Posts Tagged ‘African American women’
It was a busy weekend! My first stop was at High Point University. I was invited by the English Club to give a craft talk and also discuss the political and structural interests that led me to speculative fiction and Afrofuturism, in particular.
The thing is, I had never given a ‘craft talk’ before! I’ve given lots of academic talks, of course, and have also done several readings of Reenu-You, but never a craft talk. What goes into a craft talk? I found out that a craft talk is just what it sounds like—a writer talking about techniques and processes of writing.
I knew that the English Club would be marketing my visit for a broad audience, so I needed to keep in mind that not everyone would want to hear specific details about writing craft. I spent the last few weeks working on my craft talk.
In the end, I decided to focus the first half of the talk on the speculative media influences on my childhood and young adult years (e.g. the television show, Lost in Space, the Bionic Woman and the film Star Wars). I then talked about my desire to connect to characters in speculative fiction and media with backgrounds that were similar to mine or connected to African American history and for a LONG time how hard that was. By college I was trying to “write myself” into the text and I spent time talking about how during college I discovered both the African American literary canon and feminist speculative fiction! Toward the end of the talk, I then discussed more ‘crafty’ things like how much I love first person narration and why I chose to use two first person narrators in Reenu-You. The audience was composed of students, faculty and parents (it was family weekend!) and they were warm and asked great questions.
I’m so grateful to the students and faculty that brought me to campus.

Dr. Jenn Brandt and Dr. Jacob Paul, organizers of the events

Lauren (on the left) who introduced me at the reading and Molly who is the president of the English Club. They are amazing!
On Saturday at Park Road Books, in Charlotte, I was on a fantastic panel put together by writer and publisher Nicole Kurtz. The panel featured Black women speculative fiction authors including Nicole, Alledria Hurt, Marcia Colette and myself.
On such a cold wintry day, we had a spectacular turnout. The audience was engaged and we talked about diversity in publishing, the possible impact of the films, Black Panther and A Wrinkle in Time for young people and pitched our books. We sold out of our books and several panelists and audience members made our way over to a local restaurant for talk and conversation. It was a truly wonderful and uplifting experience! We may try to replicate this panel at future sci-fi conventions.
Hi folks,
Binge On Books is running a wonderful feature–Sounds like Halloween. They are primarily a book reviewing site. They have asked various writers to read a 5-10 minute selection from their published work. They have posted an audio recording of me reading from my dark fiction/sci-fi novella, Reenu-You. It’s a particularly pivotal and creepy scene.
It was super fun to choose a selection from the book and record it.
I didn’t know anything about them until my publisher pitched me to them. I’ve discovered some really wonderful writers by listening throughout the month. You might, too!
http://bingeonbooks.com/sounds-like-halloween-day-25-with-michele-tracy-berger/
I’m thrilled that my essay about Octavia Butler is now in print in the new collection: Luminescent Threads: Connections to Octavia E. Butler.
In celebration of what would have been her 70th birthday and in recognition of Butler’s enormous influence on speculative fiction Twelfth Planet Press has published a selection of letters and essays written by science fiction and fantasy’s writers, editors, critics and fans. There are letters from people who knew Butler and those who didn’t; some who studied under her at the Clarion and Clarion West workshops and others who attended those same workshops because of her; letters that are deeply personal, deeply political, and deeply poetic; and letters that question the place of literature in life and society today.
I write about Octavia Butler’s use of affirmations to support her writing and how I have viewed her life as a model for creative practice. Those of you who have been reading my blog for some time know how important a tool I think affirmations are for creative people. In 2016, I committed to a daily practice of writing an original affirmation about creativity and posting it on this blog. This practice provided tremendous nourishment for my creative life.
There are many writers in this collection that are well-known in the science fiction community including Nisi Shawl, Nnedi Okrafor, L. Timmel Duchamp, and Steven Barnes, but also you’ll discover newer writers (like myself) in this hefty 405 page book.
A few months ago, Alexandra Pierce and Mimi Mondal, the editors of LT gave a great interview here.
If you’re a Butler fan, you’ll want this work in your library. If you have friends that are OB fans, please pass on info about this book!
The first thing you notice in Eden Royce’s short story collection, Spook Lights: Southern Gothic Horror, is the exquisite attention to language and setting. Royce’s storytelling is layered and dense. Spook Lights is billed as dark fiction. The sense of horror, dis-ease and dread are developed in an entertaining and unexpected way in each story. This collection is a great introduction to Southern gothic horror and is well worth your time.
Themes that recur in the stories include: betrayal, the meaning of death, the price of living, what makes a joyful life, and memory. The challenges of love, especially for women and the price that they are willing to pay for it (whether for a son or lover) is often costly. The characters in these stories yearn, love, desire and act in ways that make for compelling fiction.
This collection is populated by a variety of diverse characters and cultural reference points that include European American, African American, and indigenous histories. And, their experiences are filtered through the landscape of the South, most often Charleston. Indeed, one of the gems of Eden’s storytelling is the way she uses language, dialect, and setting to re-imagine folk traditions, hoodoo, and everyday people seeking spiritual assistance. She upends the traditional Hollywood stereotypes of root workers and conjure women. She is interested in how the magical and mundane intersect, especially for women of color and the paths that they travel to find freedom– both physical and psychological. Indeed, the title of the collection embodies a playfulness about ideas of darkness and light, and personal and official histories.
I truly enjoyed every story in this collection. Some of my favorites include, “Dr. Buzzard’s Coffin”, a fresh take on zombies, including ones that can restore balance. This tale involves an uncle undergoing a metamorphosis in order to cleanse the community of a dangerous threat. In many of the stories, the main character seeks assistance from the spirits and after receiving the assistance, realizes (often too late) that it came with a high spiritual price tag. “Hag Ride” is one of these stories. What is one to do when one loves a philandering husband? We feel for Frieda, the main character when she is warned by ‘Big Mama’, her godmother (who works roots), that sometimes we should let someone go rather than trying to force them to love us. The troubled young woman doesn’t want to hear this sage advice and proceeds to call on ‘The Hag’ for help. Her philandering husband gets more than he bargains for when he meets a beautiful woman who gives him the “ride” of his life. He is definitely transformed in ways that Freida can’t anticipate. It is a delicious revenge story with a twist at the end.
With the “Turn of a Key” and “Rhythm”, roles are reversed and it is the man that’s been betrayed and seeks help from otherworldly forces.
The stories vary in length and viewpoint, alternating between first and third person. Some like “Hand of Glory” and “Homegoing” are flash fiction driven, leaving us with more tantalizing questions than answers.
My very favorite story, “The Choking Kind”, ends the collection. I love this story because it is a mother and daughter story, a mystery and a story about magical beings all rolled into one. Imaginative and unexpected it deals with ideas of loss, memory, identity, freedom and family.
In this collection, there is a story for every kind of horror and dark fiction aficionado. Compelling short story collections are marvels of pacing, selectivity and wordsmithing. Eden Royce brings all of that and more to this work. A thoroughly enjoyable read.