The Practice of Creativity

Posts Tagged ‘novels

I couldn’t wait to read this book as I am hooked on following the adventures of the brave, smart and complex women that populate Samantha Bryant’s novels. Be prepared for a fast read in this third installment in ‘The Change’ series. Everything pops in this well-plotted novel that continues the adventures of four menopausal women changed forever by the scientist, Cindy Liu. The characters from the first two novels who choose to use their superpowers for the collective good include Linda/Leonel (a woman who was changed into a super strong man), Jessica (a woman who can fly), and Patricia (a woman whose skin can make spikes and armor). In Face the Change, these superheroes feel the consequences of their choices as their work with ‘The Department’ (an organization that deals with supernatural occurrences), deepens in complexity and scope. This has particularly acute ramifications for Leonel and his husband, David. In order to help community relations, the Department’s charismatic director encourages Leonel and Jessica to take on public personas through their new work in the ‘Unusual Cases Unit’. They even get costumes and stage names. This turn of events allows the reader to explore with Leonel and Jessica what it really feels like to be a superhero. Patricia also begins working for the Department. Can a woman used to calling the shots become a team player? Patricia plays with this question throughout Face the Change. Bryant continues the excellent characterization that defines the series and in this book, we spend extended time following Leonel and Patricia.

 

Helen is one of the four women who used Dr. Cindy Liu’s products, but who didn’t turn into a superhero. She’s still the villain and she’s nastier and more dangerous than ever! We primarily see her actions and the havoc that she creates through her daughter Mary, introduced in the second book. The stakes are raised dramatically for the smart and compassionate Mary, who has to deal with an increasingly unstable mother set on seeking revenge against Cindy Liu and the other women. Mary has to make some difficult choices during the course of the novel. Her fear and challenges are believable, as is the slow reveal about her own unusual talents.

As the book opens, Cindy Liu is on the run after narrowly saving herself and her father from being arrested. Cindy’s special formula has regressed her to the age of thirteen (her actual age is sixty-seven). Being thirteen isn’t fun for anyone, but especially not for a super talented scientist. Cindy doesn’t take it well.  The frustration she faces as she makes decisions about her ailing (and unethical father) while dealing with moods, zits and raging hormones (often directed at a hot bodyguard hired by her father’s friend) makes for a very fun read. None of the characters in this novel are one-dimensional and Bryant continues to make us sympathize with, if not always like, Cindy.

A second compelling subplot emerges in this novel, too.  A group of patients that underwent an experimental neurological treatment, at a local hospital, awoke with exceptionally strong powers including mind control and telekinesis. Six of these patients band together and begin to create criminal mayhem.  Sally Ann, Leonel, Jessica and other members of the UCU must work together to stop these criminals.

Bryant delivers strong action scenes throughout the book. There are also unexpected romantic developments in this story that are quite satisfying. There are great twists, turns and reversals throughout. This series keeps me on the edge of my seat. Although much is resolved at the end of Face The Change, the clues that are peppered throughout book about the world-wide strange happenings makes me hopeful that Bryant has plans to keep the UCU busy for many more books to come.

Advertisements

I’ve made it through a major writerly milestone. Last week, I had my debut book reading and signing for Reenu-You at McIntyre’s Books. It was a blast and went very well.

However, there was still a lot to learn!

I thought I was ready. I thought I knew all there was to know. I thought I was prepared. How long had I been attending book signings? How long had I been visualizing myself conducting a reading and signing books? Longer than I can remember.

But, there was still a lot to learn!

I’m passing on some tips and lessons learned.

-Ask for help. Mobilize your writing peeps!

Doing an author signing and book reading requires some coordination, especially if this is your first time. I decided to serve drinks, food and organize a giveaway. I also had to order books because Book Smugglers distributes their books through IngramSpark and most bookstores will only order a few copies (because of the no return policy). Therefore, authors have to order books and bring them to the store. So, I needed help with lifting books, setting up the food, etc. Mobilize your community and ask writer friends for help on your big day. They’ll be happy to help with moral support, too. I’m glad I flexed my usually underutilized “asking for help” muscles. I had fantastic help and support that day.

-Promote and advertise your event at least a month beforehand. And, don’t just rely on one or two promotional strategies.

I used Twitter, my Author Facebook page, my personal Facebook page and blog to promote the event. I posted a month before, three weeks before, two weeks before and a few days before the event. McIntryre’s Books created a Facebook event page. The only thing that I didn’t do that I will do next time is to also invite people through email. I had a fantastic turnout, but several close friends weren’t there. These are folks that don’t regularly check Facebook. I over-relied on the Facebook event and my personal page for promotion. I also didn’t want to “bother” people by posting too much. Given that it takes several “touches” for people to get something on their calendar, and you never know what people actually see and when they see it, it’s better to post often. Next time, I know that it’s better to cover all the bases one can, including good old email. I also forgot to email my newsletter list!

a lovely audience

a full house!

Practice what you will read and time yourself. Do it over and over until you feel confident.

I received good advice from some writers on Twitter when I asked about tips for doing a reading. Many stressed to pick the highlights and sections of the book that pop. Most of Reenu-You moves between two narrators, Kat and Constancia. I decided to read brief snippets of when we first meet them. They both have distinctive worldviews and use of language that made those snippets very fun to read. I reminded myself that I just needed to provide an appetizer to the audience to entice them to want to read more.

Get rest the night before.

I was restless and didn’t sleep that well the night before the reading. That morning I got up and did some gentle yoga and meditation which was extremely helpful for getting grounded (as they always are).

Eat something beforehand or have an energy bar with you.

You’ll probably already feel jittery, hunger will exacerbate that feeling.

Take cough drops with you.

I know writers who carry cough drops in case their throat gets dry before a reading. I didn’t carry cough drops, but I did use Nasya oil which is a medicated oil that lubricates the nasal passages and promotes concentration. Nasya is a cleansing technique used in Ayurvedic medicine, a holistic science that originates in India. I swear by this technique during fall and winter when the weather is more drying and one becomes susceptible to colds and flus. Doing Nasya is also very grounding.

Food is always appreciated at an author event.

I had a nice spread of snacks, cheeses, fruit, lemonade and sparkling wine. Also a friend made great cupcakes which garnered kudos and became the second star of the day. She tried to match the frosting colors to the colors on Reenu-You’s cover. I think she did a great job.

I loved seeing people connecting and talking about writing while eating delicious food.

I splurged on food and wine as I wanted this to be a celebratory moment. When I do future readings, I will probably keep it simple-just cupcakes and champagne!

Consider offering a door prize or two. People find them fun and it contributes to the festive environment.

I absolutely love receiving door prizes at events! I decided that I wanted to give away some door prizes for my reading. I gave away my book and The Successful Author Mindset by Joanna Penn. I’m a huge fan of Joanna Penn’s work as a podcaster, author champion and writer and I wanted to encourage the writers in the audience with her words of wisdom. I also gave away Nisa Shawl’s novel, Everfair. I met Nisi when I was a graduate student and lived in Ann Arbor. She worked in a used bookstore and somehow I discovered that she also loved speculative fiction and also wanted to be a writer. It was always a joy to visit her as we would talk endlessly about speculative fiction. She was the first person of color I knew that also wanted to write science fiction! When I was telling this story to the audience, I reminded then that although now everyone seems to be talking about Afrofuturism, Octavia Butler, writers of color in speculative fiction and Black Speculative Arts, twenty-five years ago this was not the case! In the early 1990s, I knew of Octavia Butler and Samuel Delaney, but I didn’t have a community of people who looked like me that I could talk about speculative fiction or being a writer in the genre. Nisi was a wonderful informal mentor and friend. I am thrilled for her success with Everfair which is a alternate history novel that re-imagines what might have happened in the Congo, during colonization, if its inhabitants had access to steampunk technology.

My friend Sam won Nisi’s book! A perfect fit as he is a literary and film scholar and is interested in speculative fiction.

Bring a great pen to sign books.

Your first event will probably bring a lot of people that you know. I found myself wanting to write much longer notes in the book which slowed the line. Also, they’ll want to chat a bit which is fun. Remember that energy bar? You might need to take a few bites in case your energy flags some.

Pete, one of the booksellers gave me a Sharpie to sign books with. I had meant to bring a special pen, but that detail totally got lost while preparing for everything else. I was terrified of messing up with that Sharpie, but I didn’t’.

I’ve seen other authors have a slip of paper with them and they ask people to write their names down. This ensures that you don’t spell someone’s name wrong which would be a big bummer.

Savor this feeling—allow yourself to be celebrated.

I am so grateful to folks who were able to make it to McIntyre’s Books. I looked out into the audience and saw former students, academic colleagues, community folk, writer friends and new faces. It was a real delight to experience the fullness of that moment. The writing journey is that much sweeter when you can share some of the peaks with friends.

So much fun seeing friends and holding up my book!

The time really flew by. At moments I found myself saying, “It’s all happening so fast.” I remember hearing from a coach that in order to get our brain to really “take in”, or anchor a positive experience, we have to focus on it for about ten seconds. Otherwise, it just slides by and gets drowned out in the noise of life.

I kept trying to remind myself to let the amazing feelings sink in. And, I whispered to the universe, “Thanks universe, more experiences like this, please! I’m ready!”

 

 

What makes you write? If you ask that question of ten different writers, you’ll most likely receive ten different answers. Sometimes hearing a true story from someone who survived a horrible situation can compel us to write. Such is the case for Margaret Dardess.

Margaret Dardess has enjoyed a rich and full life. She has lived and traveled across several continents. Her day jobs have included being an international trade lawyer, a corporate executive and most recently, a university administrator.

I know Margaret as the President of the Board of Trustees for the North Carolina Writers’ Network (NCWN). The NCWN is a nonprofit literary organization that serves writers at every stage of development through programs that offer opportunities for professional growth in skills and insight. I’m passionate about the work of NCWN. The expertise, camaraderie and mentoring that I have received as a NCWN member has been invaluable in helping me develop my writing craft and negotiate the ever changing field of publishing. Last year with finesse and deft, Margaret recruited me to serve on the board. NCWN’s meetings are ones that I always look forward to!

In the last few years, Margaret has followed her heart’s desire and made time to write her first novel, Brutal Silence. In this thriller, Dardess tackles the topic of human trafficking. She wrote Brutal Silence after meeting a woman who successfully escaped from human traffickers. She was so angry after hearing the woman’s story that she couldn’t walk away. She had to make others aware of human trafficking. Brutal Silence is the story of resilient and gutsy Alex Harrington, a young woman who is thrown into the terrifying world of sex trafficking.

When I heard a little of Margaret’s inspiration for this novel at a gathering, I was immediately intrigued. I wanted to know more about she came to the topic of human trafficking and how she made space for a creative life. I’m delighted to welcome her to ‘The Practice of Creativity’.

Tell us about your recent book, Brutal Silence. Why did you want to write this book?
Brutal Silence begins with every woman’s worst nightmare. Alex Harrington, a twenty-five year old woman who runs a free clinic in Dalton, North Carolina is kidnapped by human traffickers while on vacation in Mexico City. She is dragged from a public bus, and no one, driver or passengers, will help her. She wakes on a grit-covered cement floor, head throbbing, looking up into the terrified faces of a dozen women. Fortunately, Alex is resourceful and a champion runner. She manages to escape, and return to Dalton, but when a battered woman seeks refuge at her clinic, only to die moments later, Alex learns that human traffickers don’t only exist in Mexico. They are operating even in her home town, targeting her, and she has no idea why. Alex learns who she is and who she is not while confronting the brutal world of human trafficking. She wants answers, but when the trail leads back to those she loves the most, she finds that sometimes it’s the most innocent and ordinary places that hide the most terrible secrets.

My inspiration for Brutal Silence came when at the urging of a friend I attended a conference on human trafficking sponsored by the University of North Carolina-Chapel Hill over ten years ago. At lunch I sat next to a courageous young woman who had escaped after being trafficked and who was speaking out about human trafficking in hopes of saving others. I was so moved by her story that I wanted to learn more about human trafficking, and I found to my surprise that most people did not want to see or talk about it–hence my title, Brutal Silence. I set out to write something that would build awareness and inspire support for the efforts of those who work heroically against human trafficking. Anything I make on Brutal Silence will go to combat human trafficking.

 

 

 

Brutal Silence is a thriller. Have you always enjoyed reading thrillers?

I have always relaxed by reading thrillers, finding them a welcome change from the challenging and often cumbersome writing that filled my days as an academic, an attorney, a corporate executive and a university administrator. I am at heart a romantic, drawn to stories about protagonists who risk everything to overcome evil and make the world a better place. The thriller  genre seemed particularly well suited to a story whose underlying crime was human trafficking because human trafficking with its total disregard to human life in the interests of greed is about as evil as you can get. In good thriller style, in Brutal Silence, Alex Harrington takes on the evil of human trafficking at considerable cost to herself.

-While writing the book were there particular authors that you turned to for inspiration?

I look to good writing of all kinds. In writing Brutal Silence I studied mystery and thriller writers like Dashiell Hammett, Anne Perry and Andrew Gross for craft, and I looked for insight into the struggles of the human psyche in books like Helen Macdonald’s H is for Hawk, Ron Rash’s Something Rich and Strange: Selected Stories, Bryce Courtenay’s The Power of One, and Laura Hillenbrand’s Unbroken among many others.

-What was the most challenging aspect of writing Brutal Silence?

The creation of the character, Emilio Vargas, the Mexican crime boss in Brutal Silence, was especially tough, because I had to think like a sociopathic killer. I don’t spend a lot of time with sociopaths, at least not if I can help it, and I certainly don’t know any from the world of Mexican organized crime. I had to rely on research and my imagination. I immersed myself in The Sociopath Next Door by Martha Stout, El Sicario, the Autobiography of a Mexican Assassin and interviews with really bad guys like El Chopo, and tried see the world through the eyes of someone who cannot feel anything for other people. It was not easy, especially when the sociopaths started showing up at night when I was trying to sleep.

-What’s been the biggest surprise thus far in being published?

I have been surprised and pleased at the support and generosity of many people. Publishing Brutal Silence has brought back into my life friends from my past, some from school days and others from my time practicing law in Philadelphia and Washington, DC. Glaxo friends have come to launch parties and author events even bringing with them adult children who I remembered from when they were little. Still more from my days at UNC and the North Carolina Writers’ Network have been especially helpful, and new friends have guided me through the bewildering publication process.

– You’re recently retired. How has your writing practice changed over the past year?

When I was working full time, I squeezed writing into my day whenever I could and wrote on weekends. Now I go to a little office near my house and write every morning. Afternoons, while I take care of the business of living, I think about what I’ll write the following day, often playing ideas over in my head while on the treadmill or driving around town. I have come home from grocery stopping with a rutabaga when I really needed an onion because my mind was somewhere other than in the vegetable section of Whole Foods.

– What’s your best writing tip that you’d like to share?

When you tell someone that you want to write, ignore the ones who respond, “How are you going to do that?”  A date in college said that to me once when I told him my dream was to write a novel. That was the end of him. There never seems to be a shortage of nay-sayers and wet blankets. Avoid them at all costs. If you want to write, write. As Anne Lamott says in Bird by Bird, “Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul.”
 

Many thanks, Michele, for inviting me to post on your blog and to your readers for listening.

 

Margaret Dardess was born and raised just outside of New York City, and has lived and traveled across several continents, landing at last in Chapel Hill, North Carolina where she should have been all along.  She is the daughter of an artist and a poet, who were determined to steer their only daughter away from a life in the arts. For many years they succeeded.

After graduating from Connecticut College, Margaret returned to New York to study Japanese history at Columbia University, and after a brief teaching career, went on to tackle the law.  When she finally stopped going to school, she set off on a journey, masquerading as an international trade lawyer, a corporate executive and a university administrator until at last she cast her parents’ warnings to the wind and began to write.

Brutal Silence is Margaret’s first novel. Margaret is hard at work on a sequel that will take Alex to Margaret’s native New York City where vengeance and murder threaten to destroy the new life that Alex is determined to build.

Find out more about Margaret here.

Octavia Butler was a visionary science fiction writer who influenced a generation of writers, artists and scholars from the 1970s until her death in 2006. She broke new ground as one of the first African American women writers to achieve critical success in the speculative fiction arena, a field historically dominated by white men. In celebration of what would have been her 70th birthday and in recognition of Butler’s enormous influence on speculative fiction Twelfth Planet Press is publishing a selection of letters and essays written by science fiction and fantasy’s writers, editors, critics and fans. There are letters from people who knew Butler and those who didn’t; some who studied under her at the Clarion and Clarion West workshops and others who attended those same workshops because of her; letters that are deeply personal, deeply political, and deeply poetic; and letters that question the place of literature in life and society today.

 Luminescent Threads: Connections to Octavia Butler is available for pre-order and is due out by mid-August. I’m thrilled to be in this collection! I’ve written elsewhere how I almost talked myself out of submitting and why you should never self-reject your work! The lineup of writers in LT, both new and established, is amazing and includes Tara Betts, Nisi Shawl, L Timmel Duchamp, Steven Barnes, K Tempest Bradford, Jewelle Gomez, Bogi Takács,  Sheree Renée Thomas, Aurelius Raines II and many others.

I wanted to know more about the editors of Luminescent Threads, Alexandra Pierce and Mimi Mondal, and what they learned from tackling a project of this magnitude. They kindly agreed to a joint interview and I’m delighted to welcome them to ‘The Practice of Creativity’.

Senior Editor Alexandra Pierce is editor of the award-winning Letters to Tiptree and co-host of Hugo award-winning feminist SFF podcast Galactic Suburbia alongside Alisa Krasnostein and Tansy Rayner Roberts. She is also a part-time teacher, blogger, book reviewer and columnist for Tor.com.

Editor Mimi Mondal was born in Calcutta, India. She is a 2015 recipient of the Octavia E Butler Memorial Scholarship at the Clarion West Writing Workshop and the Poetry with Pakriti Prize in 2010. Her stories, poetry and social commentary have appeared in The Book Smugglers, Daily Science Fiction, Podcastle, Scroll.in, Muse India, Kindle Magazine, among other venues.

 

– Tell us about your new book. What inspired this project?

Alex: For me it was a desire to hear from people who have been inspired in different ways by Octavia Butler, as well as having the opportunity to get her name and reputation out to a wide audience. Butler was an amazing author and a remarkable person, in terms of how she has influenced writers and readers in lots of different circumstances. I wanted to help to celebrate that.

Mimi: I came in later into the project as the replacement for another editor, so the concept wasn’t mine. I had been the Octavia Butler Scholar to the Clarion West in 2015, so when someone asked me whether I’d be interested in co-editing an anthology of readers’ letters to Octavia Butler, I was immediately excited, even though socially and emotionally it wasn’t the best time for me to take up a new project. I wasn’t acquainted with the team but I admired their work on Letters to Tiptree, which assured me that this was a book I would enjoy being part of.

– How have you been influenced by Octavia Butler’s work?

Alex: I’ve been challenged by the way she thinks about power and consent and family. Power and consent are huge parts of many of her books, and she’s usually not presenting a straightforward argument about them. Family, too, is often complicated in her novels, and I’ve been intrigued to think about what it means to have a family, to be a family.

Mimi: I grew up in India, where I had practically never heard of Octavia Butler.

The most powerful thing I probably learned from her work is that weird, complex, imaginative, speculative things don’t only happen in white-people stories. For a long time my reading included only realist fiction by writers of color, and all the speculative, dystopian, space, superhero, monster, apocalypse stories seemed to be written by white people, featuring white people, for other white people. It made me feel awkward to even write those stories, because the terrain just didn’t feel mine. Butler’s work, to a large extent, helped me break out of that painful narrowness of perspective.

– What did you learn about yourselves as editors while working on Luminescent Threads?

Alex: I learned that I love helping people to express themselves! And I really like bringing different thoughts and perspectives together to present something greater than the indivisible pieces.

Mimi: I learned that people’s words can both make me cry and make me stronger. As an immigrant student in the United States, these past few months haven’t been kind to me. Editing is what I do for a living, but never have been so strongly moved by a book I edited.

– What’s one thing you wish more writers understood about submitting work for an anthology?

Alex: That guidelines are there for a reason! But also in terms of this project that neither Mimi nor I were doing this as an actual job; we both do other things in real life, as it were, and the editing is additional.

Mimi: I agree! When you’re writing for a specific call for submissions, make sure your work fits their guidelines, and you submit and communicate with the publication in the way they require. The speculative fiction community is far more informal than many other artistic communities. Everyone’s in it because they love the stuff. But that lack of a strictly imposed hierarchy shouldn’t mean that anything goes. You may have met or hung out with the editor(s) at a convention, but that doesn’t make you exempt of the word limit, deadline or theme they have put down for the anthology.

– What are some exciting trends in speculative fiction that you see in terms of diversity and representation?

Alex: the very existence of an understanding of the need of diversity is exciting at the moment. That people are becoming more vocal in speaking out about occasions when the importance of diversity clearly hasn’t been considered.

Mimi: The fact that I am here at all is something I find exciting. Growing up in India, I always wanted to be a writer but never knew if it was possible, because I don’t come from the kind of background writers traditionally came from back then, and the stories of the only kind of people I knew didn’t end up in books. I grew up reading pretty much only white male writers, and right now I probably read one white male writer a year, if that. There are so many other stories that are way more fun to read! I love it that this has come to be so, and I love it that I’m living in these times.

– What’s your best writing tip that you’d like to share?

Alex: Pay attention to the guidelines and communicate clearly with your editor!

Mimi: “Write a little bit every day, even if you’re not in the mood.” is a wonderfully effective tip that, unfortunately, I don’t follow. It has improved my writing exponentially in a very short time every time I’ve managed to do it for short periods, though, so maybe it’s worth passing on!

 

Alexandra Pierce is an editor, blogger and book reviewer. Connect with her at http://www. randomalex.net   Twitter: @randomisalex

Mimi Mondal is a writer from India, and the Poetry and Reprints Editor of Uncanny Magazine. Connect with her at: www.mimimondal.com   Twitter: @Miminality

 

 

 

 

Save

Save

Save

Save

Save

Besides being published by Book Smugglers Publishing, I have found that another wonderful perk has been discovering other fantastic authors in the BSP family. One of them is Dianna Gunn. In May, I discovered Diana’s novella, Keeper of the Dawn. Dianna’s was the first novella released in the Book Smugglers Novella Initiative. I loved it and also wrote a review of it. Dianna and I have many overlapping interests and I have enjoyed getting to know her work.

Dianna Gunn is a freelance writer by day and a fantasy author by night. She blogs about writing, creativity and books at http://www.thedabbler.ca.

I’m delighted to welcome Dianna Gunn to The Practice of Creativity.

– Tell us about your recent novella, Keeper of the Dawn. What are you hoping readers will connect to in this story? 

Let me start by sharing the blurb:

Sometimes failure is just the beginning

All Lai has ever wanted is to become a priestess, like her mother and grandmother before her, in service to their beloved goddess. That’s before the unthinkable happens, and Lai fails the trials she has trained for her entire life. She makes the only choice she believes she can: she runs away.

From her isolated desert homeland, Lai rides north to the colder, stranger kingdom of Alanum—a land where magic, and female warriors, are not commonplace.

Here, she hears tales about a mountain city of women guardians and steel forgers, worshiping goddesses who sound very similar to Lai’s own. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple. She is determined to make up for her past failure, and will do whatever it takes to join their sacred order.

Falling in love with another initiate was not part of the plan.

Keeper of the Dawn is a tale of new beginnings, second chances, and the endurance of hope.

# # #

If there’s any one thing I want readers to connect with, it’s the idea that the path to success is rarely straight forward. I also hope Keeper of the Dawn will serve as a reminder that we all deserve love, even—especially—if we have to seek it outside the bounds of “normal” relationships.

-How did you get bitten by the ‘writing bug’? Did you always wish to become an author?

I always loved telling stories—I used to read to my stuffed animals—but I didn’t realize “writer” was a valid career path until JK Rowling made a lot of money. I was quickly disillusioned about making my own fortune, but I’ve never let anyone dissuade me from the idea that I can’t make it a career.

You manage to pack a lot into your day! You’re a blogger and freelance writer, and you’re working on a non-fiction book. How do these activities support your creative work?

Being a freelance writer by day comes with its own set of challenges, but it also has special advantages. The flexibility of my schedule means that if I’m on a roll, I can work on my fiction WIP for several days, and do my freelance work at the absolute last minute.

On the other hand, if I’m struggling with my fiction, I always have something else to do.

Also, I’m writing that non-fiction book VERY SLOWLY and blogging large parts of it. Some of it is also reworked from blog posts I wrote 2-3 years ago, allowing me to write the book efficiently. Albeit still slowly, because fiction is my true love.

-In your ‘Inspirations and Influences’ essay for Book Smugglers, you mentioned that you were writing a parody novel that you eventually abandoned, but kept Lai as a character. What allowed you to abandon that project and dive deeply into Lai and build a story around her?

Hahaha, I never had a problem abandoning projects. Which might sound strange if you know that I’ve also been working on my full length novel, Moonshadow’s Guardian, for 9 years, but I have happily thrown away dozens of other manuscripts. And I always keep the notes so I can reuse ideas in new stories.

-What’s on your bookshelf, next to your bed (or in your e-reader)? What are you reading right now?

I finished reading Cog and the Steel Tower by W.E. Larson last night, so now I have to pick a new book. Which is going to be tough, because I picked up the LGBT Story Bundle a couple weeks ago and I’ve also got several print books friends loaned me…

– What’s your best writing tip that you’d like to share?

Don’t take criticism of your stories personally, and ignore anyone that uses flaws in your fiction to attack you as a person. I know it doesn’t FEEL like our books are separate from us, but they are. We should treat them that way.

 

When she isn’t helping her clients bring their dreams to life, Dianna can be found busily working on her own dream of being a successful fantasy author. Her first YA fantasy novella, Keeper of the Dawn, came out on April 18th, 2017.  She has several other novellas and novels in the works, and hopes to announce a second release date soon.

You can also follow her on Twitter @DiannaLGunn or on Facebook at https://www.facebook.com/dlgunnauthor/.

 

How do you renew and refresh yourself? What are the kinds of activities that supercharge you?

Most of the writers I know write a lot. Most write daily.

The creative professionals I know are doing it all, all the time—writing, creating, supporting other creatives, marketing, honing their craft, etc., in addition to living a full life. Demands continue to expand. Many creative professionals I know are skirting the edges of burnout.

A few years ago, I decided to stop waiting for week-long vacations to take a break. Those kind of vacations are great, but for me they usually only came once a year. And, by the time I went on them, I was so mentally and physically fatigued that I usually spent a chunk of it in bed or sick. A bummer! Also, I found myself putting so much emotional energy into ‘having a great time’ that it put unrealistic expectations on the trip.

New research suggests that shorter breaks throughout the year may leave people feeling happier and more productive.

When friends recently invited me to hang out with them, for a few days, at the beach, I jumped at the chance.

I also did something rare for me. I didn’t bring my computer. This was huge! My computer and I are usually inseparable. I’ll often bring it along on a vacation to do creative work.  My amazing partner, Tim, was the one who suggested that I take a break from writing on the computer

Take a break from writing on the computer? The suggestion almost caused heart palpitations. He is a wise man, however, and I decided to follow his suggestion. I old schooled it—bringing a journal and some books.

I love being outdoors in just about any kind of setting, but the beach is the place I unwind the best.

Three nights and four days was a great gift. Hanging with friends, playing games, taking long walks and doing nothing was a balm for my body, mind and spirit.

Filling up the creative well is an important component of living a creative life.

 

This daybreak beckoned to me. I spent some time drinking in the morning light and then grabbed my journal and started writing.

 

An amazing flan to end a great day at the beach.

 

Key Lime Krush, Purple Rain, the Slim Shady and Butterfinger Bash were some of the offerings at the suggestively titled ‘Wake N Bake’ Coffee and Donut Shop. If you’re ever driving through Carolina Beach, check them out.

 

More offerings from Wake N Bake.

As it turned out, by taking a few days off, I was able to break through on some writing projects that were stuck. I even plotted out what I hope will be a coquel (yes, I made that word up) to my current sci-fi novella, Reenu-You. Our imagination gets all fired up when we experience new things and get out of our typical schedule!

I have never hunted for ‘ghost crabs’ before but a friend suggested we do it one evening. It was so much fun! We flashed our lights on this guy.

Do you have a short break coming up this summer? Where are you going to stock your creative well?

If you’re a writer, you’ve heard the term ‘writer’s block’. Writer’s block is an umbrella term symbolizing a variety of challenges that many writers face. Some writers will say they have writer’s block when they are stuck on a particular project. They are perhaps writing, but they can’t seem to make progress on their project. They don’t know what line comes next, or how to get a scene working.

Other times people use writer’s block to mean that all writing in their life has ceased. They avoid the page for a time and feel unable to write anything creative.

Many books have been written about writer’s block. They tend to fall into two camps: 1) writer’s block doesn’t exist-it’s a figment of one’s imagination and the remedy is to sit down and write. 2) writer’s block is real and requires deep introspection.

Heloise Jones’s new book, Writer’s Block Myth: A Guide to Get Past Stuck & Experience Lasting Creative Freedom offers a different perspective:

A core theme in the book is that writers are all different. It is important to find ways of writing that work for you.

Writer’s block is real, but it’s not what we think it is. And that’s where the myth lies.

Writers block is a symptom, not a pathology. What happens on the page is tied to what’s inside us (how we assign value and give meaning to our work, ourselves, and our process) and links to something in our life in the real world that we can shift so writing flows. Or, in the least, see what flows as something we can value. It’s not about Doing, as much as about perspective.

Heloise Jones is an author, speaker, and mentor. She assists writers and creatives getting to the heart of what they need to move forward & complete their projects. Her background includes years of study in craft, process, & the publishing industry + fields of wisdom and experience from a host of supportive holistic tools.

I’ve known Heloise through our participation in online writing communities. When I heard that Heloise was offering a new take on an age old topic, I couldn’t wait to see if she would be a guest here.

I am delighted to welcome Heloise Jones to The Practice of Creativity.

Tell us about your recent book, The Writer’s Block Myth. What are you hoping this book will provide readers?

The subtitle, “A Guide to Get Past Stuck & Experience Lasting Creative Freedom,” just about says it all. A guide minus shaming or hard rules written for people living in the real world. It grew out of hundreds of hours of conversations and my work with writers and creatives, as well as interview-conversations conducted with writers of all levels, interests, and experience.

The book includes the voices of other writers, plus examples and short, easy, effective exercises to help you move forward in your creative life.  It’s a book to refer back to, because no matter how much we know, we get derailed and need support.

My hope is readers find and embrace the ways that work best for them in creating a satisfying life, as well as written works. That they feel freer in the process, and know they have a supportive guide while they do it.

You discuss the concept of permission slips for writers. What is a permission slip and why is it helpful for writers to use them?

Permission slips are like hall passes. They provide passage through territory that may hold restrictions in our minds. We live in a loud world that describes success, and iterates definitive approaches to writing. That lists ways to judge ourselves and accomplishments good/bad/right/wrong. Permission slips are our greenlights and go-aheads to take time to write in the ways that work best for us when resistance and challenges come up. This includes those inside you (doubt, guilt, feeling selfish or like you’re doing ‘it’ wrong, not writing enough, are a failure, etc.), and outside you (validation, acceptance, understanding, etc.).  All the loaded issues for people living with relationships, obligations, and lifetimes of shoulds and oughts. Not to mention, conflicting desires.

Permission slips, or green lights, are empowerment tools our brains can respond to because they come from outside us. Leave us only to decide how to use them, or not.

What did you learn about yourself as a writer while working on The Writer’s Block Myth?

I learned how much the economy of online writing and reading has affected my writing Voice. When writing fiction and poetry, my process is longhand, pen to paper, for rough drafts. When writing essays and nonfiction, it’s fingers to keyboard from get-go. The past two years I’ve focused on my blogs. And though my ‘Getting to Wise. A Writer’s Life’ blog is a journal about navigating life, I compose on the computer. I had to write the entire manuscript of The Writer’s Block Myth twice to shift into the Voice that works as well on paper as online.

While crafting your book, did you look to other writing books as models for inspiration, support or even for what not to do? If yes, what were they? If no, where do you turn for writing inspiration?

This is such an interesting question because I read like a writer, and go to others’ written works to learn craft. For instance, I read Ann Patchett’s novel Bel Canto to learn how to effectively transition different POVs within scenes. But I don’t go to others’ books for process.

I swiftly read blogs, articles, interviews, and short essays, glean nuggets. I’m intuitive and curious, so if it sticks, I file it whether I agree with what it says or not. It’s a daily practice, and where I get inspiration and learn to think bigger. Two books were recommended to me as I was writing The Writer’s Block Myth. I approached the material in them the same way.

I want to share something useful for me as I gathered material. Once I knew what the book would be, I trusted the process. I hung one of those nice folded bags of thick paper with fancy cord handles you get from a boutique on a door. It was one I enjoyed gazing upon that also contained a message for my Soul: a lovely Hawaiian print in neutrals with the words ‘hana hou.’ Hana hou means encore or one more time in Hawaiian. I could’ve used anything. A basket, box, or whatever. The important points were 1) it was visible, reminding me of my intention, and 2) accessible. I put everything I came across in the bag without editing or culling – quotes, articles, blogs, paragraphs, Facebook posts. When it came time to write, I sorted what I’d collected over the months to the sections in the book. I applied the same sorting process to the interviews I conducted as research.

What’s your next for you? What are you working on?

Developing workshops and retreats that incorporate the principles in the book. Creating communities where writers write together, and connect with others who understand what they do. I believe the experience while in a group or on retreat is as important as words on the page. That creatives need environments which nurture and nourish our process, as well as improve our craft. Plus, I love talking about writing and working with other creatives.

For my own writing practice, I’m back to writing fiction whenever I can, which is joy for me. . .as vol. 2 of The Writer’s Block Myth perks.

What’s your best writing tip that you’d like to share?

Trust the process. Let go in the story you’re telling, and let go of the way you intend to tell it. Open to what might be there you hadn’t thought about before you go into edits. Think of your writing as a dance you’re doing, and you’re expanding the dance floor. You’ll be a stronger writer, and it will help you feel freer inside. This includes the process of editing, too. But that’s another conversation.

Thank you for having me.

Heloise Jones assists writers and creatives getting to the heart of what they need to move forward & complete their projects. Her background includes years of study in craft, process, & the publishing industry + fields of wisdom and experience from a host of supportive holistic tools. Most importantly, she knows what getting past stuck and lasting creative freedom mean, and all the ways writers and creatives get waylaid.

She lives in Santa Fe, New Mexico.

Go visit her: http://www.heloisejones.com/

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

View Full Profile →

Follow me on Twitter

Follow The Practice of Creativity on WordPress.com