The Practice of Creativity

Archive for the ‘black feminists’ Category

I’m was so happy this morning that I probably started running around in circles, like this pug:

Why?

Because today I’m featured on John Scalzi’s blog in his ‘Big Idea’ section. He selects science fiction writers, with new books, to write about the ‘big idea’ that is connected to their work.

I get deep talking about why hair matters, racial legacies, questionable beauty practices, what it meant to grow up being told I had “good hair” and how those themes inspired my new novella, Reenu-You.

It was an honor to be chosen for ‘The Big Idea’. I loved having a chance to share my passion discussing the intersection between hair and culture with his audience.

Read the essay here and feel free to leave a comment on his site!

Dear Creatives,

Have you heard about my Imagined Futures: A Transformative Writing Workshop in Panama?
This workshop is your opportunity to leave everyday life behind and get away for a week to be fueled, renewed, focused and coached by me to WRITE* without ANY distractions!

It’s amazing to think of how much writing you could do, isn’t it?

Just imagine what this workshop in a retreat setting, and the extra resources, will do to help you make PROGRESS on the writing that is most important to you.

I am leading the Imagined Futures workshop from July 2-6. And, then I am staying another week to do my own writing!

You can come for my workshop specifically or just come to write (or create in another medium) through the Summer Artist Residency.

Imagined Futures will draw on speculative fiction ideas for its inspiration (in keeping with the broader them of the program). However, writing in any genre will be welcome.

Think about it…Meals are prepared for us, we’re right on the beach, there’s structured and unstructured time…and great exercises. We are going to Time Travel with our past, present and future Writing Selves!

This workshop is hosted by Creative Currents Artist Collaborative. Creative Currents Artist Collaborative is an Atlanta-based, internationally focused arts organization whose mission is to widen and deepen public engagement with the arts and cultures of Africa and the Black Diaspora.  They do this by connecting artists, scholars and arts enthusiasts with exciting and varied arts-based cultural experiences. They offer a year round roster of cultural trips and workshops, of which the 2017 Creative Currents Summer Artist Residency is one.

Join me in Panama, and make 2017 the year your creative work gets DONE!

Let’s do this together.

Check out the details here. Feel free to email me with questions: mtb@creativetickle.com

*the Summer Artist Residency encourages artists of all kinds to apply.

COVER REVEAL: I have been DYING to share this news with you. My new sci-fi novella, “Reenu-You” is being released this week. Last fall, I had the incredible good fortune of my novella being selected as one of the four to be published this year by the AWESOME Book Smugglers Publishing. They are a small (but mighty in spirit) press interested in all things speculative fiction and with a real commitment to diversity and feminism. Since December, I have been knee-deep in edits, proofs and marketing. Whew! I will post more about that process soon.

I am THRILLED that Black Girl Nerds is doing an exclusive cover reveal today!

Reenu-You is a sci-fi thriller that explores what happens when a mysterious virus is transmitted through a “natural” hair product. Set in the 1990s, the novella explores race, gender, the politics of beauty and corporate conspiracy. Female friendships, unlikely heroines and hair—what more could you want?

Would you consider visiting the Black Girl Nerds website and possibly leaving a comment? The more traffic they get, the more they are encouraged to promote this cover reveal. TY!

Watch this space for more Reenu-You news soon!

This is the way I feel today!

Woo-hoo! A few weeks ago I did a cover reveal about my story that is in UnCommon Origins.

uncommonorigins

It’s now really here. The UnCommon Origins anthology launched this week and I am thrilled! Get it here!

UnCommon Origins: A Collection of Gods, Monsters, Nature, and Science

UnCommon Origins presents 22 depictions of moments on the precipice, beginnings both beautiful and tragic. Fantastical stories of Creation, Feral Children, Gods and Goddesses (both holy and horrific), and possibilities you never dared imagine come to life.

allthephotos

Including stories from some of the most talented Speculative Fiction and Magical Realism authors around, UnCommon Origins will revisit the oldest questions in the universe:

Where did we come from?
and
What comes next?

We even have our own book trailer!

My story, ‘The Curl of Emma Jean’ is about two sisters, race, fairies and the God Faunus. What more could you ask for?

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My writing buddy, Fraser Sherman gave a thoughtful (and positive) review of the collection on his excellent blog. We already have over 50 reviews on Amazon! It’s also trending in the horror anthology Amazon category.

For three months, our publisher P.K. Tyler has been working on promotion and also teaching myself and the other 21 authors about how to launch a book. I’ve learned so much and I can’t wait to share some of my insights with you in another post.

If you like speculative fiction, you’ll enjoy this collection. It’s got something for everyone. Get it here.

Also, if you’re willing to provide an honest review on Amazon, Goodreads or your blog, within the next two weeks, contact me about getting a complimentary copy.

In other news, last weekend I attended the historic State of Black Science Fiction Convention in Atlanta. It was a mind-blowing experience. SOBSFC brought together creators from different mediums (e.g. filmmakers, comic book artists, writers, producers, scholars, etc.,) to converge, discuss and share about the world of sci-fi and the Black experience over the past two centuries. There were panels on everything from Afrofuturism in Arts and Culture to Black Southern Folklore in Horror Literature.

I even dipped my toe into SteamFunk cosplay for the first time ever. Loved it!

steamfunk

I plan on writing a blog post about attending this transformative con.

June is my birthday month and with this book launch and conference, it’s been a fantastic one so far. I hope your June has been offering you writerly goodness.

 

Affirmations-366Days#30: I actively name, claim and exclaim my writing aspirations.
For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

I am over the moon at finding Kiara Collins’s wonderful post on Octavia Butler’s recently discovered personal journal. This post was sent to me last night by my gifted writer teacher and friend, Melissa Delbridge. Octavia Butler was the first successful African American female speculative fiction writer. She wrote many highly acclaimed novels and was the first science fiction writer to win the MacArthur Genius award. Her pioneering books explore the legacies of race, class and gender, and the challenges of independence and interdependence in human relationships. She is one of my favorite authors. I’ve written about the use of her term ‘positive obsessions’.

 

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And, as it turns out she used AFFIRMATIONS to help her imagine and embody her success as a writer. As someone who thought I knew a lot about her work, I was stunned by this revelation. I knew of her struggles, as an African American woman, to become a speculative fiction writer during a time when that was almost unthinkable. I also teach her wonderful essay, ‘Positive Obsession’ (from Bloodchild and Other Stories), where she chronicles her almost crippling self-doubt and ruminates over the sexism and racism that she faced in the 1960s and 1970s. But, I had no idea that she as Ms. Collins notes “literally wrote herself into existence” using affirmations. This is such an important confirmation about the power of affirmations. If you’ve been reading this blog since January, then you know that I’ve made a commitment to post one affirmation related to writing and/or creative practice every day for the entire year. I believe it will support my writing practice and experience of myself as a writer. I want it to be a fun and uplifting project and also helpful to others. Affirmations can provide mental and emotional support as we move toward our goals.

Here is her list of affirmations written on the back of her notebook:

octavia_butler_note

 

Looking at her list, a few things strike me about how she used affirmations:

They are written in the present tense. It’s helpful to reinforce that what we want is happening now.

They are handwritten. There is power in slowing down and writing by hand when playing with affirmations. Science tells us that different parts of our brain are activated when we write by hand.

She uses repetition. When writing affirmations, it’s helpful to use repetition. Most of the time, we’re trying to release deep seated negative mental patterns and so writing a powerful statement over and over is helpful.

She wanted her success to contribute to others. Several of Butler’s affirmations involved supporting African American young people. Our success should ripple out and positively impact others.

I hope you’ll add affirmations to your writing and/or creative toolkit in 2016.

See Kiara Collins’ post here.

Powerful. Dynamic. Tender. Truth-teller. In my first few interactions with Dr. Laurie Cannady, all these words went through my mind. We were suitemates this August at The Room of Her Own Foundation writing residency. We have several overlapping interests including academe, the health and well-being of African American girls and women and creative writing. Throughout the residency, we would stay up late into the night talking about books and life. I felt lucky that I got to spend so much time with her. I was thrilled to discover that Laurie’s new memoir Crave: Sojourn of a Hungry Soul was being published this year. I shared with her my observation that there are too few memoirs written by women of color. I believe it is vital that women of color write about the context of our lives. When she read, during her allotted three minutes provided for each participant, the audience was entranced by the rhythm and power of her words. It was an unforgettable reading, marked by a standing ovation.

Dr. Cannady has published an array of articles and essays on poverty in America, community and domestic violence, and women’s issues. She has also spoken against sexual assault in the military at West Point. Her new memoir, Crave: Sojourn of a Hungry Soul debuts in November with Etruscan Press. Dr. Cannady has as MFA from the Vermont College of Fine Arts.

I’m delighted to welcome Laurie Cannady to The Practice of Creativity.

Screenshot_2014-12-18_18-330-crave

-Tell us about your new book Crave: Sojourn of a Hungry Soul. What inspired this book?

Crave: Sojourn of a Hungry Soul is a coming-of-age memoir that chronicles a young girl’s journey through abuse and impoverishment. The effusive narration descends into the depths of personal and sexual degradation, perpetual hunger for food, safety and survival. While moving through gritty exposés of poverty, abuse, and starvation, Crave renders a continuing search for sustenance that simply will not die.

-What is your biggest hope for Crave as it meets readers?

My hope is that it will resonate with those who, like myself, have had to journey through one difficult situation after another, those who don’t always feel like they have a tight enough grasp on hope, but they work toward a healing anyway because they know there is a way out of the mess.

-While you were writing Crave, were there authors that you mined for inspiration?cannady03-210

I read so many books while crafting Crave. The Glass Castle by Jeannette Walls served as a constant source of inspiration. I especially focused on the way in which her narrative moved across space and time. Rigoberto Gonzalez’s Butterfly Boy made me brave as I told my story and the stories of those who shared life with me. His honesty kept me honest and he demonstrated the skill it takes to weave a narrative that includes the voices of family members and friends. I revisited several times Frank McCourt’s Angela’s Ashes, studying his voice and the way in which he depicted the tragedies he and his family faced. His lyric voice made some of the most painful scenes palatable.

– How do you handle the moments when you have to write a painful scene?

Oftentimes, I’ll put on music, songs that remind me of the scene I’m writing. The process of writing painful scenes is especially meditative for me. I try to place myself back in that situation so that I can write from the POV of who I was then, not as the woman I am now. (That comes during the revision process.) I usually have to be alone and I need silence. During really tough scenes, I ask my husband to check in on me in about an hour or so, just to make sure I’m not going too far and too deep. There have been times that I just needed him to hold me after the writing. His embrace reminds me that I’m not in that situation anymore and I am in a safe place. There were some scenes where that writing seeped into my waking world or into my dreams. For that reason, I have people in my life with whom I can share my fears and sadness. Much like a child, “it takes a village” to raise a memoir!

-What’s next to your bed (or in your Kindle)? What are you reading now?

Full Catastrophe Living: Using the Wisdom of Your Body and Mind to Face Stress, Pain, and Illness by Jon Kabat-Zinn. While writing memoir, I think it’s important to practice self-care. Full Catastrophe Living not only reminds me of that, but it also gives me the tools to do so.

-What’s your best writing tip that you’d like to share?

Write a page every day, no matter what, and don’t be afraid to allow your narrative to reveal things to you. When I first began writing memoir, I thought I had to write everything, as accurately as I could remember, to some self-imposed end. It took years to realize that my narrative had its own end and its own way in which it wanted to be relayed. So, writing a page a day was a relief. I allowed the scenes to unfold as they pleased and once that writing was done, I was able to shape all that I had written into Crave.

 

Laurie Jean Cannady is a professor of English at Lock Haven University, where she spends much of her time encouraging students to realize their true potential. She is a consummate champion of women’s issues, veterans’ issues, and issues affecting underprivileged youth. Cannady resides in central Pennsylvania with Chico Cannady and their three children.

Find out more about Laurie Cannady here.

Checkout Crave’s amazing book trailer: https://www.youtube.com/watch?v=HFKPiUSQqBY#action=share

 

 

Becky Thompson has been an inspiration to many. She is an award-winning writer, professor, yoga instructor, and activist. She has spent the last twenty years traveling across the world researching, teaching, and writing on issues of social and racial inequality. An academic by training, she has written on a wide variety of topics that include eating disorders, HIV/AIDS, parenting a multi-ethnic family, and global activism. Her books are infused with creativity, scholarly rigor and meaningful engagement. They are magic carpet rides for the mind, body and spirit. She has also been a pedagogical pioneer in investigating and incorporating a wide range of contemplative practices in the classroom (including yoga, mindfulness, walking meditation, etc.). She uses the power of these practices to create a collective, intelligent and vulnerable space for students and teachers to engage deeply with difficult topics.

I count myself fortunate that I attended one of her contemplative pedagogy workshops, many years ago, while she was a visiting professor at Duke University. That made a deep impact on me though it would be years before I would muster up the courage to incorporate what I learned from Becky into my own teaching practice.

More recently, we’ve realized that we have overlapping interests in many areas, including yoga and social justice.

So, when I discovered that Becky has a new book that brings together narratives of social justice, yoga, trauma and healing, I couldn’t wait to find out more. Her latest book is Survivors on the Yoga Mat: Stories for those Healing from Trauma (North Atlantic Books), and it promises to be groundbreaking.

Thompson’s other books include Zero is the Whole I Fall into at Night (Main Street Rag Publishing Company, 2011); When the Center is on Fire (co-authored with Diane Harriford, University of Texas Press, 2008); Fingernails Across the Chalkboard: Poetry and Prose on HIV/AIDS From the Black Disapora (co-edited with Randall Horton and Michael Hunter, Third World Press, 2007); A Promise and A Way of Life (University of Minnesota Press, 2001); and Mothering without a Compass (University of Minnesota Press, 2000).

Thompson’s work has also been featured in multiple journals such as Harvard Review, Feminist Studies, Gender & SocietyWarpland: A Journal of Black Literature and Ideas, Amandla, Illuminations, and Margie.

Currently, Becky is Chair and Professor of Sociology at Simmons College in Boston, MA.

Becky sees her yoga practice as the foundation upon which her writing, teaching, poetry, and activism can flourish.

It’s is my distinct pleasure to welcome Becky Thompson to ‘The Practice of Creativity’.

 

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Tell us about your new book Survivors on the Yoga Mat: Stories for Those Healing from Trauma. What sparked your interest in writing this book? 

My initial motivation came from an early teacher training I was participating in where I realized that many of the participants were whispering—in the halls, after sessions—about the depressions, loss, sexual abuse, and accidents they had experienced. But they did not feel okay about “coming out” about these traumas. It was as if yoga was in one corner and trauma was in another with no meeting place in between. During that training, I also dissociated on my yoga mat one Sunday morning which surprised me and led me to co-lead a workshop on trauma for the other yogis. That initial push was coupled by the inspiration I was getting from people who started to talk with me about their own stories of using yoga to help heal from racism, sexual abuse, incarceration, accidents, addictions, illnesses, great loss, war, etc.

While I can point to a moment when I officially started writing Survivors, in many ways I have been working my way up to this book for years. In some ways, Survivors is an answer to my first book, A Hunger So Wide and So Deep since Survivors offers stories of people living in the land of healthy solutions, who are finding embodiment that trauma had formerly stolen. The book follows A Promise and a Way of Life since it seeks to offer examples of antiracist activism currently taking place in yoga communities. Although I didn’t know this consciously when I started Survivors, I now know that I needed the last twenty years of writing, living, healing, and activism to get prepared for Survivors. For example, this book is a lot about the process of manufacturing joy. I didn’t know I even needed more joy ten or twenty years ago. And I never would have been able to put so much of my own story of trauma into a book before. That took some real coaxing and guidance this time around.

Survivors is an intellectual book in that I incorporate trauma theory, neuroscience and yoga philosophy. And it is an experiential book in that it starts and ends with the body—its pleasures and pain. Two decades ago, I wouldn’t have had the confidence or the community ties I needed to reach out to and find Joanne Wyckoff, who became my agent. And I wouldn’t have had the guts to include a bunch of photos of “unconventional” collective poses (that we have created together in my years of teaching yoga in an eclectic range of communities) in the book’s glossary. I can’t wait to hear what readers think and feel about all of this.

survivors

-In the book, you explore the unique strengths and needs of trauma survivors. Can you tell us a bit about what you’ve discovered while working with trauma survivors?

One key lesson for me was learning that trauma survivors are special—subversive angels on the road to healing. There is a tendency when we hear the word “trauma” to back away. To pass the tissues. The word sounds heavy, intense. In fact, many trauma survivors have special characteristics. We tend to be highly intuitive and ingenious—we have had to be to survive. Trauma survivors tend to throw their weight behind the underdog, are willing to question authority, and take risks. Trauma survivors often come early to yoga classes and stay late. They know that their lives depends upon healing. We are the ones with the wiggles, who cry during savasana, who get up and try again.

-You have been thinking a lot about the connection between yoga and social justice activism. How can they inform each other?

Embedded in Patanjali’s Yoga Sutras and the “Native American Code of Ethics” (which are both guides for understanding yoga philosophy) are commitments for healing ourselves and our communities. It turns out that trauma survivors are often at the forefront of liberation struggles. Coming to terms with your life being turned upside down often provides motivation to try to turn the world right side up again. I am thinking for example of Lisa Houston, a Scottish woman whose story is in Survivors, who took her yoga mat with her in her work with refugees at the border of Thailand and Burma. I am thinking about Jarvis Jay Masters, a Buddhist man on death row in California who used his body to interrupt a stabbing in San Quentin. His years sitting on his meditation cushion guided him to do this. Survivors is full of stories by people who see activism as key to being human.

The well-known Buddhist Silva Boorstein has said that the longer she has practiced yoga and meditation, the more zealous she has become about social activism. This is a very good sign for yoga communities since practicing yoga certainly does not exempt us from enabling racism, sexism and elitism in our midst. We can’t just “om” ourselves into multiracial, global communities. Long-term yoga can help us listen more deeply and undo inequalities.

-You’ve written many different kinds of books (i.e. scholarly, creative, etc.), and across many types of genres (e.g. poetry, essay, narrative).  Who inspires you? Who are some of the writers that you continually mine for technique, style, or phrasing?

Joy Harjo remains one of the writers/activists/musicians whose work keeps me up at night. Her book, A Map to the Next World, has been the one book I have taken with me on my plane flights. Pure magic and talent in that book. Rolf Gates’ book Meditations from the Mat was the model for Survivors and the one I read to my grandmother in the last years of her life. I was thrilled when he consented to write the foreword for Survivors. Stephen Cope’s The Wisdom of Yoga and Matthew Sanford’s Waking are both yoga books I teach in my doctoral education and social theory classes. I like that cross-pollenization. I still think that Edwidge Dandicat’s Breath Eyes Memory is among the finest novels on sexual abuse, colonization and healing.   Dandicat also writes outstanding essays.

This Bridge Called my Back, edited by Gloria Anzaldúa and Cherrie Moraga gave me (and so many others) the intersectional analysis (attention to race, class, gender, sexuality, language, nation) that forms the theoretical foundation for Survivors (and my other justice books). That book combines many genres—poetry, creative nonfiction, essays. June Jordan, Dorothy Allison, Sonia Sanchez, and Jacqueline Woodson are marvelous models for me. Poetry and literature remain my company when I am lonely, worried, or trying to understand how to respond (or get quiet) in the face of much insanity around us.

Music also gives me much guidance: India.Arie, Angelique Kidjo, Sweet Honey, Bobby McFerrin, Snatum Kaur, Patti LaBelle and many others. Music makes so many invisible links that we need to write across genres—the improvisation in fiction, the steadiness of prose, the surprise in poetry. When I was finishing Survivors, the editor advised that I not include a music list in the appendix since people’s taste in music is so variable. But I couldn’t bear leaving out music and so I ended up labeling that section “idiosyncratic music list” and tucked it in after the “suggested further reading” in an appendix.

-If you could invite three living yoga teachers to a dinner party that you’re hosting, who would you invite and why?

I would love to have Angela Farmer (who teaches in Greece, is 76, and has been guiding us to go inside to find safety for 40 years), Angela Davis (who isn’t officially a yoga teacher but is a yogi), and Nikki Myers (founder of the innovative yoga and recovery model Y12sr) together. I would cook for days—wasabi tofu, grilled asparagus, sweet potatoes, Lundberg rice, homemade hummus, and divine salad. Mango and sticky rice for dessert. I would fantasize about the playlist for the dinner for weeks. Michele and Keval Kaur and Diane Harriford would need to come too. Life is short. I gotta figure out how to make this possible.

-What’s your best writing tip that you’d like to share?

Honor the muse no matter what she needs. If she needs to write while you are driving, pull over. If she wakes you up in the night, thank her. If she is shy or angry, she has good reason. For prose writing, expressing the ideas first as poems helps to keep the language lyrical. Writing after doing an intense yoga practice can bring us into a deeper register. Talking about the writing process is erotic, in the Audre Lorde, expansive sense of the word. Yoga is big like that too.

I am attaching a poem I recently wrote for Sonia Sanchez—long time meditator, poet, and dancer for justice—since the poem resonates with some of the questions you have asked. Thank you Michele, for your generosity and creativity.

She be

for Sonia Sanchez

 She be
Tupac in the summertime

She be
we tumble in the fall

She be
writing on the fast train

She be
writing honey slow

She be
listen, she say listen

She be
rhyming with Coltrane

She be
singing us some praise songs

She be
a chandelier of sound

She be
traveling with ashe ashe

She be
prancing with her sons

She be
channeling tenacity

She be
heart sing heart sing heart sing song

She be
circling her audience

She be
can’t wait, can’t wait for love

She be she be she bow she shy she shake   she cry   she glow   she slide
She fly   she be   she be   she be   she be

 

Becky Thompson has received numerous honors and awards for her work, including grants from the NEH, the Rockefeller Foundation, the American Association for University Women, the Ford Foundation, Political Research Associates and the Gustavus Myers Award for Outstanding Books on Human Rights in North America.

Becky is a senior level yoga teacher (YRT-500) and teaches yoga at conferences, workshops, in college classes, and community centers internationally and nationally.

Find out more about her and how to purchase Survivors on the Yoga Mat here


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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