The Practice of Creativity

Posts Tagged ‘publishing

Got a speculative fiction lover on your holiday list? Consider this new anthology by Book Smugglers with my story in it!

Look at this awesome cover!!!

I was so exited to receive my complimentary copy of the NEW Awakenings Anthology from Book Smugglers. The six stories span the gamut of fantasy and science fiction and many have a young adult theme.

Last year, Book Smugglers solicited short stories about ‘awakenings’ of all types in the speculative fiction genre. I submitted my manuscript “Nussia…I Said Her Name Like Mine” to them on Dec 31, 2017 and found out in January that my story was chosen for publication.

Nussia debuted in July.

Here’s a description of the collected stories: An unlikely volunteer in a magical war. A young African American girl who “wins” a competition to host an extraterrestrial. A girl with ice in her heart, and another with an ancestor on her back. A cybernetic detective, and an Empress facing the first Choice of her life. Awakenings collects six short stories of different revelations, including:

  • “When the Letter Comes” by Sara Fox
  • “Nussia” by Michele Tracy Berger
  • “The Girl With The Frozen Heart” by Y.M. Pang
  • “Running” by Itoro Udofia
  • “Phantom Limb” by Reiko Scott
  • “Timshala” by Leah Cypess

I’m so honored to be with this group of writers and I’m loving everything I’m reading. Additional perks of the anthology include a brief ‘Inspirations and Influences’ essay and an author Q&A that follow each story.

(*click on small cover image above to purchase paperback)

*E-book: Awakenings

*links are to Amazon. I am an Amazon Associate. As an Amazon Associate I earn from qualifying purchases.

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A few weeks ago, I was a guest on the wonderful podcast Black and Read, hosted by Terry Brown. Each week Terry and his guest discuss a work of literature from the unique perspective of a person of color. I talked about my journey to publication, finding your writing mojo, finding a creative process (and sticking with it), and the state of speculative fiction. Plus, I did some old school reminiscing about how Star Wars, and the T.V. shows The Bionic Woman and Lost in Space (the original) shaped my early love of sci-fi. Terry was a great interviewer and the conversation flowed easily. I loved being on the show.

The episode was released this week and you can hear it here.

I’ve appeared on radio and television before, but I am relatively new to appearing as a guest on a podcast. Being featured on a podcast is a fantastic way that authors and creators can share insight into their work. I’m also a huge fan of podcasts, especially those devoted to writing. If a guest is compelling, I’ll look up their work and consider purchasing it.

In thinking about what makes a guest compelling and reviewing own recent performance, I have complied these tips:

-Come Prepared

This sounds obvious, I know. But I can’t tell you the countless times that I’ve listened to a podcast and it’s clear that the guest has never listened to the show and doesn’t know the format. Being prepared means a few things: listening to several episodes prior to appearing on the show and understanding the format of the show (i.e. does the host ask different questions each time or is there a familiar script? Are there special segments to the show?). Also, your preparation should include having your elevator pitch about your creative work ready to go along with some compelling vignettes that reveal your process as a writer, approach to storytelling, etc.

-Give Us the Energy!

You don’t always have control over when you will be interviewed. It may be scheduled during a time of day that’s not your ideal in terms of peak energy. So, if you know you are not a morning person and you are to appear at 8am, then by all means make sure you are well-rested, caffeinated and ready to sound your best. We need you to sound engaged, excited to be there and eager to connect with the host and listeners.

-Know Your Verbal Tics and Work On Them

In listening back to the podcast I used several verbal tics including, “I would say” and “I think”. Everyone has verbal tics, but we should try to minimize them during an interview. Role play with yourself and imagine the kinds of questions you might be asked. Record yourself and notice how you ad lib and may use verbal fillers, like “um”.

-Create an Ideal Environment

You want a quiet environment during the time that you are being recorded. This might mean putting the dogs or cats in another room with treats so that they don’t bother you, working out a schedule with roommates, a significant other, children, etc.

-Tell Us Where To Find You

If listeners get curious about your work, they are going to take a peek at your website and social media. Speak clearly and slowly when telling us where to find you online. I did just that but, I didn’t tell people how to spell my name, so they may find Michelle Burger instead of me. Luckily, in the show notes, the title and cover of my book (which has a funky spelling, so can be hard to find) is listed.

Do you have other tips about being a guest on a podcast? I’d love to hear!

 

In July I created a poll titled, “What Does Leveling Up in Your Writing Life Look Like?” I was prepping for my upcoming workshop and wanted to get a glimpse into what writers are struggling with in their creative lives.

There were 34 responses (thanks to all who participated!). Here are the top three:

#1: Making More Dedicated Time to Write

“Writers do not have a time problem. We have a priority problem. When you sit down in front of the television, you’re subconsciously saying, “I choose to do this instead of write.” Mur Lafferty

Claiming more time for our writing lives is an ongoing issue. Over the course of our writing lives, we will try many new routines and patterns to support our work.

In Saturday’s workshop, I’ll be drawing on some proven techniques from Rachel Aaron and Jake Bible for getting the most out of your writing time when you sit down to write (which will also help to boost your writing output) as well as creating more time to write.

Below are some tried and true ways to find more writing time.

-Schedule it in. Yes, time for your writing needs to be in your calendar.

Getting your writing projects to migrate from the bottom to the top of your to-do list is no easy feat. Ariel Gore makes this point in her witty book, How to Become a Famous Writer Before You’re Dead. She says that most of us believe that making time for creative work is selfish, so we put it at the end of our to-do lists:

“And then we kick ourselves because the novel isn’t written. We look down at our laps and blush when our writing teacher asks us if we got a chance to write this week. Of course we didn’t get a chance to write—it was the last thing on our list. We had a glass of wine with dinner. We got sleepy. I’m going to tell you something, and it’s something I want you to remember: No one ever does the last thing on their to-do list.”

I write every day. For me, writing every day keeps my momentum going. I typically do an hour of academic writing in the morning and an hour of creative work in the evening throughout the week. My academic writing is scheduled in my calendar. My creative work is scheduled in my calendar. It’s what keeps me sane.

If creating everyday doesn’t work for you, find consistent periods of time that do and then schedule them into your calendar. For many people consistency is more important than trying to write daily.

-Develop a better reward system. Over the long journey of creating, producing good work becomes its own reward. However, for those of us just starting to pursue a creative path, may need motivation and encouragement to keep saying yes to our projects. Reward systems can be big or small and can be connected to time and/or output. I keep an active rewards list for meeting writing goals (mostly for academic writing). About every few weeks, I’m checking that list to see what I have earned. The rewards list can keep me going through the really tough periods where writing doesn’t feel like it’s going well.

-Work in smaller blocks of time. Writers often pine for days of uninterrupted time, but as a coach, I’m often in the position of pointing out to clients that what time they have is not always used well. Creativity expert Susan Ariel Rainbow Kennedy (aka SARK) uses the concept of micromovements to break tasks into manageable segments of 5 seconds to 5 minutes. Very effective! She believes that creative people often assign themselves too big of a task. And, then when they don’t meet that often impossible task, their inner critics come leaping out to point out their lack of completion.

#2 Finishing More of My Writing Projects

In my writer’s group last week, we read and discussed Robert Heinlein’s famous writing rules. The second is “Finish what you start.”

I think it is easy to beat ourselves up about not finishing things. Instead, it is helpful to get curious about why you’re not finishing writing projects. There are questions we can ask when we have a big pile of unfinished manuscripts.

-Has the manuscript lost momentum? Am I bored?
-Can I simplify the structure of the story (or creative nonfiction piece)?
-Do I need an accountability buddy?
-Do I need to work more on my craft around middles and endings? (Nancy Kress’s wonderful Beginnings, Middles and Endings really helped me work on my endings.)
-Am I overly worried about rejection (which is interfering with finishing this piece)?
-What would I like to have completed between now and the end of the quarter?

I love using anthology calls and special themed issues as a way to get lingering manuscripts out of the door.

In the workshop I’ll be drawing on the insights of Chuck Wendig and Austin Kleon about how to finish what you start. And, of course we’ll be talking about NaNoWriMo and why it is such as a great catalyst for both starting and finishing a project.

#3-Developing (or improving) My Author Platform (e.g. using social media, blogging, etc.)

I’ve been thinking about this issue a lot. So much so, I have proposed a course in the spring through CCCC, tentatively titled: Savvy Social Media Strategies for Writers.

Creating an online presence and managing social media helps writers build relationships with other authors, fans and industry professionals. It also can generate leads, provide exposure and advance your professional goals and aspirations.

In the workshop we’ll take a deep dive into best practices for building and sustaining an author platform/online presence.

In the meantime, you might like this post about I wrote about growing your author’s platform over the course of your writing career.

Stay tuned for a spring 2019 date and more info!

LAST CALL:

Mary Robinette Kowal recently said that National Novel Writing Month (NaNoWriMo) allows writers to “chase their joy”. I love that expression! My workshop is about helping writers do just that in prep for NaNoWriMo. NaNoWriMo is an ignition starter for your writing, no matter what your goals or what you are writing (i.e. memoir, short stories, etc).

UPCOMING WORKSHOP: Saturday, October 27, 10am-3pm, Central Carolina Community College, Pittsboro

How to Level Up Your Writing Life
Do you want to write faster? Do you want to write better? These goals are not in contradiction with each other! This workshop will teach you some fun ways to “hack” your brain to support increased productivity, outwit pesky inner critics and unleash your inner storyteller.

This workshop will help both discovery writers (also known as “pantsers”) and writers that outline find new ways to approach their work.

How to Level Up is also geared for writers wanting to try National Novel Writing Month (NaNoWriMo). We’ll spend time talking about how to best prepare for NaNoWriMo and how you can produce a 50,000 word draft in a month.

We’ll spend time exploring new ways to combat what stops us from writing including: procrastination, perfectionism, imposter syndrome and feeling overwhelmed with creative ideas. We’ll explore how other successful writers have found ways to write faster and better including Austin Kleon, Chuck Wendig, Jake Bible and Rachel Aaron.
This workshop is about busting through our own self-imposed limiting beliefs about our writing life.

Writers of every level, genre, and background welcome.
And, of course, there will be door prizes!

Register here

 

Hi all,

As many of you know I serve as a Trustee on the Board of the North Carolina Writers’ Network. The North Carolina Writers’ Network connects, promotes, and serves the writers of this state. It supports writers at all stages of development. Recently, I was asked to contribute a short piece to our newsletter. I’m sharing it here as it gives you insight into how I found the Network and why I think that are a great place for writers, the importance of literary community and also about my participation in hosting our second “NaNoWriMo Meet and Greet” as well as a new “Shut Up and Write” session during the conference. So, I get to talk about two favorite things in the newsletter–National Novel Writing Month and the Network!

Not a member yet? Check out all the good stuff here.
Joining the Network really did change the trajectory of my writing life.

Not signed up yet for the amazing fall conference happening, Nov 2-4? You’ve got two weeks to go before pre-registration closes! Check out the fantastic line-up of workshops, classes, events and instructors here.

“North Carolina is known for three things, hogs, tobacco, and writers. Since you’re an aspiring writer, I assume you’ll know which community to connect with.” These words were spoken to me by my therapist at the time and I’m forever grateful for them. More than fifteen years ago, I moved to North Carolina and although I had a professional position I loved, other aspects of my life post-move remained challenging. My partner was having a difficult time finding fulfilling work and my creative writing goals had stagnated.  Despite my therapist’s blunt (and a bit exaggerated take on North Carolina’s reputation), I got the point. In this new place, I needed to take action, find like-minded writing folk and investigate North Carolina’s impressive literary history. An aspiring poet, too, my therapist was the first person that told me about the Network and its two annual conferences.

At that time in my life, I was writing metaphorically in the basement. I read lots of craft books, yes. But, I didn’t know any other writers, wasn’t in a writer’s group and so therefore never received productive feedback. I kept rewriting hundreds of pages over and over and was assailed by devious “inner critics”. I was in a kind of literary quicksand. Like many writers, I thought I could (and should) do it all alone.

It took me a few more years to muster up the confidence to attend a Network conference. If you’ve ever been to a NCWN conference you know how dynamic and exciting it is. What energy! What excitement! I felt welcomed. I felt like I belonged. I felt like I had found people I could discuss the joys and challenges of the writing life. No one is an outsider when attending a NCWN conference.

I wasn’t in the basement anymore.

The years have flown by since that first conference. I kept attending them and deepened my craft knowledge, met terrific writers and made friends.  I got to know my wonderful regional rep for Chatham County—Al Manning and also started to attend local writing events. My world is so different now! I’m a trustee deeply committed to the mission of the organization. I now get to welcome members into this literary community.

Given my past of having to battle long periods of creative self-doubt, I’m really passionate about strategies to circumvent inner critics. One of the most fun ways to do that is to participate in National Novel Writing Month (NaNoWriMo).

You’ve probably heard the buzz about it. November is National Novel Writing Month. Amateur and professional writers sign up to write 50,000 words, a short novel, during the month. That is roughly 1,667 words a day. And, yes the draft’s supposed to be rough, need work, and a beautiful mess that yields something amazing later.

NaNoWriMo is for fresh, wild, and fast writing. And, you don’t have to be an aspiring novelist to participate—writers adapt NaNoWriMo for their own needs. NaNoWriMo gets people writing more words than they normally would in a month.

There are many success stories of writers who carefully revised their NaNoWriMo drafts and have made sales of novels (including the bestselling Water for Elephants by Sara Gruen, The Night Circus by Erin Morgenstern, and The Darwin Elevator by Jason Hough), short-story collections, and other kinds of publications.

But publishing is not the overall point of NaNoWriMo. It is about getting started. It’s about getting some words—any words down that then can turn into good words later.

I’m hosting a NaNoWriMo Meet and Greet on Friday night after the plenary. We’ll gather and talk about goals over wine and refreshments. If you’ve ever been curious about NaNoWriMo, come to this event.

Given the pace of the conference and the lively workshops, plenaries and networking opportunities, most of us don’t get a lot of writing done when attending.  In recognition of this fact, we’re trying out a new session during the conference: Shut up and Write. Shut and Write will offer conference participants a quiet space for writing.

I hope I’ll see you at one or both of these events. And, you can tell me your story about how you found the Network.

 

I love it when my own assumptions about how to get a book published are upended! I met Charles Oldham this spring in my Charting Your Path to Publication workshop. In that workshop, I stress that there is no one path to publication, but we can follow and replicate the strategies of accomplished writers. The most important thing is to finish and submit our work. I like to think of getting published as knocking on a series of doors as opposed to hitting a bullseye.

Understanding the nuances in publishing is akin to being very curious and being willing to knock on a wide array of doors.

As we went around the room and introduced ourselves, Charles said he had a book coming out. Of course, we were very excited. What was even more intriguing was that his story was atypical for getting a nonfiction book published and even more heartening, the path was pretty straight forward.

We were also enthralled with the subject matter of Charles’s first book, The Senator’s Son: The Shocking Disappearance, The Celebrated Trial, and The Mystery That Remains a Century Later. He’s written a true crime nonfiction book exploring a 100+ year old North Carolina unsolved mystery that resulted in of one the biggest trials in the state’s history.

For Charles, The Senator’s Son is his first published book, but it is the product of several lifelong passions.

Early on, Charles had a special interest in history and politics, most especially that of North Carolina, where his family roots go back more than two centuries. He also has a keen eye for mysteries, for searching out the details of a story that needs to be explored. It is a talent that led him to become an attorney.

Charles graduated from Davidson College, and from law school at the University of Georgia. He practiced law for many years in Sanford, North Carolina.

He now lives in Charlotte, where for ten years he had a solo legal practice focused on criminal defense and civil litigation.

I knew that as a first time author Charles would be an inspiration to many. I’m delighted that Charles Oldham joins us here on The Practice of Creativity.

Why did you write The Senator’s Son? What is in store for readers?

I first became interested in Kenneth Beasley’s story about thirty years ago. I was about thirteen years old, and I read a brief account of the case in a book that was published in the 1950s. It was only a twenty-page synopsis, and it was just enough to scratch the surface. Even as a middle-schooler, I could see there had to be more to the story, and I thought someone really needed to dig deeper, to research the history completely, and write the definitive account of what happened to Kenneth and why. That is what I have attempted to do with this book. I have definitely done the research, and while I cannot say that I have solved the mystery beyond ALL doubt, I have presented a solid theory that anyone has come up with so far.

Did you always want to write, or did it manifest later in life?

My impression is that I am like a lot of attorneys. We really want to be writers, but have a hard time making it happen. We love interesting people and stories, and think it would be wonderful to create literature based on our experiences. But then we get caught up in the workaday world of billable hours and court calendars. For a long while, I didn’t think I would ever have the time to write a book. But I really wanted to do it, and eventually I just had to make a commitment: that I would take as many weekends and holidays as was necessary to research this story and write it.

What was the most interesting tidbit that you came across while researching?

I found some fascinating details in very unexpected places. It is surprising what can be revealed in some of the most mundane government documents, many of which are now easily accessible with tools like Ancestry.com. For example, in old court records, I found lists of jurors who served on trials back in the 1870s. I compared their names with Census records, and discovered that the jurors had family connections with the defendant on trial. Even something as simple as a military draft registration card can reveal secrets you might not find otherwise: where people live, their jobs, and whom they live with.

 

How did you find your publisher? What did you know about publishing before submitting to Beach Glass Books?

At first, I was not familiar at all with the nuts-and-bolts of finding prospective publishers and making submissions. I knew that, since I was a completely new author, I needed to make a good impression by being prepared. That is why I completed a draft manuscript before making any submissions, which I’m sure is not essential, but may have lent me some credibility. Then I sent query letters to a list of publishers whom I knew were interested in local history, especially that of Eastern North Carolina. Fortunately, one of them was Ray McAllister of Beach Glass Books, who immediately recognized the potential in this story, and was willing to shepherd me through the process.

What are you reading now? What is on your nightstand?

Most recently, I’ve been focused on works that have broadened my knowledge of my own subject matter, which is to say North Carolina history and politics. I’ve always been a fan of Bland Simpson, with his expertise about the Tidewater region. Also, historians like Timothy Tyson and David Cecelski have added so much to our understanding of politics in the 1890s and early 1900s. At the moment, I’m enjoying Dromgoole, Twice Murdered, by E.T. Malone. It is a book which, like my own, delves into one of North Carolina’s historical mysteries to separate fact from legend.

What is the best writing tip you would like to share?

For anyone thinking of starting on the road to writing a book, I would urge them to choose a topic for which they have a sincere passion. That might sound very basic, but I don’t think it is. I suspect a lot of people underestimate the difficulty of completing a book. If you are not working on a story that you sincerely want to tell, and care about getting right, then the stumbling blocks that you inevitably encounter can turn into excuses to quit.

Blurb for The Senator’s Son: On Monday, February 13, 1905, eight-year-old Kenneth Beasley walked to the back of his school’s playground and into the melting snow of the woods beyond. The son of a North Carolina state senator was never seen again. A year and a half later, a political rival was charged in what became one of North Carolina’s biggest trials ever, receiving coverage up and down the East Coast. The eventual verdict and stunning aftermath would rip apart two families and shock a state … yet leave a mystery unsolved. Now Charles Oldham, attorney and author, has reopened the case, along the way investigating not only it but the state’s political, racial, lynching and liquor cultures. The result is an absorbing must read story.

The Senator’s Son is Charles Oldham’s first book. Charles was born and raised in Sanford, North Carolina, the son of a community college professor and a math teacher. His parents instilled in him a natural curiosity and a love for reading. Early on, Charles had a special interest in history and politics, most especially that of North Carolina, where his family roots go back more than two centuries. He also has a keen eye for mysteries, for searching out the details of a story that needs to be explored. It is a talent that led him to become an attorney.

Charles graduated from Davidson College, and from law school at the University of Georgia. Afterward he practiced law in Sanford for a time, including a term as president of the Lee County Bar Association. He now lives in Charlotte, where for ten years he had a solo legal practice focused on criminal defense and civil litigation.

In his spare time, he can be found doing just about anything outdoors, especially hiking and camping. Charles also loves spending time with his family in the summer at their favorite vacation spots, including Ocean Isle Beach and Lake Junaluska in the mountains.

You can pre-order his book beginning Sept 18. Find out more details at his publisher’s website.

 

 

Georgann Eubanks is a true Renaissance person. She is the author of the Literary Trails series commissioned by the North Carolina Arts Council and published by UNC Press. She is a writer, teacher, and consultant with more than 30 years of experience in the nonprofit sector.

I met Georgann many moons ago through my writing teacher, Marjorie Hudson. Georgann is welcoming and super supportive of new and emerging writers. Indeed, she has been nurturing writers all over the state. Eubanks has taught creative writing as a guest artist in public schools and prisons, at UNC-Chapel Hill, and served as the writing coach for the William C. Friday Fellows for 17 years. Eubanks also served for 20 years as Director of the Duke University Writers’ Workshop, a summer writing program for adults.

Today she directs the Table Rock Writers Workshop, held annually in Little Switzerland, NC. Eubanks has published short stories, poems, reviews, and profiles in many magazines and journals including Oxford American, Bellingham Review, Southern Review, Boston Globe Sunday Magazine, and North American Review.

I’ve been interested in the creative life Georgann has cultivated and have wanted to feature her here for some time. As soon as I found out about the topic of Geogann’s new book, The Month of Their Ripening: North Carolina Heritage Foods through the Year, I asked for an interview. Food is serious business in the South. Food as a theme knits together culture, community, economics, and tradition. And, as someone who has lived here for more than fifteen years, I have become a student of the wonderful food traditions that mark this state. There’s so much to learn! Gardeners, foodies, historians and everyone in between will enjoy this book. The Month of Their Ripening is a real contribution to the history and culture of North Carolina.

I am delighted to welcome Georgann Eubanks to The Practice of Creativity.

Why did you write The Month of Their Ripening? What’s in store for readers?

Photographer Donna Campbell and I had so much fun working on the Literary Trails Series for the NC Arts Council and UNC Press (three books that took 10 years to complete), we realized we had developed an essential habit of travel and sleuthing out stories across the state. We wanted more! Around the same time, the fig tree that I had planted in 2006 in the side yard of my Carrboro condo had begun to produce prodigious fruit. Season after season I kept thinking I wanted to write about the mysteries of fresh figs—an edible memory for me from my youth. I started trying to list other foods as fragile and delicious as fresh figs, and soon Donna and I had a plan to eat our way across North Carolina, collecting stories from growers and fishmongers, chefs and scientists who knew about the twelve foods I ended up picking for the new book.

What’s in store for readers are twelve chapters that you can read totally out of order. Some themes do arise as the book moves through the year from January to December, but you can pick up the story in whatever month it might be when you start reading or begin with a food you are curious about. The chapters unfold just as the stories did for me in my research, including both the history of a particular food and the people who bring it to market. It is a culinary journey which I hope is a fun read.

The foods selected are a bit uncommon in that they are so perishable and not always in the grocery store—foods such as soft-shell crab, persimmons, wild ramps that grow only in the mountains, shad which only swim up our rivers from the ocean in early spring, and scuppernongs which are North Carolina’s official state fruit. The first chapter is about snow, which you definitely can’t buy in a grocery, and which, when it falls, usually makes us all a little crazy in North Carolina. Making snow cream is a highly variable practice among Tar Heels, and the farther east you go in the state, the more excited the consumers get about their recipes because of the rarity of the prime ingredient.

What’s your process like when you work on a book?

I take copious notes as I do my research, and one thing usually leads to another. This book involves a good bit of library research ahead of our travels to meet the experts. Understand: I am a happy eater, but I not trained in agriculture or food science or the culinary arts, or even as a historian, so I mostly brought my ignorance and curiosity to this book and set out to learn as much as I could from the long history and literature on these foods. Then I began my original research by meeting a range of contemporary growers, nursery owners, dairy goat farmers, fishermen and fishmongers, and foragers. In the case of oysters—the last chapter—I studied a bit about aquaculture, since North Carolina is developing a nascent industry in oyster cultivation. I learned so much! I tried to think of my readers all the way along, anticipating questions and trying to convey the sights, textures, tastes, and fabulous array of North Carolina accents I heard in our travels. I hope people will be curious enough to visit some of the locations we visited across the state.  And the next time they bite into a slice of cantaloupe or an heirloom apple, they might do so with a bit more appreciation for what they are eating and how it figures in our collective history as North Carolinians.

What was the most interesting tidbit that you came across while researching North Carolina’s heritage foods?

Several themes emerged from the avalanche of interesting tidbits.  One is that according to the food sellers I interviewed, contemporary food shoppers and restaurant goers always tend think that bigger is better. They want the biggest soft-shell crab, the heaviest cantaloupe, the fattest scuppernongs.  But the truth is, bigger is not always better. As the octogenarian Miss Clara Brickhouse told me as she lifted up a plastic container of her best bronze scuppernongs from Columbia, NC, “A quart is a quart, honey.  And the smaller ones is sweeter.”

You manage to pack a lot into your day! You produce documentaries, consult, blog and teach workshops. How do these different activities fuel your creativity?

Some activities pay the bills and thus help free up time for the creative projects that don’t pay for themselves. But in the end, all my work involves the same activities. I am always listening, paying attention to what’s going on around me, recording other people’s words, and trying to recreate an experience–either on the page or in video–for others to read or watch and thus share in the story. My fundamental goal, no matter what the activity, is to show rather than tell—not to over-analyze or judge but to move toward a greater understanding and compassion for who we are as humans and how we can be motivated to improve what needs improving and preserve and protect what is most precious around us.

What’s your next writing project? What are you working on right now?

I am always working on new ideas and making research trips for my blog, foodpilgrim.tumblr.com, which is great fun and a way to extend the research and food sampling we did on The Month of Their Ripening. Donna Campbell is the lead on a commissioned documentary about the late Kenneth Paul Block, who was arguably the most important fashion illustrator of the 20th century—a fascinating story we are gathering together. I am involved in planning a range of activities in 2019 in eastern NC, associated with the 25th anniversary of Pocosin Arts School of Fine Craft, where I serve on the board of directors. I am helping to launch a new leadership program for innovative young North Carolinians through the Z. Smith Reynolds Foundation. As for the next book, I have several ideas, but I’m not quite ready to say what might rise to the top. I am mostly seeking more opportunities to speak about The Month of Their Ripening because I really enjoy discussing this work in different contexts, and this book is a natural for gardening groups, food lovers, environmental organizations, in addition to the usual book groups, book stores, and libraries.

What’s your best writing tip that you’d like to share?

Like many writers, I was drawn to the practice and the craft of writing out of a need to tell my own story and try to make sense of it—at first in fiction, later in poetry, and then I discovered non-fiction and the power of real stories that are not my own. In the last 20 years, I have learned more about myself by listening to others. So if you are a writer reading this blog and you are feeling very stuck in your own material, or very afraid of your own material, consider using your curiosity to write what you don’t know. Pick a topic that you are curious about and see what you can learn from someone else and try to make that person and their circumstances come alive on the page. It’s good practice. And practice is what we all must do, all the time. No writer ever arrives.

Georgann Eubanks is a writer, teacher, and consultant with more than 30 years of experience in the nonprofit sector. Since 2000 she has been a principal with Donna Campbell in Minnow Media, LLC, an Emmy-winning multimedia production company that primarily creates independent documentaries for public television.

A graduate of Duke University, Eubanks is also a former president of Arts North Carolina, a former chair of the NC Humanities Council, and is one of the founders of the North Carolina Writers Network. She is the current president of the North Carolina Literary and Historical Association and serves on the board of Pocosin Arts in Columbia, NC. Her current book, The Month of Their Ripening: North Carolina Heritage Foods through the Year, was just released by UNC Press.

Go visit her:

WEBSITE: georganneubanks.net

BLOG: foodpilgrim.tumblr.com

WORKSHOPS: minnowschool.com

 

Confession time. I have a bad writing habit. Actually, it’s really more of a bad organizing habit that impacts my writing. I tend to write things down in multiple places. Every few months, I start off with a journal of some size and vow to write everything of importance in one place—that journal. After a few weeks of trying, I am back to scribbling ideas on sticky pads, legal pads, index cards, slips of paper, the back of my checks, receipts, etc. I forget to carry my journal, or I discover it’s uncomfortable to carry in my purse. You get the idea. I’m quickly demoralized by the array of unorganized paper that gathers. At times I’ll have so many unrelated sticky pad notes wadded together it will seem as if they wandered off, had some fun, and produced sticky pad offspring. Overall, this lack of having my notes organized creates a lot of wasted time, energy and clutter.

I often listen to author Mur Lafferty’s podcast, I Should Be Writing. Recently, she talked about the value of tackling one bad writing habit at a time. She said it is too hard to fix multiple issues in one’s writing all at the same. Makes sense. And, this insight is applicable to anything that impedes one’s writing.

I’m a fan of digital organizers like Evernote and I do take notes on my phone. But, I am a paper gal through and through. I wanted to find a solution to my inability to keep all my ideas/thoughts/musings in one place.

One of my dear friends has been using and raving about the Bullet Journal, a popular tracking and organizing system, for years. She uses it for everything and continually encourages me to try it. I have resisted. I felt like I would start with the best of intentions and then stop using it in a month b/c I have multiple projects that I like to keep kind of separate (academic and creative). She disagreed with me, but let it go.

In late June, I came across this article from blogger and author, Chrys Fey. She uses the bullet journal to support her writing career. Instead of using it as a main to-do list, Chrys shared:

“For my bullet journal on the other hand, I like to keep track of all the things I do (from my to-do list) for my writing career, from writing and editing to publishing and marketing. I love this because it’s a log I can come back to if I need to know when I completed a specific task. It’s also great proof that writing is my full-time career, if that should ever be questioned, lol. And, it’s nice to see all that I accomplish.”

Her post gave me the idea to use the bullet journal in a similar way—just to support my writing. As writers, we dream about success, but rarely in those dreams do we visualize ourselves working in different ways. It’s a lot less glamorous to envision new organizing systems as part of our success. The reality though is that my writing career is expanding and I need different structures to keep connected to its various components (e.g. submission opportunities, speaking gigs, scheduling readings, upcoming workshops, writing blog posts, author newsletters, fictional works, etc.).

Using the bullet journal just for my writing felt interesting and doable.

As many people do, I decided to adapt the bullet journal system to meet my needs. I took an existing journal (one I can carry around everywhere) and watched this video on the basics on how to set up a bullet journal.

This journal had little writing in it, so it became a perfect candidate for its transformation into a bullet journal.

The result has been fabulous. I feel more organized and my space is less cluttered.

I occasionally write an idea down on sticky pad, but usually in a day or two, the idea is transferred to the journal. I am really enjoying using this system.

The August log

I highly recommend Chrys’s post for more information on how to use a bullet journal for your writing.

What’s a bad writing habit that you’re wanting to change? I’d love to know.

Photo credit (top picture)


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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