Posts Tagged ‘horror’
When I was asked by Nicole Givens Kurtz to contribute to her anthology about vampires and their slayers across the African diaspora, I was both thrilled and terrified. Thrilled in that I would get to pen a new story and be in a collection with many established and well-known writers in speculative fiction. Terrified in that I hadn’t ever written a story about vampires nor was I steeped in vampire lore. But, when you get a great writing opportunity, you always say yes!
SLAY: Stories of the Vampire Noire launches on Tuesday. SLAY includes twenty-nine stories, plus original illustrations. It’s a big book!
Here’s an overview: Few creatures in contemporary horror are as compelling as the vampire, who manages to captivate us in a simultaneous state of fear and desire. Drawing from a variety of cultural and mythological backgrounds, SLAY dares to imagine a world of horror and wonder where Black protagonists take center stage — as vampires, as hunters, as heroes. From immortal African deities to resistance fighters; matriarchal vampire broods to monster hunting fathers; coming of age stories to end of life stories, SLAY is a groundbreaking Afrocentric vampire anthology celebrating the rich cultural heritage of the African Diaspora.
SLAY has already received positive reviews from early reviewers!
I loved working on my story and digging into urban fantasy, a new genre for me. I knew that I wanted the story to center on contemporary vampires. My story “Blood Saviors” features a conflict between Fae, humans and vampires–and a virus to boot (I couldn’t help myself). It’s the first story I ever wrote where I began with a theme. I wanted that theme to resonate and I wanted the reader to feel the weight of the moral choices that confront the main character, Shonda. The story explores the question: What would someone be willing to do to save their own kind? Would they be willing to sacrifice another race to save their own?
This collection is important in a couple of different ways: SLAY will be a touchstone for readers of color who love horror and are aficionados of vampire stories but never really saw themselves reflected in mainstream narratives. It offers white readers something unique in the vampire subgenre because the anthology isn’t centered in white and/or male characters. It’s important for the genre in that until now no one has attempted to retell the vampire mythology through and about the experiences of people across the African diaspora.
Pre-order link for SLAY is here
Below is a sampler of AWESOMENESS about SLAY that includes my participation on Alicia McCalla’s Diverse Sci-Fi & Fantasy podcast. We had an outstanding time talking about my story, vampires and subverting conventional tropes in speculative fiction.
Milton Davis one of the contributors (and small press publisher in his own right) has been hosting many of SLAY’s authors on his blog for short interviews where we ‘SLAY 11 Questions’. They are fabulous. I have enjoyed reading more about the other contributors. You can check out my interview here and learn why I name Shori from Octavia Butler’s Fledgling as one of my favorite vampires.
Check out contributor John Linwood Grant’s excellent posts on ‘Black Vampire’ week on his Grey Dog Tales blog. He covers African vampires, movies with Black vampires and more.
I’d appreciate any signal boosting that you can do for this collection. Thanks in advance.
And, if you are a writer struggling with your productivity and motivation, you might like my ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’. Click here to receive it.
Need Some New Ways to Connect to Your Writing Self During COVID-19? I Got You Covered
Posted on: April 26, 2020
Hi writing peeps,
Most writers I know are having a difficult time staying connected to their writing life. In the past six weeks, you’ve probably had your schedule upended in completely dramatic ways. Your writing routine is now very different than it once was. Me, too.
This was the #truth
Some of us aren’t writing and really want to. Many of us still have deadlines and projects.
How can you move forward on the writing that matters most?
You know my mission is to serve creative people. I’ve recently written a short guide ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’. In it are some powerful ways to get and stay inspired. These are techniques I’ve culled from years of working with clients through my coaching practice. You’ll love this information and find it valuable. [And, the guide includes some cool bonuses, too]. It’s my FREE offering to you.
I’m only offering this to people in my community. You won’t find this information elsewhere.
Click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.
*Also, if you are reading this and work in a creative area besides writing, I believe you’d find the guide useful, too.
Let’s SLAY: Calling All Lovers of Vampire Stories & Diversity in Fiction-My Invite to a New Anthology
Posted on: March 24, 2020
It’s been a weird few days for all of us, huh? About two weeks ago, I left for Copenhagen and by the time I got back (with some difficulty), COVID-19 was in full swing. Later this week, I’ll share some reflections about that trip and how we can keep writing some during this difficult moment.
In the meantime, I’m sharing something that I’d love your help supporting and/or signal boosting. This is my second invitation to a crowdfunded anthology and I’m super excited about it! [BTW, I am working on the edits to my story that I wrote for the successfully funded Witches, Warriors and Wise Women, due out in June]
LET’S SLAY!
Do you like vampires? Vampire slayers? A fresh take on vampires and vampire slayers? Mocha Memories Press is crowdfunding Slay: Stories of the Vampire Noire, an anthology which will be groundbreaking as it explores vampires of the African Diaspora. I’m one of the invited authors that will be submitting a story along with Sheree Renee Thomas, Steven Van Patten, and Teri Clarke! Mocha Memoirs Press is run by the incredible Nicole Smith and has been a force in amplifying the work of diverse voices in speculative fiction.
We’re almost halfway funded! Please consider supporting this anthology, there are lots of great perks available (with great names like hunters, slayers, stakes and blood drinkers). $1 perks available! Feel free to share with others! TY!
Stay safe and healthy!
It’s all About Zora: Publishing News, A Festival and Ending Black History Month with a BANG!
Posted on: March 1, 2020
February has been a rich and wonderful month. It felt as if I was in deep communion with the writer, folklorist and anthropologist Zora Neale Hurston (1891-1960). For many years, I’ve been fascinated by her life. ZNH was ahead of her time as a writer and scholar (she was the first Black woman to receive a doctorate in anthropology). She was also a cultural icon and transgressive artist.
Zora Neale Hurston
In 2016, I started a story, “Etta, Zora and the First Serpent” that takes place in the 1930s. Etta, a dancer at the Cotton Club, meets the charismatic ZNH and gets entangled in one of Zora’s schemes to conjure secrets from an old spirit. As you might imagine, trouble ensues.
I am generally fascinated by the time period of the 1920s-1940s and have always been interested in the Cotton Club as my maternal grandmother danced there for a brief period. In the story, I get to explore the race, class and gender dynamics of the day as the Cotton Club practiced segregation (only white patrons were seated) and colorism (i.e. African American female dancers that were hired were typically “light-skinned” or with a “cafe au lait” complexion).
Several Cotton Club dancers
The Apollo Dancers at the Cotton Club Revue in 1938. still from BEEN RICH ALL MY LIFE, a film by Heather MacDonald
I was inspired to finish this historically themed horror story (with a twinge of fantasy), and then submit it in 2018 for a specific anthology. It got rejected from that anthology and I went to work on it some more. Last year I submitted it to AfroMyth: Volume 2-A Fantasy Collection and it was accepted!
I went through intensive edits on the story. What was refreshing, however, was that I didn’t have to work much on the structure of the story (I often struggle with plotting), but instead needed to beef up description in the last quarter of the story. It was one of the shorter stories I have written, submitted at 5,000 words (which was the maximum word length). In the revisions, however, I wound up adding another 500 words.
AfroMyth: Volume 2 was released today! It features fourteen fantasy stories featuring characters of the African Diaspora.
I love the cover of this collection!
Zora had her spirit fingerprints all over my life this month. I was invited to attend the 31st annual Zora Neale Hurston Festival of the Arts and Humanities. It took place in early February in Eatonville, FL. Eatonville, a historically all Black town is where Zora grew up. The Festival spans multiple days. This year the theme was the multiverse and Afrofuturism! There was an academic conference, an outdoor festival and tons of activities and festivities. I was with an amazing group of speculative friction writers, all paying tribute to ZNH, her genius and legacy.
Standing, left to right P. Djeli Clark, Nwatchukwu Iheoma, Bill Campbell, Tenea Johnson. Seated: Maurice Broaddus and Chesya Burke. We are all looking very writerly!
It’s rare that I have the opportunity to read with and connect to other Black writers, especially in the field of speculative fiction, so my time at the ZNH Festival felt pretty magical.
If you are a speculative fiction reader, I hope you check out the collection. You can find it at all online sellers. Amazon link is here. Here’s the book trailer to check out, too.
Reenu-You Is Out In the World: Thoughts about Book Covers, Review Copies and More!
Posted on: February 4, 2020
Reenu-You is about to have its second life. It has been published by Falstaff Books. I love the cover design by Natania Barron, Falstaff author and artist. In our back and forth conversations, we decided on a theme that implies a cityscape and a viral threat (in the book my virus has a spiral pattern) and that is more in line with covers of sci-fi books that are about epidemics. This cover has a grittier and darker feel than the original.
I love how Natania gets at the hair/beauty product idea with the scissors and styling tools in the main box.
I have been thinking a lot about cover designs. I’ve been very lucky that both Book Smugglers (the original publisher) and Falstaff have included their authors in cover design conversations. That is not always the case in publishing.
Whether you are traditionally or indie published, understanding the importance of the role of book covers in selling one’s book is essential. I found a recent episode from the Write-Minded podcast with an industry professional extremely valuable. Check out Brooke Warner and Grant Faulkner’s interview with Julie Metz (‘What Every Author Needs to Know about Cover Design’). Metz is an industry veteran and discusses everything authors need to know about covers from multiple perspectives (i.e. readers, publishers, designers). I found it highly informative and loved knowing the history of book cover design from the 20th century until now. Another takeaway is that authors aren’t always very good collaborators. They can sometimes be rigidly attached to a concept that falls way outside the norms for reader expectations for a particular type of book. Online, readers spend seconds skimming book covers, so there isn’t a lot of time to grab them visually. The professionals know what they are doing when they make suggestions to authors!
A request for reviews: Reviews of any length help authors. I have 18 reviews thus far on Amazon and 25 on Goodreads and I’d love more. Interested in reading Reenu-You and doing a short review for Amazon, Goodreads, etc.? And, short can mean one sentence. I would be happy to send you a digital copy for an honest review. It’s a novella, so it’s short and intense. It’s sci-fi with a twinge of psychological horror. If you are a very new reader of the blog and don’t know what Reenu-You is about, see below. If you’re still interested, email me at mtb@creativetickle.com
You can purchase the book on Amazon here. Also available at all online retailers.
Back Cover blurb:
What if a visit to the salon could kill you?
What if a hair product harbored a deadly virus?
Kat is an out of work ski instructor who just wants to pack up her deceased mother’s things, leave New York, and return to Aspen. Constancia is a talented but troubled young woman who just wants to start her first semester of college.
In different shops across New York City, they and hundreds of other women of color try a new hair relaxer called “Reenu-You.” Then things start to go horribly awry.
Within days, they find themselves covered in purple scab-like lesions—a rash that pulses, oozes, and spreads in spiral patterns. They are at the epicenter of a mysterious virus spreading throughout the city. As the outbreak spreads and new cases pop up in Black and Latino communities throughout New York, panic, anger, and questions fill the streets.
What is this virus and where did it come from?
Is it corporate malfeasance?
Or is this an orchestrated plot to kill minority women?
In the face of a terrifying and uncertain future, Kat, Constancia, and a small band of other affected women are forced to confront their deepest fears to save themselves and others. As the world crumbles around them, they will discover more about each other, learn about themselves, and draw strength to face the future together. Reenu-You looks at the social and political meanings of hair, female friendships, and viruses.
Class is in Session: Learning from Teaching MFA Students + Writing Exercise
Posted on: January 19, 2020
The beginning of the year has been a whirlwind, in a good way. I was invited to lead a craft workshop for the students attending Carlow University’s low-residency Creative Writing MFA program, taking place in early Jan, in Pittsburgh, PA.
I was very excited, honored and nervous. I am an educator by training and routinely teach undergraduate and graduate students in my areas of my research expertise (e.g. women’s and gender studies, sociology, and political science). Although I have given craft talks, I have never designed and solely led a workshop for MFA students. Even though I have taught writing workshops alone and with others, I have never taught in an actual MFA program.
I received the invitation in September. Once I accepted, an annoying inner critic voice popped up and said, “Who does she think she is to teach MFA students, especially when she doesn’t have an MFA?”
I had to repeatedly say to myself, “This is not about your ego or degrees. You are here to serve the students and offer up what you think will be useful to them.” One of the reasons why I was invited was because they have had students express an interest in writing speculative fiction. The administrators gave me complete freedom to design the workshop in any way that I wished.
Once I reminded myself that I had something unique to offer and that it was OK not to be perfect on the first round, I totally got into designing the workshop.
The MFA students sign up for the classes they want to take about a month before, so I sent some preliminary questions about their goals, challenges, interests, etc. I used their answers to guide me as I developed the workshop.
I taught about speculative fiction and my path as a winding path as a writer (i.e. why I went to get a PhD in political science instead of an MFA). I integrated mindfulness and contemplative practices as resources for sustaining their writing. I also had them generate lots of material through prompts and free writing. We looked at some ways that writers can play with premise, setting and character as part of speculative work. I drew on a wide variety of authors and my own work as demonstrations of particular approaches.
Boy, does two and half hours fly by!
The students were amazing and generous to me and each other.
I so enjoyed watching students dive deep in the exercises and claim some of their buried interests, including horror and dark fiction.
The fantastic MFA students I worked with at Carlow.
I absolutely loved teaching the workshop.
I’m glad I didn’t let my fear get the best of me. I’m also glad that without acting like a know-it-all, I could share with them some lessons I’ve learned as well as hear what their writing lives are like. As in all adult learning communities, you know some things and they know some things. Learning happens in the middle.
The only thing I would do differently would be to send some of the short readings ahead of time, so we would have more time for in class writing and reading our work.
I was honored to read alongside Patrice Gobo (center) and Lynn Emmanuel. We read poetry, memoir and fiction and our selections all complimented each other.
The faculty and staff were welcoming and it was a joy to be with them. I loved reading with the other faculty, too.
Creatives, don’t we just light up when we are with other creatives?
Below are two of the exercises that I used as warm-up material. I absolutely adore Dena Metzer’s Writing for Your Life: Discovering the Story of Your Life’s Journey (a more spiritual approach to creativity, but some of the deepest writing advice I’ve ever seen and great prompts throughout the book)
The Dream Police
We are what matters to us. Our identity materializes through images, memories, events and through things.
Suddenly there is a knock on your door. A trusted friend enters to warm you that the Dream Police will arrive in twenty minutes. Everything, everything in your life that you have not written down will evaporate upon their arrival. You have a short time—twenty minutes-to preserve what is most previous in your life, what has formed you, what sustains you. Whatever you forget, whatever you have no time to record, will disappear. Everything you want must be acknowledged in its particularity. Everything to be saved, must be named. Not trees, but oak. Not people, but Alicia. As in reality, what has no name, no specificity, vanishes.
*set the timer for 20 minutes and GO. This is great prompt to help us dig deep and go from the abstract to the concrete. Every time I do this exercise, my list looks different.
The Dream Police #2 (also from Writing for Your Life)
Imagine you are an anthropologist who has unearthed this list of “possessions” that once belonged to some unknown person. Write a brief portrait of fleshing that person out, speculating on his or her character and life.
-The anthropologist writes about this subject in the 3rd person, (i.e. he, she, they)
My addition: circle 3-5 items, images, memories from this list that interest you. How might you approach what you have created as the basis for a new character? What kind of trouble or setting might be interesting to explore with this character sketch?
Photo credit
Quarter-finalist in ScreenCraft Competition: Help Me Cheer Nussia Onward!
Posted on: January 13, 2020
January has started off well for my writing.
File this under the category: Believe in your work. As creators, I believe we have to pursue a variety of storytelling modes that are available to us. I’ve started to enter my published work into contests that help pitch the work and get it adapted for film and TV. Nussia, my novelette published in 2017 by Book Smugglers just made it to the quarter finals in the ScreenCraft Contest (Cinematic Short Story Competition)!
I love the cover that Book Smugglers had commissioned for Nussia.
They chose about 200 people from over 1,200 submissions. Here’s my logline: “In this sci-fi psychological dark/horror story, Lindsay, an African American girl “wins” an extraterrestrial in a national contest only to find her family’s life upended. It’s E.T. meets Fatal Attraction.” It’s set in NYC in the 1970s. Wouldn’t you want to see that story told? Please send me good vibes so that I advance to the next round. And, bookmark this contest for your future entries (they have contests for published and unpublished work, plays, etc.).
If interested, you can read Nussia for free here
I’ve had to sit on VERY GOOD NEWS for a few months, so I am happy to share my contract news and publishing story with you.
Many of you know that my sci-fi novella Reenu-You was published in 2017 by Book Smugglers Publishing, a very small press. What many of you don’t know is that in Nov 2018, BSP decided to get out of the publishing business. The two women who ran the press were wonderful and committed publishers, but they realized that after running it for almost six years, they would need to quit their full-time jobs to take the business to the next level.
This left me and all of their other authors without a publisher. Reenu-You became unavailable in any format by Dec 2018. You can imagine how I felt. I was definitely not expecting this turn of events. It had taken me so long to get that story into the world!
Here was my little novella doing well, garnering great reviews, finding its audience, making its way in the in the world and then BAM—it was GONE.
I have since discovered such is the life of tiny presses and the state of publishing. BSP told me that I should approach other local publishers that might be interested in acquiring it. They believed that it would find a good home. I was daunted by their advice, but I believed in the work.
Luckily, I reached out to the wonderful John Hartness, author and publisher of Falstaff Books to see if he was interested in acquiring the rights to Reenu-You. I had met him the year before at a local sci-fi con and when the local bookseller didn’t show, he did me a favor by selling copies of Reenu-You through his booth. In that intervening year, I also met many of his authors and knew that as a local publisher with a wide distribution network, he was actively recruiting speculative fiction authors who were with presses that had folded.
Last year we had a great meeting. He read the novella, liked it and asked me what I was working on. I had looked at his catalog before our meeting and saw that he didn’t have very much horror and so pitched him my idea—a horror novel that takes place in the Great Dismal Swamp. He loved it and said he would buy that and reissue Reenu-You!
I now have signed contracts and can make the official announcement. Reenu-You will re-emerge later this month and I will be delivering a horror manuscript to him in the summer.
Sometimes, life works out better than one can imagine. There’s so much we can’t control about publishing, but we can control or greatly influence things like building professional relationships, being persistent and believing in one’s work
I am incredibly thankful and honored to officially join the author family of Falstaff Books. Before joining, I knew some of the authors by their fantastic works including Samantha Bryant, Nicole Smith, Michael Williams, Alledria Hurt and Jason Gilbert. Now, I know how kind, supportive and generous they are as a community of writers who uplift and support each other.
If you like speculative fiction, please check out Falstaff’s catalog.
I, of course, will keep you updated as this new publishing journey unfolds.
October has been designated Black Speculative Fiction month when we especially pay attention to Black creators of fantasy, horror, and sci-fi! Luckily, there is still time to share some of my favorite writers with you and provide links to some great lists being circulated. If you don’t get to check out these writers now, the holiday season will be upon us shortly, so consider putting them on your list for yourself or as a gifts for others.
Nisi Shawl
When I was in graduate school and thought that I was the only Black person that loved and wanted to write science fiction, I luckily met Nisi Shawl who worked in a used bookstore in Ann Arbor, MI. She was the first person of color that I had serious conversations with about Black speculative fiction and ideas that would eventually would become known as ‘Afrofuturism’ many years later. This was probably more than 25 years ago. She was a mentor and friend and I have followed her career with great joy. If you don’t know her, you should. Her recent steampunk book Everfair received critical reviews. It re-imagines the Belgium Congo and asks what would have happened if African peoples had developed steam technology first. She is active in sci-fi circles and is a cultural critic. She also co-facilitates a workshop for writers called ‘Writing the Other’ which has become a standard for writers both in sci-fi and out for helping writers develop deeply diverse, human and grounded characters. Even though she moved away before I had come into my own as a writer, I owe Nisi Shawl a great debt for her vision and encouragement. Check her work out!
http://www.nisishawl.com/Everfair%20reviews.html
Nicole Givens Kurtz
Sisters of the Wild Sage is a wonderful collection of stories of the ‘weird west’ by Nicole Givens Kurtz. As I said in my review: “…it is dazzling, groundbreaking and compelling. We are privy to complex and memorable characters, mostly Black women and women of color and viscerally experience how they have to make a way out of no way and keep their dignity whole doing so. In several stories, Kurtz explores the challenges these women faced in a post-Reconstruction world that was sometimes indifferent, often hostile, and sometimes brimming with new possibilities. You’ll cheer and cry for them at every turn.”
Kurtz has turned me on to a whole new subgenre of speculative fiction! You can see the Author Q&A I did with her in the summer here.
https://www.amazon.com/Sisters-Wild-Sage-Weste…/…/0999852248
Tananarive Due
I would be remiss if I didn’t mention the work of Tananarive Due (tah-nah-nah-REEVE-doo). She’s an author who has won an American Book Award, an NAACP Image award and a British Fantasy Award. She primarily writes horror and you can see her in a new fantastic documentary that she produced: Horror Noire: A History of Black Horror (available on Shudder and it is excellent). One of her most popular series is the African Immortals which begins with My Soul to Keep.
Here’s a fantastic list put together by the Oakland Public Library! Enjoy!
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My 90 day fast draft novel challenge is done! I finished up last week. I ended up with a little under 55,000 words. Not bad for a first draft. I had a few setbacks though, including losing 6,000 words (!) due to a computer glitch in a recent Microsoft Word update for the Mac. Losing that much material really sucked, but overall, I feel inspired about the progress I’ve made on my nascent horror novel.
Why This Challenge Worked for Me:
-I love a good writing challenge! Doing a fast draft appeals to me for the same reason that doing NaNoWriMo appeals to me. Both challenges provide structure and encourages and rewards daily effort. I love stretching past what I think I can do. With NaNoWriMo, you also get community through numerous online support via their website. Since I was posting my word counts on my author Facebook page, many folks cheered me on there.
-I also love the first drafting process. The first draft, as Jane Smiley has said, “only needs to exist.” In first drafts, I can put all my crazy ideas, flights of fancy, strange characters, and meandering subplots in. Although I was thinking some about the reader experience while writing, I was mostly writing to discover what I thought about the setting, the characters, my themes, etc.
-It gives me something to revise later. In Neil Gaiman’s MasterClass he said that when revising, you should look at a first draft and figure out the themes and ideas you were interested in exploring and then in the next draft to consciously write toward them.
-Writing 800-1,000 words five days a week was demanding, but also doable. I took Mondays and Tuesdays off which gave me some time to mull over what I was writing. NaNoWriMo’s daily word count of 1,667 words is not for the faint-hearted. This lower word count was just enough of a challenge to keep me focused, but it wasn’t so demanding that I had to keep the breakneck pace that NaNoWriMo requires.
-This challenge requires writing all the way to the end of the story. It forces you to construct some type of ending, no matter how provisional.
The only thing that I didn’t like about this challenge was that the research, writing and reading in the field was so all-consuming I couldn’t work on much of anything else during the 90 days. My submission rate plummeted. So, if I do this again, I will be more intentional about using one of my off days to stay on top of my submissions.
What’s next?
This big messy draft exists somewhere between an extended outline and fully fleshed out scenes and chapters. I’ll sit down in the middle of October, read it, make a new outline and write the next draft.
Want to know more about 90 day fast drafting? Check out Racheal Herron’s inspiring video.
