The Practice of Creativity

Posts Tagged ‘fantasy and science fiction

Hi folks,

Happy holiday weekend to all my U.S. readers and for those not in the U.S., I hope you are well wherever you are in the world. In a few days, we move into ‘Cyber Monday’. Many publishers, along with other businesses, are offering great deals on Monday. This is an excellent time to find holiday gifts and stock up on personal reading for the season. I wanted to give you a heads up about one publisher in particular—Fighting Monkey Press.

Fighting Monkey Press, publisher of the amazing ‘UnCommon’ anthologies is having a GREAT sale on Monday. On Monday (and for a very limited time), you can get ALL 4 anthologies for just $4.00, or one book for 99c! I’m published in the UnCommon Origins anthology and have truly been impressed with the phenomenal writing in each collection. My urban fantasy story, ‘The Curl of Emma Jean’ is about two sisters, race, fairies and the God Faunus.Check out the UnCommon Origins trailer.
Each anthology is themed and features short stories that fall into the categories of horror, magical realism, fantasy, slipstream, science fiction, steampunk and more. Your imagination will truly be sparked by the UnCommon anthologies!

Get 4 books for 4 dollars, or 1 book for 99c! 

UnCommon Bodies

Step right up to the modern freakshow — We have mermaids, monsters, and more. You won’t be disappointed, but you may not get out alive.

UnCommon Bodies presents a collection of 21 beautifully irreverent stories that blend the surreal and the mundane. Together, the authors explore the lives of the odd, the unbelievable, and the impossible. Imagine a world where magic exists, where the physical form has the power to heal or repulse, where a deal with the devil means losing so much more than your soul.

UnCommon Origins

UnCommon Origins presents 22 depictions of moments on the precipice, beginnings both beautiful and tragic. Fantastical stories of Creation, Feral Children, Gods and Goddesses (both holy and horrific), and possibilities you never dared imagine come to life. Including stories from some of the most talented Speculative Fiction and Magical Realism authors around, UnCommon Origins will revisit the oldest questions in the universe: Where did we come from? and What comes next?

UnCommon Minds

Enter into the hidden world of the mind, where the laws of nature don’t apply and nothing is as it seems.

Straight from the minds of 20 UnCommon Authors come tales of tragedy, triumph, and bittersweet gratitude. You’ll find augmented realities and mental persuasion that force you to question everything. Stories of military suspense, psychological horror, dream walkers, and psychic mediums await their turn to crawl into your head.

UnCommon Lands

Enter into the hidden world of the mind, where the laws of nature don’t apply and nothing is as it seems.

Straight from the minds of 20 UnCommon Authors come tales of tragedy, triumph, and bittersweet gratitude. You’ll find augmented realities and mental persuasion that force you to question everything. Stories of military suspense, psychological horror, dream walkers, and psychic mediums await their turn to crawl into your head.

 

 

 

 

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I’ve made it through a major writerly milestone. Last week, I had my debut book reading and signing for Reenu-You at McIntyre’s Books. It was a blast and went very well.

However, there was still a lot to learn!

I thought I was ready. I thought I knew all there was to know. I thought I was prepared. How long had I been attending book signings? How long had I been visualizing myself conducting a reading and signing books? Longer than I can remember.

But, there was still a lot to learn!

I’m passing on some tips and lessons learned.

-Ask for help. Mobilize your writing peeps!

Doing an author signing and book reading requires some coordination, especially if this is your first time. I decided to serve drinks, food and organize a giveaway. I also had to order books because Book Smugglers distributes their books through IngramSpark and most bookstores will only order a few copies (because of the no return policy). Therefore, authors have to order books and bring them to the store. So, I needed help with lifting books, setting up the food, etc. Mobilize your community and ask writer friends for help on your big day. They’ll be happy to help with moral support, too. I’m glad I flexed my usually underutilized “asking for help” muscles. I had fantastic help and support that day.

-Promote and advertise your event at least a month beforehand. And, don’t just rely on one or two promotional strategies.

I used Twitter, my Author Facebook page, my personal Facebook page and blog to promote the event. I posted a month before, three weeks before, two weeks before and a few days before the event. McIntryre’s Books created a Facebook event page. The only thing that I didn’t do that I will do next time is to also invite people through email. I had a fantastic turnout, but several close friends weren’t there. These are folks that don’t regularly check Facebook. I over-relied on the Facebook event and my personal page for promotion. I also didn’t want to “bother” people by posting too much. Given that it takes several “touches” for people to get something on their calendar, and you never know what people actually see and when they see it, it’s better to post often. Next time, I know that it’s better to cover all the bases one can, including good old email. I also forgot to email my newsletter list!

a lovely audience

a full house!

Practice what you will read and time yourself. Do it over and over until you feel confident.

I received good advice from some writers on Twitter when I asked about tips for doing a reading. Many stressed to pick the highlights and sections of the book that pop. Most of Reenu-You moves between two narrators, Kat and Constancia. I decided to read brief snippets of when we first meet them. They both have distinctive worldviews and use of language that made those snippets very fun to read. I reminded myself that I just needed to provide an appetizer to the audience to entice them to want to read more.

Get rest the night before.

I was restless and didn’t sleep that well the night before the reading. That morning I got up and did some gentle yoga and meditation which was extremely helpful for getting grounded (as they always are).

Eat something beforehand or have an energy bar with you.

You’ll probably already feel jittery, hunger will exacerbate that feeling.

Take cough drops with you.

I know writers who carry cough drops in case their throat gets dry before a reading. I didn’t carry cough drops, but I did use Nasya oil which is a medicated oil that lubricates the nasal passages and promotes concentration. Nasya is a cleansing technique used in Ayurvedic medicine, a holistic science that originates in India. I swear by this technique during fall and winter when the weather is more drying and one becomes susceptible to colds and flus. Doing Nasya is also very grounding.

Food is always appreciated at an author event.

I had a nice spread of snacks, cheeses, fruit, lemonade and sparkling wine. Also a friend made great cupcakes which garnered kudos and became the second star of the day. She tried to match the frosting colors to the colors on Reenu-You’s cover. I think she did a great job.

I loved seeing people connecting and talking about writing while eating delicious food.

I splurged on food and wine as I wanted this to be a celebratory moment. When I do future readings, I will probably keep it simple-just cupcakes and champagne!

Consider offering a door prize or two. People find them fun and it contributes to the festive environment.

I absolutely love receiving door prizes at events! I decided that I wanted to give away some door prizes for my reading. I gave away my book and The Successful Author Mindset by Joanna Penn. I’m a huge fan of Joanna Penn’s work as a podcaster, author champion and writer and I wanted to encourage the writers in the audience with her words of wisdom. I also gave away Nisa Shawl’s novel, Everfair. I met Nisi when I was a graduate student and lived in Ann Arbor. She worked in a used bookstore and somehow I discovered that she also loved speculative fiction and also wanted to be a writer. It was always a joy to visit her as we would talk endlessly about speculative fiction. She was the first person of color I knew that also wanted to write science fiction! When I was telling this story to the audience, I reminded then that although now everyone seems to be talking about Afrofuturism, Octavia Butler, writers of color in speculative fiction and Black Speculative Arts, twenty-five years ago this was not the case! In the early 1990s, I knew of Octavia Butler and Samuel Delaney, but I didn’t have a community of people who looked like me that I could talk about speculative fiction or being a writer in the genre. Nisi was a wonderful informal mentor and friend. I am thrilled for her success with Everfair which is a alternate history novel that re-imagines what might have happened in the Congo, during colonization, if its inhabitants had access to steampunk technology.

My friend Sam won Nisi’s book! A perfect fit as he is a literary and film scholar and is interested in speculative fiction.

Bring a great pen to sign books.

Your first event will probably bring a lot of people that you know. I found myself wanting to write much longer notes in the book which slowed the line. Also, they’ll want to chat a bit which is fun. Remember that energy bar? You might need to take a few bites in case your energy flags some.

Pete, one of the booksellers gave me a Sharpie to sign books with. I had meant to bring a special pen, but that detail totally got lost while preparing for everything else. I was terrified of messing up with that Sharpie, but I didn’t’.

I’ve seen other authors have a slip of paper with them and they ask people to write their names down. This ensures that you don’t spell someone’s name wrong which would be a big bummer.

Savor this feeling—allow yourself to be celebrated.

I am so grateful to folks who were able to make it to McIntyre’s Books. I looked out into the audience and saw former students, academic colleagues, community folk, writer friends and new faces. It was a real delight to experience the fullness of that moment. The writing journey is that much sweeter when you can share some of the peaks with friends.

So much fun seeing friends and holding up my book!

The time really flew by. At moments I found myself saying, “It’s all happening so fast.” I remember hearing from a coach that in order to get our brain to really “take in”, or anchor a positive experience, we have to focus on it for about ten seconds. Otherwise, it just slides by and gets drowned out in the noise of life.

I kept trying to remind myself to let the amazing feelings sink in. And, I whispered to the universe, “Thanks universe, more experiences like this, please! I’m ready!”

 

 

Hi folks,

I was thrilled to receive this review from Strange Horizons. Strange Horizons is a top UK weekly science fiction magazine. I was hoping that reviews of Reenu-You would start appearing in some of the respected speculative fiction venues. Yay!

This week is a big week because I have a debut reading at McIntyre’s Books on Saturday at 2pm. Book signing, refreshments and more. You’re invited!

https://www.fearrington.com/events/category/author-event/

Octavia Butler was a visionary science fiction writer who influenced a generation of writers, artists and scholars from the 1970s until her death in 2006. She broke new ground as one of the first African American women writers to achieve critical success in the speculative fiction arena, a field historically dominated by white men. In celebration of what would have been her 70th birthday and in recognition of Butler’s enormous influence on speculative fiction Twelfth Planet Press is publishing a selection of letters and essays written by science fiction and fantasy’s writers, editors, critics and fans. There are letters from people who knew Butler and those who didn’t; some who studied under her at the Clarion and Clarion West workshops and others who attended those same workshops because of her; letters that are deeply personal, deeply political, and deeply poetic; and letters that question the place of literature in life and society today.

 Luminescent Threads: Connections to Octavia Butler is available for pre-order and is due out by mid-August. I’m thrilled to be in this collection! I’ve written elsewhere how I almost talked myself out of submitting and why you should never self-reject your work! The lineup of writers in LT, both new and established, is amazing and includes Tara Betts, Nisi Shawl, L Timmel Duchamp, Steven Barnes, K Tempest Bradford, Jewelle Gomez, Bogi Takács,  Sheree Renée Thomas, Aurelius Raines II and many others.

I wanted to know more about the editors of Luminescent Threads, Alexandra Pierce and Mimi Mondal, and what they learned from tackling a project of this magnitude. They kindly agreed to a joint interview and I’m delighted to welcome them to ‘The Practice of Creativity’.

Senior Editor Alexandra Pierce is editor of the award-winning Letters to Tiptree and co-host of Hugo award-winning feminist SFF podcast Galactic Suburbia alongside Alisa Krasnostein and Tansy Rayner Roberts. She is also a part-time teacher, blogger, book reviewer and columnist for Tor.com.

Editor Mimi Mondal was born in Calcutta, India. She is a 2015 recipient of the Octavia E Butler Memorial Scholarship at the Clarion West Writing Workshop and the Poetry with Pakriti Prize in 2010. Her stories, poetry and social commentary have appeared in The Book Smugglers, Daily Science Fiction, Podcastle, Scroll.in, Muse India, Kindle Magazine, among other venues.

 

– Tell us about your new book. What inspired this project?

Alex: For me it was a desire to hear from people who have been inspired in different ways by Octavia Butler, as well as having the opportunity to get her name and reputation out to a wide audience. Butler was an amazing author and a remarkable person, in terms of how she has influenced writers and readers in lots of different circumstances. I wanted to help to celebrate that.

Mimi: I came in later into the project as the replacement for another editor, so the concept wasn’t mine. I had been the Octavia Butler Scholar to the Clarion West in 2015, so when someone asked me whether I’d be interested in co-editing an anthology of readers’ letters to Octavia Butler, I was immediately excited, even though socially and emotionally it wasn’t the best time for me to take up a new project. I wasn’t acquainted with the team but I admired their work on Letters to Tiptree, which assured me that this was a book I would enjoy being part of.

– How have you been influenced by Octavia Butler’s work?

Alex: I’ve been challenged by the way she thinks about power and consent and family. Power and consent are huge parts of many of her books, and she’s usually not presenting a straightforward argument about them. Family, too, is often complicated in her novels, and I’ve been intrigued to think about what it means to have a family, to be a family.

Mimi: I grew up in India, where I had practically never heard of Octavia Butler.

The most powerful thing I probably learned from her work is that weird, complex, imaginative, speculative things don’t only happen in white-people stories. For a long time my reading included only realist fiction by writers of color, and all the speculative, dystopian, space, superhero, monster, apocalypse stories seemed to be written by white people, featuring white people, for other white people. It made me feel awkward to even write those stories, because the terrain just didn’t feel mine. Butler’s work, to a large extent, helped me break out of that painful narrowness of perspective.

– What did you learn about yourselves as editors while working on Luminescent Threads?

Alex: I learned that I love helping people to express themselves! And I really like bringing different thoughts and perspectives together to present something greater than the indivisible pieces.

Mimi: I learned that people’s words can both make me cry and make me stronger. As an immigrant student in the United States, these past few months haven’t been kind to me. Editing is what I do for a living, but never have been so strongly moved by a book I edited.

– What’s one thing you wish more writers understood about submitting work for an anthology?

Alex: That guidelines are there for a reason! But also in terms of this project that neither Mimi nor I were doing this as an actual job; we both do other things in real life, as it were, and the editing is additional.

Mimi: I agree! When you’re writing for a specific call for submissions, make sure your work fits their guidelines, and you submit and communicate with the publication in the way they require. The speculative fiction community is far more informal than many other artistic communities. Everyone’s in it because they love the stuff. But that lack of a strictly imposed hierarchy shouldn’t mean that anything goes. You may have met or hung out with the editor(s) at a convention, but that doesn’t make you exempt of the word limit, deadline or theme they have put down for the anthology.

– What are some exciting trends in speculative fiction that you see in terms of diversity and representation?

Alex: the very existence of an understanding of the need of diversity is exciting at the moment. That people are becoming more vocal in speaking out about occasions when the importance of diversity clearly hasn’t been considered.

Mimi: The fact that I am here at all is something I find exciting. Growing up in India, I always wanted to be a writer but never knew if it was possible, because I don’t come from the kind of background writers traditionally came from back then, and the stories of the only kind of people I knew didn’t end up in books. I grew up reading pretty much only white male writers, and right now I probably read one white male writer a year, if that. There are so many other stories that are way more fun to read! I love it that this has come to be so, and I love it that I’m living in these times.

– What’s your best writing tip that you’d like to share?

Alex: Pay attention to the guidelines and communicate clearly with your editor!

Mimi: “Write a little bit every day, even if you’re not in the mood.” is a wonderfully effective tip that, unfortunately, I don’t follow. It has improved my writing exponentially in a very short time every time I’ve managed to do it for short periods, though, so maybe it’s worth passing on!

 

Alexandra Pierce is an editor, blogger and book reviewer. Connect with her at http://www. randomalex.net   Twitter: @randomisalex

Mimi Mondal is a writer from India, and the Poetry and Reprints Editor of Uncanny Magazine. Connect with her at: www.mimimondal.com   Twitter: @Miminality

 

 

 

 

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Besides being published by Book Smugglers Publishing, I have found that another wonderful perk has been discovering other fantastic authors in the BSP family. One of them is Dianna Gunn. In May, I discovered Diana’s novella, Keeper of the Dawn. Dianna’s was the first novella released in the Book Smugglers Novella Initiative. I loved it and also wrote a review of it. Dianna and I have many overlapping interests and I have enjoyed getting to know her work.

Dianna Gunn is a freelance writer by day and a fantasy author by night. She blogs about writing, creativity and books at http://www.thedabbler.ca.

I’m delighted to welcome Dianna Gunn to The Practice of Creativity.

– Tell us about your recent novella, Keeper of the Dawn. What are you hoping readers will connect to in this story? 

Let me start by sharing the blurb:

Sometimes failure is just the beginning

All Lai has ever wanted is to become a priestess, like her mother and grandmother before her, in service to their beloved goddess. That’s before the unthinkable happens, and Lai fails the trials she has trained for her entire life. She makes the only choice she believes she can: she runs away.

From her isolated desert homeland, Lai rides north to the colder, stranger kingdom of Alanum—a land where magic, and female warriors, are not commonplace.

Here, she hears tales about a mountain city of women guardians and steel forgers, worshiping goddesses who sound very similar to Lai’s own. Determined to learn more about these women, these Keepers of the Dawn, Lai travels onward to find their temple. She is determined to make up for her past failure, and will do whatever it takes to join their sacred order.

Falling in love with another initiate was not part of the plan.

Keeper of the Dawn is a tale of new beginnings, second chances, and the endurance of hope.

# # #

If there’s any one thing I want readers to connect with, it’s the idea that the path to success is rarely straight forward. I also hope Keeper of the Dawn will serve as a reminder that we all deserve love, even—especially—if we have to seek it outside the bounds of “normal” relationships.

-How did you get bitten by the ‘writing bug’? Did you always wish to become an author?

I always loved telling stories—I used to read to my stuffed animals—but I didn’t realize “writer” was a valid career path until JK Rowling made a lot of money. I was quickly disillusioned about making my own fortune, but I’ve never let anyone dissuade me from the idea that I can’t make it a career.

You manage to pack a lot into your day! You’re a blogger and freelance writer, and you’re working on a non-fiction book. How do these activities support your creative work?

Being a freelance writer by day comes with its own set of challenges, but it also has special advantages. The flexibility of my schedule means that if I’m on a roll, I can work on my fiction WIP for several days, and do my freelance work at the absolute last minute.

On the other hand, if I’m struggling with my fiction, I always have something else to do.

Also, I’m writing that non-fiction book VERY SLOWLY and blogging large parts of it. Some of it is also reworked from blog posts I wrote 2-3 years ago, allowing me to write the book efficiently. Albeit still slowly, because fiction is my true love.

-In your ‘Inspirations and Influences’ essay for Book Smugglers, you mentioned that you were writing a parody novel that you eventually abandoned, but kept Lai as a character. What allowed you to abandon that project and dive deeply into Lai and build a story around her?

Hahaha, I never had a problem abandoning projects. Which might sound strange if you know that I’ve also been working on my full length novel, Moonshadow’s Guardian, for 9 years, but I have happily thrown away dozens of other manuscripts. And I always keep the notes so I can reuse ideas in new stories.

-What’s on your bookshelf, next to your bed (or in your e-reader)? What are you reading right now?

I finished reading Cog and the Steel Tower by W.E. Larson last night, so now I have to pick a new book. Which is going to be tough, because I picked up the LGBT Story Bundle a couple weeks ago and I’ve also got several print books friends loaned me…

– What’s your best writing tip that you’d like to share?

Don’t take criticism of your stories personally, and ignore anyone that uses flaws in your fiction to attack you as a person. I know it doesn’t FEEL like our books are separate from us, but they are. We should treat them that way.

 

When she isn’t helping her clients bring their dreams to life, Dianna can be found busily working on her own dream of being a successful fantasy author. Her first YA fantasy novella, Keeper of the Dawn, came out on April 18th, 2017.  She has several other novellas and novels in the works, and hopes to announce a second release date soon.

You can also follow her on Twitter @DiannaLGunn or on Facebook at https://www.facebook.com/dlgunnauthor/.

 

How do you renew and refresh yourself? What are the kinds of activities that supercharge you?

Most of the writers I know write a lot. Most write daily.

The creative professionals I know are doing it all, all the time—writing, creating, supporting other creatives, marketing, honing their craft, etc., in addition to living a full life. Demands continue to expand. Many creative professionals I know are skirting the edges of burnout.

A few years ago, I decided to stop waiting for week-long vacations to take a break. Those kind of vacations are great, but for me they usually only came once a year. And, by the time I went on them, I was so mentally and physically fatigued that I usually spent a chunk of it in bed or sick. A bummer! Also, I found myself putting so much emotional energy into ‘having a great time’ that it put unrealistic expectations on the trip.

New research suggests that shorter breaks throughout the year may leave people feeling happier and more productive.

When friends recently invited me to hang out with them, for a few days, at the beach, I jumped at the chance.

I also did something rare for me. I didn’t bring my computer. This was huge! My computer and I are usually inseparable. I’ll often bring it along on a vacation to do creative work.  My amazing partner, Tim, was the one who suggested that I take a break from writing on the computer

Take a break from writing on the computer? The suggestion almost caused heart palpitations. He is a wise man, however, and I decided to follow his suggestion. I old schooled it—bringing a journal and some books.

I love being outdoors in just about any kind of setting, but the beach is the place I unwind the best.

Three nights and four days was a great gift. Hanging with friends, playing games, taking long walks and doing nothing was a balm for my body, mind and spirit.

Filling up the creative well is an important component of living a creative life.

 

This daybreak beckoned to me. I spent some time drinking in the morning light and then grabbed my journal and started writing.

 

An amazing flan to end a great day at the beach.

 

Key Lime Krush, Purple Rain, the Slim Shady and Butterfinger Bash were some of the offerings at the suggestively titled ‘Wake N Bake’ Coffee and Donut Shop. If you’re ever driving through Carolina Beach, check them out.

 

More offerings from Wake N Bake.

As it turned out, by taking a few days off, I was able to break through on some writing projects that were stuck. I even plotted out what I hope will be a coquel (yes, I made that word up) to my current sci-fi novella, Reenu-You. Our imagination gets all fired up when we experience new things and get out of our typical schedule!

I have never hunted for ‘ghost crabs’ before but a friend suggested we do it one evening. It was so much fun! We flashed our lights on this guy.

Do you have a short break coming up this summer? Where are you going to stock your creative well?

I admit it. Growing up, I wasn’t a fan of Wonder Woman. I didn’t read DC comics and wasn’t in love with the television show. Some of this was due to the fact that my younger sister, Melissa, adored WW. And, of course, the unwritten rules are that older siblings can’t ever like what the younger ones do. It’s just not cool.

Plus, I saved all my girl crush energy for The Bionic Woman, who although is not a classic superhero, captured my imagination with her brute strength, grace, style and humor. And I enjoyed the show’s sci-fi theme. Plus, she wore real clothes while she kicked butt. I also always believed that in a fight, the Bionic Women could totally take Wonder Woman. I still have my first Bionic Woman doll, although she is missing a foot!

So, all this is to say that I was not expecting to completely fall head over heels for the new WW movie. Tim and I went to see it this week and we both really enjoyed it. As many critics have already pointed out, the film subverts some of the taken for granted superhero themes. It is a mother and daughter story, a collective empowerment story, an ensemble story and a female coming of age story, all rolled into one.

The action in the first twenty minutes of the movie is absolutely thrilling. It is thrilling to see women, strong women, stand up for what they believe in and defend themselves. Usually female viewers watching action adventure and/or superhero films have to contort themselves into identifying with the strength and perspective of the male lead characters. It was nice to not have to do that with WW. I could go again just to see the first fight scene, it is that well-choreographed! It’s not that we haven’t seen kick-ass heroines before, but WW feels different. The kick-ass heroines are usually singular, surrounded by a male team and often not the leaders of the team. And, they sometimes apologize or are ambivalent about being strong. Not the case for WW.

 

Diana isn’t an anti-hero, she is compassionate and becomes wise by the end of the film. Yes, she’s gorgeous (and at times I found myself wondering why all the Amazons were lacking any body hair), but the camera shots and visual cues about the actress’s body weren’t gratuitous.

Maybe WW is striking such a powerful chord in the US because as many of us believe, collectively women have recently suffered some pretty significant cultural, political and legal setbacks. Those of us fighting and advocating for gender equity need continued courage. And, of course, the fact that the film was directed by a woman is another milestone.

The Amazon theme also holds a special place in my heart as I have an anthology, titled Amazons edited by Jessica Salmonson in 1979, that a male friend gave to me in college. The writers in the collection reimagine an “amazon heritage” using some of the historical record to tell new stories. I was so inspired by this book that a few months later, I coaxed some to friends to help me make an Amazon costume for a Halloween party. That book turned me on to ‘feminist science fiction’ in college which led me to Ursula Le Guin, Marge Piercy, Octavia Butler, many others and then my own writing path.

I’m hopeful that with the release of WW, young girls and boys can find awe in and enthusiasm for a new superhero.

I hope someone I know will throw a Halloween party this year, so I can start working on an Amazon costume!

*this post was inspired by writer, P.K. Tyler’s Facebook post on WW.

Those are my thoughts. Have you seen the film? What’s your take on it?

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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