The Practice of Creativity

Posts Tagged ‘speculative fiction

I’ve missed bringing you awesome author interviews this year, so I’m glad to share this new one with you!

Last June, I met Paige L. Christie on a panel at my first ConCarolinas. We were on a panel that I had pitched about ‘Mothers and Daughters’ and how their relationships are portrayed in speculative media. I had heard of Paige’s Legends of Arnan series and my curiosity was piqued as it was described as an epic fantasy with Western elements and feminist sensibilities. Or, as one reviewer on Amazon described it as, “a feminist Western with dragons”. The panel was fabulous and Paige and I quickly realized we had many overlapping interests. My plan was to invite her for an Author Q&A in 2019. The best laid plans…

Fast forward a year. Paige and I got reconnected through the lovely fact that we both have stories in the recently released Witches, Warriors and Wise Women anthology (by Prospective Press, same publisher as her epic fantasy series) and were on a virtual panel together promoting the book.

Paige L. Christie is author of The Legacies of Arnan fantasy series: Draigon Weather (2017), Wing Wind (2018), Long Light (2019), and the forthcoming Storm Forge (2020). As a believer in the power of words, Paige tells stories that are both entertaining and thoughtful. Especially of interest are tales that speak to women and open a space where adventure and fantasy are not all about happy endings. When she isn’t writing, she teaches belly dancing, is director of a non-profit, and runs a wine shop. She is a proud, founding member of the Blazing Lioness Writers, a small group of badass women, writing badass books.

It’s wonderful that Paige could join us to talk about her most recent novel, Long Light.  I’m so delighted to welcome Paige L. Christie to The Practice of Creativity.

 

 

Tell us about your new book, Long Light? This is the third book in your series that began with Draigon Weather. What’s in store for readers?

When I finished Draigon Weather, I realized that one of the minor characters, Kilras Dorn, was much more vital to the overall story than I initially anticipated. Much to my publisher’s dismay, I announced that the series would not be 3 books but rather 4 books. Long Light is Kilras’s story, from his childhood right up to the moment that ends the second book. Basically, I wrote Book 1, Book 2, Book 3, and am now writing Book 4. Oh the tribulations of being a ‘pantser’.

-When we were on panel together, you mentioned that you came to writing late in life (although you always had a desire to write). What are the gifts of pursuing a writing career later in life? What are the challenges, if any?

I actually started writing when I was 7 years old, and majored in writing and editing for my undergraduate degree. I’ve spent my whole life writing, but somewhere along the way I convinced myself that I was incapable of writing a novel, and that even if I did manage it, no one would be interested in reading it. So I did not complete my first novel until 2015, when I was 44 years old. The gift of this was that I had almost 4 decades of secret writing practice and had developed a strong, unique voice in that time period. The challenge is carrying a lot of guilt about ‘time wasted’, which, while pointless, weighs on me. I wish I’d had faith in myself and my writing sooner. But on the other hand, Draigon Weather could not have been written any sooner in my life. It’s a mixed bag. I’m just grateful that I got my act together at last!

-You take some delight, I think in mashing up and subverting genres. Your series is an epic fantasy that has a Western feel. What does genre mean to you?

Genre tells me where to find a book in a bookstore. It also lays out some expectations for long-time readers. People who read mysteries expect certain and different things than people who read horror or modern literature or fantasy or romance. Genre is basically a set of expectations mutually agreed upon by publishers, authors, and readers. Those expectations are based in resonance and shared history – and it’s really fun to ride those things to a place the reader does not expect.

 -How long on average does it take you to write a book?

I wrote the first draft of Draigon Weather in 4 months, then spent the next 18 months re-drafting and editing until it was in good enough shape to put out into the world. Wing Wind and Long Light both took about 2 years each to get into shape. The final book in the series is taking longest of all, mostly because the 2020 Pandemic has shorted-out my creative side. Overall, I can usually create a draft in 4-7 months, and then I nitpick for a year to get it where I want it.

-What’s your favorite under-appreciated novel? Why?

What comes to mind for me is not a novel, but a series The Wars of Light and Shadow series by Janny Wurts. It is by far the most epic and intense thing I have ever read, and I think it gets over-looked because it is 1) a massive series written by a woman and people make ridiculous assumptions about what that means 2) uses such rich language and depth of detail that it demands a lot of the reader, and we live in a time when people want instant gratification. As a fan of intense character and world building, and a lover of complex, gorgeous use of language, the very things that freak people out are what attract me to these books. That and the fact that every time I think I know exactly what is going to happen next, I’m wrong! I simply adore these books.

– What’s your best writing tip that you’d like to share?

This is a tough question because there’s no one-size writing advice for every human. I’d say never get to a point where you think you know it all. Always remain a student of craft. Read widely, seek advice, study books you like and figure out why you like those books, then try new techniques and styles until you find what works for you. Start writing and know that as long as you keep writing, you’ll get better!

Some craft books I recommend:

  • The Fire in Fiction by Donald Maass
  • Techniques of the Selling Writerby Dwight V. Swain
  • Steering the Craft– Ursula K. LeGuin

Paige L. Christie is a short story writer and novelist. She possesses an uncanny knowledge of myths, archetypes and mystical worlds, and is a true student of fantasy, science fiction, history. It is her deep interest in folklore, as well as intersection of Middle Eastern and North African cultures that originally piqued her interest in the exploration of the influence of different societies, which became the foundation of her novels. Find out more about her here.

Her third novel in the Legends of Arnan series, Long Light, is available everywhere online.

Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

It’s been a weird few days for all of us, huh? About two weeks ago, I left for Copenhagen and by the time I got back (with some difficulty), COVID-19 was in full swing. Later this week, I’ll share some reflections about that trip and how we can keep writing some during this difficult moment.

In the meantime, I’m sharing something that I’d love your help supporting and/or signal boosting. This is my second invitation to a crowdfunded anthology and I’m super excited about it! [BTW, I am working on the edits to my story that I wrote for the successfully funded Witches, Warriors and Wise Women, due out in June]

LET’S SLAY!

Do you like vampires? Vampire slayers? A fresh take on vampires and vampire slayers? Mocha Memories Press is crowdfunding Slay: Stories of the Vampire Noire, an anthology which will be groundbreaking as it explores vampires of the African Diaspora. I’m one of the invited authors that will be submitting a story along with Sheree Renee Thomas, Steven Van Patten, and Teri Clarke! Mocha Memoirs Press is run by the incredible Nicole Smith and has been a force in amplifying the work of diverse voices in speculative fiction.


We’re almost halfway funded! Please consider supporting this anthology, there are lots of great perks available (with great names like hunters, slayers, stakes and blood drinkers). $1 perks available! Feel free to share with others! TY!

 

Stay safe and healthy!

I’m grateful for the opportunity to explore my feelings and relationship to the term ‘Afrofuturism’ in this recent essay for the online quarterly magazine South Write Large: Stories, Arts and Ideas for the Global South. Is this a term that you have heard a lot about? How do you engage with Afrofuturism?

My Unlikely Path to Afrofuturism

Afrofuturism is everywhere these days. From the staggering success of Black Panther to the revival of Octavia Butler’s works, especially the prescient Parable of the Sower written in 1993, to the award-winning novels by N. K. Jemisin, these books have ushered in a new moment. We’re not just talking about literature or film, but music, fashion design, visual arts, and social activism as well. What often gets lost or flattened, however, when a phenomenon enters the mainstream, is the nuance, history, and multiple viewpoints on said phenomenon. Read the rest of the essay here.

February has been a rich and wonderful month. It felt as if I was in deep communion with the writer, folklorist and anthropologist Zora Neale Hurston (1891-1960). For many years, I’ve been fascinated by her life. ZNH was ahead of her time as a writer and scholar (she was the first Black woman to receive a doctorate in anthropology). She was also a cultural icon and transgressive artist.

Zora Neale Hurston

In 2016, I started a story, “Etta, Zora and the First Serpent” that takes place in the 1930s. Etta, a dancer at the Cotton Club, meets the charismatic ZNH and gets entangled in one of Zora’s schemes to conjure secrets from an old spirit. As you might imagine, trouble ensues.

I am generally fascinated by the time period of the 1920s-1940s and have always been interested in the Cotton Club as my maternal grandmother danced there for a brief period. In the story, I get to explore the race, class and gender dynamics of the day as the Cotton Club practiced segregation (only white patrons were seated) and colorism (i.e. African American female dancers that were hired were typically “light-skinned” or with a “cafe au lait” complexion).

Several Cotton Club dancers

The Apollo Dancers at the Cotton Club Revue in 1938. still from BEEN RICH ALL MY LIFE, a film by Heather MacDonald

I was inspired to finish this historically themed horror story (with a twinge of fantasy), and then submit it in 2018 for a specific anthology. It got rejected from that anthology and I went to work on it some more. Last year I submitted it to AfroMyth: Volume 2-A Fantasy Collection and it was accepted!

I went through intensive edits on the story. What was refreshing, however, was that I didn’t have to work much on the structure of the story (I often struggle with plotting), but instead needed to beef up description in the last quarter of the story. It was one of the shorter stories I have written, submitted at 5,000 words (which was the maximum word length). In the revisions, however, I wound up adding another 500 words.

AfroMyth: Volume 2 was released today! It features fourteen fantasy stories featuring characters of the African Diaspora.

I love the cover of this collection!

Zora had her spirit fingerprints all over my life this month. I was invited to attend the 31st annual Zora Neale Hurston Festival of the Arts and Humanities. It took place in early February in Eatonville, FL.  Eatonville, a historically all Black town is where Zora grew up. The Festival spans multiple days. This year the theme was the multiverse and Afrofuturism! There was an academic conference, an outdoor festival and tons of activities and festivities.  I was with an amazing group of speculative friction writers, all paying tribute to ZNH, her genius and legacy.

Standing, left to right P. Djeli Clark, Nwatchukwu Iheoma, Bill Campbell, Tenea Johnson. Seated: Maurice Broaddus and Chesya Burke. We are all looking very writerly!

It’s rare that I have the opportunity to read with and connect to other Black writers, especially in the field of speculative fiction, so my time at the ZNH Festival felt pretty magical.

If you are a speculative fiction reader, I hope you check out the collection. You can find it at all online sellers. Amazon link is here. Here’s the book trailer to check out, too.

Reenu-You is about to have its second life. It has been published by Falstaff Books. I love the cover design by Natania Barron, Falstaff author and artist. In our back and forth conversations, we decided on a theme that implies a cityscape and a viral threat (in the book my virus has a spiral pattern) and that is more in line with covers of sci-fi books that are about epidemics. This cover has a grittier and darker feel than the original.

I love how Natania gets at the hair/beauty product idea with the scissors and styling tools in the main box.

I have been thinking a lot about cover designs. I’ve been very lucky that both Book Smugglers (the original publisher) and Falstaff have included their authors in cover design conversations. That is not always the case in publishing.

Whether you are traditionally or indie published, understanding the importance of the role of book covers in selling one’s book is essential. I found a recent episode from the Write-Minded podcast with an industry professional extremely valuable. Check out Brooke Warner and Grant Faulkner’s interview with Julie Metz (‘What Every Author Needs to Know about Cover Design’). Metz is an industry veteran and discusses everything authors need to know about covers from multiple perspectives (i.e. readers, publishers, designers). I found it highly informative and loved knowing the history of book cover design from the 20th century until now. Another takeaway is that authors aren’t always very good collaborators. They can sometimes be rigidly attached to a concept that falls way outside the norms for reader expectations for a particular type of book. Online, readers spend seconds skimming book covers, so there isn’t a lot of time to grab them visually. The professionals know what they are doing when they make suggestions to authors!

A request for reviews: Reviews of any length help authors. I have 18 reviews thus far on Amazon and 25 on Goodreads and I’d love more. Interested in reading Reenu-You and doing a short review for Amazon, Goodreads, etc.? And, short can mean one sentence. I would be happy to send you a digital copy for an honest review. It’s a novella, so it’s short and intense. It’s sci-fi with a twinge of psychological horror. If you are a very new reader of the blog and don’t know what Reenu-You is about, see below. If you’re still interested, email me at mtb@creativetickle.com

You can purchase the book on Amazon here. Also available at all online retailers.

Back Cover blurb:

What if a visit to the salon could kill you?

What if a hair product harbored a deadly virus?

Kat is an out of work ski instructor who just wants to pack up her deceased mother’s things, leave New York, and return to Aspen. Constancia is a talented but troubled young woman who just wants to start her first semester of college.

In different shops across New York City, they and hundreds of other women of color try a new hair relaxer called “Reenu-You.” Then things start to go horribly awry.

Within days, they find themselves covered in purple scab-like lesions—a rash that pulses, oozes, and spreads in spiral patterns. They are at the epicenter of a mysterious virus spreading throughout the city. As the outbreak spreads and new cases pop up in Black and Latino communities throughout New York, panic, anger, and questions fill the streets.

What is this virus and where did it come from?

Is it corporate malfeasance?

Or is this an orchestrated plot to kill minority women?

In the face of a terrifying and uncertain future, Kat, Constancia, and a small band of other affected women are forced to confront their deepest fears to save themselves and others. As the world crumbles around them, they will discover more about each other, learn about themselves, and draw strength to face the future together. Reenu-You looks at the social and political meanings of hair, female friendships, and viruses.

The beginning of the year has been a whirlwind, in a good way. I was invited to lead a craft workshop for the students attending Carlow University’s low-residency Creative Writing MFA program, taking place in early Jan, in Pittsburgh, PA.

I was very excited, honored and nervous. I am an educator by training and routinely teach undergraduate and graduate students in my areas of my research expertise (e.g. women’s and gender studies, sociology, and political science). Although I have given craft talks, I have never designed and solely led a workshop for MFA students. Even though I have taught writing workshops alone and with others, I have never taught in an actual MFA program.

I received the invitation in September. Once I accepted, an annoying inner critic voice popped up and said, “Who does she think she is to teach MFA students, especially when she doesn’t have an MFA?”

I had to repeatedly say to myself, “This is not about your ego or degrees. You are here to serve the students and offer up what you think will be useful to them.” One of the reasons why I was invited was because they have had students express an interest in writing speculative fiction. The administrators gave me complete freedom to design the workshop in any way that I wished.

Once I reminded myself that I had something unique to offer and that it was OK not to be perfect on the first round, I totally got into designing the workshop.

The MFA students sign up for the classes they want to take about a month before, so I sent some preliminary questions about their goals, challenges, interests, etc. I used their answers to guide me as I developed the workshop.

I taught about speculative fiction and my path as a winding path as a writer (i.e. why I went to get a PhD in political science instead of an MFA). I integrated mindfulness and contemplative practices as resources for sustaining their writing. I also had them generate lots of material through prompts and free writing. We looked at some ways that writers can play with premise, setting and character as part of speculative work. I drew on a wide variety of authors and my own work as demonstrations of particular approaches.

Boy, does two and half hours fly by!

The students were amazing and generous to me and each other.

I so enjoyed watching students dive deep in the exercises and claim some of their buried interests, including horror and dark fiction.

The fantastic MFA students I worked with at Carlow.

I absolutely loved teaching the workshop.

I’m glad I didn’t let my fear get the best of me. I’m also glad that without acting like a know-it-all, I could share with them some lessons I’ve learned as well as hear what their writing lives are like. As in all adult learning communities, you know some things and they know some things. Learning happens in the middle.

The only thing I would do differently would be to send some of the short readings ahead of time, so we would have more time for in class writing and reading our work.

I was honored to read alongside Patrice Gobo (center) and Lynn Emmanuel. We read poetry, memoir and fiction and our selections all complimented each other.

The faculty and staff were welcoming and it was a joy to be with them. I loved reading with the other faculty, too.

Creatives, don’t we just light up when we are with other creatives?

Below are two of the exercises that I used as warm-up material. I absolutely adore Dena Metzer’s Writing for Your Life: Discovering the Story of Your Life’s Journey (a more spiritual approach to creativity, but some of the deepest writing advice I’ve ever seen and great prompts throughout the book)

The Dream Police

We are what matters to us. Our identity materializes through images, memories, events and through things.

Suddenly there is a knock on your door. A trusted friend enters to warm you that the Dream Police will arrive in twenty minutes. Everything, everything in your life that you have not written down will evaporate upon their arrival. You have a short time—twenty minutes-to preserve what is most previous in your life, what has formed you, what sustains you. Whatever you forget, whatever you have no time to record, will disappear. Everything you want must be acknowledged in its particularity. Everything to be saved, must be named. Not trees, but oak. Not people, but Alicia. As in reality, what has no name, no specificity, vanishes.

*set the timer for 20 minutes and GO. This is great prompt to help us dig deep and go from the abstract to the concrete. Every time I do this exercise, my list looks different.

The Dream Police #2 (also from Writing for Your Life)

Imagine you are an anthropologist who has unearthed this list of “possessions” that once belonged to some unknown person. Write a brief portrait of fleshing that person out, speculating on his or her character and life.

-The anthropologist writes about this subject in the 3rd person, (i.e. he, she, they)

My addition: circle 3-5 items, images, memories from this list that interest you. How might you approach what you have created as the basis for a new character? What kind of trouble or setting might be interesting to explore with this character sketch?

Photo credit

 

January has started off well for my writing.

File this under the category: Believe in your work. As creators, I believe we have to pursue a variety of storytelling modes that are available to us. I’ve started to enter my published work into contests that help pitch the work and get it adapted for film and TV. Nussia, my novelette published in 2017 by Book Smugglers just made it to the quarter finals in the ScreenCraft Contest (Cinematic Short Story Competition)!

I love the cover that Book Smugglers had commissioned for Nussia.

They chose about 200 people from over 1,200 submissions. Here’s my logline: “In this sci-fi psychological dark/horror story, Lindsay, an African American girl “wins” an extraterrestrial in a national contest only to find her family’s life upended. It’s E.T. meets Fatal Attraction.” It’s set in NYC in the 1970s. Wouldn’t you want to see that story told? Please send me good vibes so that I advance to the next round. And, bookmark this contest for your future entries (they have contests for published and unpublished work, plays, etc.).

Screencraft Contests.

If interested, you can read Nussia for free here

I’ve had to sit on VERY GOOD NEWS for a few months, so I am happy to share my contract news and publishing story with you.

Many of you know that my sci-fi novella Reenu-You was published in 2017 by Book Smugglers Publishing, a very small press. What many of you don’t know is that in Nov 2018, BSP decided to get out of the publishing business. The two women who ran the press were wonderful and committed publishers, but they realized that after running it for almost six years, they would need to quit their full-time jobs to take the business to the next level.

This left me and all of their other authors without a publisher. Reenu-You became unavailable in any format by Dec 2018. You can imagine how I felt. I was definitely not expecting this turn of events. It had taken me so long to get that story into the world!

Here was my little novella doing well, garnering great reviews, finding its audience, making its way in the in the world and then BAM—it was GONE.

I have since discovered such is the life of tiny presses and the state of publishing. BSP told me that I should approach other local publishers that might be interested in acquiring it. They believed that it would find a good home. I was daunted by their advice, but I believed in the work.

Luckily, I reached out to the wonderful John Hartness, author and publisher of Falstaff Books to see if he was interested in acquiring the rights to Reenu-You. I had met him the year before at a local sci-fi con and when the local bookseller didn’t show, he did me a favor by selling copies of Reenu-You through his booth. In that intervening year, I also met many of his authors and knew that as a local publisher with a wide distribution network, he was actively recruiting speculative fiction authors who were with presses that had folded.

Last year we had a great meeting. He read the novella, liked it and asked me what I was working on. I had looked at his catalog before our meeting and saw that he didn’t have very much horror and so pitched him my idea—a horror novel that takes place in the Great Dismal Swamp. He loved it and said he would buy that and reissue Reenu-You!

I now have signed contracts and can make the official announcement. Reenu-You will re-emerge later this month and I will be delivering a horror manuscript to him in the summer.

Sometimes, life works out better than one can imagine. There’s so much we can’t control about publishing, but we can control or greatly influence things like building professional relationships, being persistent and believing in one’s work

I am incredibly thankful and honored to officially join the author family of Falstaff Books. Before joining, I knew some of the authors by their fantastic works including Samantha Bryant, Nicole Smith, Michael Williams, Alledria Hurt and Jason Gilbert. Now, I know how kind, supportive and generous they are as a community of writers who uplift and support each other.

If you like speculative fiction, please check out Falstaff’s catalog.

I, of course, will keep you updated as this new publishing journey unfolds.

The Witches, Warriors and Wise Women fantasy anthology was successfully funded! Thank you for sharing the link and/or contributing. I was approached late into the project and I thought our fundraising goal was pretty high ($3400) for the time period we had (about 21 days). Like most people, I don’t particularly like asking others for help related to my writing projects (trying to be better about that). So, even though I completely believed in the project (and don’t mind helping others), I had to work up the courage to ask my networks to share and/or contribute and to ask often. I posted the link in almost every online community I’m in. And, I saw every writer connected to the project doing the same thing. Jason Graves, the editor, led the way in posting persistently pleasant updates about the status of the Kickstarter project and asking for support. It was truly a group effort.

A lesson I needed to be reminded of is that people LOVE to help and the writing community is overall a supportive one. Also, It takes less than 10 minutes to craft a thoughtful ask and less than a few minutes to post. Another lesson: readers are interested in reading work that excites them and are willing to invest in new projects.

We were funded above what we asked, too!

Another perk of asking is that I now have my first ‘Tuckerization’. Someone pledged at a level that they will now be written into my story. How fun!

The anthology will be available in June.

Now that the anthology is funded, I can get back to writing. My story is due at the end of the month!

 

 

I’m doing something I have never done before. I’m sharing a few paragraphs from my WIP for WITCHES, WARRIORS AND WISE WOMEN the Kickstarter funded anthology. The tentative title for my story is ‘Ditch Girl’ and is set in a post-apocalyptic world with a smidgen of urban fantasy. There are definitely witches in this story. This is a draft for your reading pleasure only.

BTW, we are 66% funded with only 3 days to go. I’d LOVE it if you would consider supporting this project and/or sharing the link. And, thanks to all of you who have already supported the project in various ways!

There are still VERY cool rewards and pledge levels available—help us fund this project and get some extra goodies for yourself. But hurry—the clock is ticking!

It will feature new fiction by me and Gail Martin, Paige Christie, Darin Kennedy, Alexandria Christian, Nicole Smith, JD Blackrose and many others.

Details here.

“Ditch Girl”

The cemetery never scared Welcome, even as a child.  Cutting through it to get home provided the quickest route and allowed unrivaled use of her imagination. She would make up stories about people, looking for the oldest headstones. Most days after school, before it got dark, she’d pick an interesting gravestone, settle in and strike up a conversation. She’d share things that didn’t sit right in her mind.

She might say, “Ana Sterling of 1950, if you were here, I’d show you around Thistleview. Not that there’s very much to see. In your day, I bet you use to go into that old city called Tulsa, not too far from here. It’s not there anymore now, Ana.”

Or, “One day the preacher’s wife slapped me for not wearing a slip. After service, she asked me to come in the back to talk to her and before I knew it she had her beefy hand on me.

The preacher’s wife said, “Welcome, can’t you see your breasts are falling out that dress? Do you want to end up like your mother?”

Mama never said I had to wear a slip, Ana. I don’t even have a slip. I stopped going to church after that. The preacher’s wife don’t bother me no more. She don’t even speak to me at all. She just looks right through me as if I’m some piece of old cobweb. Were slips big in your day, Ana? I bet they were. People had money back then from what I’ve read. They went places that needed slips.”

On this day Welcome made her way through the forested part of the cemetery, where the red cedars were thickest and some of the oldest headstones lay. She paused and sniffed, noticing the coolness in this part of the cemetery. She then heard words sung by a female voice:

My funny valentine
Sweet comic valentine
You make me smile with my heart

Goosebumps pebbled her pale skin and she hunched into her ragged coat. The phrases repeated and Welcome looked toward the nearest stand of trees. She darted behind one and then another thinking that she had been followed by some of her stupid classmates.

After a few minutes of frantic searching and finding no singers (she knew no one in town that sounded as good as that voice), with every vein straining in her face, she listened.

Another female voice rang out, this one heavier:

We’re trying to come throu…

Come to us!

The moment seared her like when she waited for the once a month afternoon train. Pricks of excitement and danger bit into her, making her hop from foot to foot. She couldn’t make herself stand still. Nothing she had heard so far in her life sounded as good as these voices. They made her feel as if her favorite butterscotch candies were melting on her tongue. No, it was as if she floated in warm butterscotch candy. She ran up and down the stretch of the cemetery. Welcome overturned rocks, peeked behind headstones, climbed a small tree and searched for the origin of those voices until she could barely see in front of her.

Exhausted, she remembered her responsibilities. Mama will wonder where dinner is.

“Please, whatever you are come to me,” she said at last, the frustration catching in her throat. On rest of the walk home as the sun sank, a feeling of utter sadness swept over Welcome. Maybe everyone in town is right. I’m going crazy, like Mama.

***

I hoped you enjoyed this snippet. I’m sure that my opening and entire story will go through several drafts before I’m happy with it and send it on. I look forward to working with Jason Graves, publisher of Prospective Press and editor of this anthology.

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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