preparation and deep confusion about how to create an authentic, sustainable path to publication.

In my workshop, you’ll learn how to select appropriate target publications, track submissions, compose cover letters and find great resources.

In January, I taught a longer version of this workshop through Central Carolina Community College’s Creative Writing Program (through Continuing Education). It was deeply fulfilling to share resources and insights I’ve gleaned from my personal experience and my coaching work. And, I keep getting updates from many of the participants, both about their publishing successes and their new enthusiasm in consistently submitting their work in an organized way.

If you haven’t attended the NCWN Fall conference, consider going. It’s a friendly, supportive and well-run conference that attracts topnotch teachers and a diverse group of writers. And, although quite popular, it is a manageable size conference.

Here’s the description for my workshop:

Charting Your Path” is designed for writers at all levels. Attendees will focus most of their time on how and where to submit short fiction, creative nonfiction, and poetry. They’ll examine a variety of venues including literary journals, magazines, newspapers, anthologies as well as how to submit to agents and publishing houses. They will also discuss the role of author mindset as vital to publishing success. There is no one path to publication, but one can follow and replicate the strategies of accomplished writers. Each participant will leave with an action plan with concrete steps toward publication (or, if already published with a plan about how to become more widely so).

Pre-registration is open until Oct 27th. I would love to see you there!

I couldn’t wait to read this book as I am hooked on following the adventures of the brave, smart and complex women that populate Samantha Bryant’s novels. Be prepared for a fast read in this third installment in ‘The Change’ series. Everything pops in this well-plotted novel that continues the adventures of four menopausal women changed forever by the scientist, Cindy Liu. The characters from the first two novels who choose to use their superpowers for the collective good include Linda/Leonel (a woman who was changed into a super strong man), Jessica (a woman who can fly), and Patricia (a woman whose skin can make spikes and armor). In Face the Change, these superheroes feel the consequences of their choices as their work with ‘The Department’ (an organization that deals with supernatural occurrences), deepens in complexity and scope. This has particularly acute ramifications for Leonel and his husband, David. In order to help community relations, the Department’s charismatic director encourages Leonel and Jessica to take on public personas through their new work in the ‘Unusual Cases Unit’. They even get costumes and stage names. This turn of events allows the reader to explore with Leonel and Jessica what it really feels like to be a superhero. Patricia also begins working for the Department. Can a woman used to calling the shots become a team player? Patricia plays with this question throughout Face the Change. Bryant continues the excellent characterization that defines the series and in this book, we spend extended time following Leonel and Patricia.

 

Helen is one of the four women who used Dr. Cindy Liu’s products, but who didn’t turn into a superhero. She’s still the villain and she’s nastier and more dangerous than ever! We primarily see her actions and the havoc that she creates through her daughter Mary, introduced in the second book. The stakes are raised dramatically for the smart and compassionate Mary, who has to deal with an increasingly unstable mother set on seeking revenge against Cindy Liu and the other women. Mary has to make some difficult choices during the course of the novel. Her fear and challenges are believable, as is the slow reveal about her own unusual talents.

As the book opens, Cindy Liu is on the run after narrowly saving herself and her father from being arrested. Cindy’s special formula has regressed her to the age of thirteen (her actual age is sixty-seven). Being thirteen isn’t fun for anyone, but especially not for a super talented scientist. Cindy doesn’t take it well.  The frustration she faces as she makes decisions about her ailing (and unethical father) while dealing with moods, zits and raging hormones (often directed at a hot bodyguard hired by her father’s friend) makes for a very fun read. None of the characters in this novel are one-dimensional and Bryant continues to make us sympathize with, if not always like, Cindy.

A second compelling subplot emerges in this novel, too.  A group of patients that underwent an experimental neurological treatment, at a local hospital, awoke with exceptionally strong powers including mind control and telekinesis. Six of these patients band together and begin to create criminal mayhem.  Sally Ann, Leonel, Jessica and other members of the UCU must work together to stop these criminals.

Bryant delivers strong action scenes throughout the book. There are also unexpected romantic developments in this story that are quite satisfying. There are great twists, turns and reversals throughout. This series keeps me on the edge of my seat. Although much is resolved at the end of Face The Change, the clues that are peppered throughout book about the world-wide strange happenings makes me hopeful that Bryant has plans to keep the UCU busy for many more books to come.

I’ve made it through a major writerly milestone. Last week, I had my debut book reading and signing for Reenu-You at McIntyre’s Books. It was a blast and went very well.

However, there was still a lot to learn!

I thought I was ready. I thought I knew all there was to know. I thought I was prepared. How long had I been attending book signings? How long had I been visualizing myself conducting a reading and signing books? Longer than I can remember.

But, there was still a lot to learn!

I’m passing on some tips and lessons learned.

-Ask for help. Mobilize your writing peeps!

Doing an author signing and book reading requires some coordination, especially if this is your first time. I decided to serve drinks, food and organize a giveaway. I also had to order books because Book Smugglers distributes their books through IngramSpark and most bookstores will only order a few copies (because of the no return policy). Therefore, authors have to order books and bring them to the store. So, I needed help with lifting books, setting up the food, etc. Mobilize your community and ask writer friends for help on your big day. They’ll be happy to help with moral support, too. I’m glad I flexed my usually underutilized “asking for help” muscles. I had fantastic help and support that day.

-Promote and advertise your event at least a month beforehand. And, don’t just rely on one or two promotional strategies.

I used Twitter, my Author Facebook page, my personal Facebook page and blog to promote the event. I posted a month before, three weeks before, two weeks before and a few days before the event. McIntryre’s Books created a Facebook event page. The only thing that I didn’t do that I will do next time is to also invite people through email. I had a fantastic turnout, but several close friends weren’t there. These are folks that don’t regularly check Facebook. I over-relied on the Facebook event and my personal page for promotion. I also didn’t want to “bother” people by posting too much. Given that it takes several “touches” for people to get something on their calendar, and you never know what people actually see and when they see it, it’s better to post often. Next time, I know that it’s better to cover all the bases one can, including good old email. I also forgot to email my newsletter list!

a lovely audience

a full house!

Practice what you will read and time yourself. Do it over and over until you feel confident.

I received good advice from some writers on Twitter when I asked about tips for doing a reading. Many stressed to pick the highlights and sections of the book that pop. Most of Reenu-You moves between two narrators, Kat and Constancia. I decided to read brief snippets of when we first meet them. They both have distinctive worldviews and use of language that made those snippets very fun to read. I reminded myself that I just needed to provide an appetizer to the audience to entice them to want to read more.

Get rest the night before.

I was restless and didn’t sleep that well the night before the reading. That morning I got up and did some gentle yoga and meditation which was extremely helpful for getting grounded (as they always are).

Eat something beforehand or have an energy bar with you.

You’ll probably already feel jittery, hunger will exacerbate that feeling.

Take cough drops with you.

I know writers who carry cough drops in case their throat gets dry before a reading. I didn’t carry cough drops, but I did use Nasya oil which is a medicated oil that lubricates the nasal passages and promotes concentration. Nasya is a cleansing technique used in Ayurvedic medicine, a holistic science that originates in India. I swear by this technique during fall and winter when the weather is more drying and one becomes susceptible to colds and flus. Doing Nasya is also very grounding.

Food is always appreciated at an author event.

I had a nice spread of snacks, cheeses, fruit, lemonade and sparkling wine. Also a friend made great cupcakes which garnered kudos and became the second star of the day. She tried to match the frosting colors to the colors on Reenu-You’s cover. I think she did a great job.

I loved seeing people connecting and talking about writing while eating delicious food.

I splurged on food and wine as I wanted this to be a celebratory moment. When I do future readings, I will probably keep it simple-just cupcakes and champagne!

Consider offering a door prize or two. People find them fun and it contributes to the festive environment.

I absolutely love receiving door prizes at events! I decided that I wanted to give away some door prizes for my reading. I gave away my book and The Successful Author Mindset by Joanna Penn. I’m a huge fan of Joanna Penn’s work as a podcaster, author champion and writer and I wanted to encourage the writers in the audience with her words of wisdom. I also gave away Nisa Shawl’s novel, Everfair. I met Nisi when I was a graduate student and lived in Ann Arbor. She worked in a used bookstore and somehow I discovered that she also loved speculative fiction and also wanted to be a writer. It was always a joy to visit her as we would talk endlessly about speculative fiction. She was the first person of color I knew that also wanted to write science fiction! When I was telling this story to the audience, I reminded then that although now everyone seems to be talking about Afrofuturism, Octavia Butler, writers of color in speculative fiction and Black Speculative Arts, twenty-five years ago this was not the case! In the early 1990s, I knew of Octavia Butler and Samuel Delaney, but I didn’t have a community of people who looked like me that I could talk about speculative fiction or being a writer in the genre. Nisi was a wonderful informal mentor and friend. I am thrilled for her success with Everfair which is a alternate history novel that re-imagines what might have happened in the Congo, during colonization, if its inhabitants had access to steampunk technology.

My friend Sam won Nisi’s book! A perfect fit as he is a literary and film scholar and is interested in speculative fiction.

Bring a great pen to sign books.

Your first event will probably bring a lot of people that you know. I found myself wanting to write much longer notes in the book which slowed the line. Also, they’ll want to chat a bit which is fun. Remember that energy bar? You might need to take a few bites in case your energy flags some.

Pete, one of the booksellers gave me a Sharpie to sign books with. I had meant to bring a special pen, but that detail totally got lost while preparing for everything else. I was terrified of messing up with that Sharpie, but I didn’t’.

I’ve seen other authors have a slip of paper with them and they ask people to write their names down. This ensures that you don’t spell someone’s name wrong which would be a big bummer.

Savor this feeling—allow yourself to be celebrated.

I am so grateful to folks who were able to make it to McIntyre’s Books. I looked out into the audience and saw former students, academic colleagues, community folk, writer friends and new faces. It was a real delight to experience the fullness of that moment. The writing journey is that much sweeter when you can share some of the peaks with friends.

So much fun seeing friends and holding up my book!

The time really flew by. At moments I found myself saying, “It’s all happening so fast.” I remember hearing from a coach that in order to get our brain to really “take in”, or anchor a positive experience, we have to focus on it for about ten seconds. Otherwise, it just slides by and gets drowned out in the noise of life.

I kept trying to remind myself to let the amazing feelings sink in. And, I whispered to the universe, “Thanks universe, more experiences like this, please! I’m ready!”

 

 

What makes you write? If you ask that question of ten different writers, you’ll most likely receive ten different answers. Sometimes hearing a true story from someone who survived a horrible situation can compel us to write. Such is the case for Margaret Dardess.

Margaret Dardess has enjoyed a rich and full life. She has lived and traveled across several continents. Her day jobs have included being an international trade lawyer, a corporate executive and most recently, a university administrator.

I know Margaret as the President of the Board of Trustees for the North Carolina Writers’ Network (NCWN). The NCWN is a nonprofit literary organization that serves writers at every stage of development through programs that offer opportunities for professional growth in skills and insight. I’m passionate about the work of NCWN. The expertise, camaraderie and mentoring that I have received as a NCWN member has been invaluable in helping me develop my writing craft and negotiate the ever changing field of publishing. Last year with finesse and deft, Margaret recruited me to serve on the board. NCWN’s meetings are ones that I always look forward to!

In the last few years, Margaret has followed her heart’s desire and made time to write her first novel, Brutal Silence. In this thriller, Dardess tackles the topic of human trafficking. She wrote Brutal Silence after meeting a woman who successfully escaped from human traffickers. She was so angry after hearing the woman’s story that she couldn’t walk away. She had to make others aware of human trafficking. Brutal Silence is the story of resilient and gutsy Alex Harrington, a young woman who is thrown into the terrifying world of sex trafficking.

When I heard a little of Margaret’s inspiration for this novel at a gathering, I was immediately intrigued. I wanted to know more about she came to the topic of human trafficking and how she made space for a creative life. I’m delighted to welcome her to ‘The Practice of Creativity’.

Tell us about your recent book, Brutal Silence. Why did you want to write this book?
Brutal Silence begins with every woman’s worst nightmare. Alex Harrington, a twenty-five year old woman who runs a free clinic in Dalton, North Carolina is kidnapped by human traffickers while on vacation in Mexico City. She is dragged from a public bus, and no one, driver or passengers, will help her. She wakes on a grit-covered cement floor, head throbbing, looking up into the terrified faces of a dozen women. Fortunately, Alex is resourceful and a champion runner. She manages to escape, and return to Dalton, but when a battered woman seeks refuge at her clinic, only to die moments later, Alex learns that human traffickers don’t only exist in Mexico. They are operating even in her home town, targeting her, and she has no idea why. Alex learns who she is and who she is not while confronting the brutal world of human trafficking. She wants answers, but when the trail leads back to those she loves the most, she finds that sometimes it’s the most innocent and ordinary places that hide the most terrible secrets.

My inspiration for Brutal Silence came when at the urging of a friend I attended a conference on human trafficking sponsored by the University of North Carolina-Chapel Hill over ten years ago. At lunch I sat next to a courageous young woman who had escaped after being trafficked and who was speaking out about human trafficking in hopes of saving others. I was so moved by her story that I wanted to learn more about human trafficking, and I found to my surprise that most people did not want to see or talk about it–hence my title, Brutal Silence. I set out to write something that would build awareness and inspire support for the efforts of those who work heroically against human trafficking. Anything I make on Brutal Silence will go to combat human trafficking.

 

 

 

Brutal Silence is a thriller. Have you always enjoyed reading thrillers?

I have always relaxed by reading thrillers, finding them a welcome change from the challenging and often cumbersome writing that filled my days as an academic, an attorney, a corporate executive and a university administrator. I am at heart a romantic, drawn to stories about protagonists who risk everything to overcome evil and make the world a better place. The thriller  genre seemed particularly well suited to a story whose underlying crime was human trafficking because human trafficking with its total disregard to human life in the interests of greed is about as evil as you can get. In good thriller style, in Brutal Silence, Alex Harrington takes on the evil of human trafficking at considerable cost to herself.

-While writing the book were there particular authors that you turned to for inspiration?

I look to good writing of all kinds. In writing Brutal Silence I studied mystery and thriller writers like Dashiell Hammett, Anne Perry and Andrew Gross for craft, and I looked for insight into the struggles of the human psyche in books like Helen Macdonald’s H is for Hawk, Ron Rash’s Something Rich and Strange: Selected Stories, Bryce Courtenay’s The Power of One, and Laura Hillenbrand’s Unbroken among many others.

-What was the most challenging aspect of writing Brutal Silence?

The creation of the character, Emilio Vargas, the Mexican crime boss in Brutal Silence, was especially tough, because I had to think like a sociopathic killer. I don’t spend a lot of time with sociopaths, at least not if I can help it, and I certainly don’t know any from the world of Mexican organized crime. I had to rely on research and my imagination. I immersed myself in The Sociopath Next Door by Martha Stout, El Sicario, the Autobiography of a Mexican Assassin and interviews with really bad guys like El Chopo, and tried see the world through the eyes of someone who cannot feel anything for other people. It was not easy, especially when the sociopaths started showing up at night when I was trying to sleep.

-What’s been the biggest surprise thus far in being published?

I have been surprised and pleased at the support and generosity of many people. Publishing Brutal Silence has brought back into my life friends from my past, some from school days and others from my time practicing law in Philadelphia and Washington, DC. Glaxo friends have come to launch parties and author events even bringing with them adult children who I remembered from when they were little. Still more from my days at UNC and the North Carolina Writers’ Network have been especially helpful, and new friends have guided me through the bewildering publication process.

– You’re recently retired. How has your writing practice changed over the past year?

When I was working full time, I squeezed writing into my day whenever I could and wrote on weekends. Now I go to a little office near my house and write every morning. Afternoons, while I take care of the business of living, I think about what I’ll write the following day, often playing ideas over in my head while on the treadmill or driving around town. I have come home from grocery stopping with a rutabaga when I really needed an onion because my mind was somewhere other than in the vegetable section of Whole Foods.

– What’s your best writing tip that you’d like to share?

When you tell someone that you want to write, ignore the ones who respond, “How are you going to do that?”  A date in college said that to me once when I told him my dream was to write a novel. That was the end of him. There never seems to be a shortage of nay-sayers and wet blankets. Avoid them at all costs. If you want to write, write. As Anne Lamott says in Bird by Bird, “Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul.”
 

Many thanks, Michele, for inviting me to post on your blog and to your readers for listening.

 

Margaret Dardess was born and raised just outside of New York City, and has lived and traveled across several continents, landing at last in Chapel Hill, North Carolina where she should have been all along.  She is the daughter of an artist and a poet, who were determined to steer their only daughter away from a life in the arts. For many years they succeeded.

After graduating from Connecticut College, Margaret returned to New York to study Japanese history at Columbia University, and after a brief teaching career, went on to tackle the law.  When she finally stopped going to school, she set off on a journey, masquerading as an international trade lawyer, a corporate executive and a university administrator until at last she cast her parents’ warnings to the wind and began to write.

Brutal Silence is Margaret’s first novel. Margaret is hard at work on a sequel that will take Alex to Margaret’s native New York City where vengeance and murder threaten to destroy the new life that Alex is determined to build.

Find out more about Margaret here.

Octavia Butler was a visionary science fiction writer who influenced a generation of writers, artists and scholars from the 1970s until her death in 2006. She broke new ground as one of the first African American women writers to achieve critical success in the speculative fiction arena, a field historically dominated by white men. In celebration of what would have been her 70th birthday and in recognition of Butler’s enormous influence on speculative fiction Twelfth Planet Press is publishing a selection of letters and essays written by science fiction and fantasy’s writers, editors, critics and fans. There are letters from people who knew Butler and those who didn’t; some who studied under her at the Clarion and Clarion West workshops and others who attended those same workshops because of her; letters that are deeply personal, deeply political, and deeply poetic; and letters that question the place of literature in life and society today.

 Luminescent Threads: Connections to Octavia Butler is available for pre-order and is due out by mid-August. I’m thrilled to be in this collection! I’ve written elsewhere how I almost talked myself out of submitting and why you should never self-reject your work! The lineup of writers in LT, both new and established, is amazing and includes Tara Betts, Nisi Shawl, L Timmel Duchamp, Steven Barnes, K Tempest Bradford, Jewelle Gomez, Bogi Takács,  Sheree Renée Thomas, Aurelius Raines II and many others.

I wanted to know more about the editors of Luminescent Threads, Alexandra Pierce and Mimi Mondal, and what they learned from tackling a project of this magnitude. They kindly agreed to a joint interview and I’m delighted to welcome them to ‘The Practice of Creativity’.

Senior Editor Alexandra Pierce is editor of the award-winning Letters to Tiptree and co-host of Hugo award-winning feminist SFF podcast Galactic Suburbia alongside Alisa Krasnostein and Tansy Rayner Roberts. She is also a part-time teacher, blogger, book reviewer and columnist for Tor.com.

Editor Mimi Mondal was born in Calcutta, India. She is a 2015 recipient of the Octavia E Butler Memorial Scholarship at the Clarion West Writing Workshop and the Poetry with Pakriti Prize in 2010. Her stories, poetry and social commentary have appeared in The Book Smugglers, Daily Science Fiction, Podcastle, Scroll.in, Muse India, Kindle Magazine, among other venues.

 

– Tell us about your new book. What inspired this project?

Alex: For me it was a desire to hear from people who have been inspired in different ways by Octavia Butler, as well as having the opportunity to get her name and reputation out to a wide audience. Butler was an amazing author and a remarkable person, in terms of how she has influenced writers and readers in lots of different circumstances. I wanted to help to celebrate that.

Mimi: I came in later into the project as the replacement for another editor, so the concept wasn’t mine. I had been the Octavia Butler Scholar to the Clarion West in 2015, so when someone asked me whether I’d be interested in co-editing an anthology of readers’ letters to Octavia Butler, I was immediately excited, even though socially and emotionally it wasn’t the best time for me to take up a new project. I wasn’t acquainted with the team but I admired their work on Letters to Tiptree, which assured me that this was a book I would enjoy being part of.

– How have you been influenced by Octavia Butler’s work?

Alex: I’ve been challenged by the way she thinks about power and consent and family. Power and consent are huge parts of many of her books, and she’s usually not presenting a straightforward argument about them. Family, too, is often complicated in her novels, and I’ve been intrigued to think about what it means to have a family, to be a family.

Mimi: I grew up in India, where I had practically never heard of Octavia Butler.

The most powerful thing I probably learned from her work is that weird, complex, imaginative, speculative things don’t only happen in white-people stories. For a long time my reading included only realist fiction by writers of color, and all the speculative, dystopian, space, superhero, monster, apocalypse stories seemed to be written by white people, featuring white people, for other white people. It made me feel awkward to even write those stories, because the terrain just didn’t feel mine. Butler’s work, to a large extent, helped me break out of that painful narrowness of perspective.

– What did you learn about yourselves as editors while working on Luminescent Threads?

Alex: I learned that I love helping people to express themselves! And I really like bringing different thoughts and perspectives together to present something greater than the indivisible pieces.

Mimi: I learned that people’s words can both make me cry and make me stronger. As an immigrant student in the United States, these past few months haven’t been kind to me. Editing is what I do for a living, but never have been so strongly moved by a book I edited.

– What’s one thing you wish more writers understood about submitting work for an anthology?

Alex: That guidelines are there for a reason! But also in terms of this project that neither Mimi nor I were doing this as an actual job; we both do other things in real life, as it were, and the editing is additional.

Mimi: I agree! When you’re writing for a specific call for submissions, make sure your work fits their guidelines, and you submit and communicate with the publication in the way they require. The speculative fiction community is far more informal than many other artistic communities. Everyone’s in it because they love the stuff. But that lack of a strictly imposed hierarchy shouldn’t mean that anything goes. You may have met or hung out with the editor(s) at a convention, but that doesn’t make you exempt of the word limit, deadline or theme they have put down for the anthology.

– What are some exciting trends in speculative fiction that you see in terms of diversity and representation?

Alex: the very existence of an understanding of the need of diversity is exciting at the moment. That people are becoming more vocal in speaking out about occasions when the importance of diversity clearly hasn’t been considered.

Mimi: The fact that I am here at all is something I find exciting. Growing up in India, I always wanted to be a writer but never knew if it was possible, because I don’t come from the kind of background writers traditionally came from back then, and the stories of the only kind of people I knew didn’t end up in books. I grew up reading pretty much only white male writers, and right now I probably read one white male writer a year, if that. There are so many other stories that are way more fun to read! I love it that this has come to be so, and I love it that I’m living in these times.

– What’s your best writing tip that you’d like to share?

Alex: Pay attention to the guidelines and communicate clearly with your editor!

Mimi: “Write a little bit every day, even if you’re not in the mood.” is a wonderfully effective tip that, unfortunately, I don’t follow. It has improved my writing exponentially in a very short time every time I’ve managed to do it for short periods, though, so maybe it’s worth passing on!

 

Alexandra Pierce is an editor, blogger and book reviewer. Connect with her at http://www. randomalex.net   Twitter: @randomisalex

Mimi Mondal is a writer from India, and the Poetry and Reprints Editor of Uncanny Magazine. Connect with her at: www.mimimondal.com   Twitter: @Miminality

 

 

 

 

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Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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