The Practice of Creativity

Posts Tagged ‘creativity

There are lots of discussions about how to use social media as writers, but little discussion about how all our instagramming, tweeting and facebooking impacts our creativity. Come hear me and several other writers discuss this timely topic next Sunday at Quail Ridge Books and add your voice to the mix!

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Every time you write something valuable will occur.
-Susan Ariel Rainbow Kennedy aka SARK

Hi folks,

We’re four days into November which is also National Novel Writing Month (NaNoWriMo). I’m NaNoWriMoing. Are you? I hope you are! Last weekend, I taught my ‘How to Level Up in Your Writing Life’ workshop for the first time and it went incredibly well. There were twelve people who signed up and one of the participants had already won a NaNoWriMo. I spent some time talking about the benefits about participating in this international creative event. We had a blast brainstorming the ways they could use NaNoWriMo to further their writing projects. Even if you don’t reach the 50,000 word mark at the end of November, you’ll write more than usual just by trying to write 1,667 words a day.

It’s also a great way to push yourself to finish a project.

I reminded folks that it is so easy to let our creative work slip to the bottom of the to-do list.

I shared with them insights about how I won NaNoWriMo in 2014 and the things I did then to keep me on track as well as what I am doing differently now, including using dictation software.

I’ll be updating my word count as we move through the month. I got off to a great start on Nov 1 with 1738 words and then over 1,431 words in the past two days. I’m behind, but I’m not worried yet as I plan to get up early over the next few days and do some writing sprints.

Let me know if you are attempting NaNoWriMo. I’ll cheer you on!

The literary community has lost a brilliant playwright, poet and visionary–Ntozoke Shange has died. I am quite sad.

I discovered her work in college and was transfixed by it.

Two of my favorite novels of hers include Sassafras, Cypress and Indigo, a novel about three African American women who are sisters and their path of creative self-discovery and Betsey Brown, a historical novel that chronicles what desegregation was like for an African American girl in the 7th grade in St. Louis, Missouri.

Shange wrote poetry, plays, children’s books, and novels, leaving us a rich corpus of work.

I took a workshop with her in my early 20s that was truly transformative and gave me courage and inspiration that I drew on decades later. Her work influenced a whole generation of women of color creatives. She will be missed.

Read more about her here.

In July I created a poll titled, “What Does Leveling Up in Your Writing Life Look Like?” I was prepping for my upcoming workshop and wanted to get a glimpse into what writers are struggling with in their creative lives.

There were 34 responses (thanks to all who participated!). Here are the top three:

#1: Making More Dedicated Time to Write

“Writers do not have a time problem. We have a priority problem. When you sit down in front of the television, you’re subconsciously saying, “I choose to do this instead of write.” Mur Lafferty

Claiming more time for our writing lives is an ongoing issue. Over the course of our writing lives, we will try many new routines and patterns to support our work.

In Saturday’s workshop, I’ll be drawing on some proven techniques from Rachel Aaron and Jake Bible for getting the most out of your writing time when you sit down to write (which will also help to boost your writing output) as well as creating more time to write.

Below are some tried and true ways to find more writing time.

-Schedule it in. Yes, time for your writing needs to be in your calendar.

Getting your writing projects to migrate from the bottom to the top of your to-do list is no easy feat. Ariel Gore makes this point in her witty book, How to Become a Famous Writer Before You’re Dead. She says that most of us believe that making time for creative work is selfish, so we put it at the end of our to-do lists:

“And then we kick ourselves because the novel isn’t written. We look down at our laps and blush when our writing teacher asks us if we got a chance to write this week. Of course we didn’t get a chance to write—it was the last thing on our list. We had a glass of wine with dinner. We got sleepy. I’m going to tell you something, and it’s something I want you to remember: No one ever does the last thing on their to-do list.”

I write every day. For me, writing every day keeps my momentum going. I typically do an hour of academic writing in the morning and an hour of creative work in the evening throughout the week. My academic writing is scheduled in my calendar. My creative work is scheduled in my calendar. It’s what keeps me sane.

If creating everyday doesn’t work for you, find consistent periods of time that do and then schedule them into your calendar. For many people consistency is more important than trying to write daily.

-Develop a better reward system. Over the long journey of creating, producing good work becomes its own reward. However, for those of us just starting to pursue a creative path, may need motivation and encouragement to keep saying yes to our projects. Reward systems can be big or small and can be connected to time and/or output. I keep an active rewards list for meeting writing goals (mostly for academic writing). About every few weeks, I’m checking that list to see what I have earned. The rewards list can keep me going through the really tough periods where writing doesn’t feel like it’s going well.

-Work in smaller blocks of time. Writers often pine for days of uninterrupted time, but as a coach, I’m often in the position of pointing out to clients that what time they have is not always used well. Creativity expert Susan Ariel Rainbow Kennedy (aka SARK) uses the concept of micromovements to break tasks into manageable segments of 5 seconds to 5 minutes. Very effective! She believes that creative people often assign themselves too big of a task. And, then when they don’t meet that often impossible task, their inner critics come leaping out to point out their lack of completion.

#2 Finishing More of My Writing Projects

In my writer’s group last week, we read and discussed Robert Heinlein’s famous writing rules. The second is “Finish what you start.”

I think it is easy to beat ourselves up about not finishing things. Instead, it is helpful to get curious about why you’re not finishing writing projects. There are questions we can ask when we have a big pile of unfinished manuscripts.

-Has the manuscript lost momentum? Am I bored?
-Can I simplify the structure of the story (or creative nonfiction piece)?
-Do I need an accountability buddy?
-Do I need to work more on my craft around middles and endings? (Nancy Kress’s wonderful Beginnings, Middles and Endings really helped me work on my endings.)
-Am I overly worried about rejection (which is interfering with finishing this piece)?
-What would I like to have completed between now and the end of the quarter?

I love using anthology calls and special themed issues as a way to get lingering manuscripts out of the door.

In the workshop I’ll be drawing on the insights of Chuck Wendig and Austin Kleon about how to finish what you start. And, of course we’ll be talking about NaNoWriMo and why it is such as a great catalyst for both starting and finishing a project.

#3-Developing (or improving) My Author Platform (e.g. using social media, blogging, etc.)

I’ve been thinking about this issue a lot. So much so, I have proposed a course in the spring through CCCC, tentatively titled: Savvy Social Media Strategies for Writers.

Creating an online presence and managing social media helps writers build relationships with other authors, fans and industry professionals. It also can generate leads, provide exposure and advance your professional goals and aspirations.

In the workshop we’ll take a deep dive into best practices for building and sustaining an author platform/online presence.

In the meantime, you might like this post about I wrote about growing your author’s platform over the course of your writing career.

Stay tuned for a spring 2019 date and more info!

LAST CALL:

Mary Robinette Kowal recently said that National Novel Writing Month (NaNoWriMo) allows writers to “chase their joy”. I love that expression! My workshop is about helping writers do just that in prep for NaNoWriMo. NaNoWriMo is an ignition starter for your writing, no matter what your goals or what you are writing (i.e. memoir, short stories, etc).

UPCOMING WORKSHOP: Saturday, October 27, 10am-3pm, Central Carolina Community College, Pittsboro

How to Level Up Your Writing Life
Do you want to write faster? Do you want to write better? These goals are not in contradiction with each other! This workshop will teach you some fun ways to “hack” your brain to support increased productivity, outwit pesky inner critics and unleash your inner storyteller.

This workshop will help both discovery writers (also known as “pantsers”) and writers that outline find new ways to approach their work.

How to Level Up is also geared for writers wanting to try National Novel Writing Month (NaNoWriMo). We’ll spend time talking about how to best prepare for NaNoWriMo and how you can produce a 50,000 word draft in a month.

We’ll spend time exploring new ways to combat what stops us from writing including: procrastination, perfectionism, imposter syndrome and feeling overwhelmed with creative ideas. We’ll explore how other successful writers have found ways to write faster and better including Austin Kleon, Chuck Wendig, Jake Bible and Rachel Aaron.
This workshop is about busting through our own self-imposed limiting beliefs about our writing life.

Writers of every level, genre, and background welcome.
And, of course, there will be door prizes!

Register here

 

Hi all,

As many of you know I serve as a Trustee on the Board of the North Carolina Writers’ Network. The North Carolina Writers’ Network connects, promotes, and serves the writers of this state. It supports writers at all stages of development. Recently, I was asked to contribute a short piece to our newsletter. I’m sharing it here as it gives you insight into how I found the Network and why I think that are a great place for writers, the importance of literary community and also about my participation in hosting our second “NaNoWriMo Meet and Greet” as well as a new “Shut Up and Write” session during the conference. So, I get to talk about two favorite things in the newsletter–National Novel Writing Month and the Network!

Not a member yet? Check out all the good stuff here.
Joining the Network really did change the trajectory of my writing life.

Not signed up yet for the amazing fall conference happening, Nov 2-4? You’ve got two weeks to go before pre-registration closes! Check out the fantastic line-up of workshops, classes, events and instructors here.

“North Carolina is known for three things, hogs, tobacco, and writers. Since you’re an aspiring writer, I assume you’ll know which community to connect with.” These words were spoken to me by my therapist at the time and I’m forever grateful for them. More than fifteen years ago, I moved to North Carolina and although I had a professional position I loved, other aspects of my life post-move remained challenging. My partner was having a difficult time finding fulfilling work and my creative writing goals had stagnated.  Despite my therapist’s blunt (and a bit exaggerated take on North Carolina’s reputation), I got the point. In this new place, I needed to take action, find like-minded writing folk and investigate North Carolina’s impressive literary history. An aspiring poet, too, my therapist was the first person that told me about the Network and its two annual conferences.

At that time in my life, I was writing metaphorically in the basement. I read lots of craft books, yes. But, I didn’t know any other writers, wasn’t in a writer’s group and so therefore never received productive feedback. I kept rewriting hundreds of pages over and over and was assailed by devious “inner critics”. I was in a kind of literary quicksand. Like many writers, I thought I could (and should) do it all alone.

It took me a few more years to muster up the confidence to attend a Network conference. If you’ve ever been to a NCWN conference you know how dynamic and exciting it is. What energy! What excitement! I felt welcomed. I felt like I belonged. I felt like I had found people I could discuss the joys and challenges of the writing life. No one is an outsider when attending a NCWN conference.

I wasn’t in the basement anymore.

The years have flown by since that first conference. I kept attending them and deepened my craft knowledge, met terrific writers and made friends.  I got to know my wonderful regional rep for Chatham County—Al Manning and also started to attend local writing events. My world is so different now! I’m a trustee deeply committed to the mission of the organization. I now get to welcome members into this literary community.

Given my past of having to battle long periods of creative self-doubt, I’m really passionate about strategies to circumvent inner critics. One of the most fun ways to do that is to participate in National Novel Writing Month (NaNoWriMo).

You’ve probably heard the buzz about it. November is National Novel Writing Month. Amateur and professional writers sign up to write 50,000 words, a short novel, during the month. That is roughly 1,667 words a day. And, yes the draft’s supposed to be rough, need work, and a beautiful mess that yields something amazing later.

NaNoWriMo is for fresh, wild, and fast writing. And, you don’t have to be an aspiring novelist to participate—writers adapt NaNoWriMo for their own needs. NaNoWriMo gets people writing more words than they normally would in a month.

There are many success stories of writers who carefully revised their NaNoWriMo drafts and have made sales of novels (including the bestselling Water for Elephants by Sara Gruen, The Night Circus by Erin Morgenstern, and The Darwin Elevator by Jason Hough), short-story collections, and other kinds of publications.

But publishing is not the overall point of NaNoWriMo. It is about getting started. It’s about getting some words—any words down that then can turn into good words later.

I’m hosting a NaNoWriMo Meet and Greet on Friday night after the plenary. We’ll gather and talk about goals over wine and refreshments. If you’ve ever been curious about NaNoWriMo, come to this event.

Given the pace of the conference and the lively workshops, plenaries and networking opportunities, most of us don’t get a lot of writing done when attending.  In recognition of this fact, we’re trying out a new session during the conference: Shut up and Write. Shut and Write will offer conference participants a quiet space for writing.

I hope I’ll see you at one or both of these events. And, you can tell me your story about how you found the Network.

 

Mariah Wheeler has had the grand privilege of living, working, and playing, with artists for the last twenty-four years. She represents a life of “art at last,” having invented her own muse-inspired career later in life.

At age 58, Mariah opened the Joyful Jewel, a 300-square foot art gallery in the small, but vibrant town of Pittsboro, North Carolina where I reside. By the age of 61, Mariah had moved the Joyful Jewel to a 2,000-square-foot space, which currently sells the work of 170 local artists. The Joyful Jewel has become a destination to explore, marvel over and buy works of art.

Her deep passion for art and supporting artists has enriched the community. She believes that everyone has at least one creative gene, and that it is never too late to start developing it!

Over the past several years, Mariah has nurtured her own creative spark to write. Her new book Art at Last: It’s Never Too Late to Create has recently been published by Lystra Books. Reading Art at Last will convince you that “It’s never too late to create!” These inspiring memoirs are of thirteen artists who began their careers late in life and became successful.

I’m delighted to welcome Mariah Wheeler to The Practice of Creativity.

 

-Why did you write Art at Last? What’s in store for readers?

I started in my own art so late in life.  I found so much joy and pleasure in something that I never expected or thought about doing before it happened to me. I wondered who else had found this amazing quest at retirement age, too. As I began to ask people, I heard inspiring stories from people with diverse backgrounds and in a variety of media. To a person, when asked, what they are doing now that they never thought they would do, they said “Be an artist.”  I wanted to share the stories in hopes that members of the general population would be willing to take this challenge themselves.  I don’t expect many to strive for the level of perfection or dedication as those in the book Art at Last but know, without a doubt, that focusing on creative pursuits can greatly enrich anyone’s life.

-How did this project stretch you? What did you learn about yourself as an editor while working on this collection?

I learned that writing and publishing a book is not a short-term project. I found that I was perfectly capable of working on this anyway, until it was done!  It was a labor of love, yet one that surprised me in many ways. The biggest surprise was how many mistakes I could make, as even through ten or fifteen revisions, I still found things that needed to be changed! I really thought I was more careful than that – a bit of a letdown. Just getting the book in a format for publication had many challenges, from obvious things like making sure that the flow of the pages made sense, to unexpected troubles in getting the page numbers on the right edge of the page. I found that the time needed after writing the book was no longer than the time afterward in getting it ready for publication.

-Where does someone who wants to pursue an artistic path, but keeps hearing their inner critic tell them that they are “too old”, begin?

The only thing I really can say to the common problem of getting beyond the inner critic is just to do it anyway. Don’t let yourself think about what the product looks like at first, just keep doing something. Like they often say to writers, do your morning pages – these are not for publication, and the art is not for showing others or for sale – but they get you in the habit of creating. You WILL meet your Muse. When you set that critic aside, you may want to try several different media until one just grabs you and makes you pay attention to it.  That’s the one to keep doing.

-In Art at Last you declare that art can change the world. What can you share with us about the transformative power of art?

One of the biggest things that art can do is bring new ways of looking at problems.  This may change the world for the person creating the art, and when shared can affect the larger community. This happens even when we aren’t doing art, such as later in time, to answer problems or change the world. I have a hard time knowing how to explain it, but I think you get in touch with the Muse, the Divine, the Collective Unconscious, whatever word you use.  It’s a place that is outside of everyday consciousness, and once you have gone there, it’s easier the next time to get there. Maybe it’s like a dream that tells you about something you hadn’t yet seen in your life. I think of it as insight that comes at us sideways, as Rumi says, it enters from the window rather than the door.

-What’s your next creative project? What are you working on right now?

I have been doing research on another book.  I’m not sure the format, maybe historical fiction.  I want to write about the poet Ella Wheeler Wilcox (who I have always thought I was related to) who lived 1850 – 1919, and had a very interesting life.  She wrote “Poems of Passion” which created a bit of a stir in her time, was a New Thought pioneer, and was very very prolific.  Her best known poem begins “Laugh and the world laughs with you, weep and you weep alone . . . “

– What’s your best writing tip that you’d like to share?

Similar to my suggestion for other types of creative expression, just do it! There is no time like the present. You have nothing to lose and much to gain. This is true whether you do it just for yourself or in hopes of a larger audience. You may not know what you want to do with your writing, but you can still begin.

Mariah Wheeler has had the grand privilege of living, working, and playing, with artists for the last twenty-four years.  She represents a life of “art at last,” having invented her own muse-inspired career later in life.

She is the owner of the Joyful Jewel Gallery in Pittsboro, North Carolina. The Joyful Jewel is dedicated to bringing the spirit of creativity to all, artists and patrons alike.  They offer “local art, fresh from the heart” in a wide variety of media, styles, and prices, each creation made with care, skill and inspiration.

Mariah, along with poet Sheridan Bushnell, conceived of the idea of inviting writers to come to the gallery and write about art. Their idea developed into the much anticipated annual ‘Vision and Voice’ event where writers are asked to read what they wrote after their visit and the corresponding artists are asked to display their objects and say a few words about the art-making process.

Find out more about Mariah by visiting her at The Joyful Jewel. Pick up her book at the Joyful Jewel.

*She would prefer folks not get her book from Amazon because it isn’t the same quality, and it is also more expensive. She is more than happy to mail a book to anyone who asks for one and can call with credit card info. or would mail a check. The book is $28.50, with tax for NC $30.42 and mailing is $2.  She can be contacted via email or phone through The Joyful Jewel.

“The fruits of the harvest are gathered and stored. The trees shed their leaves and reveal their true forms. The days grow shorter and darker, reminding us of how brief our time on earth really is.  It’s autumn:  a season for reflecting on what it means to be truly alive, and for giving thanks for the gifts an authentic life bestows.”
Alan Jones and John O’Neil, Seasons of Grace: The Life-Giving Practice of Gratitude

Although the weather is still warm for many of us, autumn is here and requests our attention. Autumn invites us to reflect on the fruits of our harvest and make sense of a way forward. We know the fallow period of winter is not far away. I love this time of harvesting, gathering and reflecting. Around this time of year, I also find it much easier to reboot my gratitude jar practice if it has fallen off track. Keeping a gratitude jar is like rocket fuel for your creative life. Don’t know what a gratitude jar is or how to fill one up? Here’s my post on this amazing practice.

Here are some writing prompts to feed your creative impulses as you explore the gifts of fall:

-Look at the following two words—autumn and authenticity. What connections between these two words do you sense? (Authors Alan Jones and John O’Neil note that both of these words share the Latin root aut-, meaning “to increase or grow”.)
-What are you harvesting this fall?
-Write about a time when you felt bountiful.
-Write about the bounty of your writing and/or creative life as it is right now.
-Write about what you’re most grateful for.
-Write about what you feel like you should be grateful for, but aren’t.
-Write about the gifts from summer. What came to fruition? What didn’t? What are you letting go of for fall?
-When do you feel the most authentic? Alone? With others? At work? In nature?
-What are your favorite autumn flavors?
-What was a ‘back to school’ ritual that you loved as a child? What rituals do you enact during fall as an adult?

 

 

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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