The Practice of Creativity

Posts Tagged ‘writing affirmations

Do you aspire to be a career author? Unsure of how to take your writing and marketing to the next level? Would you like to gain insider tips and techniques from some of the biggest names in publishing about how to build and sustain the author life? Want to make meaningful connections with authors nationally? Want a great event to look forward to?

Mark your calendars as I have something just for you!

I would love for you to join me at the Career Author Summit 2021. I’m thrilled to be a presenter at this major author event hosted by J. Thorn and Zack Bohannon, authors (Three Story Method and 9 Things Career Authors Don’t Do) and podcasters (The Career Author Podcast). It’s an *immersive 2 day event, Sept 18-19 2021 in Nashville, TN. The conference is capped at 120 people.

https://thecareerauthor.com/summit2021/

[*Don’t want to attend live? You have the option for a virtual ticket– the virtual ticket gets you real-time viewing (and replay) from home. The in-person ticket also gets the replay. One-time payment or installment plan option. Scholarships available, too! See website for additional details.]

It’s going to be phenomenal! This amazing line-up of speakers includes: Jeff Goins (author of Real Artists Don’t Starve and The Art of Work), Rachael Herron (thriller writer, podcaster and memoirist, author of  Fast Draft Your Memoir), Becca Syme (creator of the Write Better-Faster course and author of Dear Writer, You’re Doing It Wrong), Mark Lefebvre (author and Director of Business Development at Draft2Digital) and Stephanie Bond (author of over 96 novels traditionally and indie published, over 7 million copies in worldwide distribution).

https://thecareerauthor.com/summit2021/

My Experience with the 2020 Career Author Summit

In May I attended the Career Author Summit hosted by J. Thorn and Zack Bohannon and Jim Kukral. It was supposed to be in Nashville (and I sure was looking forward to checking out the BBQ and music scene), but they like so many other event organizers wisely decided to make it a virtual event.

I made the decision to attend the CAS in 2019 to push myself outside of my comfort zone. I typically know and hang out with traditionally published writers. And, I typically attend craft focused writing workshops. The CAS’s focus is more on indie and hybrid publishing and the business side of being a career author.

The conference was outstanding in content with presentations on topics that included ‘Making (More) Money as a Writer’,  ‘Audio for Authors: Audiobooks, Podcasting and Voice Technologies’, ‘Finding a Mentor/Being a Good Mentee’, ‘The Myths and Legends of Amazon Ads’ to ‘The Future of Publishing’ with key representatives from Google Play, Draft2Digital, Kobo, Reedsy and Vellum.

The roster of speakers was fantastic and included Joanna Penn, (author and creator of The Creative Penn podcast), Lindsay Buroker (fantasy author and co-host of Six Figure Authors podcast) and Tim Grahl (book coach and author, Your First 1,000 Copies).

Every panel challenged my assumptions about what I thought I knew about the business of writing and gave me much to consider about how publishing may change during this decade for writers, publishers and readers.

Several presentations also focused on the importance of creating and managing a growth mindset.

And, the organizers did a great job helping writers connect with each other during the week with smaller genre specific networking opportunities (love those Zoom breakout rooms). They also set up a Slack channel prior to the conference which enabled the attendees to connect before, during and after the conference which was a great resource.

This summit was rocket fuel for my career. In the past 100 days I’ve been able to implement several  of the strategies offered by the speakers. I feel much more confident about meeting my short and long term goals as a career author. The connections I’ve made with other attendees (and speakers) at the CAS have already yielded incredible opportunities and collaborations that would simply not have happened on my own.

Our Pivot as Writers

One of the many comments that struck with me was from Jim Kukral’s introductory remarks when he said, “Adversity doesn’t stick to a schedule.” And, “This is the time to pivot as writers.” And, “It’s going to be OK.”

The adversity we are facing is going to change readers’ habits, publishing schedules and lots more. We are facing challenges and opportunities. Some of what we were doing or pursuing may no longer work.

Pivoting, as writers, in 2020 and 2021 is going to look differently for each of us.

I don’t know what this will look like for you.

It might mean:

-recommitting to your work

-upgrading aspects of your writing profile (i.e. website, social media profiles)

-keeping track and finishing more of your work (I finally have downloaded an incredible tool by the writer Jamie Raintree, that is a spreadsheet where you can track ten projects, set writing and revision goals and it records and updates everything. Tracking my progress visually is highly motivating for me.)

https://jamieraintree.com/writing-revision-tracker/

-investigating ways to increase productivity using new tools (i.e. Scrivener, dictation software)

-seek out what’s working right now for authors

-investigate producing audio content from your creative works (if you are traditionally published and still have audio rights or if you are indie published). The rise of audio is going to be a continuing and important trend for authors. Think about mature audio-eco-system that we are experiencing: smart technology in cars, smart devices, homes, etc. As Joanna Penn said during her talk, “If someone searches for your work and their preference is to listen to audiobooks, can they find you?”

-exploring how to get your content (if you are indie or hybrid published) sold on multiple platforms, instead of relying on Amazon

-exploring translation and foreign rights for your short stories and novels

What might pivoting in your writing life look like?

Something was nudging me to make some changes when I signed up for the conference. Before pivoting was optional. Now I know pivoting is not a choice, but a necessity. I’m fully committed to upping my writing game.

I hope you decide to invest in your writing career in 2021 and join us at the Career Author Summit!

The Career Author Summit – 2021

Self-talk is important. What have you been saying to yourself about your writing these past few weeks, or months or even years? Most of us use negative internal language in relation to our creative lives. In last month’s Chatham County Line column I shared how in 2016 a daily affirmation practice changed my life. If you were a reader of the blog in 2016, you may remember this endeavor. Coaches, psychologists and other mental health providers now routinely advocate the use of helpful and positive self-talk. My piece is called “Fruits of a Daily Affirmation Practice”. Here’s a snippet below. I hope you check it out.

I loved making nice images for my affirmations using Canva

The Fruits of a Daily Affirmation Practice

 

Feeling worthy is a learned behavior. —Beverly McIver, visual artist

 

In 2016, I committed to a practice that changed my creative life.  I posted an original affirmation every day on my blog, The Practice of Creativity, from January 1-December 31.

What are affirmations?

 There is a great secret which successful writers and creators from all backgrounds use – affirmations. That’s right, affirmations, phrases that affirm our work and value. And, they help us direct intention into our work. And, they can work for you. Many psychologists, mental health workers and coaches advocate the use of affirmations.

 An affirmation is a short, simple, positive declarative phrase that as Eric Maisel says, in Coaching the Artist Within, “you say to yourself because you want to think a certain way…or because you want to aim yourself in a positive direction.” You can use them as ‘thought substitutes’ to dispute self-injurious thoughts (as a cognitive behavioral approach), or to provide incentive and encouragement when those seem to be in short supply. Affirmations rewire our assumptions about what’s possible.

The imposter syndrome is a universal one among writers. Established writers can have bouts with it as often as emerging writers. We combat it through affirmations, having a writing community and persisting.

In 2016 what I needed as a writer was lots of practice in self-kindness, plain and simple. I had craft, discipline and perseverance in spades. Many creative people struggle with simply being self-accepting. As you know, we can think the meanest things about ourselves. I don’t know of any writer who hasn’t felt like giving up on their writing dreams. I don’t know of any writer who couldn’t benefit from helpful, kind self-talk on a regular basis. Anxiety, unhelpful self-talk, and inner critics often stop us before we can even get to our projects.

https://chathamcountyline.org/pdfs/CCL.april20.web.pdf

 

Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

When I originally signed up for Samantha Bryant’s ‘Finish Your Novel’ workshop, I thought I would either be working on a parallel novel set in my Reenu-You universe or the urban fantasy novel I’m co-writing with my sister. The workshop meets for five Saturdays for three hours. Samantha’s a great instructor and I’ve taken her classes before through CCCC’s Creative Writing Program. She is most well-known for her superhero menopausal series, which I adore. See my interview with her about Going through The Change, her first book in the series.

I loved when Samantha asked us to place ourselves as writers on the spectrum of Explorers (i.e. Discovery writers) and Architects (i.e. Plotters) in how we begin projects.

Everything changed last weekend when I attended Illogicon, the local sci-fi convention that I’ve been attending since 2015. I had scheduled a meeting with a publisher that I was hoping to get to know better.

Although I can’t release all the details yet, suffice it to say I pitched this publisher a horror novel idea that’s been rolling around in my psyche for a few years. They loved it. So much so, they are offering me a contract. I will have a soft deadline of turning in the novel by October and a hard deadline of January 2020.

I literally have only about six pages of notes on my horror novel idea. Getting published is often a mysterious processes defined by things both in and out of one’s control. As I have often said, there is no one route to publication. And, although I still have to write the book (no small feat!), the way this opportunity has unfolded has been marked by a wonderful feeling of synchronicity. I also believe that all the other pathways of the writing life that I have been contributing to (e.g. blogging and using social media, building relationships with other writers, and submitting work) has contributed to this moment of serendipity.

I’m still both gleeful and stunned at the ease of how everything unfolded. When I met with the publisher, I didn’t have the slightest intent on pitching this novel idea, but during the conversation it felt right. I had studied the company’s catalog and surmised that they might want to continue to develop their horror line.

After the conversation finished, I immediately thought—OK, WELL THIS CHANGES ALL MY WRITING PLANS FOR 2019! and, I NEED SOME SUPPORT IN GETTING THIS NOVEL WRITTEN! and, CLEARLY THIS STORY WANTS TO BE BORN!!! and, YIKES! AND, OMG, I’VE NEVER WRITTEN A HORROR NOVEL!!!!!

I took a deep breath and told myself that I would figure it out, as all writers do.

This brings me back to the Finish Your Novel workshop. We met yesterday and I think it’s going to provide a helpful model for accountability. Samantha will discuss key issues about novel structure and all the participants will have at least one opportunity to receive feedback on their work. My goal is to develop a detailed outline for our Feb meeting.

There is nothing like getting a new notebook when starting a project. My writing teacher got me hooked on these colorful and inexpensive composition books.

I can’t wait to share more details. I’ll do that once the contract has been signed, etc. I can tell you that my story will be set in North Carolina, in the present. I will be updating you right here about the joys, triumphs and struggles of writing this novel.

One question for the fiction writers:

What’s your favorite book on plotting and novel structure? I’d love to know!

One question for the horror lovers among us:

I haven’t read that many classic European and early American horror writers like Lovecraft, etc. What are some classics that I should read?

Keeping a gratitude jar is a symbolic act. As creative people, we have to take physical action in the world to pursue our dreams, I, however, also believe in utilizing symbolic acts of power. Symbolic acts of power are those that connect us to mystery, the unknown, serendipitous help and support, luck, and universal good. Symbolic acts of power can also free us from a constant focus on the mundane aspects of the creative life. Using symbolic acts of power can help boost our confidence, remain playful in the face of adversity, and develop trust in ourselves and the power of the universe.

For many years, I have kept a gratitude jar focused around my creative life. The idea is simple…get a big jar, write one thing you are grateful for at the end of the day and put it in the jar. The jar offers a visual touchstone of joy as you see it filling up with entries during the year.

At the end of the year, one of the things that fills me with delight is to go through and read my entries. I rarely get close to having 365 entries, but that’s OK. I definitely love reading about all the special moments that happened last year that I had forgotten. The majority of the entries relate to giving thanks for some aspect of my creative life going well. I was grateful that I had gotten a submission accepted, or someone had offered kind words on a reading I gave, or I had a day where good ideas seemed to flow endlessly.

The powerful benefits that stem from a gratitude practice are ones that science now validates and that spiritual traditions have always claimed. Noticing what is going well in our lives helps maintain our focus and contributes to our ability to be resilient. Gratitude also creates a kind of forward momentum in our creative life that is like rocket fuel.

The jar is now empty and I will start all over again. Last year was an anemic year for my gratitude jar. I tried to write too many entries at the end of the evening. I also started writing notes along with the gratitude entry—notes that would have been better placed in a journal.

This year, I am going back to the basics—one entry per day whenever I remember to do it.

What about you? Why not grab a jar and dedicate it specifically for your creative practice/life/ dream/goal? Or you can put something in the gratitude jar before you start work on your novel, book of essays, musical score, etc. List what you’re grateful for before you begin or end a project. There are many uses for a gratitude jar. There’s actually so much that goes right on our creative paths, if we just slow down and notice.

This is a practice that you will wind up loving for your creative life! Promise!

I’ve heard from many folk that you really enjoyed my last post on prompts for Winter Solstice. I thought I’d share another source of inspiration to support the creative journey this winter.

I have included is a link to ‘Wake Up Your Magic’ coach Susan Guild’s ‘Tele-Share’ where she invited myself and writer Wendy Fedan to talk about how to deepen and grow one’s creativity practice. We called it a Creativity Bash! We recorded this episode a few winters ago and covered the following topics:

-Discover how to take your creativity to the next level

-Learn your creative cycles

-Understand what “following the energy” means to take action on your creative projects i.e., following “the Divine breadcrumbs”

-Uncover your mood blockers

-Pay attention to your body’s physical and reactions to pain and strain

-Live following the nudges to your creative dreams

This call was fun and magical.  Enjoy!

 

I’m thrilled that my essay about Octavia Butler is now in print in the new collection: Luminescent Threads: Connections to Octavia E. Butler.

In celebration of what would have been her 70th birthday and in recognition of Butler’s enormous influence on speculative fiction Twelfth Planet Press has published a selection of letters and essays written by science fiction and fantasy’s writers, editors, critics and fans. There are letters from people who knew Butler and those who didn’t; some who studied under her at the Clarion and Clarion West workshops and others who attended those same workshops because of her; letters that are deeply personal, deeply political, and deeply poetic; and letters that question the place of literature in life and society today.

 

 

I write about Octavia Butler’s use of affirmations to support her writing and how I have viewed her life as a model for creative practice. Those of you who have been reading my blog for some time know how important a tool I think affirmations are for creative people. In 2016, I committed to a daily practice of  writing an original affirmation about creativity and posting it on this blog. This practice provided tremendous nourishment for my creative life.

There are many writers in this collection that are well-known in the science fiction community including Nisi Shawl, Nnedi Okrafor, L. Timmel Duchamp, and Steven Barnes, but also you’ll discover newer writers (like myself) in this hefty 405 page book.

A few months ago, Alexandra Pierce and Mimi Mondal, the editors of LT gave a great interview here.

If you’re a Butler fan, you’ll want this work in your library. If you have friends that are OB fans, please pass on info about this book!

 

I had an awesome cover reveal yesterday at Black Girl Nerds for “Reenu-You” my new sci-fi novella. Today Reenu-You is launched!

What if a visit to the salon could kill you? What if a hair product harbored a deadly virus? My novella is about viruses, the politics of beauty and unlikely female heroes. It’s got a thriller and apocalyptic feel.

Kat, an out of work ski instructor, just wants to pack up her dead mother’s things, leave New York City and return to Aspen. Constancia, a talented but troubled young woman, just wants to start her first semester of college. They both use a new hair product called “Reenu-You”. Within days, along with other women of color, they find themselves covered in purple scab-like legions— a rash that pulses, oozes, and spreads in spiral patterns. They are at the epicenter of a mysterious virus spreading throughout the city. Is it corporate malfeasance or an orchestrated plot to kill minority women? These unlikely heroines are forced to confront their deepest fears to save themselves and others.

 

Want to check this novella out? Of course you do! My publisher is hosting a giveaway on their site. Just go here and enter to win! While there check out a snippet of the essay that I wrote for their ‘Inspirations and Influences’ section. The full essay is included with the e-book!

It’s so easy to talk ourselves out of submitting our work. Rejection is painful. Even though I am a coach and a creative writer, I, too, find ways to ‘self-reject’ my work. It’s never a good idea. Always get your work under review, submitted, in the pile, seen. It’s a simple fact that if we creatives want to have an audience, someone has to read, see, or hear and experience our work. The only way we can do that is to submit our work to others.

In January, I taught a workshop called ‘Charting Your Path to Publication: Tips, Techniques and Lessons for Writers.’ An amazing group of writers came out to learn how to beat the odds of rejection when submitting to journals, magazines, etc. We talked about strategies to submit our work, the courage to send it out and the perseverance to keep going in the face of rejection.

I shared how inspired I was by a great interview with the writer Laurence MacNaughton on Mur Lafferty’s “I Should Be Writing” podcast. He shared that he struggled for many many years getting his fiction published. He had many cardboard boxes filled with rejection letters. When he moved into a new home, he decided to open up those boxes and count his rejection letters.

He counted and stacked up 100, 200, and 300 rejection letters. As I listened to the story, I held my breath. So many questions ran through my mind. How many did he have? Where was he going to stop? How many rejection letters did I have a decade ago? He kept on counting and found himself at 500, 600, and then 800 rejections. He stopped when he reached a 1000 rejection letters. He stopped counting them even though he had more letters! He felt so bad about it that he stopped temporarily writing. He felt like anyone who could amass 1000 rejection letters should not write.

He said that that not writing was really hard and that he soon came to the realization that writing was essential to his mission and purpose on the planet. It’s what gave him joy. He decided to write, no matter whether he was published or not. He kept submitting his work and soon after that sold one of his novels. He’s now a full-time writer.

I was very moved by this story as it reminds us that all we can control is what we send out and although we will inevitably get rejected, we have to submit our work. And, we have to find joy in the writing itself, no matter what the outcome. As Laurence says, “Rejections mean you are doing what you need to do, you just need to keep going.”

Recently, I almost talked myself out of submitting work.  Last fall, I saw this call:

Octavia Estelle Butler was born on 22 June, 1947, and died in 2006. In celebration of what would have been her 70th birthday in 2017, and in recognition of Butler’s enormous influence on speculative fiction, and African-American literature more generally, Twelfth Planet Press is publishing a selection of letters and essays written by science fiction and fantasy’s writers, editors, critics and fans.

I got goose bumps reading this call. Octavia Butler is one of my favorite authors. I teach her work and her nonfiction essay, “Positive Obsession” is one that I credit for inspiration in pursuing my writing life.

I put it on my calendar to submit, but as the deadline approached, I found myself saying:

“Every prominent speculative fiction writer is going to submit something—I can’t compete.”

“I want to write about the impact of her nonfiction on me and her use of affirmations to boost her confidence. The editors probably won’t be interested in that.”

And on…

I was about to talk myself right out of submitting due to fear. I was going to self-reject. Thank goodness a writing friend messaged me with the link and said, “Hey, I know you’re a Butler fan, you’re submitting to this right?’

That little encouragement got me in gear. I decided to write the essay. I told myself, if it gets rejected, I can pitch to the speculative fiction magazine. Someone could want this essay.

I sent it off, pleased with the essay, but not expecting anything.

I’m thrilled to say that my essay WILL appear in the anthology. I am so honored to be in this collection. See details below.

Always give others a chance to evaluate your work. Never self-reject!

We are excited to announce the contributors of original letters and essays for Luminescent Threads: Connections to Octavia Butler. There are letters from people who knew Butler and those who didn’t; some who studied under her at the Clarion and Clarion West workshops and others who attended those same workshops because of her; letters that are deeply personal, deeply political, and deeply poetic; and letters that question the place of literature in life and society today. Essays include original pieces about Butler’s short story “Bloodchild” and whether we should respect Butler’s wishes about not reprinting certain works. All of these original pieces show the place that Octavia Butler had, has, and will continue to have in the lives of modern writers, editors, critics and fans. Our contributors include:

Rasha Abdulhadi
Raffaella Baccolini
Moya Bailey
Steven Barnes
Michele Tracy Berger
Tara Betts
Lisa Bennett Bolekaja
Mary Elizabeth Burroughs
K Tempest Bradford
Cassandra Brennan
Jennifer Marie Brissett
Stephanie Burgis
Christopher Caldwell
Gerry Canavan
Joyce Chng
Indra Das
L Timmel Duchamp
Sophia Echavarria
Tuere TS Ganges
Stephen R Gold
Jewelle Gomez
Kate Gordon
Rebecca J Holden
Tiara Janté
Valjeanne Jeffers
Alex Jennings
Alaya Dawn Johnson
Kathleen Kayembe
Hunter Liguore
Karen Lord
ZM Quỳnh
Asata Radcliffe
Aurelius Raines II
Cat Rambo
Nisi Shawl
Jeremy Sim
Amanda Emily Smith
Cat Sparks
Elizabeth Stephens
Rachel Swirsky
Bogi Takács
Sheree Renée Thomas
Jeffrey Allen Tucker
Brenda Tyrrell
Paul Weimer
Ben H Winters
K Ceres Wright
Hoda Zaki

Luminescent Threads will also include reprints of articles that have appeared in various forums, like SF Studies, exploring different aspects of Butler’s work.

Luminescent Threads will be published by Twelfth Planet Press in June 2017.

 

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Affirmations-366Days#366: I create the internal focus needed for writing success.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

We had a blast on my ‘Affirm the Writer in You’ webinar on Thursday! Here is the replay, available through the end of Jan 3.

A way to be connected to your Writing Self is through having what I call a strong ‘creative core’. I talked about this revolutionary concept on the webinar. The concept of the creative core is the foundation of all my work.

Just like you have a physical core that stabilizes you, you also have a ‘creative core’. For many of us, our creative core is underdeveloped. We’re often easily knocked off course, produce inconsistent results and struggle to keep our focus.

As you’re making plans for your writing success in 2017, I’m inviting you to join me in my signature 4 week ‘Tone Your Creative Core™’ Program which helps creative people deal with the universal blockers and dream killers that ALL creative people struggle with.
My program is designed tackle the areas that creative people, ESPECIALLY writers struggle with most: time, abundance and prosperity, feeling worthy to create and goal-setting. Through this program you will get to experience your best creative self.

This program shapes your ‘creativity core’ so that it unleashes your potential. You will be rewarded with a new level of energy, focus and commitment!

  • You’ll strengthen a relationship with your Writing Self
  • You’ll learn how to create with consistency, passion and purpose.
  • You’ll learn how to recognize and conquer your internal and external saboteurs.

I have a special FAST-ACTION Bonus-– if you act by 11:59 Jan 3rd you will ALSO receive a personal coaching session with me! I bring my experience as a published writer and creativity coach and provide structure and accountability to support you. If you’ve been wanting to work with a coach to receive individualized support, here’s your opportunity.

2nd Bonus: You’ll also receive my 40 day Affirmation workbook. In this workbook, I share 40 powerful affirmations about writing that will inspire and encourage you every time you face the page. As you know, my daily practice of using affirmations has changed my life. I did a recent guest blog post talking about lessons learned.

3rd Bonus:  MP3 audio file of how to generate energy for your creative work (esp. when you just don’t feel like it). I interviewed successful writers, artists and coaches about how to generate more energy for your creativity, even when you don’t feel like it! They share their secrets and phenomenal tips. You’ll hear from Eric Maisel, SARK, Amanda Owen and many more. You’ll have at your fingertips numerous strategies to combat feeling overwhelmed and just TOO TIRED TO CREATE!

The investment for you is $67. Start the New Year by investing in your creative life and guaranteeing transformation!

Sign up here.


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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