The Practice of Creativity

Posts Tagged ‘inspiration

Hi all,

As many of you know I serve as a Trustee on the Board of the North Carolina Writers’ Network. The North Carolina Writers’ Network connects, promotes, and serves the writers of this state. It supports writers at all stages of development. Recently, I was asked to contribute a short piece to our newsletter. I’m sharing it here as it gives you insight into how I found the Network and why I think that are a great place for writers, the importance of literary community and also about my participation in hosting our second “NaNoWriMo Meet and Greet” as well as a new “Shut Up and Write” session during the conference. So, I get to talk about two favorite things in the newsletter–National Novel Writing Month and the Network!

Not a member yet? Check out all the good stuff here.
Joining the Network really did change the trajectory of my writing life.

Not signed up yet for the amazing fall conference happening, Nov 2-4? You’ve got two weeks to go before pre-registration closes! Check out the fantastic line-up of workshops, classes, events and instructors here.

“North Carolina is known for three things, hogs, tobacco, and writers. Since you’re an aspiring writer, I assume you’ll know which community to connect with.” These words were spoken to me by my therapist at the time and I’m forever grateful for them. More than fifteen years ago, I moved to North Carolina and although I had a professional position I loved, other aspects of my life post-move remained challenging. My partner was having a difficult time finding fulfilling work and my creative writing goals had stagnated.  Despite my therapist’s blunt (and a bit exaggerated take on North Carolina’s reputation), I got the point. In this new place, I needed to take action, find like-minded writing folk and investigate North Carolina’s impressive literary history. An aspiring poet, too, my therapist was the first person that told me about the Network and its two annual conferences.

At that time in my life, I was writing metaphorically in the basement. I read lots of craft books, yes. But, I didn’t know any other writers, wasn’t in a writer’s group and so therefore never received productive feedback. I kept rewriting hundreds of pages over and over and was assailed by devious “inner critics”. I was in a kind of literary quicksand. Like many writers, I thought I could (and should) do it all alone.

It took me a few more years to muster up the confidence to attend a Network conference. If you’ve ever been to a NCWN conference you know how dynamic and exciting it is. What energy! What excitement! I felt welcomed. I felt like I belonged. I felt like I had found people I could discuss the joys and challenges of the writing life. No one is an outsider when attending a NCWN conference.

I wasn’t in the basement anymore.

The years have flown by since that first conference. I kept attending them and deepened my craft knowledge, met terrific writers and made friends.  I got to know my wonderful regional rep for Chatham County—Al Manning and also started to attend local writing events. My world is so different now! I’m a trustee deeply committed to the mission of the organization. I now get to welcome members into this literary community.

Given my past of having to battle long periods of creative self-doubt, I’m really passionate about strategies to circumvent inner critics. One of the most fun ways to do that is to participate in National Novel Writing Month (NaNoWriMo).

You’ve probably heard the buzz about it. November is National Novel Writing Month. Amateur and professional writers sign up to write 50,000 words, a short novel, during the month. That is roughly 1,667 words a day. And, yes the draft’s supposed to be rough, need work, and a beautiful mess that yields something amazing later.

NaNoWriMo is for fresh, wild, and fast writing. And, you don’t have to be an aspiring novelist to participate—writers adapt NaNoWriMo for their own needs. NaNoWriMo gets people writing more words than they normally would in a month.

There are many success stories of writers who carefully revised their NaNoWriMo drafts and have made sales of novels (including the bestselling Water for Elephants by Sara Gruen, The Night Circus by Erin Morgenstern, and The Darwin Elevator by Jason Hough), short-story collections, and other kinds of publications.

But publishing is not the overall point of NaNoWriMo. It is about getting started. It’s about getting some words—any words down that then can turn into good words later.

I’m hosting a NaNoWriMo Meet and Greet on Friday night after the plenary. We’ll gather and talk about goals over wine and refreshments. If you’ve ever been curious about NaNoWriMo, come to this event.

Given the pace of the conference and the lively workshops, plenaries and networking opportunities, most of us don’t get a lot of writing done when attending.  In recognition of this fact, we’re trying out a new session during the conference: Shut up and Write. Shut and Write will offer conference participants a quiet space for writing.

I hope I’ll see you at one or both of these events. And, you can tell me your story about how you found the Network.

 

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Mariah Wheeler has had the grand privilege of living, working, and playing, with artists for the last twenty-four years. She represents a life of “art at last,” having invented her own muse-inspired career later in life.

At age 58, Mariah opened the Joyful Jewel, a 300-square foot art gallery in the small, but vibrant town of Pittsboro, North Carolina where I reside. By the age of 61, Mariah had moved the Joyful Jewel to a 2,000-square-foot space, which currently sells the work of 170 local artists. The Joyful Jewel has become a destination to explore, marvel over and buy works of art.

Her deep passion for art and supporting artists has enriched the community. She believes that everyone has at least one creative gene, and that it is never too late to start developing it!

Over the past several years, Mariah has nurtured her own creative spark to write. Her new book Art at Last: It’s Never Too Late to Create has recently been published by Lystra Books. Reading Art at Last will convince you that “It’s never too late to create!” These inspiring memoirs are of thirteen artists who began their careers late in life and became successful.

I’m delighted to welcome Mariah Wheeler to The Practice of Creativity.

 

-Why did you write Art at Last? What’s in store for readers?

I started in my own art so late in life.  I found so much joy and pleasure in something that I never expected or thought about doing before it happened to me. I wondered who else had found this amazing quest at retirement age, too. As I began to ask people, I heard inspiring stories from people with diverse backgrounds and in a variety of media. To a person, when asked, what they are doing now that they never thought they would do, they said “Be an artist.”  I wanted to share the stories in hopes that members of the general population would be willing to take this challenge themselves.  I don’t expect many to strive for the level of perfection or dedication as those in the book Art at Last but know, without a doubt, that focusing on creative pursuits can greatly enrich anyone’s life.

-How did this project stretch you? What did you learn about yourself as an editor while working on this collection?

I learned that writing and publishing a book is not a short-term project. I found that I was perfectly capable of working on this anyway, until it was done!  It was a labor of love, yet one that surprised me in many ways. The biggest surprise was how many mistakes I could make, as even through ten or fifteen revisions, I still found things that needed to be changed! I really thought I was more careful than that – a bit of a letdown. Just getting the book in a format for publication had many challenges, from obvious things like making sure that the flow of the pages made sense, to unexpected troubles in getting the page numbers on the right edge of the page. I found that the time needed after writing the book was no longer than the time afterward in getting it ready for publication.

-Where does someone who wants to pursue an artistic path, but keeps hearing their inner critic tell them that they are “too old”, begin?

The only thing I really can say to the common problem of getting beyond the inner critic is just to do it anyway. Don’t let yourself think about what the product looks like at first, just keep doing something. Like they often say to writers, do your morning pages – these are not for publication, and the art is not for showing others or for sale – but they get you in the habit of creating. You WILL meet your Muse. When you set that critic aside, you may want to try several different media until one just grabs you and makes you pay attention to it.  That’s the one to keep doing.

-In Art at Last you declare that art can change the world. What can you share with us about the transformative power of art?

One of the biggest things that art can do is bring new ways of looking at problems.  This may change the world for the person creating the art, and when shared can affect the larger community. This happens even when we aren’t doing art, such as later in time, to answer problems or change the world. I have a hard time knowing how to explain it, but I think you get in touch with the Muse, the Divine, the Collective Unconscious, whatever word you use.  It’s a place that is outside of everyday consciousness, and once you have gone there, it’s easier the next time to get there. Maybe it’s like a dream that tells you about something you hadn’t yet seen in your life. I think of it as insight that comes at us sideways, as Rumi says, it enters from the window rather than the door.

-What’s your next creative project? What are you working on right now?

I have been doing research on another book.  I’m not sure the format, maybe historical fiction.  I want to write about the poet Ella Wheeler Wilcox (who I have always thought I was related to) who lived 1850 – 1919, and had a very interesting life.  She wrote “Poems of Passion” which created a bit of a stir in her time, was a New Thought pioneer, and was very very prolific.  Her best known poem begins “Laugh and the world laughs with you, weep and you weep alone . . . “

– What’s your best writing tip that you’d like to share?

Similar to my suggestion for other types of creative expression, just do it! There is no time like the present. You have nothing to lose and much to gain. This is true whether you do it just for yourself or in hopes of a larger audience. You may not know what you want to do with your writing, but you can still begin.

Mariah Wheeler has had the grand privilege of living, working, and playing, with artists for the last twenty-four years.  She represents a life of “art at last,” having invented her own muse-inspired career later in life.

She is the owner of the Joyful Jewel Gallery in Pittsboro, North Carolina. The Joyful Jewel is dedicated to bringing the spirit of creativity to all, artists and patrons alike.  They offer “local art, fresh from the heart” in a wide variety of media, styles, and prices, each creation made with care, skill and inspiration.

Mariah, along with poet Sheridan Bushnell, conceived of the idea of inviting writers to come to the gallery and write about art. Their idea developed into the much anticipated annual ‘Vision and Voice’ event where writers are asked to read what they wrote after their visit and the corresponding artists are asked to display their objects and say a few words about the art-making process.

Find out more about Mariah by visiting her at The Joyful Jewel. Pick up her book at the Joyful Jewel.

*She would prefer folks not get her book from Amazon because it isn’t the same quality, and it is also more expensive. She is more than happy to mail a book to anyone who asks for one and can call with credit card info. or would mail a check. The book is $28.50, with tax for NC $30.42 and mailing is $2.  She can be contacted via email or phone through The Joyful Jewel.

“The fruits of the harvest are gathered and stored. The trees shed their leaves and reveal their true forms. The days grow shorter and darker, reminding us of how brief our time on earth really is.  It’s autumn:  a season for reflecting on what it means to be truly alive, and for giving thanks for the gifts an authentic life bestows.”
Alan Jones and John O’Neil, Seasons of Grace: The Life-Giving Practice of Gratitude

Although the weather is still warm for many of us, autumn is here and requests our attention. Autumn invites us to reflect on the fruits of our harvest and make sense of a way forward. We know the fallow period of winter is not far away. I love this time of harvesting, gathering and reflecting. Around this time of year, I also find it much easier to reboot my gratitude jar practice if it has fallen off track. Keeping a gratitude jar is like rocket fuel for your creative life. Don’t know what a gratitude jar is or how to fill one up? Here’s my post on this amazing practice.

Here are some writing prompts to feed your creative impulses as you explore the gifts of fall:

-Look at the following two words—autumn and authenticity. What connections between these two words do you sense? (Authors Alan Jones and John O’Neil note that both of these words share the Latin root aut-, meaning “to increase or grow”.)
-What are you harvesting this fall?
-Write about a time when you felt bountiful.
-Write about the bounty of your writing and/or creative life as it is right now.
-Write about what you’re most grateful for.
-Write about what you feel like you should be grateful for, but aren’t.
-Write about the gifts from summer. What came to fruition? What didn’t? What are you letting go of for fall?
-When do you feel the most authentic? Alone? With others? At work? In nature?
-What are your favorite autumn flavors?
-What was a ‘back to school’ ritual that you loved as a child? What rituals do you enact during fall as an adult?

 

 

 

I love it when my own assumptions about how to get a book published are upended! I met Charles Oldham this spring in my Charting Your Path to Publication workshop. In that workshop, I stress that there is no one path to publication, but we can follow and replicate the strategies of accomplished writers. The most important thing is to finish and submit our work. I like to think of getting published as knocking on a series of doors as opposed to hitting a bullseye.

Understanding the nuances in publishing is akin to being very curious and being willing to knock on a wide array of doors.

As we went around the room and introduced ourselves, Charles said he had a book coming out. Of course, we were very excited. What was even more intriguing was that his story was atypical for getting a nonfiction book published and even more heartening, the path was pretty straight forward.

We were also enthralled with the subject matter of Charles’s first book, The Senator’s Son: The Shocking Disappearance, The Celebrated Trial, and The Mystery That Remains a Century Later. He’s written a true crime nonfiction book exploring a 100+ year old North Carolina unsolved mystery that resulted in of one the biggest trials in the state’s history.

For Charles, The Senator’s Son is his first published book, but it is the product of several lifelong passions.

Early on, Charles had a special interest in history and politics, most especially that of North Carolina, where his family roots go back more than two centuries. He also has a keen eye for mysteries, for searching out the details of a story that needs to be explored. It is a talent that led him to become an attorney.

Charles graduated from Davidson College, and from law school at the University of Georgia. He practiced law for many years in Sanford, North Carolina.

He now lives in Charlotte, where for ten years he had a solo legal practice focused on criminal defense and civil litigation.

I knew that as a first time author Charles would be an inspiration to many. I’m delighted that Charles Oldham joins us here on The Practice of Creativity.

Why did you write The Senator’s Son? What is in store for readers?

I first became interested in Kenneth Beasley’s story about thirty years ago. I was about thirteen years old, and I read a brief account of the case in a book that was published in the 1950s. It was only a twenty-page synopsis, and it was just enough to scratch the surface. Even as a middle-schooler, I could see there had to be more to the story, and I thought someone really needed to dig deeper, to research the history completely, and write the definitive account of what happened to Kenneth and why. That is what I have attempted to do with this book. I have definitely done the research, and while I cannot say that I have solved the mystery beyond ALL doubt, I have presented a solid theory that anyone has come up with so far.

Did you always want to write, or did it manifest later in life?

My impression is that I am like a lot of attorneys. We really want to be writers, but have a hard time making it happen. We love interesting people and stories, and think it would be wonderful to create literature based on our experiences. But then we get caught up in the workaday world of billable hours and court calendars. For a long while, I didn’t think I would ever have the time to write a book. But I really wanted to do it, and eventually I just had to make a commitment: that I would take as many weekends and holidays as was necessary to research this story and write it.

What was the most interesting tidbit that you came across while researching?

I found some fascinating details in very unexpected places. It is surprising what can be revealed in some of the most mundane government documents, many of which are now easily accessible with tools like Ancestry.com. For example, in old court records, I found lists of jurors who served on trials back in the 1870s. I compared their names with Census records, and discovered that the jurors had family connections with the defendant on trial. Even something as simple as a military draft registration card can reveal secrets you might not find otherwise: where people live, their jobs, and whom they live with.

 

How did you find your publisher? What did you know about publishing before submitting to Beach Glass Books?

At first, I was not familiar at all with the nuts-and-bolts of finding prospective publishers and making submissions. I knew that, since I was a completely new author, I needed to make a good impression by being prepared. That is why I completed a draft manuscript before making any submissions, which I’m sure is not essential, but may have lent me some credibility. Then I sent query letters to a list of publishers whom I knew were interested in local history, especially that of Eastern North Carolina. Fortunately, one of them was Ray McAllister of Beach Glass Books, who immediately recognized the potential in this story, and was willing to shepherd me through the process.

What are you reading now? What is on your nightstand?

Most recently, I’ve been focused on works that have broadened my knowledge of my own subject matter, which is to say North Carolina history and politics. I’ve always been a fan of Bland Simpson, with his expertise about the Tidewater region. Also, historians like Timothy Tyson and David Cecelski have added so much to our understanding of politics in the 1890s and early 1900s. At the moment, I’m enjoying Dromgoole, Twice Murdered, by E.T. Malone. It is a book which, like my own, delves into one of North Carolina’s historical mysteries to separate fact from legend.

What is the best writing tip you would like to share?

For anyone thinking of starting on the road to writing a book, I would urge them to choose a topic for which they have a sincere passion. That might sound very basic, but I don’t think it is. I suspect a lot of people underestimate the difficulty of completing a book. If you are not working on a story that you sincerely want to tell, and care about getting right, then the stumbling blocks that you inevitably encounter can turn into excuses to quit.

Blurb for The Senator’s Son: On Monday, February 13, 1905, eight-year-old Kenneth Beasley walked to the back of his school’s playground and into the melting snow of the woods beyond. The son of a North Carolina state senator was never seen again. A year and a half later, a political rival was charged in what became one of North Carolina’s biggest trials ever, receiving coverage up and down the East Coast. The eventual verdict and stunning aftermath would rip apart two families and shock a state … yet leave a mystery unsolved. Now Charles Oldham, attorney and author, has reopened the case, along the way investigating not only it but the state’s political, racial, lynching and liquor cultures. The result is an absorbing must read story.

The Senator’s Son is Charles Oldham’s first book. Charles was born and raised in Sanford, North Carolina, the son of a community college professor and a math teacher. His parents instilled in him a natural curiosity and a love for reading. Early on, Charles had a special interest in history and politics, most especially that of North Carolina, where his family roots go back more than two centuries. He also has a keen eye for mysteries, for searching out the details of a story that needs to be explored. It is a talent that led him to become an attorney.

Charles graduated from Davidson College, and from law school at the University of Georgia. Afterward he practiced law in Sanford for a time, including a term as president of the Lee County Bar Association. He now lives in Charlotte, where for ten years he had a solo legal practice focused on criminal defense and civil litigation.

In his spare time, he can be found doing just about anything outdoors, especially hiking and camping. Charles also loves spending time with his family in the summer at their favorite vacation spots, including Ocean Isle Beach and Lake Junaluska in the mountains.

You can pre-order his book beginning Sept 18. Find out more details at his publisher’s website.

 

 

The beginning of September marks change. For many of us, it signals the end of summer and a realization that we’re well into the third quarter of the year. It’s often a time of transition and reflection.

At this point in the season, we usually need a boost for our writing as we make a transition in our schedules. Our schedules shift now for a variety of reasons. For some that means getting kids (or one’s self) off to school, starting a big home project, or squeezing in the last vacation until the winter holidays. Any change in our schedule can interfere with our desire to get creative work done. Also, ongoing summer weather can make us feel lethargic which can translate to how we meet the page.

Here are 3 FUN ways to stay inspired during the last weeks of summer:

  1. Check Out New Writing Podcasts. There are TONS of great podcasts about writing. I listen to several while driving back and forth to work. They help me think about craft, catch up on publishing news and brainstorm good ideas. These are a few of my favorites:

-The Writer’s Well: Ever wonder what it’s like to quit your day job and write full-time? Rachel Herron and J.Thorn team up for 20 minutes each week to talk about the real life joys and struggles of making a living from their writing. One host asks the other an unscripted question and they both answer it. Lots of impromptu wisdom shared. They also focus on issues of wellness and health for writers.

I Should Be Writing: A Podcast for Wanna be Fiction Writers. Author Mur Lafferty has been hosting this podcast for ten years. Mur’s honesty about the ups and downs of the writing process really speaks to me. She’s very encouraging and a master at sharing tips on how to keep one’s self writing (and why it is important to do so). She periodically conducts interviews with leading authors and also does an occasional feedback show where she answers listeners’ questions. ‘I Should Be Writing’ has won the Podcast Peer Award and three Parsec Awards.

Shipping and Handling-Ever dream of being represented by an agent? Most writers do. Ever wonder what an agent’s life is like? Check out two successful agents, Bridget Smith of Dunham Literary Inc. and Jennifer Udden of Barry Goldblatt Literary that get together every month, over a glass of wine, and chat about how they decide to sign a client, how they pitch to editors and much more. A peek into a world the fascinating and fast changing world of publishing.

2. Host a Submission Party
How is submitting your work going? Has it slowed down some? Need a bit of support? Have you ever tried hosting a submission party with other writers? It’s fun and can provide the momentum needed to get more of your work out into the world. I wrote about the why and how of submission parties here.

3. Try Some Writing Prompts
Feeling stuck in your writing? Bored with your writing? Take a break and try these fun writing prompts, all focused on ice and coolness.

 

 

Confession time. I have a bad writing habit. Actually, it’s really more of a bad organizing habit that impacts my writing. I tend to write things down in multiple places. Every few months, I start off with a journal of some size and vow to write everything of importance in one place—that journal. After a few weeks of trying, I am back to scribbling ideas on sticky pads, legal pads, index cards, slips of paper, the back of my checks, receipts, etc. I forget to carry my journal, or I discover it’s uncomfortable to carry in my purse. You get the idea. I’m quickly demoralized by the array of unorganized paper that gathers. At times I’ll have so many unrelated sticky pad notes wadded together it will seem as if they wandered off, had some fun, and produced sticky pad offspring. Overall, this lack of having my notes organized creates a lot of wasted time, energy and clutter.

I often listen to author Mur Lafferty’s podcast, I Should Be Writing. Recently, she talked about the value of tackling one bad writing habit at a time. She said it is too hard to fix multiple issues in one’s writing all at the same. Makes sense. And, this insight is applicable to anything that impedes one’s writing.

I’m a fan of digital organizers like Evernote and I do take notes on my phone. But, I am a paper gal through and through. I wanted to find a solution to my inability to keep all my ideas/thoughts/musings in one place.

One of my dear friends has been using and raving about the Bullet Journal, a popular tracking and organizing system, for years. She uses it for everything and continually encourages me to try it. I have resisted. I felt like I would start with the best of intentions and then stop using it in a month b/c I have multiple projects that I like to keep kind of separate (academic and creative). She disagreed with me, but let it go.

In late June, I came across this article from blogger and author, Chrys Fey. She uses the bullet journal to support her writing career. Instead of using it as a main to-do list, Chrys shared:

“For my bullet journal on the other hand, I like to keep track of all the things I do (from my to-do list) for my writing career, from writing and editing to publishing and marketing. I love this because it’s a log I can come back to if I need to know when I completed a specific task. It’s also great proof that writing is my full-time career, if that should ever be questioned, lol. And, it’s nice to see all that I accomplish.”

Her post gave me the idea to use the bullet journal in a similar way—just to support my writing. As writers, we dream about success, but rarely in those dreams do we visualize ourselves working in different ways. It’s a lot less glamorous to envision new organizing systems as part of our success. The reality though is that my writing career is expanding and I need different structures to keep connected to its various components (e.g. submission opportunities, speaking gigs, scheduling readings, upcoming workshops, writing blog posts, author newsletters, fictional works, etc.).

Using the bullet journal just for my writing felt interesting and doable.

As many people do, I decided to adapt the bullet journal system to meet my needs. I took an existing journal (one I can carry around everywhere) and watched this video on the basics on how to set up a bullet journal.

This journal had little writing in it, so it became a perfect candidate for its transformation into a bullet journal.

The result has been fabulous. I feel more organized and my space is less cluttered.

I occasionally write an idea down on sticky pad, but usually in a day or two, the idea is transferred to the journal. I am really enjoying using this system.

The August log

I highly recommend Chrys’s post for more information on how to use a bullet journal for your writing.

What’s a bad writing habit that you’re wanting to change? I’d love to know.

Photo credit (top picture)

I just completed a month long complaint fast and I feel great. I haven’t done one in years.

What is a complaint fast and what might you gain from trying one?

This fast is just what it sounds like—you refrain from making a complaint, or a repetitive negative statement, for a specified amount of time. You can choose a week, a month or longer.

There have been times where I have felt that I was complaining way more than was good or healthy for me.

The benefits I have experienced on complaint fasts include having energy to focus on what’s important in the moment, being action oriented and being more attuned to my feelings. These benefits definitely support my creative life.

I discovered the idea of a ‘complaint fast’ probably about six years ago. Amanda Owen, personal transformation author, is the first person I remember writing about and introducing me to this concept. She is the author of two fantastic books: The Power of Receiving: A Revolutionary Approach to Giving Yourself the Life You Want and Deserve (I liked this book so much, I reviewed it on the blog) and Born to Receive: 7 Powerful Steps Women Can Take Today to Reclaim Their Half of the Universe (here is my interview with her).

Here is a snippet from Owen:

“We live in a society where complaining is a way of life and a way to bond. But recounting the unfairnesses, the slights and the difficulties that you endure day in and day out has insidious consequences….Complaining is different from talking about your feelings. Complaining is telling a story about your suffering. And, as you have probably discovered, that story doesn’t ever seem to end! Additionally, it chases people away. Have you ever been trapped listening to a monologue of misery? It’s not fun.

Feelings are universal; everyone can relate to them. When you talk or write about your feelings, you discover solutions that help you find your way to a happier situation….

If you have an impulse to complain, check in with your feelings instead. Sit with them a bit. Become familiar with what they are telling you.”

Practically this means that when on a complaint fast, you are observant of your language and emotions during the day. When you feel like you are about to complain (out loud), you check in with yourself. It doesn’t mean that you don’t acknowledge what is bothering you or share that appropriately. A complaint fast for most of us gets us off auto-pilot and raises our awareness of how we manage the inevitable irritations in life. It’s definitely not about bottling up feelings, suppressing feelings or putting on a happy face. I found myself journalling quite a bit about my feelings and also taking the time to share my feelings with others in an open and honest way. And, as she suggests, by redirecting the energy one uses for complaining about a situation into finding solutions, new ideas pop up all the time.

I absolutely love doing complain fasts with a buddy. It’s a sure fire way to create some accountability and humor during the process.

I guarantee you that if you try a complaint fast for even for a short period of time, you will tap into new areas of self-knowledge. After a few days you may feel emotionally lighter and more at ease with life.

If you take on this challenge, I’d love to hear about how it goes!


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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