The Practice of Creativity

Posts Tagged ‘horror

In my recent newsletter, I wrote about how fun it has been to break some WRITING RULES during the month of November. You might want to consider breaking some writing rules, too.

I’ve been taking inspiration from Durham author and podcaster Mur Lafftery. She is creator of the delightful podcast called I Should Be Writing.

Like many folks, I am working on a NaNoWriMo project and juggling other writing projects, work and life. Also, like many folks, I recognize that we’re moving into a time of the year where it can be harder to get creative work done due to holiday travel, holiday plans, increased expectations about spending time with family and/or friends, etc.

I won NaNoWriMo in 2014, but I used an outline and prepared for months. This year, I don’t have an outline, so I’m “pantsing it” and to boot my NaNoWriMo project is an urban fantasy novel co-written with my sister. Complicated!

Mur typically does a special NaNoWriMo series on her podcast. This year, she’s been posting daily using the metaphor of The Purge (which was a series of horror movies). The NaNoWriMo Purge suspends and breaks “all writing laws/rules” in service of getting more writing done.

These movies look scary!

Hearing her encouragement on breaking writing rules has been a lot of FUN and given me PERMISSION to try new things. A writing rules purge every once and awhile is probably good for us. It builds a sense of excitement and rebelliousness when we come to the page.

So, here are some writing rules to consider breaking—just for the month of November, because well, you know how this month goes. You might be doing NaNoWriMo and trying to get more words written or you just might want to get writing again. Anyway, without a bit of fortitude it’s cold turkey sandwiches, sticky leftover cranberry sauce, the last slice of pumpkin pie, a retail headache and a lot of regret by November 30th.

Writing Rules to Break in November according to Mur (with my interpretation)

Write every day. Nope! Now usually this is a good rule to have because it helps with our consistency. Well, as Mur notes, a major American holiday intervenes in the midst of November which usually includes lots of cooking, eating and retail adventures. You can break this law! Instead think about what writing might realistically fit in your schedule. Plan to be interrupted. Find time to steal. Maybe you will write in the car (assuming you aren’t driving) on the way to Thanksgiving dinner. If you are used to doing a specific word count, consider what it would take to write just a little bit more when you can—so plan to make your word count up over six days, knowing that you will probably not be able to write during the holiday weekend.

Don’t write dream sequences. Nope! Many writers are absolutely terrified of putting a dream sequence into a novel. OK, sometimes they are overused, but that’s not always the case. A dream sequence can be just what you need to get your writing juices flowing—it can always be cut later. Put on your Freudian or Jungian hat and write a dream sequence. Use it to foreshadow an event, get into your characters’ subconscious, and show us their desires or their fears.

Don’t head-hop. Nope! So the rule goes don’t go head-hopping between characters in the same scene. You can confuse the reader and it is not as common in literature as it once was. Though as Mur points out Agatha Christy did this within in a scene and even within a paragraph! So, head-hop all you want. Tell us what Janelle thinks about Damon and then tell us what Damon thinks about her. Tell us what the server in the restaurant that is watching them thinks. Give us all the points of view possible in the very same scene!

-Don’t start a scene with dialogue. Nope! This is one of my additions. Common writing wisdom frowns on starting with dialogue as it disorients the reader. Readers need context. I think it depends on what the characters are saying. Read the fantastic mystery writer Walter Mosely, and you’ll find that he often starts his scenes off with dialogue and trust me, you are immediately hooked. I would have never finished my first NaNoWriMo if I stuck to this rule. Starting with dialogue can be a way to get the reader quickly involved into the emotion of the scene.

Can you think of more writing rules that you’d like to break? I bet you can.

You can listen for free to the first of Mur’s NaNoWriMo Purge series here. The rest of her series is available through her Patreon page. Patreon is a platform that lets you directly support artists and creators.

Break some rules, people! It’s really fun. We will return to our writing law-abiding selves after November. Promise.

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Hi dear readers,

I’m planning a fun event. If you’re local, come hear me and several other speculative fiction authors read on Oct 5! I’d love to see you there. Feel free to share!

I got to know Ashleigh Gauch last year through our connection being published in the ‘UnCommon’ anthologies by Fighting Monkey Press. In the summer, I invited Ashleigh to write a guest post sharing her insights about being an indigenous speculative fiction writer writing across communities. Ashleigh is passionate about writing and we quickly found ourselves having spirited late night conversations about speculative fiction, trends in publishing, our favorite authors, etc. via Facebook Messenger. That’s how I found out about her intriguing new novel, Covenant of the Hollow. [check out her pre-order special at the end of the post!]

Ashleigh Gauch is a Haida author living just south of her hometown of Seattle, Washington. She went to college for nutrition but found her passions lay not in science, but in the genesis of science fiction, fantasy, and horror.

Her aquatic friend Odin and feline companion Luna love to watch her work!

Her work has been featured in the online periodical Bewildering Stories, the Fighting Monkey Press collections UnCommon Minds and UnCommon Lands, the Manawaker Press collections Starward Tales and Starward Tales 2, and the online periodical Teaching Tolerance.

Blurb for Covenant of the Hollow:

Would you give up your ability to fear in exchange for your deepest desire?

Across centuries, the lives of two young women with vastly dissimilar ambitions collide.

Annalise Silva is a 21st-century nineteen-year- old mayoral hopeful in her small city. Between dealing with abusive parents and not being taken seriously as a candidate, she has a lot on her plate. When she investigates mysterious prophetic dreams, she discovers an extradimensional alien who offers her the office in a swap for her fears.

Elizabeth Bathory’s noble birth in 1500s Hungary did not guarantee her happiness. Needing help to catch a husband to secure her family’s position, she accepts the alien creature’s whispered promise of her place in history if she will gift him her inhibitions. She didn’t know she’d be branded as the most prolific serial killer in history.

With lives running in reverse and time running out, will their attempts to stop each other’s descent into madness via shared dreams succeed—before the creature destroys the world?

I’m delighted to welcome Ashleigh Gauch back to The Practice of Creativity!

 

– Tell us about your recent novel, Covenant of the Hollow. What are you hoping readers will connect to in this story? 

Covenant of the Hollow was both a challenge and a joy to write. It follows the twin stories of Annalise Silva, a nineteen-year-old Puerto Rican girl living in the fictional town of Qualicum, WA, and Elizabeth Bathory, the most prolific female serial killer in history. They encounter an extra-dimensional creature who promises them their greatest desires (consequence free) in exchange for their ability to feel fear. Given the constant state of anxiety in which many (dare I say most) women live their lives, such an offer would seem like the easiest decision to make in the world.

One of the things I really tried to capture in both story lines was the omnipresent feeling of powerlessness women feel even as they take steps to seize power over their own lives.

Annalise’s story was based in large part on interviews with a good friend of mine about her uncle and aunt and some of the problems their daughter faced after the family moved from Puerto Rico to the mainland U.S.

Although the cousin in question didn’t run for political office, they did face several of the situations in the book, including pressure from their mother to stay in the household as a caretaker rather than starting a life of their own and having to deal with their father being extradited back to Puerto Rico, leaving the family without a steady income.

Elizabeth’s story was inspired by the article in the collection Rejected Princesses on the historical figure. In it, the author suggested that Elizabeth may have committed atrocities, but not on the scale she was convicted for and not entirely without reason. Sadism or not, she was a widow from the highest-ranking family in all of Hungary who had to hold onto her lands, and the man entrusted with care of her family had his eye on her power. Taking on a familiar horror story from that point of view brought questions to my mind about what that would be like, and what it would be like to be told that the only value you had as a person, from birth, was what you could give to the court.

She has to face many hard choices, including dealing with post-partum depression and vulnerability following an abortion, dealing with her husband’s death and a near-immediate proposal from the man he had assigned their care to, and fears that her barony will fall to Ottoman invaders before she even gets a chance to see if she’s taught her son enough to succeed his father.

That claustrophobic there-is-no-way-out-of-this feeling is one MANY women face on a daily basis, and I’m hoping that my readers find a bit of themselves both protagonists.

-Your story moves back and forth in time between two main characters. Were there any challenges in plotting or characterization that you grappled with as you worked on the book?

Well, I can tell you this book converted me from a pantser to a plotter pretty quickly!

One of the big challenges came from having to change the historical events to fit part of the story I wanted to tell. For example, Elizabeth was 10 years old when she married Ferenc and had her first child at 12, possibly with a lover from the peasantry. Understandably uncomfortable with this, I aged her up to 14 during the opening scenes of the book when she woos Ferenc (a fact contested in various references) and has her abortion (also contested, some sources say she gave a daughter up for adoption).

As far as lining up the story went, I tried to allow the dream sequences they connected with and some of the base events happening in each of their story lines carry similar themes, so the transitions between chapters and points of view felt smooth.

One of the biggest challenges was making Elizabeth relatable. Most people have only encountered her story as the “Blood Countess,” hammed up for horror purposes with her bathing in blood and ripping pieces of flesh off her victims. Although some of those things were alleged in her trial, the historical accuracy was dubious for many of the claims listed. And beyond that, making a sadist relatable at all is a challenge, especially a feminine one.

Trying to showcase her struggles, her reasoning and internal debate for each choice she made, solved some of those issues, but the fact remains that many people struggle to have empathy with flawed female characters. I hope that my book can be another plank on that bridge.

-What was the most interesting tidbit that you came across while researching Hungary in the 1500s for your character, Elizabeth Bathory?

The first was that she and her husband most likely tortured girls together at first, and that he tempered her during his visits home from the war. That was a pretty big shock for me!

The second was that (again, changed in the book for story purposes) he was actually illiterate, while Elizabeth spoke over 4 languages, could read and write, and had a knack for governance. She really was a more educated and prepared ruler than he, and handled much of the court work in his absence. Her son ultimately failed as a successor because she was so afraid of having her power stripped she didn’t adequately prepare him to take over, which ended her bloodline as rulers.

-How did you get bitten by the ‘writing bug’? Did you always wish to become an author?

My first poem was published at 10 years old. It was about 9/11, and my teacher was so concerned about the contents she ended up calling my parents in for a conference. When she determined they hadn’t helped me write it (and didn’t even know about it), she sent it in to a youth writing contest and it ended up in an anthology.

From then on I wrote obsessively growing up, about anything and everything I could get my hands on. I even used the templates in the old version of Word to create a pseudo-newspaper I sent to my grandmother every month. The Storypaper. It had some running stories in parts and some complete ones, and she saved all of them before she died.

I wanted to be an author when I grew up from 10 onward, by my parents were the opposite of supportive. My stepdad thought that I’d be a starving artist if I went to college for creative writing, so I ended up majoring in nutrition when I got to school despite the fact they never ended up helping me pay for it. It wasn’t until some complications happened in school and I ended up bedridden for 2 years following a severe back injury that I picked up the pen again.

I will never put it back down as long as I live.

-What’s on your bookshelf, next to your bed (or in your e-reader)? What are you reading right now? 

J.G. Follansbee gave me an advance release copy of the third book in his Tales of a Warming Planet series, City of Ice and Dreams. I’m reading it for fiction, and a book called Focus: The Hidden Driver of Excellence by Daniel Goleman for nonfiction. I tend to read one of each at any given time.

– What’s your best writing tip that you’d like to share?

Every project hits a stagnation period. A place where you’re stuck in the mud despite your best planning, where the idea of sitting down to write brings more pain than joy in your mind. Where you no longer know if the idea you’re working on is worth it, if any of it is worth it, and something shinier and prettier looks easier and beckons you away from everything you’ve done up until that point.

For Covenant, it was when a couple of people in my writing group told me that the concept couldn’t work and that I needed to completely change the way I approached the book. That horror readers wouldn’t dig it and it wasn’t sci-fi enough for the science fiction crowd, either.

Don’t listen to any of those voices, human or internal. Because the new shiny pretty thing will have the same swamp waiting for you, and another newer, shinier, prettier thing will beckon, and you’ll leave a stream of unfinished projects in your wake. Give yourself the gift of done, and even after the first draft is finished, the gift of time and perspective. It’s worth it, the work is worth it, and as an author, you’re worth it, too.

No matter what any of the voices say.

Ashleigh Gauch is a writer. Her first novel is Covenant of the Hollow.

Pre-order/Buy Link ($0.99 for the e-book until 2/22): https://www.amazon.com/dp/B079NNYRJZ/

Buy Link for Prequel (Diary of the Hollow): https://www.amazon.com/Diary-Hollow-Chronicles-Drowsy-Book-ebook/dp/B078RFBYW5/

Hi folks,

Happy holiday weekend to all my U.S. readers and for those not in the U.S., I hope you are well wherever you are in the world. In a few days, we move into ‘Cyber Monday’. Many publishers, along with other businesses, are offering great deals on Monday. This is an excellent time to find holiday gifts and stock up on personal reading for the season. I wanted to give you a heads up about one publisher in particular—Fighting Monkey Press.

Fighting Monkey Press, publisher of the amazing ‘UnCommon’ anthologies is having a GREAT sale on Monday. On Monday (and for a very limited time), you can get ALL 4 anthologies for just $4.00, or one book for 99c! I’m published in the UnCommon Origins anthology and have truly been impressed with the phenomenal writing in each collection. My urban fantasy story, ‘The Curl of Emma Jean’ is about two sisters, race, fairies and the God Faunus.Check out the UnCommon Origins trailer.
Each anthology is themed and features short stories that fall into the categories of horror, magical realism, fantasy, slipstream, science fiction, steampunk and more. Your imagination will truly be sparked by the UnCommon anthologies!

Get 4 books for 4 dollars, or 1 book for 99c! 

UnCommon Bodies

Step right up to the modern freakshow — We have mermaids, monsters, and more. You won’t be disappointed, but you may not get out alive.

UnCommon Bodies presents a collection of 21 beautifully irreverent stories that blend the surreal and the mundane. Together, the authors explore the lives of the odd, the unbelievable, and the impossible. Imagine a world where magic exists, where the physical form has the power to heal or repulse, where a deal with the devil means losing so much more than your soul.

UnCommon Origins

UnCommon Origins presents 22 depictions of moments on the precipice, beginnings both beautiful and tragic. Fantastical stories of Creation, Feral Children, Gods and Goddesses (both holy and horrific), and possibilities you never dared imagine come to life. Including stories from some of the most talented Speculative Fiction and Magical Realism authors around, UnCommon Origins will revisit the oldest questions in the universe: Where did we come from? and What comes next?

UnCommon Minds

Enter into the hidden world of the mind, where the laws of nature don’t apply and nothing is as it seems.

Straight from the minds of 20 UnCommon Authors come tales of tragedy, triumph, and bittersweet gratitude. You’ll find augmented realities and mental persuasion that force you to question everything. Stories of military suspense, psychological horror, dream walkers, and psychic mediums await their turn to crawl into your head.

UnCommon Lands

Enter into the hidden world of the mind, where the laws of nature don’t apply and nothing is as it seems.

Straight from the minds of 20 UnCommon Authors come tales of tragedy, triumph, and bittersweet gratitude. You’ll find augmented realities and mental persuasion that force you to question everything. Stories of military suspense, psychological horror, dream walkers, and psychic mediums await their turn to crawl into your head.

 

 

 

 

Hi creatives,

I just got back from teaching at the incredible North Carolina Writers’ Network fall conference. It was a blast. I also enjoyed supporting the conference’s first ever NaNoWriMo launch. I’ll have updates about all this and more very shortly. In the mean time, I wanted to share some upcoming local events that I’m proud to be a part of.

***

Are you a fan of the science fiction writer Octavia Butler? Want to talk about Octavia Butler’s acclaimed science fiction novel Parable of the Sower? Do you want to learn more about Afrofuturism?

Come join me on Wednesday (tonight!), Nov 8 @7pm at Flyleaf Books! I will have the distinct honor of hosting a conversation about Octavia Butler and Parable of the Sower with my special guest and colleague, Dr. Lilly Nguyen! We will explore the themes in Parable of the Sower and how they engage us on critical questions of humanity’s future, race, gender and transformation. We’ll discuss how Butler’s work has propelled our own, and how it can relate to, inform, and inspire other lives.

It’s OK if you are new to Octavia Butler, read Parable a long time ago, are reading it now, or just want to come and listen!
This is part of a free event series celebrating the US premiere of Octavia E. Butler’s Parable of the Sower at Carolina Performing Arts, an opera created, written, and composed by Toshi Reagon and Bernice Johnson Reagon.

Check out more here!

****

I’m super excited to be reading from Reenu-You this Saturday at the wonderful Ngozi Design Collective at 11am at 321 West Main Street, Durham. I will be joined by speculative fiction author Nicole Kurtz. We will read from our recent publications and discuss how African American female creators are reshaping the landscape of all things sci-fi, fantasy and horror in books, TV and film. Door prizes and refreshments! I’d love to see you there!

Hi folks,

Binge On Books is running a wonderful feature–Sounds like Halloween. They are primarily a book reviewing site. They have asked various writers to read a 5-10 minute selection from their published work. They have posted an audio recording of me reading from my dark fiction/sci-fi novella, Reenu-You. It’s a particularly pivotal and creepy scene.

It was super fun to choose a selection from the book and record it.

I didn’t know anything about them until my publisher pitched me to them. I’ve discovered some really wonderful writers by listening throughout the month. You might, too!

http://bingeonbooks.com/sounds-like-halloween-day-25-with-michele-tracy-berger/

 

The first thing you notice in Eden Royce’s short story collection, Spook Lights: Southern Gothic Horror, is the exquisite attention to language and setting. Royce’s storytelling is layered and dense. Spook Lights is billed as dark fiction. The sense of horror, dis-ease and dread are developed in an entertaining and unexpected way in each story.  This collection is a great introduction to Southern gothic horror and is well worth your time.

Themes that recur in the stories include: betrayal, the meaning of death, the price of living, what makes a joyful life, and memory. The challenges of love, especially for women and the price that they are willing to pay for it (whether for a son or lover) is often costly. The characters in these stories yearn, love, desire and act in ways that make for compelling fiction.

This collection is populated by a variety of diverse characters and cultural reference points that include European American, African American, and indigenous histories. And, their experiences are filtered through the landscape of the South, most often Charleston. Indeed, one of the gems of Eden’s storytelling is the way she uses language, dialect, and setting to re-imagine folk traditions, hoodoo, and everyday people seeking spiritual assistance. She upends the traditional Hollywood stereotypes of root workers and conjure women. She is interested in how the magical and mundane intersect, especially for women of color and the paths that they travel to find freedom– both physical and psychological. Indeed, the title of the collection embodies a playfulness about ideas of darkness and light, and personal and official histories.

I truly enjoyed every story in this collection. Some of my favorites include, “Dr. Buzzard’s Coffin”, a fresh take on zombies, including ones that can restore balance. This tale involves an uncle undergoing a metamorphosis in order to cleanse the community of a dangerous threat. In many of the stories, the main character seeks assistance from the spirits and after receiving the assistance, realizes (often too late) that it came with a high spiritual price tag. “Hag Ride” is one of these stories. What is one to do when one loves a philandering husband? We feel for Frieda, the main character when she is warned by ‘Big Mama’, her godmother (who works roots), that sometimes we should let someone go rather than trying to force them to love us.  The troubled young woman doesn’t want to hear this sage advice and proceeds to call on ‘The Hag’ for help. Her philandering husband gets more than he bargains for when he meets a beautiful woman who gives him the “ride” of his life. He is definitely transformed in ways that Freida can’t anticipate. It is a delicious revenge story with a twist at the end.

With the “Turn of a Key” and “Rhythm”, roles are reversed and it is the man that’s been betrayed and seeks help from otherworldly forces.

The stories vary in length and viewpoint, alternating between first and third person. Some like “Hand of Glory” and “Homegoing” are flash fiction driven, leaving us with more tantalizing questions than answers.

My very favorite story, “The Choking Kind”, ends the collection. I love this story because it is a mother and daughter story, a mystery and a story about magical beings all rolled into one. Imaginative and unexpected it deals with ideas of loss, memory, identity, freedom and family.

In this collection, there is a story for every kind of horror and dark fiction aficionado. Compelling short story collections are marvels of pacing, selectivity and wordsmithing. Eden Royce brings all of that and more to this work. A thoroughly enjoyable read.

 

 

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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