The Practice of Creativity

Archive for the ‘black women’ Category

January has started off well for my writing.

File this under the category: Believe in your work. As creators, I believe we have to pursue a variety of storytelling modes that are available to us. I’ve started to enter my published work into contests that help pitch the work and get it adapted for film and TV. Nussia, my novelette published in 2017 by Book Smugglers just made it to the quarter finals in the ScreenCraft Contest (Cinematic Short Story Competition)!

I love the cover that Book Smugglers had commissioned for Nussia.

They chose about 200 people from over 1,200 submissions. Here’s my logline: “In this sci-fi psychological dark/horror story, Lindsay, an African American girl “wins” an extraterrestrial in a national contest only to find her family’s life upended. It’s E.T. meets Fatal Attraction.” It’s set in NYC in the 1970s. Wouldn’t you want to see that story told? Please send me good vibes so that I advance to the next round. And, bookmark this contest for your future entries (they have contests for published and unpublished work, plays, etc.).

Screencraft Contests.

If interested, you can read Nussia for free here

I’m doing something I have never done before. I’m sharing a few paragraphs from my WIP for WITCHES, WARRIORS AND WISE WOMEN the Kickstarter funded anthology. The tentative title for my story is ‘Ditch Girl’ and is set in a post-apocalyptic world with a smidgen of urban fantasy. There are definitely witches in this story. This is a draft for your reading pleasure only.

BTW, we are 66% funded with only 3 days to go. I’d LOVE it if you would consider supporting this project and/or sharing the link. And, thanks to all of you who have already supported the project in various ways!

There are still VERY cool rewards and pledge levels available—help us fund this project and get some extra goodies for yourself. But hurry—the clock is ticking!

It will feature new fiction by me and Gail Martin, Paige Christie, Darin Kennedy, Alexandria Christian, Nicole Smith, JD Blackrose and many others.

Details here.

“Ditch Girl”

The cemetery never scared Welcome, even as a child.  Cutting through it to get home provided the quickest route and allowed unrivaled use of her imagination. She would make up stories about people, looking for the oldest headstones. Most days after school, before it got dark, she’d pick an interesting gravestone, settle in and strike up a conversation. She’d share things that didn’t sit right in her mind.

She might say, “Ana Sterling of 1950, if you were here, I’d show you around Thistleview. Not that there’s very much to see. In your day, I bet you use to go into that old city called Tulsa, not too far from here. It’s not there anymore now, Ana.”

Or, “One day the preacher’s wife slapped me for not wearing a slip. After service, she asked me to come in the back to talk to her and before I knew it she had her beefy hand on me.

The preacher’s wife said, “Welcome, can’t you see your breasts are falling out that dress? Do you want to end up like your mother?”

Mama never said I had to wear a slip, Ana. I don’t even have a slip. I stopped going to church after that. The preacher’s wife don’t bother me no more. She don’t even speak to me at all. She just looks right through me as if I’m some piece of old cobweb. Were slips big in your day, Ana? I bet they were. People had money back then from what I’ve read. They went places that needed slips.”

On this day Welcome made her way through the forested part of the cemetery, where the red cedars were thickest and some of the oldest headstones lay. She paused and sniffed, noticing the coolness in this part of the cemetery. She then heard words sung by a female voice:

My funny valentine
Sweet comic valentine
You make me smile with my heart

Goosebumps pebbled her pale skin and she hunched into her ragged coat. The phrases repeated and Welcome looked toward the nearest stand of trees. She darted behind one and then another thinking that she had been followed by some of her stupid classmates.

After a few minutes of frantic searching and finding no singers (she knew no one in town that sounded as good as that voice), with every vein straining in her face, she listened.

Another female voice rang out, this one heavier:

We’re trying to come throu…

Come to us!

The moment seared her like when she waited for the once a month afternoon train. Pricks of excitement and danger bit into her, making her hop from foot to foot. She couldn’t make herself stand still. Nothing she had heard so far in her life sounded as good as these voices. They made her feel as if her favorite butterscotch candies were melting on her tongue. No, it was as if she floated in warm butterscotch candy. She ran up and down the stretch of the cemetery. Welcome overturned rocks, peeked behind headstones, climbed a small tree and searched for the origin of those voices until she could barely see in front of her.

Exhausted, she remembered her responsibilities. Mama will wonder where dinner is.

“Please, whatever you are come to me,” she said at last, the frustration catching in her throat. On rest of the walk home as the sun sank, a feeling of utter sadness swept over Welcome. Maybe everyone in town is right. I’m going crazy, like Mama.

***

I hoped you enjoyed this snippet. I’m sure that my opening and entire story will go through several drafts before I’m happy with it and send it on. I look forward to working with Jason Graves, publisher of Prospective Press and editor of this anthology.

 

October has been designated Black Speculative Fiction month when we especially pay attention to Black creators of fantasy, horror, and sci-fi! Luckily, there is still time to share some of my favorite writers with you and provide links to some great lists being circulated. If you don’t get to check out these writers now, the holiday season will be upon us shortly, so consider putting them on your list for yourself or as a gifts for others.

 

 Nisi Shawl

When I was in graduate school and thought that I was the only Black person that loved and wanted to write science fiction, I luckily met Nisi Shawl who worked in a used bookstore in Ann Arbor, MI. She was the first person of color that I had serious conversations with about Black speculative fiction and ideas that would eventually would become known as ‘Afrofuturism’ many years later. This was probably more than 25 years ago. She was a mentor and friend and I have followed her career with great joy. If you don’t know her, you should. Her recent steampunk book Everfair received critical reviews. It re-imagines the Belgium Congo and asks what would have happened if African peoples had developed steam technology first. She is active in sci-fi circles and is a cultural critic. She also co-facilitates a workshop for writers called ‘Writing the Other’ which has become a standard for writers both in sci-fi and out for helping writers develop deeply diverse, human and grounded characters. Even though she moved away before I had come into my own as a writer, I owe Nisi Shawl a great debt for her vision and encouragement. Check her work out!

http://www.nisishawl.com/Everfair%20reviews.html

Nicole Givens Kurtz

Sisters of the Wild Sage is a wonderful collection of stories of the ‘weird west’ by Nicole Givens Kurtz. As I said in my review: “…it is dazzling, groundbreaking and compelling. We are privy to complex and memorable characters, mostly Black women and women of color and viscerally experience how they have to make a way out of no way and keep their dignity whole doing so. In several stories, Kurtz explores the challenges these women faced in a post-Reconstruction world that was sometimes indifferent, often hostile, and sometimes brimming with new possibilities. You’ll cheer and cry for them at every turn.”

Kurtz has turned me on to a whole new subgenre of speculative fiction! You can see the Author  Q&A I did with her in the summer here.

https://www.amazon.com/Sisters-Wild-Sage-Weste…/…/0999852248

Tananarive Due

I would be remiss if I didn’t mention the work of Tananarive Due (tah-nah-nah-REEVE-doo). She’s an author who has won an American Book Award, an NAACP Image award and a British Fantasy Award. She primarily writes horror and you can see her in a new fantastic documentary that she produced: Horror Noire: A History of Black Horror (available on Shudder and it is excellent). One of her most popular series is the African Immortals which begins with My Soul to Keep.

https://www.tananarivedue.com

Here’s a fantastic list put together by the Oakland Public Library! Enjoy!

I participated in Camp NaNoWriMo and loved it. I set a goal in July of writing 20,000 words on new WIP. I’ve been posting my daily progress on my Author FB page. My final count was 22,813! I love the challenge of doing a fast draft and breaking things down into a doable word count.

I am grinding hard working on my WIP and trying to find time to submit my work and read (and see) as much in the horror genre as I can. Whew! I decided to take a break today, have some fun and do some freewriting related to summer themes. I came up with some cool ten minute prompts. I thought you might enjoy taking a break from your normal writing schedule and give these a go.

These prompts can work while writing about yourself or a character:

–big hair/what do you do with your hair? (humidity during the summer can wreck just about any hairstyle)

I’m always looking for more ease with my hair during the summer. I got my hair done in ‘false locs’ (i.e. dreadlocks) a few days ago. The last time I got my hair braided or did anything besides what I usually do with it was more than a decade ago…and it would take 4-6 hours. Now there are lots of new techniques and I was in and out in 2 hours! This style will last about 5 weeks. You know one of the things I enjoy writing about is hair and its meaning in society. So, I engaged my stylist about cosmetology school, hair shows, the business of being a stylist and other good stuff that will probably one day end up in a story!

-the first time I ate a snow cone

-my first summer job (I handed out flyers on Christopher Street in the Village)

-when the lights went out

-the sexiest person in shorts

-your first summer crush

-a beach party gone wrong

-watching fireworks

-a fight at a backyard gathering over who makes the best BBQ

-a girl that gets lost at an amusement park

– a kid who wins a strange item from a seaside arcade

-the time you almost drowned

-a crush on your summer camp counselor

-a couple goes to see the summer blockbuster movie and when they emerge, the world has changed in some dramatic way

-who *is* the man that owns the ice cream truck?

Enjoy!

 

 

 

Nicole Givens Kurtz is a Renaissance person. She is an author, educator and publisher. I met her, several years ago, at my first local speculative fiction convention. She was warm, encouraging and knowledgeable about the changing face of publishing. She’s been a hybrid author since 1998.  At the time I didn’t know the profound impact she has had through her mentoring of other writers and being an advocate for diversifying the field of speculative fiction.

Kurtz is the published author of the futuristic thriller series, Cybil Lewis. Her short stories have appeared in over 40 anthologies and magazines of science fiction, fantasy, and horror. She is a member of The Science Fiction Writers of America (SFWA). Her novels have been finalists for the EPPIEs, Dream Realm, and Fresh Voices in Science Fiction awards. Her work has appeared in Sycorax’s Daughters, and in such anthologies as Baen’s Straight Outta Tombstone and Onyx Path’s V20: Vampire the Masquerade Anthology.

She founded Mocha Memoirs Press to provide more diversity in speculative fiction. She is an advocate for better and more diverse representation in speculative fiction and is a national speaker on these issues.

Nicole loves ‘weird westerns’ and has been publishing them for some time. She’s recently gathered them together in her dazzling new collection: Sisters of the Wild Sage: A Weird Western Collection.  I have not read widely in westerns or weird westerns, so I had no background in the genre when I read the collection. I immediately forgot this fact as I was pulled into the vividly described realities of Kurtz’s characters. These stories are mostly set in New Mexico around the 1900s, though some take place in the present or near future. Kurtz is a powerful storyteller, weaving in fascinating tidbits of history alongside powerful characters. These creative stories run the gamut of magical realism, horror and science fiction. I loved this collection and reviewed the work on Goodreads and Amazon.

Given that her new collection has just been published, I thought this would be a great time to catch up with Nicole. I’m so delighted to welcome Nicole Givens Kurtz to The Practice of Creativity.

Q: Tell us about your new book, Sisters of the Wild Sage? What’s in store for readers?

A: Sisters of the Wild Sage is a wild, untamed adventure into the American West that never was. It’s weird. It’s horrific. It will stick with the reader, long after they have completed the collection.

Q: This collection feels like it is reinventing the conventions and genre expectations of ‘weird westerns’ given its focus on the multifaceted lives of women of color characters, in particular. Is this accurate? What drew you to explore weird westerns?

A: The collection’s purpose is to share stories of those people who thrived and survived in the American West but didn’t get the same attention in traditional (and often inaccurate) westerns. Yes, it was intentional. I grew up watching westerns with my mother, so the genre is a part of my childhood, a part of me. My love of horror is why they’re weird. Additionally, so much of the Southwest for me, when I lived in New Mexico, felt otherworldly and foreign.  That comes through in the stories in collection.

Q: How did you come to writing? Did you always want to write or did you come to writing later in life?

A: I’ve been writing since I was a young child. Even when I couldn’t write out long stories, I would alternate endings to television shows in my mind. I remember being very young, no more than 6 or 7, playing with my dolls and crafting narratives based on what mom read to me that night or what I’d seen on cartoons.

Q: You manage to pack a lot into your day! You are a writer, educator and also run a publishing press. How do these different activities fuel your creativity?

A: All three feed into my ability to communicate ideas, both fictional and non-fiction. They require me to continue to look for different solutions to issues, both in story, and in real life, that fuels my creativity. They’re really three sides of a pyramid.

Q: If you could invite three authors (living or dead) to your next dinner party, who would they be and why?

A: If I could invite three authors to my next dinner party, I would invite Zora Neale Hurston, Sue Grafton, and Octavia Butler. Each of these women were stellar icons in their respective genres, and the opportunity to sit and listen, to soak up their wisdom and advice about the writing life would be life-altering for me.

Q: What’s your best writing tip that you’d like to share?

A: My best writing tip is to read as much as you can. It serves as a foundation for building your writing career.

Educator. Author. Mom. Nicole Givens Kurtz loves reading, writing, and anime. She enjoys reading works that promote women of color and futuristic settings. She also loves a good mystery. She started Mocha Memoirs to provide more diversity in speculative fiction. She’s also a scribbler of tales. She lives in Winston-Salem with her family. Learn more about her at Other World Pulp

 

 

I am so thrilled and honored to share this news—I recently sold my novelette “Doll Seed” to FIYAH: Magazine of Black Speculative Fiction. FIYAH is a quarterly, digital publication of fantasy, science fiction, and horror by Black writers. FIYAH emerged to nurture, support and amplify Black speculative fiction writers. They have done amazing work highlighting voices that have been ignored, for many years, by speculative fiction editors, agents, publishers. They won a World Fantasy Award last year and are up for a Hugo award this year. Their acceptance statement for the World Fantasy award is moving and articulates why their work is so important.

The fact that “Doll Seed” found a home with FIYAH is very meaningful to me. I’ve worked on this story for a long time.  It is a character driven story that intersects the world of dolls with civil rights Last year, I submitted another story to them which they didn’t accept, but they encouraged me to send them something else. I sent ‘Doll Seed’ in for their unthemed issue. The issue will be available on July 1. I’ll make sure to post a link here.

 

Hi folks,

A few weeks ago I announced that I am participating in Greensboro Bound, a new and amazing literary festival. The festival is May 16-19. All events are FREE, though for some workshops and talks you’ll need to get tix ahead of time including for Zadie Smith’s talk and the conversation between musicians Ani DiFranco and Rhiannon Giddens. The organizers have poured their hearts and souls into this schedule and have planned an incredible array of workshops, talks and panels across all genres that tackle subjects from climate change to yoga. There’s something here for every kind of writer. Take a look at the schedule here.

This is my lineup for Saturday, May 18. I’m psyched!

  • 10 am  The Real and the Unreal: Speculative Fiction  with Valerie Nieman, Michele Tracy Berger, and Jamey Bradbury.

Excited to meet Jamey. Thrilled to be on this panel with Val. She also has a new book coming out this summer which I can’t wait to read. To the Bones is an Appalachian horror/mystery/eco-thriller mashup. Doesn’t that sound cool?

  • 12:30 pm Writing as Intersectional Feminism. Feminist Conversation with Heidi Andrea Restrepo Rhodes, Michele Tracy Berger, and Cassie Kircher. Moderated by Jennifer Feather.

Wow! I live and breathe intersectional feminism as a women’s and gender studies professor and as a creative writer. I am really looking forward to this conversation.

  • 3:15 pm Afrofuturism with Michele Tracy Berger, Sheree Renee Thomas. Moderated by Gale Greenlee.

Sheree Renee Thomas is a writer, editor, publisher and pioneer in documenting Afrofuturism. I’ve admired her work for a long time, so I will try not to fangirl the entire time. I had the distinct pleasure of working with Gale (now Dr. Greenlee), a few years ago when she took my graduate class ‘Exploring Intersectionality: Theories, Methods and Practices of Social Change’. What a gift that she is moderating this discussion.

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

View Full Profile →

Follow me on Twitter

Follow Us

Follow Us

Follow Us

Follow The Practice of Creativity on WordPress.com
%d bloggers like this: