Posts Tagged ‘goals’
- In: creative writing | creativity | writing
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Hi Writers,
Right now many writers I know are struggling with focus, accountability and staying inspired. Like other aspects of our lives, our precious writing routines have been (and continue to be) disrupted.
What many of us crave is connection, both to other writers and our inner writing rhythms.
A few weeks ago, I hosted several FREE Write-INS to gather together virtually and write.
I called it ‘Write, Connect and Share’: Virtual Write-INs’
Here’s how it works:
You log on through a Zoom link, see me on Zoom (everyone one is muted, and video off) and I lead you through a 5 minute writing prompt, mindfulness exercise or gentle stretch.
After that, I turn on an online timer for 45 minutes. You write. At the end of 45 minutes, I come on and encourage you to take a break before the next session (i.e. stretch, drink some water, etc.). We do the same thing during the second hour.
Why this structure? It’s been proven one of the most effective ones for helping writers minimize external and internal distractions. And doing shorter sessions prevents binge writing. This is the structure that I have used consistently and successfully for both my scholarly and creative work for the past five years. This format encourages a mindful approach and helps me write smack-dab in the middle of my busy life.
So, many folks showed up at the Write-INs. Some people came to all of the sessions, others to just one session. Some stayed for the full two hour block and others came for one hour. Many people said it was the first time they had written in weeks. Others noted how calm they felt before and after their writing session.
Here’s the best part—I’m doing it again for FREE on Monday, May 25 (7:30-9:30 am EST) and Thursday, May 28 (3-5 pm and 8-9 pm EST).
I’m only offering this support to folks who are readers of this blog and/or subscribers to my newsletter .
I’d love for you to join me.
Writing together, in community, in a focused way can boost the writing routine you have or get you back on track if you haven’t been writing much during the past few weeks.
To get the Zoom links for the upcoming Write-INs, go here.
Need Some New Ways to Connect to Your Writing Self During COVID-19? I Got You Covered
Posted on: April 26, 2020
Hi writing peeps,
Most writers I know are having a difficult time staying connected to their writing life. In the past six weeks, you’ve probably had your schedule upended in completely dramatic ways. Your writing routine is now very different than it once was. Me, too.
This was the #truth
Some of us aren’t writing and really want to. Many of us still have deadlines and projects.
How can you move forward on the writing that matters most?
You know my mission is to serve creative people. I’ve recently written a short guide ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’. In it are some powerful ways to get and stay inspired. These are techniques I’ve culled from years of working with clients through my coaching practice. You’ll love this information and find it valuable. [And, the guide includes some cool bonuses, too]. It’s my FREE offering to you.
I’m only offering this to people in my community. You won’t find this information elsewhere.
Click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.
*Also, if you are reading this and work in a creative area besides writing, I believe you’d find the guide useful, too.
When Writing Doesn’t Feel New to You: Resistance, Book Proposal Submission and My Video on YouTube
Posted on: April 14, 2020
I’ve been a bit quiet here because I’ve been recovering from crazy deadlines and intense creative output. In October, I shared that I attended the Hay House Writer’s Workshop and learned much about book proposal writing. Hay House Publishing is known for publishing leading self-help, health and wellness, and personal transformation books and has a very successful thirty-year track record.
The attendees to each of the Hay House WWs are able to submit their book proposal into a subsequent contest for one of the three publishing prizes that they sponsor between Hay House and Balboa Press, their smaller imprint. The cool thing is that you are only competing with people who attended that particular conference, in that particular city. Usually about 250 people attend each conference and Reid Tracy, CEO of Hay House reminded us that typically 80-100 people actually are able to get the book proposal in on time. I liked those odds which is one of the reasons why I decided to attend.
Super inspiring to hear Rebekah Borucki’s journey. She attended a HH Writer’s workshop a few years ago but didn’t submit a proposal. She then worked on the book proposal for ‘You Have 4 Minutes to Change Your Life’ and platform. She submitted her proposal to Hay House via the traditional route and it got acquired and it is now out. She talked about writing the book of your heart. I also appreciated that they showcased an up and coming author and one who identifies as bi-racial.
I’ve been working on a creativity book for some time and so had a draft proposal. I was determined to be in the group of people who submitted their work (see my post about the importance of submitting your work and not self-rejecting) by the due date which was April 5. However, despite my best intentions, I didn’t start the revision process until January. And, although they gave us an invaluable handbook and worksheet of what to include in the proposal, I started the revising later than I had wanted. I had a lot more to add in the marketing and competing books sections. During Jan and Feb, I also attended to other pressing deadlines. Oh, and then COVID-19 happened. And, everything became harder and more chaotic.
And, as they do, my excuses glommed together and created a wonderful home for resistance to take hold.
Deep resistance kicked in just days before I was due to submit the proposal. I kept telling myself that on closer inspection my idea was dumb, had all been said before, unworthy, etc. Yup, the inner critics were phenomenally loud. And, to top it all off, I waited until the last minute to create a short video which was a mandatory part of the package! They asked applicants to create a video to provide some background about ourselves and our book idea. Since marketing and promotion often requires authors to create short videos, they want to see our comfort and skill level with video. We had to post it to our YouTube channel. I do have a YouTube channel, but had forgotten the password, how to login, etc. Resolving that took a good twenty minutes.
As we all know, perfect is the enemy of the good, so after I was pretty happy with the proposal, I got busy on the video. I really tried to not overly script the video and to just enjoy myself. I probably did at least twenty takes before I said, OK, I’ve got to go with the strongest one so far. It’s not perfect.
Looking at the video now, there are lots of things I would do differently and will do differently in the future. I decided though to hold off on judgement for a good 24 hours. I learned long ago from Barbara Sher, author of Wishcraft, how important it is to not judge yourself for at least for 24 hours after you do something creative in public.
The most important thing is that the book proposal package was sent a few hours before the deadline. It got done!
I learned so much from attending the workshop, revising the proposal and submitting it. No matter what the outcome, I feel like a winner.
In my notes from the conference, I wrote down something that Reid said that we should all remember (paraphrased): “The challenge for most writers is to remind yourself…the work doesn’t feel new to you, but it is new to other people.” (emphasis mine)
That was the crux of my resistance–I’d been looking at and living with aspects of the book idea forever, so it didn’t feel exciting or new anymore. That’s why those voices were on hyperdrive. I’d forgotten what that type of resistance felt like.
In the video, I talk about my book proposal for The Creative Tickle®: 52 Ways to Tap into Your DNA and Divinity and a little about myself.
If you’re so inclined, check out my video and feel free to leave a thumbs up or a nice comment (y’all are kind people, I know!).
North Carolina Writers Network’s Contest Season Has Begun! Jacobs/Jones African-American Literary Prize, Jan 2
Posted on: December 29, 2019
Hi and holiday greetings! I hope you are having a restorative and joyous holiday season. I’m hoping that you can help me spread the word about the North Carolina Writers Network’s contest season. If you are a writer that lives in North Carolina, please check out the various competitions that open in the first quarter of the year, including Jacobs/Jones African-American Literary Prize (Jan 2), Rose Post Creative Nonfiction Competition (Jan 15), Thomas Wolfe Fiction Prize (Jan 30), and Randall Jarrell Poetry Competition (March 1). If you don’t live in NC, please still consider sharing to your writing networks–you never know who might see the announcement.
Please also help me signal boost the second year of our newest literary prize, the Jacobs/Jones African-American Literary Prize. It honors the best short prose by African-American writers in North Carolina. UNC-Chapel Hill alum Cedric Brown helped get this award off the ground. This award honors Harriet Jacobs and Thomas Jones, two pioneering African-American writers from North Carolina and seeks to convey the rich and varied existence of Black North Carolinians. The contest is administered by the Creative Writing Program at UNC-Chapel Hill. The winner receives $1,000 and possible publication of the winning entry in The Carolina Quarterly.
I am a Trustee on the Board of the North Carolina Writers Network and am very proud of the fact that the Network awards more than $4,000 annually in prizes through our various competitions.
Details for the above competitions can be found here.
Cracking the 9 Billion Dollar Self-Improvement Market: A Sneak Peak at the Hay House Writer’s Workshop
Posted on: November 4, 2019
Besides loving to write fiction, I also love writing nonfiction. Over several decades, I have read and benefited from what’s known as ‘self-help, inspirational and personal transformation’ kinds of books. And, truth be told, I’ve always wanted to write a book that falls in the area of inspiration/personal transformation, especially as it relates to creativity. And, I’ve had my eye on Hay House Publishing for a long time.
Hay House Publishing is known for publishing leading self-help, health and wellness, and personal transformation books and has a very successful thirty-year track record. Deepak Chopra, Wayne Dyer and Kris Carr are well-known Hay House authors and many Hay House authors end up on the New York Times bestseller list. Hay House is one of the top twenty major publishers in the U.S. The founder of Hay House was Louise Hay and she wrote You Can Heal Your Life, a book that sold millions and was translated into many languages. She helped to create the modern ‘self-help’ genre. I read her book in my twenties, loved it and shared it with everyone I knew. She was at the forefront of making the argument that what we think (and think about) can affect our bodies, now known as the ‘mind-body’ connection.
The U.S. ‘self-improvement market’ is estimated at 9 billion dollars and close to 800 million dollars of that involves books!
Hay House provides an experience for aspiring authors that no other publishing company does. For the past twelve years they have hosted the ‘Hay House Writer’s Workshop’, an intimate in-person event. They share with you the insider information about the publishing process from start to finish (i.e. developing an idea to submitting proposal to building a platform) and you get to hear from some of their most popular authors. The idea is to give aspiring authors a jump-start and leg up. And, here is the truly remarkable thing—if you attend a live event, you are eligible to participate in their exclusive contest (for that event) and submit a book proposal six months later. From every event they pick three winning book proposals with a commitment to publish those books. The Grand Prize is $10,000. You can only enter the contest by attending. And each event is attended by about 250 people. Reid Tracy, the CEO of Hay House said that despite those good odds, they often only end up with 60-80 entries. I like those odds!
And, so for years I have wanted to attend the Hay House Writer’s Workshop. I decided this was the year to commit, so a few weeks ago, I headed to the Houston event. I went with few expectations and can truly say that the experience was phenomenal.
Some highlights:
The People:
For me, there’s few better ways to spend my time than with other writers. I met people from all over the globe who had made their way to Houston. A few nights before I left, I put a note out on the site’s Facebook page to see if people wanted to get together for dinner when we got in as I knew no one in Houston. People responded right away and this became the beginning of a great group of about eight of us. One of the folks I met is a writer in Greensboro, just 45 minutes from where I live—we even know a ton of the same writers. Small world!
I was fascinated by people’s backgrounds and what was motivating them to attend. There were medical doctors, integrative health practitioners, therapists, grandmothers, seasoned writers, entrepreneurs,healers, energy workers, and newbie writers all wanting to know more about Hay House and how to get their book into the world and change people’s lives. Close to 90% percent were interested in writing prescriptive non-fiction and/or a ‘teaching memoir’. I don’t usually get to meet so many people that were interested in personal transformation topics so that was a treat. They were kind, funny and generous. It was also a diverse group of writers which I was very thankful for. I left with a new community of wonderful writers.
The Workshop/Speakers:
Hay House delivered on providing an excellent, inspiring and informative curriculum. Reid and Kelly Notaras were our informative co-hosts.They spent a lot of time explaining the publishing market and led with the fact that authors need a platform (or the ability to create one) and that out of 80,000 books published a year only about 300 of them sell 50,000 copies (which in publishing is seen as a type of benchmark). They also talked about the range of options for publishing besides the traditional route and in both cases explained how important it is to work with an editor, before you send your proposal or book out the door.
Reid Tracy welcoming us and talking about the power of Hay House books to change people’s lives.
Each presenter provided insight either about the writing process, how to stay inspired, or how they broke in. They were engaging, funny and inspiring.
Mike Dooley shared his story of how he started his ‘notes from the universe’ when he was in a down period and how serving people over time helped him create a major platform. He started with 36 email addresses and now has thousands and thousands of people around the world who are engaged with his message.
Nancy Levin spoke from the heart about how she came to write her own book after being the Hay House events manager for over a decade. I was impressed that she spoke without notes or a fancy Powerpoint. She also talked openly about the value of working with an editor and a ghostwriter. On Sun morning she also led a fantastic meditation workshop that included poetry, very unique.
Robert Holden (toward the right of center), author of Shift Happens started his talk off with us dancing on stage with him to Stevie Wonder! As we had been sitting almost all day, this was such a joy. His talk was about how to write through fear and anxiety. And, he stressed writing as a spiritual practice which resonated with me.
Super inspiring to hear Rebekah Borucki’s journey. She attended a HH Writer’s workshop a few years ago but didn’t submit a proposal. She then worked on the book proposal for ‘You Have 4 Minutes to Change Your Life’ and platform. She submitted her proposal to Hay House via the traditional route and it got acquired and it is now out. She talked about writing the book of your heart. I also appreciated that they showcased an up and coming author and one who identifies as bi-racial.
The Materials:
I’m not a newbie to writing or publishing. For about a ¼ of the participants the idea of writing a book was new and they didn’t know a lot about publishing platforms, finding a writer’s group, how to put together a proposal, etc. I came knowledgeable about the publishing process, but learned lots! There were two things that got everyone up to speed. One was the long Q&A sessions on Sat afternoon and Sunday where anyone could ask a question and they all got answered as best they could by Reid and Kelly. And, the second was this incredible manual that they gave us that contained a successful proposal of a book that was acquired by Hay House, plus information about publishers in the field besides Hay House that publish in the self-help field, resources for platform building and other tips about both traditional and indie publishing. It was a gold mine of resources and alone was worth the cost of the trip.
I’m glad I got myself to Houston (didn’t do as much sight-seeing as I would have liked) and I know have until April to write my book proposal for the contest and send it in. I’ll keep you posted!
I Just Co-Hosted a Podcast!
Posted on: September 30, 2019
I am excited to share my first experience co-hosting a podcast! I love the Writer’s Well: Conversations about writing from craft to wellness podcast with Rachael Herron and J. Thorn. Rachael Herron and J. Thorn are friends and full-time writers and they share observations about the challenges and joys of the writing life. Each person poses a question to the other; it’s an unscripted and fun process. I’ve been listening to them for about two years. I really enjoy how supportive they are of each other and their larger community. The advice they give is invaluable and their warmth and affection for each other is joyous.
I’m in their private, once a month Mastermind group along with author Amy Taksuda. I’ve been in the group three months and like I say on the show, it is the best thing I’ve done for my writing life this year. They coach us on our writing challenges and Amy and I also brainstorm with each other. Our group has got great synergy. We were honored that they asked each of us to co-host an episode, with Rachael, during September while J was traveling. I jumped at the opportunity as I love the show and enjoy speaking on podcasts when I have the opportunity.
Rachael posed the question to me: ‘How does physicality affect your writing?’ True to the show’s format, the question was fresh for me. We talked about yoga, writing routines, swimming, Zumba, staying healthy as a writer, outsmarting your inner critic and more.
Not having the question ahead of time and being spontaneous was a good practice for me. I often over prepare for most engagements and consequently can miss being present with what is actually happening. Don’t we all have control issues, lol? Of course, after the show I thought of all the additional things I wanted to say! But, you can tell from listening to our conversation that is was fresh, lively and surprising to each of us.
She made me feel so welcome. It was so fun and such an honor.
Check it out here when you have a moment!
- In: creative writing | creativity | writing
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Over the last few years, several people have asked me about tips and strategies to promote their new book. I have often replied to each person individually via email. Since the publication of my novella in 2017, I feel like I have learned a lot about the mysterious world of book promotion.
I decided to compile some thoughts here, written similarly to the personal emails I have sent. I’ve also rounded up some links for you, too. Some of the ideas below apply to indie authors and traditionally published authors alike. Adapt and modify as you see fit. I can say that when I have asked traditionally published authors what they would do differently post-launch, they all say without hesitation—start preparing earlier than you think you should for your launch and spend money on a good publicist.
Enjoy!
***
I’m sure you are excited about this next phase of getting your book into the world and you should be! Writing and promoting a book is something that most people dream about and that you are accomplishing!
Here are some suggestions for ways to get started:
General:
-Your publisher should help you build a press kit. A press kit is a blueprint tool that creates a foundation for you as you promote the book over the next several months and years.
-I am also assuming that you have a website or some place on social media where people can find you. That is important, even if you have just one place (i.e. website or Author Facebook page).
Don’t be afraid to try new ways of promoting your book: https://insights.bookbub.com/creative-ways-authors-announced-book-launch/
Digital:
-I would conduct a Google search and target people that write blogs about YOUR SUBJECT and pitch yourself for either an author Q&A or a guest blog post. You’ll want to create a couple of formats and word counts; guests posts can run anywhere from 250-1000 words. People always need content. You can also pitch Huffington Post (which doesn’t pay its writers but has GREAT exposure) about an article based on your book. Blogs are still an important way for people to find out about new authors. I have provided a link to here to one of the interviews I’ve conducted with writers so you can get a sense of the kinds of questions most bloggers will want to ask you–so you can prepare some copy. Of course, bloggers will tailor the interview to your content.
-You might also start a channel on YouTube and post 1-2 minute videos of yourself reading from the book.
-Research podcasts that might be interested in having you as a guest. I talk about preparing for a podcast interview here.
In person events:
-Think about the various angles of your book–how does it inform or educate as well as entertain? What can you teach people or share with them at a book talk besides what is expected? Think about the kinds of “hooks” you can use to entice people to say yes to having you come and speak. You may not always sell a lot of books right away at local talks, but exposure is important as is word of mouth.
-Start planning your book talks early–do one locally where you can get your friends and family to come. You might also want to team up with another author as it helps with promotion.
-Is your book the kind of book that might interest civic organizations, including: Elks Clubs, Kiwanis, The Shriners, etc. What about historical societies?
-Don’t forget to pitch a talk or reading your local library and libraries near you.
TV/Radio
-Getting onto local TV stations (or major networks) and/ radio tends to be a bit easier for those who are traditionally published. However, creativity and innovation in coming up with pitches that catch a producer’s eye will be rewarded.
-Consider pitching your book to the local National Public Radio station (NPR). They usually have a local show that will have authors on as guests. In NC, we have ‘The State of Things’. Think of how your work might tie in to current events, holidays, etc. There may also be community radio shows that would enjoy having you as a guest.
Remember:
You don’t need to do everything all at once (whew!), so choose one or two areas to focus on and then build out. Think about what success, as a new author, promoting yourself (besides sales of books) will mean to you in the next couple of months. A great book party? Lots of podcast appearances? An online presence?
Pace yourself and enjoy knowing that your baby is now going to have adventures in the world!
Here are some trends to watch: https://insights.bookbub.com/book-promotion-trends-bookexpo-2019/
The Magic of the Table Rock Writers Workshop and Why You Should Go + Writing Prompts
Posted on: September 8, 2019
- In: creative writing | creativity | Uncategorized | writing | yoga
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I’m winding down from a terrific and transformative week co-leading a workshop called ‘Opening the Writer’s Heart’ with the amazing Marjorie Hudson. We integrated yoga, mindfulness, breath work and prompt writing.
We were at the Table Rock Writers Workshop in the mountains. It’s held at the Wildacres Retreat Center. It’s a special place that encourages generosity of spirit, conviviality, and community. Loved connecting with our workshop participants, the many writers and creatives in attendance and the faculty. Gratitude to organizers Georgann Eubanks and Donna Campbell for saying yes to our proposal.
I’ve been to a number of writing retreats and residencies and this one is incredibly special and I totally understand why it is both beloved and kind of a secret!
The Prep
Showing off our blue toes as we get in the car to drive up to TR. We didn’t even plan on having the same color!
Marjorie teased me about how much stuff I was taking, but I reminded her that I was taking workshop materials, my own work, books to sell, clothes (didn’t know how cold it was going to be–turns out it wasn’t cold at all), and snacks!
Great stop in Little Switzerland for a bite to eat on the way up to Table Rock. I told Marjorie, I’d have to restrain myself if I went into the used book store. I have a ‘situation’ at home with books piling up behind the door in my office. It’s a fantastic bookstore though!
What Makes Table Rock Special?
I had heard about Table Rock for years, but knew little about before Marjorie and I pitched our workshop. It is a week-long retreat that many writers attend year after year. When we arrived everyone made us feel welcome and told us how much we would love the experience. People were pretty emphatic that we would love TR. I nodded, smiled and thought, OK, people are really into Table Rock. Not that I didn’t believe them, but I needed to just allow the experience to unfold. After just a few hours there, I felt a shift and by the end of the first full day, I knew what everyone was talking about!
Here are some things that struck me about Table Rock:
-The workshops are kept small, both in class size (no more than 12 people; we had 6 participants) and overall number of people. The size leads to an intimacy over meals and gatherings. It also contributes to community-building.
The wonderful dining hall where connections deepened over meals. And, what a gift to not have to cook for a week!
-there’s a daily social hour and people hang out and really get to know each other
-the faculty have been teaching there for many many years. These are people working at the top of their craft and teaching at an extraordinarily high level. Participants raved about their instructors, and many participants come back and take the same workshop with their favorite instructor. That’s high praise! They also enjoyed experiencing new teachers (such as myself and Marjorie). We were the new kids on the block. The faculty made us feel so welcomed (as did everyone)! They also shared tips about the writing life and their own journeys. We were so honored to be part of this group and add our own special sauce, so to speak. One of participants, Cyndy gave us the nickname M-squared!
This year’s Table Rock faculty (left to right): Philip Shabazz, Joseph Bathanti, Abigail DeWitt, me, Judy Goldman. Back row: John Claude Bemis, Dawn Shamp (editor in residence), Marjorie Hudson (photo credit: Judy Goldman)
-The Table Rock ethic is to support each other’s writing and to recognize we have a lot to learn from everyone in the room, not just faculty. It’s not about competition. Established writers and newbies get to mix it up at TR. People are interested in who you are, not just what (or where) you have published. People are encouraged to listen deeply to each other.
-Participants get to read their work and so do faculty. Folks in the audience are attentive and supportive.
-It’s a beautiful space that both inspires and restores.
A wonderful space to read, write and enjoy the natural beauty.
-It’s a creative hub. Not only are fiction, poetry and memoir writers at Table Rock, there are also a dozen or so songwriters attending their own workshop. Both groups get to hang out, cross-pollinate and the songwriters also perform for the community on Thursday eve.
A rocking concert by performers who had written and scored songs just that week!
Our Workshop!
Our participants were fabulous! They were a mix of emerging and experienced writers. All had prior yoga experience (though that was not a requirement). All opened their hearts to each other. We were blown away by the quality of their writing and how deep they went with the prompts we offered.
The table was set! The space we taught in was spacious and we had plenty of room for yoga. Flowers from Marjorie’s garden adorn our table.
Our sessions were from 9am-12pm and we opened with yoga and gentle movement, a brief meditation and then launched into writing exercises (people would write anywhere from 5-15 minutes). Folks would read aloud from what they wrote and the group would note what struck us and where they could go next if they wanted to develop the piece. Sometimes, Marjorie and I would read selections aloud from poetry or a novel in preparation for a prompt. We’d provide another prompt, take a stretch break midway through, do another exercise, read aloud some more and offer homework to continue with the prompt. They were always free to scrap the prompt and write something else.
Our themes for opening the writer’s heart and qualities you need on the writer’s path included:
-practicing courage
-practicing connection
-practicing gratitude
-practicing silence
We also allocated some time for ‘instant coaching’ about the writing and publishing life.
A prompt for you!
We spent time talking about what kinds of things open the heart (e.g. courage and dealing with fear) and what closes it (e.g. lies, secrets). This is one of the prompts I offered:
“I didn’t tell the truth for the first forty years of my life. I thought that reason I lied was that I thought I was protecting other people, but the truth is, it was to cover my own behind. I lied to my kids to get them to do what I needed them to do. I lied to my friends to get whatever it was that I needed. I lied to myself but I would never have known they were lies…This is what I realize: Being able to tell the truth makes being able to write the truth easier. And writing the truth is the beginning of healing the heart.” (emphasis in original) —
–Nancy Aronie
-Write about a lie you have told (5 minutes)
Then for homework, I suggested the following:
“Take a situation or topic or an event that you haven’t talked about honestly yet; something that is still stuck in your throat, like a tiny fishbone, small enough not to choke you to death but big enough to let you know it’s still there.
Work on it in small amounts. Truth is all you need to write. No gorgeous phrases, no sparkling syntax, just truth. Write until you’ve written the whole story.” Nancy Aronie
Write for 30 minutes.
Or: write about a major lie told to you
Our group went deep with this prompt! This prompt is adapted from Nancy Aronie’s Writing from The Heart: Tapping the Power of Your Inner Voice (a writing book that has a similar feel to Bird by Bird; also very funny and very poignant; Nancy Aronie came to writing late in life and I really identify with her journey.)
Our workshop participants doing our last exercise where we invite them to dream big about their writing life. They name their accomplishments, writing skills they want to strengthen during the coming year, and identify allies and mysterious sources of support. It involves colorful post-it notes!
Love this picture of Marjorie practicing Lion’s Pose, a great refresher for the face and tension reliever. (photo credit Donna Campbell)
We provided participants with easy, sustainable exercises to support their back, shoulders and hands during the labor of writing. Check out these poses for hands and wrists:
https://www.webmd.com/osteoarthritis/ss/slideshow-hand-finger-exercises
The Last Day
A quick pic with faculty member John Claude Bemis before we get down to selling our books!
Books, books and more books! Faculty and participants get to sell books on the last day. Humbled that my Reenu-You novella was on the table next to so many authors that I admire.
Overall, a very soul-refreshing adventure. I love teaching with Marjorie. And, because we had a week to teach the material (unlike our previous weekend teaching gigs), there was more spaciousness built into the experience. I was also able to stay on my own writing schedule!
And, of course I couldn’t leave with out some books! Can’t wait to dive into these books by the faculty!
I don’t know if we will get the chance again to teach at Table Rock due to schedules, etc. I hope so! I can also see myself taking a class at TR, too. Table Rock definitely made an impression on me.
Doesn’t this look like a really happy face? Taken on the last day of the workshop by the fantastic Donna Campbell.
Check out more about them and their schedule here.
I participated in Camp NaNoWriMo and loved it. I set a goal in July of writing 20,000 words on new WIP. I’ve been posting my daily progress on my Author FB page. My final count was 22,813! I love the challenge of doing a fast draft and breaking things down into a doable word count.
I am grinding hard working on my WIP and trying to find time to submit my work and read (and see) as much in the horror genre as I can. Whew! I decided to take a break today, have some fun and do some freewriting related to summer themes. I came up with some cool ten minute prompts. I thought you might enjoy taking a break from your normal writing schedule and give these a go.
These prompts can work while writing about yourself or a character:
–big hair/what do you do with your hair? (humidity during the summer can wreck just about any hairstyle)
I’m always looking for more ease with my hair during the summer. I got my hair done in ‘false locs’ (i.e. dreadlocks) a few days ago. The last time I got my hair braided or did anything besides what I usually do with it was more than a decade ago…and it would take 4-6 hours. Now there are lots of new techniques and I was in and out in 2 hours! This style will last about 5 weeks. You know one of the things I enjoy writing about is hair and its meaning in society. So, I engaged my stylist about cosmetology school, hair shows, the business of being a stylist and other good stuff that will probably one day end up in a story!
-the first time I ate a snow cone
-my first summer job (I handed out flyers on Christopher Street in the Village)
-when the lights went out
-the sexiest person in shorts
-your first summer crush
-a beach party gone wrong
-watching fireworks
-a fight at a backyard gathering over who makes the best BBQ
-a girl that gets lost at an amusement park
– a kid who wins a strange item from a seaside arcade
-the time you almost drowned
-a crush on your summer camp counselor
-a couple goes to see the summer blockbuster movie and when they emerge, the world has changed in some dramatic way
-who *is* the man that owns the ice cream truck?
Enjoy!
I did it. I couldn’t resist. I gave myself the gift of a MasterClass with the amazing Margaret Atwood! MasterClass brings online learning to you from experts in everything from cooking (e.g. Alice Waters) to tennis (e.g. Serena Williams). They have a number of writers to choose from including R.L. Stine, James Patterson, Malcom Gladwell and Margaret Atwood.
Margaret Atwood’s a writer I absolutely adore! Truth be told, she’s the kind of writer that if I met a trickster spirit and they offered me a deal like, “You can write like Margaret Atwood, but you’d have to give up a limb.” I’d seriously consider it. Well, yes, I know…never trust a trickster spirit! I imagine though you, too, have writers whose work you adore and strive to emulate.
I thought how can I pass up an opportunity to study with her? I decided I couldn’t. I plunked down about $200 for an “all access pass” (which allows you to have year-long access to the videos and lifetime access to all the materials + access to other classes). She has 20+ pre-recorded videos that explore a variety of topics including writing through roadblocks, structuring a novel, revealing the world using sensory imagery, revision, etc. Also included is a workbook crammed with exercises, additional thoughts, reading lists, etc. The first few videos I watched I could barely concentrate because I was TREMBLING while viewing Margaret Atwood right there in front of me talking about our shared passion—writing! I broke out in glee blisters (OK, so there’s probably no such a thing as a glee blister, but you do understand my level of enthusiasm).
The videos are infused with her wit, humor and wisdom. I think the MasterClass presents a unique opportunity to study with world class teachers. [BTW, I’m not getting paid to say this!]
I learned tons—so much so I am still digesting it all. These three tips below have stayed with me and they might be useful to you, too.
1) “Story is what happens. Structure is how you tell it.” Master simple chronological storytelling before tackling complex narrative variations. In one of the lessons, Margaret Atwood riffs on the different ways one could structure the story of Little Red Riding Hood.
The story would be the same but you could tell it a variety of ways using a different structure:
–beginning to end; starting in the middle (e.g. “It was dark inside the wolf. The grandmother who had been gobbled whole couldn’t say a word, because it was quite stifling and full of old chicken parts and plastic bags that the wolf had eaten by mistake”); using time jumps (“Little was Little Red Riding Hood to know that in two weeks’ time she would be looking back at one of the most definitive events of her life.”); start with a flashback; tell it from a different perspective, etc.
I can see that while writing my first novel, my ambition exceeded my skill level. I didn’t know how to tell a multiple viewpoint story, some of which took place in the past and also involved a number of time jumps. I just wasn’t a skilled enough writer back then to pull that off. I finally did find a path forward by excerpting material in what became my novella, Reenu-You. It is still complex for a novella in that it has two first person narrators and uses journalistic devices (i.e. emails, commercials, etc.) to tell a layered story.
Can you apply Atwood’s insight to a piece that you are working on that feels too complex and isn’t working? Can you find a way to simplify the narrative structure so you can tell the story that you want?
2) Writers have to think about narrative order. Margaret Atwood says that writers have to figure out who knows what and when in a story. And, you have to consider what effect your decisions, about the order of what is revealed, will have on the reader.
“One question you can ask yourself, if you’re writing: Does the reader know more than the character, or does the character know more than the reader? Or do they both know the same amount? Because it’s going to be one of those three.”
-When the reader knows more than the character that can create suspense.
-When the character knows more than the reader that can create narrative irony.
Atwood said it took her three attempts to figure out who would tell the story in The Blind Assassin!
I’m the process of revising a mystery, so this insight has been highly relevant to figuring out when to reveal what detail to the reader.
What about you? Is there a story where you can play with the narrative order to create more tension and suspense in the story?
3)“Print out your work, read it aloud and while reading, use a ruler. Read slowly.”
This is how Margaret Atwood revises her work.
Now, I absolutely am a proponent of reading one’s work aloud, but I had never tried doing it slowly and with a ruler. Sounds simple, right? I had a story that I was prepping to send to a magazine and I decided to try her method —I used a bookmark as I didn’t have a ruler. Wow, was this a revelatory experience! I noticed everything, the rhythm of words, word choice, when sentences were too long or short. I loved this process and will use it for final revisions moving forward; it gave me such a bigger and richer perspective on editing.
Do you have a piece that you’re about to submit and think it’s ready to go? Try Margaret’s technique and see what you discover.
