The Practice of Creativity

Posts Tagged ‘art

Mariah Wheeler has had the grand privilege of living, working, and playing, with artists for the last twenty-four years. She represents a life of “art at last,” having invented her own muse-inspired career later in life.

At age 58, Mariah opened the Joyful Jewel, a 300-square foot art gallery in the small, but vibrant town of Pittsboro, North Carolina where I reside. By the age of 61, Mariah had moved the Joyful Jewel to a 2,000-square-foot space, which currently sells the work of 170 local artists. The Joyful Jewel has become a destination to explore, marvel over and buy works of art.

Her deep passion for art and supporting artists has enriched the community. She believes that everyone has at least one creative gene, and that it is never too late to start developing it!

Over the past several years, Mariah has nurtured her own creative spark to write. Her new book Art at Last: It’s Never Too Late to Create has recently been published by Lystra Books. Reading Art at Last will convince you that “It’s never too late to create!” These inspiring memoirs are of thirteen artists who began their careers late in life and became successful.

I’m delighted to welcome Mariah Wheeler to The Practice of Creativity.

 

-Why did you write Art at Last? What’s in store for readers?

I started in my own art so late in life.  I found so much joy and pleasure in something that I never expected or thought about doing before it happened to me. I wondered who else had found this amazing quest at retirement age, too. As I began to ask people, I heard inspiring stories from people with diverse backgrounds and in a variety of media. To a person, when asked, what they are doing now that they never thought they would do, they said “Be an artist.”  I wanted to share the stories in hopes that members of the general population would be willing to take this challenge themselves.  I don’t expect many to strive for the level of perfection or dedication as those in the book Art at Last but know, without a doubt, that focusing on creative pursuits can greatly enrich anyone’s life.

-How did this project stretch you? What did you learn about yourself as an editor while working on this collection?

I learned that writing and publishing a book is not a short-term project. I found that I was perfectly capable of working on this anyway, until it was done!  It was a labor of love, yet one that surprised me in many ways. The biggest surprise was how many mistakes I could make, as even through ten or fifteen revisions, I still found things that needed to be changed! I really thought I was more careful than that – a bit of a letdown. Just getting the book in a format for publication had many challenges, from obvious things like making sure that the flow of the pages made sense, to unexpected troubles in getting the page numbers on the right edge of the page. I found that the time needed after writing the book was no longer than the time afterward in getting it ready for publication.

-Where does someone who wants to pursue an artistic path, but keeps hearing their inner critic tell them that they are “too old”, begin?

The only thing I really can say to the common problem of getting beyond the inner critic is just to do it anyway. Don’t let yourself think about what the product looks like at first, just keep doing something. Like they often say to writers, do your morning pages – these are not for publication, and the art is not for showing others or for sale – but they get you in the habit of creating. You WILL meet your Muse. When you set that critic aside, you may want to try several different media until one just grabs you and makes you pay attention to it.  That’s the one to keep doing.

-In Art at Last you declare that art can change the world. What can you share with us about the transformative power of art?

One of the biggest things that art can do is bring new ways of looking at problems.  This may change the world for the person creating the art, and when shared can affect the larger community. This happens even when we aren’t doing art, such as later in time, to answer problems or change the world. I have a hard time knowing how to explain it, but I think you get in touch with the Muse, the Divine, the Collective Unconscious, whatever word you use.  It’s a place that is outside of everyday consciousness, and once you have gone there, it’s easier the next time to get there. Maybe it’s like a dream that tells you about something you hadn’t yet seen in your life. I think of it as insight that comes at us sideways, as Rumi says, it enters from the window rather than the door.

-What’s your next creative project? What are you working on right now?

I have been doing research on another book.  I’m not sure the format, maybe historical fiction.  I want to write about the poet Ella Wheeler Wilcox (who I have always thought I was related to) who lived 1850 – 1919, and had a very interesting life.  She wrote “Poems of Passion” which created a bit of a stir in her time, was a New Thought pioneer, and was very very prolific.  Her best known poem begins “Laugh and the world laughs with you, weep and you weep alone . . . “

– What’s your best writing tip that you’d like to share?

Similar to my suggestion for other types of creative expression, just do it! There is no time like the present. You have nothing to lose and much to gain. This is true whether you do it just for yourself or in hopes of a larger audience. You may not know what you want to do with your writing, but you can still begin.

Mariah Wheeler has had the grand privilege of living, working, and playing, with artists for the last twenty-four years.  She represents a life of “art at last,” having invented her own muse-inspired career later in life.

She is the owner of the Joyful Jewel Gallery in Pittsboro, North Carolina. The Joyful Jewel is dedicated to bringing the spirit of creativity to all, artists and patrons alike.  They offer “local art, fresh from the heart” in a wide variety of media, styles, and prices, each creation made with care, skill and inspiration.

Mariah, along with poet Sheridan Bushnell, conceived of the idea of inviting writers to come to the gallery and write about art. Their idea developed into the much anticipated annual ‘Vision and Voice’ event where writers are asked to read what they wrote after their visit and the corresponding artists are asked to display their objects and say a few words about the art-making process.

Find out more about Mariah by visiting her at The Joyful Jewel. Pick up her book at the Joyful Jewel.

*She would prefer folks not get her book from Amazon because it isn’t the same quality, and it is also more expensive. She is more than happy to mail a book to anyone who asks for one and can call with credit card info. or would mail a check. The book is $28.50, with tax for NC $30.42 and mailing is $2.  She can be contacted via email or phone through The Joyful Jewel.

Today is the beginning of my fifth full day in Portobelo, Panama and I have fallen into a great writing rhythm. I’m awake by 7 and I usually do a little bit of exercise and meditation. I then settle into writing for an hour or two and then go downstairs and have breakfast made by Soledad, a wonderful cook.

After breakfast and a bit of socializing with some of the other guests, I then get some more writing done until lunch which is usually served by 12:30.

 

With great food like this served daily, I am having to up my exercise game.

It’s the rainy season here so if it looks sunny then we’re pretty spontaneous about taking a walk or heading over by boat to a beach.

This was on a hill overlooking Portobelo on a clear day.

 

I couldn’t get a great picture of this heron but I was fascinated by it as I watched it go about catching fish. This was taken on a little beach that we took a boat to get to.

It is rumored that the famous pirate and sea captain Sir Francis Drake is buried on that little island. He was a scourge to the Spanish.

 

I’ve never actually seen an ant cutting leaves in the wild, but they were on this beach!

Wandering around town is also an option, if it isn’t too hot.

Writing prompt: There is great public art all over the town. Make up a story about this figure on the wall. Who is he? What’s he up to?

 

Writing prompt: There is a tradition of ‘the Black Christ’ in Panama, especially Portobelo. What does this image provoke in you?

 

Writing prompt: What is this wall made of? How would you describe the texture? Why does this wall exist?

 

Writing prompt: Who owns this monkey? What has been the monkey’s life up until this day? Tell a story about how the monkey escapes.

After that, I usually take a break from writing and do some reading and research.

If I’m lucky, I’ll catch a quick nap in one of the hammocks!

Another writer here has lent me James Scott Bell’s Conflict and Suspense which is packed with great ideas about building up conflict in one’s work. He suggests to make sure the stakes are high for your main character and that they face either physical death, professional death (“something on the line here that will make or break the Lead in the area of her life’s work”) or psychological death. It’s great if your character faces more than one type of death, especially in a novel.

After dinner, I usually get another few hours of writing under my belt. I love staying up late and either listening to a writing podcast or doing a bit more reading.

Over the weekend, I’ll be tackling some of the harder projects that I brought with me that need a lot of attention.

More soon!

 

Greetings! I’m in Portobelo, Panama right now! I’m here as an artist in residence through Creative Currents Artist Collaborative. Creative Currents Artist Collaborative is an Atlanta-based, internationally focused arts organization whose mission is to widen and deepen public engagement with the arts and cultures of Africa and the Black Diaspora. I’m here with a university colleague of mine who helped to co-found CCAC. We’re collaborating on several projects related to Black Speculative Arts. When not working on that I’ll spend time on my own creative work.

I’ve written 5 tips on preparing and making the most out of a retreat/residency. As I said in that post:
“I’ve seen writers come back from a residency deflated because they had set unrealistic writing goals. Most folks are exhausted by the time they get to attend a writing residency. They’ve been juggling work, family responsibilities, community commitments, etc., often at a frenzied place. It can take a few days, during the residency, to decompress and reconnect to deep creative work. I’ve also known writers whose inner critics got the best of them and consequently didn’t get as much writing done. Or they got so intimidated by the other writers and instructors that they weren’t able to make enduring connections or contacts.”

I think the key for me is to let new rhythms unfold and to allow myself to be entranced by the sounds, smells and sights of Panama, a country which I have never visited before.

I’ve already fallen in love with the residence that I’m staying in.

 

There is art by local artists everywhere in the house.

 

I will have to find out more about this painting. It’s in my bedroom and I really like it!

 

Today, I am clearing the decks, doing some email, taking care of things and organizing my notes and materials that I brought with me. Unlike the residency I attended previously, this time, I am not taking any workshops. I can structure my days however I choose.

It’s fun and daunting to figure out which projects I want to work on while here. My challenge will be to not start too many new pieces but to finish some of the ones I came with.

I’ll be posting pictures and maybe prompts over the next several days.

I know that this hammock and I are going to get well acquainted over the next week! Good place for reading and incubating ideas.

Affirmations-366Days#347:  I grant myself permission to be an artist.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

Affirmations-366Days#306: I let my passion for pursuing a creative life show.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

Affirmations-366Days#247: As a creative artist, I cultivate the mindset of curiosity.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

Affirmations-366Days#218: I act as if I am already living my highest expression of a creative life.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

Affirmations-366Days#194: I embrace the term artist and all the possibilities it holds.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

Affirmations-366Days#113: Art, talent and beauty is everywhere. I refresh myself by studying lessons from other creative fields, besides writing.

For new readers, here’s why I’m committing to writing affirmations, about the creative process, during the next 366 days.

Affirmations-366 Days#5: My creative self knows the rants of my inner comparer, critic, and evaluator and helps me to show up anyway.

For new readers, here’s why I’m committing to writing affirmations during the next 366 days.


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

View Full Profile →

Follow me on Twitter

Follow Us

No Instagram images were found.

Follow Us

Follow Us

Follow The Practice of Creativity on WordPress.com