Posts Tagged ‘goals’
Our writing life encompasses so much more than the actual writing. Here are some other important tasks besides writing that will help you sustain and deepen the quality of your writing life. Over this quarter, when you need a short break from writing, try a few items on this list.
-Check on and manage your money and intellectual property: Last year, authors and the mismanagement of their money and intellectual property assets by agents, accountants and publishing houses made the news:
https://www.thebookseller.com/news/palahniuk-795516
These events constituted a wake-up call across the industry. It’s important for writers to both manage our money and our intellectual property. Make it a point this quarter to collect any outstanding monies owed to you. Check your contracts with various venues that you’ve published with (e.g. anthologies, magazines, presses, etc.) and make sure you have received payment in a timely manner. Peruse royalty statements. In 2018, if you brought books to your readings at a local bookstore (often the case for writers with small presses), or made appearances at a conference, and had someone sell books on your behalf, make sure you have received the correct payment owed. I spent a good chunk of last year chasing down such monies. Furthermore, make sure you are keeping track of your intellectual property by knowing what rights you have with various publishers and when they are expiring, etc. I have really enjoyed author and entrepreneur Joanna Penn’s focus on her podcast encouraging writers to become savvy about understanding the value of our intellectual property. She has devoted several podcasts to this issue, here is a recent one.
–Line up beta readers: You are going to finish something this year, right? If so, you will need some beta readers. Beta readers are people who read your work while it is in draft form. They could be people in your writing group, other writers, trusted friends, etc. It’s generally good to have a mix of non-writers and writers as beta readers. Want to know about beta reader etiquette? Check out author K.M. Weiland’s helpful post on this topic.
-Clean up your bio across your social media sites: Read your short bios that live on social media (e.g. FB, Twitter, LinkedIn, Instagram, etc.). Do they still reflect the writer that you are? Are they compelling? Do you need to add, subtract or tighten anything?
-Clean up digital clutter on your desktop: It’s coming to get you if you don’t.
-Volunteer to support and serve a published writer that you know: Several years ago, I was privileged to accompany one of my writing teachers, Marjorie Hudson, to several speaking events and workshops. I learned invaluable things watching a working writer deal with the public aspect of a writing life: speaking, promoting, coaching, and book signing.
Writers always need more support. If you have a friend or an acquaintance who has recently published a book, offer to help them promote it in some way. If you don’t know any published writers, this is a great way to connect with a local writer whose work that you admire.
Be a personal assistant, or driver, for a day. If they are scheduled to give readings, see if you can help carry books, set up a display, sell books, and assist with small tasks that would make their life easier. You can learn a lot from watching how other writers handle being in the public eye. There’s also nothing like the satisfying feeling of helping another writer on their path.
-Toss out old drafts: What do you do with drafts you’ve gotten back from your writing group? How long do you keep them? I have tendency to keep them way too long; they start to form into mountains on my desk. When you have integrated editorial comments into a completed story, toss the draft.
-Check the ergonomics of your writing space: What can be moved and realigned for maximum support of your body?
-Straighten up your submissions file: Update your 2018 submissions file and create the 2019 one. And, of course if you haven’t started a submissions file yet, correct that. Writers write and submit their work. See one of my tips for crafting a helpful submission strategy.
-Go through last year’s journals, classes and conference notes: If you took writing classes, attended conferences or workshops and/or kept a journal last year I bet there are still some nuggets to mine. Take time to honor that work.
-Update your writing accomplishments list and post it where you can see it: Smile at it from time to time. If you don’t have one, now is the time to make one!
I Just Pitched A Horror Novel To A Press, They Loved It and Now I Have to Write it
Posted on: January 20, 2019
When I originally signed up for Samantha Bryant’s ‘Finish Your Novel’ workshop, I thought I would either be working on a parallel novel set in my Reenu-You universe or the urban fantasy novel I’m co-writing with my sister. The workshop meets for five Saturdays for three hours. Samantha’s a great instructor and I’ve taken her classes before through CCCC’s Creative Writing Program. She is most well-known for her superhero menopausal series, which I adore. See my interview with her about Going through The Change, her first book in the series.
I loved when Samantha asked us to place ourselves as writers on the spectrum of Explorers (i.e. Discovery writers) and Architects (i.e. Plotters) in how we begin projects.
Everything changed last weekend when I attended Illogicon, the local sci-fi convention that I’ve been attending since 2015. I had scheduled a meeting with a publisher that I was hoping to get to know better.
Although I can’t release all the details yet, suffice it to say I pitched this publisher a horror novel idea that’s been rolling around in my psyche for a few years. They loved it. So much so, they are offering me a contract. I will have a soft deadline of turning in the novel by October and a hard deadline of January 2020.
I literally have only about six pages of notes on my horror novel idea. Getting published is often a mysterious processes defined by things both in and out of one’s control. As I have often said, there is no one route to publication. And, although I still have to write the book (no small feat!), the way this opportunity has unfolded has been marked by a wonderful feeling of synchronicity. I also believe that all the other pathways of the writing life that I have been contributing to (e.g. blogging and using social media, building relationships with other writers, and submitting work) has contributed to this moment of serendipity.
I’m still both gleeful and stunned at the ease of how everything unfolded. When I met with the publisher, I didn’t have the slightest intent on pitching this novel idea, but during the conversation it felt right. I had studied the company’s catalog and surmised that they might want to continue to develop their horror line.
After the conversation finished, I immediately thought—OK, WELL THIS CHANGES ALL MY WRITING PLANS FOR 2019! and, I NEED SOME SUPPORT IN GETTING THIS NOVEL WRITTEN! and, CLEARLY THIS STORY WANTS TO BE BORN!!! and, YIKES! AND, OMG, I’VE NEVER WRITTEN A HORROR NOVEL!!!!!
I took a deep breath and told myself that I would figure it out, as all writers do.
This brings me back to the Finish Your Novel workshop. We met yesterday and I think it’s going to provide a helpful model for accountability. Samantha will discuss key issues about novel structure and all the participants will have at least one opportunity to receive feedback on their work. My goal is to develop a detailed outline for our Feb meeting.
There is nothing like getting a new notebook when starting a project. My writing teacher got me hooked on these colorful and inexpensive composition books.
I can’t wait to share more details. I’ll do that once the contract has been signed, etc. I can tell you that my story will be set in North Carolina, in the present. I will be updating you right here about the joys, triumphs and struggles of writing this novel.
One question for the fiction writers:
What’s your favorite book on plotting and novel structure? I’d love to know!
One question for the horror lovers among us:
I haven’t read that many classic European and early American horror writers like Lovecraft, etc. What are some classics that I should read?
The last weeks of December were so hectic that I didn’t get a chance to post any reflection about my writing life in 2018. I wanted to take a moment and do that now I had an excellent year in terms of deepening writing relationships and sharing my work locally and regionally. I definitely was a public writer.
I had the good fortune to participate in several literary events where I talked about and/or read from Reenu-You, gave a craft talk about my writing influences and/or discussed Afrofuturism. I loved connecting with potential readers and new audiences.
My reading at High Point University through the Creative Writing Program. I also gave a talk for the Creative Writing club.
Loved being on this panel with other Black women speculative fiction writers. Park Road Books was packed and everyone wanted to also talk about Black Panther’s release. Lots of energy was in the room.
The Movable Feast event, in Winston-Salem, is held by Bookmarks. Bookmarks is a literary a literary arts nonprofit whose mission is to connect readers with authors.
The event is basically like “speed dating with authors”! As an invited author, you visit a table for 10 minutes, talk about your book, etc., then rotate to a new table for another 10 minutes and repeat. I met with 10 tables and met many wonderful people in book clubs.
I organized this local event for spec fic writers which was a lot of fun.
I also gave my Charting Your Path to Publication workshop to several new audiences and developed a new workshop, “How to Level Up in Your Writing Life” that was very well-attended.
My efforts last year were focused on submitting my short story collection to various contests (that offer publication with the top prize) and submitting fiction to SFWA qualifying markets. I’m still waiting to hear about some of the contests. Fingers crossed, there will be good news. I submitted to a ton of places and I have gotten some really encouraging rejections and a request to send more work. Rejection still stings, but over time, if an editor likes your work and encourages you to submit, that’s the beginning of a working relationship.
One of my goals was to begin an author newsletter and I finally did so in August! I have a commitment to those in my writing community to share resources and inspire. I don’t know why I waited so long to start!
I also kept up my blog and interviewed some terrific writers.
Reenu You was eligible for the Hugo Award, the Nebulas and the Manly Wade Wellman Award for North Carolina Science Fiction and Fantasy which was pretty awesome.
Nussia, my novelette was released by Book Smugglers in July!
In terms of craft, one of the things that I learned was how to tighten the dramatic arc in every scene.
The things that didn’t get completed include:
a complete revision of my mystery
a first draft of the co-written novel that my sister and I are undertaking
There’s a lot on my plate for 2019. I hope to share some really great news soon.
That’s a quick overview for me–what did you learn about yourself as a writer in 2018? What were some of your accomplishments?
Happy new year, everyone! It feels especially poignant to begin the first post of the year with a special Author Q&A. More than a decade ago, before I formally began my coaching practice, I taught creativity workshops at UNC-Chapel Hill’s The Friday Center. They had a thriving adult enrichment program. My classes were popular and I met and coached people from all backgrounds. It is always a delight to run into people many years later and hear about their creative adventures.
Two months ago at the North Carolina Writers’ Conference, out the corner of my I saw a distinguished-looking woman. Her face looked familiar, but I only caught a glimpse before moving on to my next panel. To my great delight and surprise, this same woman came up to me at the reception. We immediately recognized each other. She had taken one of my classes at the Friday Center and credited me with planting a seed of creative possibility! At the time, she did not know that she even wanted to write a book. Yet, as she stood there, we both rejoiced about her newly published book, Stories from the Tenth-Floor Clinic: A Nurse Practitioner Remembers. It was a joyous moment to celebrate this accomplishment with her. When I heard about the subject matter of her book, I couldn’t wait to invite her for an interview. I also was curious (as always) about what being on this writing journey has meant to her.
Aging is a reality. Needing competent and compassionate healthcare as we age is a reality. I just turned 50 last year and I often think about what the next 30 years (or more) of my life will be like. I think about the importance of personal health and also a health care system than can work for all. My mother passed away at 56 and I often think about what kind of care she might have received as a senior citizen, if she had lived. The quality of care that our elders receive is of paramount importance. Nurse practitioners play a vital role in helping us navigate the demographic shift of aging Boomers that is already under way.
Marianna Crane became one of the first gerontological nurse practitioners in the early 1980s. A nurse for more than forty years, she has worked in hospitals, clinics, home care, and hospice settings. She writes to educate the public about what nurses really do. Her work has appeared in The New York Times, The Eno River Literary Journal, Examined Life Journal, Hospital Drive, Stories That Need to be Told: A Tulip Tree Anthology, and Pulse: Voices from the Heart of Medicine.
I honored to welcome Marianna Crane to The Practice of Creativity.
-Why did you write Stories from the Tenth-Floor Clinic: A Nurse Practitioner Remembers? What’s in store for readers?
I wrote the book because I had to. The patients I cared for hounded me for years until I finally told their stories. I also wanted to show the emergence of the nurse practitioner role.
The problems facing the underserved elderly are depicted. Unfortunately, the issues are not too different with the issues this population still faces today
I was the first coordinator of the Senior Clinic, which was located in a one-bedroom apartment in a Chicago housing high-rise for low-income elderly. It was novel to have a clinic for the elderly housed in a building where they lived. Each day was a total surprise. Folks walked into the clinic for a routine medical appointment or with a life-threatening illness or carrying a loaf of zucchini bread. The reader will meet these colorful characters as well as the opinionated staff that challenged me to rethink my values.
-What did you learn about yourself as a writer while you worked on the memoir?
I learned that what I wrote initially in the book was not a clear map of what I wanted to convey. I just wanted to tell this story. But what story? My memory cast my co-workers in roles that inhibited my progress. With each rewrite, I softened my harsh critique of others and uncovered some detrimental actions that I had initiated. My insight became sharper when I let the story percolate in my head rather than rushing to rewrite. Reflection and patience, albeit over seven years, finally enabled me to be truthful to what happened in the tenth-floor clinic.
-You were one of the pioneering nurse practitioners (NP) in geriatric care. Given the upcoming demographic shifts happening in the U.S. (e.g. Baby Boomer retirement) what expanded role might NPs play in helping the public to navigate this change?
Physicians tend to choose specialties that they feel are more exciting and well-paid than geriatrics. To offset the deficit of physicians that care for the elderly, NPs could step into the role of primary care provider. They are educated to see the total patient, not just physical illness. It’s important to note, however, that not one health care professional is optimal in delivering care to the elderly. An interdisciplinary care team working to address social, economic, mental, functional, and physical problems has been shown to be most helpful. The NP could coordinate this effort.
–Who would you love to know was reading your book?
Oprah Winfrey.
-What’s been the most fun or surprising thing about being a new author?
Having the license and permission to talk about nursing and the care of the elderly as a trusted narrator. Telling how the role of the NP developed and the barriers that new NPs faced 30 years ago when physicians felt threatened is especially satisfying when other nurses are in attendance and we relive our shared history.
I am humbled that in various settings when I speak about my book, the fact that I am a nurse holds weight and credibility.
-What’s your best writing tip that you’d like to share?
I am speaking of creative nonfiction, specifically the memoir.
Don’t be too sure you know what you are writing about in the beginning. Let it evolve. Trust that you have a story inside you that will declare itself. Step aside and let it unfold.
In retrospect, I see that having a preconceived notion of what I wanted to write had caused me to miss what was behind the real story—my belief about the stories from the tenth-floor clinic stemmed from what I remembered—my truth at that moment. The passage of time has a way of rearranging recollections. It was only after re-examining my place in my memoir that I uncovered what the story was really about, even if I had already lived it.
Stories from the Tenth-Floor Clinic: A Nurse Practitioner Remembers is Marianna Crane’s first book. It is published by She Writes Press. Find out more her at here.
Dear Creative Community,
I’ve spent the past two months creating two offerings that will SUPPORT your writing in 2019. They are my holiday gifts to you. As you know I am passionate about serving you! I am only offering these gifts to my special community of writers and that’s YOU. They are time sensitive!
The first is a FREE winter wonderland pop-up webinar called ‘Affirm the Writer in You 2019′. This webinar is designed to allow you time to reflect on your 2018 writing accomplishments and chart what’s next in 2019. I bet you are craving time to write and reflect before the year ends! If you don’t grab this time now, when will you?
During the webinar we’ll explore:
-The sequence of success on the author journey
-Trends for authors in 2019
-Cultivating the “maker” and “manager” energy of the writing life and business
-Harnessing urgency in order to write in 2019
-How to get unstuck and approach the page with more ease
-Cultivating audiences that love your work
No need to signup—just bookmark the details below and I will send a reminder the day before.
SUNDAY, DEC 30th-3-4:15 pm EST
Dial-in number (US): (605) 475-4081
Access code: 380339#
International dial-in numbers: https://fccdl.in/i/bergermichele2005
Online meeting ID: bergermichele2005
Join the online meeting: https://join.freeconferencecall.com/bergermichele2005
(copy and paste the above link–you’ll want to join the online meeting so you can see my slides!)
My second holiday gift to you is an opportunity work with me through my NEW e-course Charting Your Path to Publication NOW.
So many writers feel daunted navigating the submission process and often find themselves stymied by inevitable rejection and not making progress on the path of publication. I’ve been teaching this successful live workshop over the years and have taken all that wonderful content (and wisdom learned from what writers need) and created an amazing e-course.
This transformative course will empower you with the necessary tools and skills to move your writing forward in 2019.
SPECIAL BONUS: If you sign-up by Dec 31st, you’ll receive a 30 minute coaching session with me!
Click here for the FULL DETAILS and see the fantastic price of this offering. I hope you make the investment in your writing for 2019.
I am wishing you the healthiest and happiest of holiday seasons. Thank you for being a part of my community. I am inspired by your creative path.
Stay inspired,
Michele
P.S. Any questions about the e-course? Just shoot me an email at mtb@creativetickle.com
How to Use Crowdfunding To Launch Your Next Novel: Guest Post by Jessica Yinka Thomas
Posted on: December 17, 2018
I’m thrilled that author and friend, Jessica Yinka Thomas has stopped by to share her recent, and super successful, crowdfunding experience for her forthcoming thriller, How Not to Make Friends, a sequel to How Not to Save the World. Crowdfunding is often an overlooked and underappreciated opportunity for authors to raise their profile, engage with an audience and raise money for their passion projects. I’m inspired by what Jessica has accomplished and excited to learn from her!
Crowdfunding To Launch Your Next Novel
“I will publish my second novel by the end of 2018.” That’s the goal I set for myself back in April of this year. I began thinking about the best way to raise funds to self-publish How Not to Make Friends and to publicize the book. After consulting with numerous friends, including fellow authors and entrepreneurs, I came to the conclusion that the two goals could be combined through a crowdfunding campaign. Running an effective crowdfunding campaign is a lot of work with many pitfalls along the way. But, I found it to be a very effective strategy to raise $8,000 in 30 days while strengthening my fan base.
My initial goal was $5,000, enough to break even, covering the costs of the campaign, professional editing, cover design and the initial print run. I was very fortunate to raise that goal several times over the course of the campaign. I think a huge part of my success was having an existing fan base and incredibly strong support network based on the success of my first novel. Knowing that I would be primarily speaking to existing fans and friends made it a lot easier to reach out and ask for support. If you’re considering putting together a crowdfunding campaign to launch your next book, here’s what I learned from the process.
Build your network
The platform that I used, iFundWomen, estimates that about 2% of your potential backers will actually make a contribution. When I combined my personal contacts who might be interested in the novel (500), the mailing list I built from publishing my first novel (800), personal social media contacts on Facebook, Instagram and LinkedIn (4300), social media contacts through my novel Facebook page (1000), I had about 6600 potential backers. The estimate of 132 backers was pretty accurate, particularly considering the overlap in the various contacts. Every last one of the 103 contributors to my campaign were friends, fans or friends of friends.
Don’t depend on the kindness of strangers. In my experience, very few, if any of your contributions are likely to come from strangers who are browsing the crowdfunding campaign platform that you select. Before getting started, make sure you’ve built a strong network of friends and fans on social media, through your blog or website and in your email distribution list. Give your network a heads up that you are planning to launch a campaign before it kicks off to begin to generate some excitement.
Select the right platform
Picking the right platform to launch your campaign is critical. Kickstarter is the largest crowdfunding network out there but it has an all or nothing model. If you don’t raise your goal amount in the time frame you’ve set, all the funds are returned to the contributors. Kickstarter charges a 5 percent fee on projects that reach their goal. Indiegogo, one of the larger platforms gives you the option of all or nothing model or a flexible goal. Keep in mind that if you reach your goal, Indiegogo takes a 4 percent cut; if you don’t, the fee jumps to 9 percent. Most sites charge a credit card processing fee that’s around 3 percent.
I decided to go with iFundWomen, a crowdfunding platform for women led startups and small businesses. iFundWomen provides a supportive platform with a rich set of free resources from expert coaching to in-depth campaign management tools. Not only can you make your goal flexible, but they have excellent customer service where you can change the closing date or even the goal amount of your campaign with a quick email. Every month the platform reinvests 20 percent of their standard fees back into live campaigns. I was fortunate to be one of a handful of campaigns to receive funding from the platform back in September. iFundWomen charges a 5 percent fee.
Pick engaging rewards
For a novel crowdfunding campaign, there is a pretty compelling reward, the actual book, once it’s published. I offered several different versions of my new novel at different price points: $10 for an EPUB version of the book, $25 for personalized autographed copies, and $50 for personalized autographed copies of my first and second novel. I was pleasantly surprised that the most popular reward was at the $100 level, an opportunity to be listed in the acknowledgement of the book along with autographed copies of both novels. I used the themes of friendship and international exploration from my novel, naming the reward levels after translations of the word “friend” in different languages represented in the novel.
One of the rewards was a book club bundle, 8 autographed copies for a $250. I was surprised that no one selected that reward, but later realized that it would be tough for a supporter to get their book club to agree to read the book during the brief campaign period.
The reward that I was most excited to try out was the opportunity to name a character in the novel. I was thrilled that 5 people select this option at the $500 level.
Market the heck out of your campaign
The crowdfunding campaign is your opportunity to tell your writing story. It’s an opportunity to share what motivates you to write and what you hope your readers take away from your novel as a way to engage and inspire your network. Once you’ve got your campaign in place, it’s helpful to send it out to a few close friends, both to get feedback and also to secure a few key initial donors. You want to demonstrate some initial momentum when you first share the campaign with your broader network.
After that, the challenge is finding creative ways to regularly reach out to your network via email, social media, text and yes, even phone calls, during the campaign period. iFundWomen has a comprehensive tool that is an end-to-end campaign planner from putting together your pitch, to mapping your network map, to laying out your campaign goals, to planning each week of the campaign. iFundWomen’s coaches playbook was essentially my business plan for the campaign.
Don’t’ discount the importance of the video as part of your campaign. I resisted putting together a video for several weeks, thinking it would be too much work and wondering who would watch it anyway. I spoke with several friends who had completed successful campaigns along with the coach from iFundWomen who stressed the importance of the video. Some people prefer to watch a brief 2 to 3 minute video, others will scroll through your campaign text. It doesn’t have to be complicated. I worked with a fantastic local videographer through Iron Worx Media, to pull together a series of photos capturing my writing journey, overlaid with an audio recording. I got some great feedback on the video during the campaign and now it lives on my author website.
Follow through
The campaign turned out to be a very effective commitment device. I had 103 people expecting to receive copies of my novel before the end of the year! The campaign also provided me with the funds to move forward with two rounds of professional editing to polish up my novel. I had the opportunity to work with The Book Smugglers on development editing and with Lystra Literary Services on content editing. I was able to work with the very talented Jen Rhoton on the cover design. And I’ve now published the novel on lulu.com, my favorite print-on-demand publishing company.
The result was a beautiful product I have now been able to share with all of my crowdfunding campaign supporters. Last weekend, I autographed almost 200 copies of my first and second novel, over a long weekend, in the middle of a snow storm. I’ve started to see posts on social media from delighted fans and friends who have now received their long-awaited rewards. I can’t wait to hear what they think!
Jessica Yinka Thomas
Like many superheroes Jessica Yinka Thomas leads a double life. By day, she teaches social innovation and sustainable business at the Poole College of Management at NC State University. By night, she is a social justice novelist, author of the How Not to Save the World series. Jessica’s writing highlights her twin passions for technological innovation and for creating significant social change through entrepreneurial ventures.
Jessica’s iFundWomen campaign: https://ifundwomen.com/projects/how-not-to-make-friends
Facebook: https://www.facebook.com/jessicayinkathomas/
Instagram: https://www.instagram.com/jyinkathomas/
Website: www.jessicayinkathomas.com
