The Practice of Creativity

Archive for the ‘people of color’ Category

I’m super excited and honored that Reenu-You was reviewed in this recent issue of the North Carolina Literary Review!

The NCLR bills itself as a “cross between a scholarly journal and a literary magazine” and is published online annually by East Carolina University and by the North Carolina Literary and Historical Association. The print edition appears in the summer. The NCLR “publishes poetry, fiction, and nonfiction by and interviews with North Carolina writers and articles and essays about North Carolina writers and the rich literary history and culture of the Old North State.” My review is right next to a review of Jason Mott’s recent novel, The Crossing, under the heading, ‘The Structure of Hope in Speculative (and War) Fiction’! This issue also has a special focus on North Carolina African American Literature.

Check out this gorgeous issue here.

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Got a speculative fiction lover on your holiday list? Consider this new anthology by Book Smugglers with my story in it!

Look at this awesome cover!!!

I was so exited to receive my complimentary copy of the NEW Awakenings Anthology from Book Smugglers. The six stories span the gamut of fantasy and science fiction and many have a young adult theme.

Last year, Book Smugglers solicited short stories about ‘awakenings’ of all types in the speculative fiction genre. I submitted my manuscript “Nussia…I Said Her Name Like Mine” to them on Dec 31, 2017 and found out in January that my story was chosen for publication.

Nussia debuted in July.

Here’s a description of the collected stories: An unlikely volunteer in a magical war. A young African American girl who “wins” a competition to host an extraterrestrial. A girl with ice in her heart, and another with an ancestor on her back. A cybernetic detective, and an Empress facing the first Choice of her life. Awakenings collects six short stories of different revelations, including:

  • “When the Letter Comes” by Sara Fox
  • “Nussia” by Michele Tracy Berger
  • “The Girl With The Frozen Heart” by Y.M. Pang
  • “Running” by Itoro Udofia
  • “Phantom Limb” by Reiko Scott
  • “Timshala” by Leah Cypess

I’m so honored to be with this group of writers and I’m loving everything I’m reading. Additional perks of the anthology include a brief ‘Inspirations and Influences’ essay and an author Q&A that follow each story.

(*click on small cover image above to purchase paperback)

*E-book: Awakenings

*links are to Amazon. I am an Amazon Associate. As an Amazon Associate I earn from qualifying purchases.

A few weeks ago, I was a guest on the wonderful podcast Black and Read, hosted by Terry Brown. Each week Terry and his guest discuss a work of literature from the unique perspective of a person of color. I talked about my journey to publication, finding your writing mojo, finding a creative process (and sticking with it), and the state of speculative fiction. Plus, I did some old school reminiscing about how Star Wars, and the T.V. shows The Bionic Woman and Lost in Space (the original) shaped my early love of sci-fi. Terry was a great interviewer and the conversation flowed easily. I loved being on the show.

The episode was released this week and you can hear it here.

I’ve appeared on radio and television before, but I am relatively new to appearing as a guest on a podcast. Being featured on a podcast is a fantastic way that authors and creators can share insight into their work. I’m also a huge fan of podcasts, especially those devoted to writing. If a guest is compelling, I’ll look up their work and consider purchasing it.

In thinking about what makes a guest compelling and reviewing own recent performance, I have complied these tips:

-Come Prepared

This sounds obvious, I know. But I can’t tell you the countless times that I’ve listened to a podcast and it’s clear that the guest has never listened to the show and doesn’t know the format. Being prepared means a few things: listening to several episodes prior to appearing on the show and understanding the format of the show (i.e. does the host ask different questions each time or is there a familiar script? Are there special segments to the show?). Also, your preparation should include having your elevator pitch about your creative work ready to go along with some compelling vignettes that reveal your process as a writer, approach to storytelling, etc.

-Give Us the Energy!

You don’t always have control over when you will be interviewed. It may be scheduled during a time of day that’s not your ideal in terms of peak energy. So, if you know you are not a morning person and you are to appear at 8am, then by all means make sure you are well-rested, caffeinated and ready to sound your best. We need you to sound engaged, excited to be there and eager to connect with the host and listeners.

-Know Your Verbal Tics and Work On Them

In listening back to the podcast I used several verbal tics including, “I would say” and “I think”. Everyone has verbal tics, but we should try to minimize them during an interview. Role play with yourself and imagine the kinds of questions you might be asked. Record yourself and notice how you ad lib and may use verbal fillers, like “um”.

-Create an Ideal Environment

You want a quiet environment during the time that you are being recorded. This might mean putting the dogs or cats in another room with treats so that they don’t bother you, working out a schedule with roommates, a significant other, children, etc.

-Tell Us Where To Find You

If listeners get curious about your work, they are going to take a peek at your website and social media. Speak clearly and slowly when telling us where to find you online. I did just that but, I didn’t tell people how to spell my name, so they may find Michelle Burger instead of me. Luckily, in the show notes, the title and cover of my book (which has a funky spelling, so can be hard to find) is listed.

Do you have other tips about being a guest on a podcast? I’d love to hear!

 

The literary community has lost a brilliant playwright, poet and visionary–Ntozoke Shange has died. I am quite sad.

I discovered her work in college and was transfixed by it.

Two of my favorite novels of hers include Sassafras, Cypress and Indigo, a novel about three African American women who are sisters and their path of creative self-discovery and Betsey Brown, a historical novel that chronicles what desegregation was like for an African American girl in the 7th grade in St. Louis, Missouri.

Shange wrote poetry, plays, children’s books, and novels, leaving us a rich corpus of work.

I took a workshop with her in my early 20s that was truly transformative and gave me courage and inspiration that I drew on decades later. Her work influenced a whole generation of women of color creatives. She will be missed.

Read more about her here.

Hi Creative Peeps,

I’m so happy to share this wonderful news and hope that you will help me spread the word. I am a Trustee on the Board of the North Carolina Writers Network and I was thrilled to have played a role in getting our newest literary prize, the Jacobs/Jones African-American Literary Prize, off the ground. We are launching a new annual contest to honor the best in short prose by African-American writers in North Carolina!

Historical marker for Harriet Jacobs, one of the amazing writers this award is named after.

This new literary prize will be administered by the Creative Writing Program at UNC-Chapel Hill. Many people helped make this a reality including writing faculty at UNC-Chapel Hill Daniel Wallace and Randall Kenan. North Carolina Poet Laureate, Jacki Shelton Green also played a pivotal role.

North Carolina native, writer and UNC-Chapel Hill alum, Cedric Brown developed this amazing idea, so all credit begins there.

The winner receives $1,000 and possible publication in The Carolina Quarterly. Submissions open November 1.

This link takes you to the announcement and all the important details, including eligibility criteria, information about the name of the prize and the judge. If you fit the criteria, please consider submitting. If not, please help spread the word in your writing communities.

 

Whew, last week was busy, productive and full of surprises.

-The Locus Science Fiction Foundation recently handed out their year’s best awards and guess what??? Luminescent Threads: Connections to Octavia Butler won for best nonfiction!!! This wonderful book was edited by Alexandra Pierce and Mimi Mondal. Mimi was actually at the ceremony and didn’t expect to win and thus didn’t have an acceptance speech prepared, lol. I know, however, that she was thrilled. I’m so proud that my essay is in this collection. All nominees and winners can be found here.

-I started a story two years ago in a wonderful speculative fiction workshop run by Samantha Bryant. The story takes place in the 1930s and involves the writer, folklorist and anthropologist Zora Neale Hurston and a young woman named Etta who dances at the famous Cotton Club in Harlem.

Zora Neale Hurston

They get up to all kinds of trouble when Zora asks Etta to to help conjure up a spirit and dance for it. I am generally fascinated by the time period of the 1920s-1940s and have always been interested in the Cotton Club as my maternal grandmother danced there for a brief period.  In the story, I get to explore the race, class and gender dynamics of the day as the Cotton Club practiced segregation (only white patrons were seated) and colorism (i.e. African American female dancers that were hired were typically “light-skinned” or with a “cafe au lait” complexion).

Several Cotton Club dancers

The Apollo Dancers at the Cotton Club Revue in 1938. still from BEEN RICH ALL MY LIFE, a film by Heather MacDonald

I worked on this story off and on for the past two years but got determined to finish it when I saw a call for an anthology that I thought would make a perfect fit for it. As I tend to write long works, I’m proud of myself that I completed a 5,000 story on Saturday and got it submitted (minutes before the deadline!). And, even if it gets rejected from the anthology, I can submit it elsewhere.

-My novelette Nussia was released last week! What goes into writing a sci-fi horror story like Nussia? In this brief “Inspirations and Influences” essay, I talk about the influences of everything from incisive comedy by African American comedians to the horror movies of the 1980s.

You can read Nussia for free on the Book Smugglers website.

It’s also available as an e-book from all major online retailers and includes a very cool interview with me.  If you pick it up from Amazon, please consider using my link below. I am an Amazon Associate. As an Amazon Associate I earn from qualifying purchases.

 

Book Smugglers just released the cover for Nussia!

Woo-hoo! I feel very lucky that Book Smugglers has a practice of inviting their authors to give feedback on the covers. They don’t have to do that and many presses don’t. Like with the Reenu-You cover, I gave them some suggestions which they relayed to the artist.

We all went back and forth, trading ideas. This is the one of many pleasures in working with a small press. They work with superb visual artists and build in time for these kinds of conversations. I also trust Book Smugglers to know what kinds of covers sells books and engages readers.

I absolutely love the Nussia cover and enjoyed the collaborative process it took to produce it.

BTW: pre-orders are also up, too!

Smashwords

Amazon

Amazon UK

Barnes and Noble

Kobo


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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