The Practice of Creativity

Archive for the ‘creative writing’ Category

Hi Writers,

Over the past several months, I’ve heard from so many writers that their old ways of doing things just aren’t working.

Many of us aren’t writing and if we are writing, we’re not having a lot of joy doing it. Many of us are finding it hard to get ourselves to the page and to stay focused when we arrive. We’re often afraid, discouraged, and tired. Very tired. Our inner critics have been very loud during the past few months.

We haven’t danced with, wrangled with or been charmed by our muse(s) in quite a while.

I HEAR you and I’ve designed something for you that you will LOVE.

It’s time to RESET. I’ve found that if I don’t reset every 5-6 weeks regarding my mindset, exercise routine, and writing habits, I hit a wall.

A reset is in order. And FALL is a perfect time for one.

I’ve designed a NEW online monthly writing retreat series: Reset, Refresh and Reclaim

I call these themed retreats reset, refresh and reclaim for a reason—we need these qualities now more than ever to deal with the changing pace of life!

These well-paced structured retreats are designed to inspire you and connect you to other writers. You’ll get some serious writing done and have FUN while doing it!

Give me the next four months and I will take you from creatively blocked to creatively sparked!

My reset approach has kept me productive, writing and getting published throughout the last six months.

Space for these online retreats is limited. I’m offering this to YOU at these rates, before I advertise broadly, because you are part of my community as an engaged reader of this blog.

Want to see how excited I am to tell you about these retreats and what we will do in them? Here’s a brief video:

If you don’t want to watch the video, it’s fine. All the details are below.

Here’s what people have said recently about my expertise as a coach and writing facilitator:

“Michele’s calm voice and emphasis on mindfulness practices has been a boon to my writing.” Amy T.

“I’ve written more with Michele in two hours during her Write-INs than I have during the last four months.” Francesca P.

“Michele encourages one to do their deepest work in a supportive environment.” Mark J.

ONLINE WRITING RETREATS

Reset, Refresh and Reclaim

If you’ve found yourself isolated, alone, and struggling with your writing, imagine how much different writing might feel if you had some dedicated and structured time, plus awesome community and coaching support.

Here’s a way to write THROUGH the fear, sludge and anxiety!

You can sign up for ONE retreat or ALL of them. 

They all will include writing time (come with work or start something new), a brief writing craft discussion, fun writing exercises and games, mindfulness exercises for focus, and group coaching. We’ll have the option for a short lunch break and/or additional writing time.

Each retreat is curated to the needs and interests of the group. Once you register, I’ll send a brief survey to find out more about you. A few days prior to the workshop, you will receive additional information and any suggested readings or exercises.

Fall Retreat Dates:

*Saturday, Sept 26-The Harvest of 2020 

Saturday, Oct 24-Characters

Saturday, Nov 21-Beginnings, Middles and Endings

Saturday, Dec 12–Author Mindset/Goals for 2021

(11am-2pm EST via ZOOM)

(Dec’s retreat will go 11-3, BONUS hour!) 

(*tentative topics; each workshop is tailored to registered participants)

That’s 16+ hours of writing, community and support for you over the next 4 months!

Want to feel GREAT at the end of the year knowing that you MADE time for and NOURISHED your writing life? I know you do!

Ready to sign up? Ready to Reset?

Each online writing retreat is $69.00

Sign up for all four for $255 (discounted!)

Prices go up on 9/25

I can accept payment in a few ways:

-via PayPal:
(The link above takes you to my Creative Tickle business link. In the comment box for PayPal, let me know which month(s) you are registering for.)

-I’m also on Zelle as Michele Berger (State Employees’ Credit Union)

Questions? Email me at mtb@creativetickle.com

Look forward to seeing you soon!

Do you aspire to be a career author? Unsure of how to take your writing and marketing to the next level? Would you like to gain insider tips and techniques from some of the biggest names in publishing about how to build and sustain the author life? Want to make meaningful connections with authors nationally? Want a great event to look forward to?

Mark your calendars as I have something just for you!

I would love for you to join me at the Career Author Summit 2021. I’m thrilled to be a presenter at this major author event hosted by J. Thorn and Zack Bohannon, authors (Three Story Method and 9 Things Career Authors Don’t Do) and podcasters (The Career Author Podcast). It’s an *immersive 2 day event, Sept 18-19 2021 in Nashville, TN. The conference is capped at 120 people.

https://thecareerauthor.com/summit2021/

[*Don’t want to attend live? You have the option for a virtual ticket– the virtual ticket gets you real-time viewing (and replay) from home. The in-person ticket also gets the replay. One-time payment or installment plan option. Scholarships available, too! See website for additional details.]

It’s going to be phenomenal! This amazing line-up of speakers includes: Jeff Goins (author of Real Artists Don’t Starve and The Art of Work), Rachael Herron (thriller writer, podcaster and memoirist, author of  Fast Draft Your Memoir), Becca Syme (creator of the Write Better-Faster course and author of Dear Writer, You’re Doing It Wrong), Mark Lefebvre (author and Director of Business Development at Draft2Digital) and Stephanie Bond (author of over 96 novels traditionally and indie published, over 7 million copies in worldwide distribution).

https://thecareerauthor.com/summit2021/

My Experience with the 2020 Career Author Summit

In May I attended the Career Author Summit hosted by J. Thorn and Zack Bohannon and Jim Kukral. It was supposed to be in Nashville (and I sure was looking forward to checking out the BBQ and music scene), but they like so many other event organizers wisely decided to make it a virtual event.

I made the decision to attend the CAS in 2019 to push myself outside of my comfort zone. I typically know and hang out with traditionally published writers. And, I typically attend craft focused writing workshops. The CAS’s focus is more on indie and hybrid publishing and the business side of being a career author.

The conference was outstanding in content with presentations on topics that included ‘Making (More) Money as a Writer’,  ‘Audio for Authors: Audiobooks, Podcasting and Voice Technologies’, ‘Finding a Mentor/Being a Good Mentee’, ‘The Myths and Legends of Amazon Ads’ to ‘The Future of Publishing’ with key representatives from Google Play, Draft2Digital, Kobo, Reedsy and Vellum.

The roster of speakers was fantastic and included Joanna Penn, (author and creator of The Creative Penn podcast), Lindsay Buroker (fantasy author and co-host of Six Figure Authors podcast) and Tim Grahl (book coach and author, Your First 1,000 Copies).

Every panel challenged my assumptions about what I thought I knew about the business of writing and gave me much to consider about how publishing may change during this decade for writers, publishers and readers.

Several presentations also focused on the importance of creating and managing a growth mindset.

And, the organizers did a great job helping writers connect with each other during the week with smaller genre specific networking opportunities (love those Zoom breakout rooms). They also set up a Slack channel prior to the conference which enabled the attendees to connect before, during and after the conference which was a great resource.

This summit was rocket fuel for my career. In the past 100 days I’ve been able to implement several  of the strategies offered by the speakers. I feel much more confident about meeting my short and long term goals as a career author. The connections I’ve made with other attendees (and speakers) at the CAS have already yielded incredible opportunities and collaborations that would simply not have happened on my own.

Our Pivot as Writers

One of the many comments that struck with me was from Jim Kukral’s introductory remarks when he said, “Adversity doesn’t stick to a schedule.” And, “This is the time to pivot as writers.” And, “It’s going to be OK.”

The adversity we are facing is going to change readers’ habits, publishing schedules and lots more. We are facing challenges and opportunities. Some of what we were doing or pursuing may no longer work.

Pivoting, as writers, in 2020 and 2021 is going to look differently for each of us.

I don’t know what this will look like for you.

It might mean:

-recommitting to your work

-upgrading aspects of your writing profile (i.e. website, social media profiles)

-keeping track and finishing more of your work (I finally have downloaded an incredible tool by the writer Jamie Raintree, that is a spreadsheet where you can track ten projects, set writing and revision goals and it records and updates everything. Tracking my progress visually is highly motivating for me.)

https://jamieraintree.com/writing-revision-tracker/

-investigating ways to increase productivity using new tools (i.e. Scrivener, dictation software)

-seek out what’s working right now for authors

-investigate producing audio content from your creative works (if you are traditionally published and still have audio rights or if you are indie published). The rise of audio is going to be a continuing and important trend for authors. Think about mature audio-eco-system that we are experiencing: smart technology in cars, smart devices, homes, etc. As Joanna Penn said during her talk, “If someone searches for your work and their preference is to listen to audiobooks, can they find you?”

-exploring how to get your content (if you are indie or hybrid published) sold on multiple platforms, instead of relying on Amazon

-exploring translation and foreign rights for your short stories and novels

What might pivoting in your writing life look like?

Something was nudging me to make some changes when I signed up for the conference. Before pivoting was optional. Now I know pivoting is not a choice, but a necessity. I’m fully committed to upping my writing game.

I hope you decide to invest in your writing career in 2021 and join us at the Career Author Summit!

The Career Author Summit – 2021

For the past several years, I’ve been curious about self-publishing and have wanted to pursue a more hybrid approach to my author career. I’ve listened to podcasts, read books and have worked to become better educated about the opportunities and challenges of self-publishing. There’s still a lot to learn and I’m working up the courage to have something self-published by the end of the year. Maybe you are thinking along the same lines and wondering how to develop a plan that doesn’t result in overwhelm. I’ve got you covered. I’m delighted to welcome Desiree Villena who is providing today’s guest post. Desiree is a writer with Reedsy, a marketplace that connects authors and publishers with the world’s best editors, designers, and marketers. Over 2,500 books have been produced via Reedsy since 2015.

5 Tips to Transition from Traditional

Publishing to Self-Publishing

These days, the world of publishing has more choices than ever before. For perhaps the first time ever, authors are truly free to pick the publishing path that is both best suited to their personality and most effective at bringing their particular story to the right audience.

But if you’re used to having your books traditionally published, venturing into the world of self-publishing can seem rather daunting. So today we’re going to cover 5 things you can do to help make the transition seamless — and even fun.

Create your own publishing schedule

As a traditionally published author, you’re used to having deadlines assigned to you. Depending on how well the project is going, this can feel like either a blessing and a curse. When you do strike out on your own, it can be tempting to think this means your days of racing to meet strict deadlines are over. But whatever you do: resist that impulse.

There’s a reason publishing houses operate on carefully mapped out timetables, and it’s not just the volume of books they’re producing. By creating a production schedule, you’ll be able to budget your time, money, and resources, as well as lay the groundwork for a successful launch plan.

Now, when you’re new to self-publishing, it may take you a while to figure out a realistic release timetable for you and your books. That’s okay. Be willing to learn from your experiences and adjust accordingly. It’s much easier to fix a plan that’s already there, than to wander aimlessly and hope for the best.

Build yourself a team

Publishing houses understand that each aspect of building a book requires different skills and talents. Book cover designers do not necessarily know how to create beautiful interiors, and they certainly can’t copy edit to find all yourweasel words and grammatical mistakes!

Although it’s called “self” publishing, do yourself a favor: don’t try to DIY this. Not only will it add way more stress and take time away from what you should really be focusing on (writing), but it’s not good for your books either.

Instead, you’ll want to make yourself the head of your own tiny publishing empire. Being able to choose your own editors, cover designers, and marketing specialists means that you’ll always be working with people you believe in and trust to bring your book to life the right way.

Set a clear vision for yourself

That said, this is still your book and your career as an author. Successful self-publishers know what they want from their career, and every business decision they make reflects the goals, priorities, and guidelines they set out for themselves.

To start, ask yourself what you’re really looking for by turning to self-publishing. “Success” is not an answer — what does that look like for you? What kind of author do you want to be, what kind of books do you want to write? Do you want to publish because you’re trying to bring specific stories into the world? How often do you need to publish to meet your goals?

Make sure to be honest as you’re talking to yourself about this. There really is no “wrong” answer, unless of course you’re looking to publish purely as a get-rich-quick method. Spoiler: that doesn’t work. Self-publishing can be financially successful in the long run, but it takes time, patience, and smart business tactics. It’s important to find value and fulfillment in the process before you turn a profit  — otherwise, you won’t stick with it long enough to find success.

Do your research

Remember how much time you spent learning how to get a literary agent? Guess what: you’re going to need to invest a similar amount into learning how to self-publish.

This doesn’t need to be disheartening, however. Your experience as a traditionally published author will give you a leg up: you’ll already know how to work well with an editor and on a deadline, as well as being familiar with the nerves that come with book launches and marketing tours.

But yeah, it’s a different process, and you’re going to need to learn the details of how it works. Luckily, there’s a whole wealth of publishing courses and blogs out there where you can find the answer to just about any self-publishing question that crosses your mind. And as a bonus tip, make friends within the self-publishing community. Believe me, no struggle you encounter will be unique, and there are more than enough sympathetic ears out there willing to give you advice and encouragement.

Let go of your fear of failure

Rejection is a constant in the traditional publishing world. By the time your first book is out you’ve been rejected by agents and publishers so often that you’re probably pretty numb to it. And it’s not like you’ll ever get a feedback form from agents that explain to you why they turned down your book. Even successful, professional authors can’t get away from it: just because your first book sold, doesn’t mean the next one will, and one failed launch can be the difference between getting signed again or not.

But in the self-publishing world, there is no such thing as a complete failure. Even if you do everything wrong and your first book only sells one copy to your mom, you can pick yourself back up, brush yourself off, and try again. You can switch genres, try different pen names, or just re-release a title with a new cover and a stronger marketing push. Remember, a book that doesn’t sell well at first can find success even years after its release. Your career is truly in your own hands, and the only way to “fail” is to stop trying.

With that in mind, it’s time for you to get out there and start making your dreams a reality. Good luck!

***

Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

I’m super excited about my guest for this author Q&A and the new format. I thought I’d start moving my author Q&As to Youtube. Dr. Molly Howes was so gracious in agreeing to being the first one!

Molly is a Harvard trained psychologist and an award-winning writer. I met Molly in summer 2015 when we were both soaking up the wonders of Ghost Ranch, New Mexico during the A Room of Her Own (AROHO) residency.

Anne Lee Photography

As I say in the interview, I always felt an openhearted vibe from Molly and I’m glad we have stayed in touch over the years. When I heard about the release of her new book A Good Apology: Four Steps to Make Things Right, I knew I wanted to share her work here.

It’s a timely and powerful book that I enjoyed reading. During the interview we talk about her comprehensive approach to apologies, why it’s important to do them well, how her case studies from years as a psychologist inform the book, and how A Good Apology made its way into publication. We also talk about racial legacies and reparations and Molly’s experience as a new author. I hope you enjoy our discussion and let me know if you want more Youtube interviews!

***

Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

What are you doing today between 3-5pm (EST)? I’ll be a guest on Adam Messer’s live radio show. Come and ask us a question about the writing life! It’s going to be fun!

Here’s the promo: Join us live Sunday July 19, 2020 with guest Michele Tracy Berger on The Adam Messer Show from 3pm-5p EST on 107.5 FM Savannah ( wruu.org) Can’t listen live? Catch the podcast later on savannahmuses.com #radio #wruu1075

I recently had a poem appear on The Wild Word. I always say that I am untutored poet. I feel like I bumble around and stumble into a poem. I have not studied the form in the way I have novels and short stories. Still, I do enjoy writing them. Always so much to learn! The “Last Fortune Cookie Writer Dies” is one in a series of poems I have been writing about fortune cookies (history, memories of, delights in, mysteries involving them, etc.) for the past couple of years. This is the second one to find a home. Guess, I need to get on finishing the rest, huh?

Read it here.

Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

I’ve missed bringing you awesome author interviews this year, so I’m glad to share this new one with you!

Last June, I met Paige L. Christie on a panel at my first ConCarolinas. We were on a panel that I had pitched about ‘Mothers and Daughters’ and how their relationships are portrayed in speculative media. I had heard of Paige’s Legends of Arnan series and my curiosity was piqued as it was described as an epic fantasy with Western elements and feminist sensibilities. Or, as one reviewer on Amazon described it as, “a feminist Western with dragons”. The panel was fabulous and Paige and I quickly realized we had many overlapping interests. My plan was to invite her for an Author Q&A in 2019. The best laid plans…

Fast forward a year. Paige and I got reconnected through the lovely fact that we both have stories in the recently released Witches, Warriors and Wise Women anthology (by Prospective Press, same publisher as her epic fantasy series) and were on a virtual panel together promoting the book.

Paige L. Christie is author of The Legacies of Arnan fantasy series: Draigon Weather (2017), Wing Wind (2018), Long Light (2019), and the forthcoming Storm Forge (2020). As a believer in the power of words, Paige tells stories that are both entertaining and thoughtful. Especially of interest are tales that speak to women and open a space where adventure and fantasy are not all about happy endings. When she isn’t writing, she teaches belly dancing, is director of a non-profit, and runs a wine shop. She is a proud, founding member of the Blazing Lioness Writers, a small group of badass women, writing badass books.

It’s wonderful that Paige could join us to talk about her most recent novel, Long Light.  I’m so delighted to welcome Paige L. Christie to The Practice of Creativity.

 

 

Tell us about your new book, Long Light? This is the third book in your series that began with Draigon Weather. What’s in store for readers?

When I finished Draigon Weather, I realized that one of the minor characters, Kilras Dorn, was much more vital to the overall story than I initially anticipated. Much to my publisher’s dismay, I announced that the series would not be 3 books but rather 4 books. Long Light is Kilras’s story, from his childhood right up to the moment that ends the second book. Basically, I wrote Book 1, Book 2, Book 3, and am now writing Book 4. Oh the tribulations of being a ‘pantser’.

-When we were on panel together, you mentioned that you came to writing late in life (although you always had a desire to write). What are the gifts of pursuing a writing career later in life? What are the challenges, if any?

I actually started writing when I was 7 years old, and majored in writing and editing for my undergraduate degree. I’ve spent my whole life writing, but somewhere along the way I convinced myself that I was incapable of writing a novel, and that even if I did manage it, no one would be interested in reading it. So I did not complete my first novel until 2015, when I was 44 years old. The gift of this was that I had almost 4 decades of secret writing practice and had developed a strong, unique voice in that time period. The challenge is carrying a lot of guilt about ‘time wasted’, which, while pointless, weighs on me. I wish I’d had faith in myself and my writing sooner. But on the other hand, Draigon Weather could not have been written any sooner in my life. It’s a mixed bag. I’m just grateful that I got my act together at last!

-You take some delight, I think in mashing up and subverting genres. Your series is an epic fantasy that has a Western feel. What does genre mean to you?

Genre tells me where to find a book in a bookstore. It also lays out some expectations for long-time readers. People who read mysteries expect certain and different things than people who read horror or modern literature or fantasy or romance. Genre is basically a set of expectations mutually agreed upon by publishers, authors, and readers. Those expectations are based in resonance and shared history – and it’s really fun to ride those things to a place the reader does not expect.

 -How long on average does it take you to write a book?

I wrote the first draft of Draigon Weather in 4 months, then spent the next 18 months re-drafting and editing until it was in good enough shape to put out into the world. Wing Wind and Long Light both took about 2 years each to get into shape. The final book in the series is taking longest of all, mostly because the 2020 Pandemic has shorted-out my creative side. Overall, I can usually create a draft in 4-7 months, and then I nitpick for a year to get it where I want it.

-What’s your favorite under-appreciated novel? Why?

What comes to mind for me is not a novel, but a series The Wars of Light and Shadow series by Janny Wurts. It is by far the most epic and intense thing I have ever read, and I think it gets over-looked because it is 1) a massive series written by a woman and people make ridiculous assumptions about what that means 2) uses such rich language and depth of detail that it demands a lot of the reader, and we live in a time when people want instant gratification. As a fan of intense character and world building, and a lover of complex, gorgeous use of language, the very things that freak people out are what attract me to these books. That and the fact that every time I think I know exactly what is going to happen next, I’m wrong! I simply adore these books.

– What’s your best writing tip that you’d like to share?

This is a tough question because there’s no one-size writing advice for every human. I’d say never get to a point where you think you know it all. Always remain a student of craft. Read widely, seek advice, study books you like and figure out why you like those books, then try new techniques and styles until you find what works for you. Start writing and know that as long as you keep writing, you’ll get better!

Some craft books I recommend:

  • The Fire in Fiction by Donald Maass
  • Techniques of the Selling Writerby Dwight V. Swain
  • Steering the Craft– Ursula K. LeGuin

Paige L. Christie is a short story writer and novelist. She possesses an uncanny knowledge of myths, archetypes and mystical worlds, and is a true student of fantasy, science fiction, history. It is her deep interest in folklore, as well as intersection of Middle Eastern and North African cultures that originally piqued her interest in the exploration of the influence of different societies, which became the foundation of her novels. Find out more about her here.

Her third novel in the Legends of Arnan series, Long Light, is available everywhere online.

Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

 

June is my birthday month and what a month it has been. Fifty-two years ago, I was born during a time of civil unrest and great transition in the U.S. Martin Luther King was assassinated two months before I was born and Robert F. Kennedy was assassinated the day after my birthday. The second wave women’s movement, the civil rights movement, the Black Arts movement, the peace movement, and the LGBTQ movement were all well underway by the time I was a few years old. I’ve always known that my life as a scholar and creative person is predicated on the sacrifice of many nameless activists and change makers who helped pave the way for me. During the first week of June 2020, protests against police brutality directed toward Black and Brown bodies erupted in the United States and around the world. Over the past few weeks I have felt a gamut of emotions as many in the United States are wrestling with our deep legacies of racial injustice. I have felt stunned, uplifted, numb, exhausted, saddened, angered and empowered. I’ve tried to allow myself the time and space to experience all of those feelings.

It is rare that I miss a week communicating with you. Lately though, I’ve wrestled with what to say from one creator to another. Despite all the challenges happening in this moment, my creativity has never felt more solid, deeper or richer. During the past several months, I have dug even deeper into my creative urges and projects.  And, many seeds that I’ve been planting in my author garden have started to bloom. I’ve felt guilt though about sharing some of the recent joys and successes. I’ve wondered if readers would wonder why I wasn’t addressing the current moment more. As a creator of color, I am always navigating a complex, inner set of conversations that arise from the complexities of living in a racially stratified world. For example, I wondered should I address the conversations happening in publishing as a result of Black Lives Matter? Should I provide a list of resources about anti-racism for readers? Do I want to provide such lists? How much do I wish to talk about social justice and writing? By not talking about social justice and writing will people think I don’t care about the present moment?

Such questions left me tired.

Historically, writers from dominant communities have had the luxury of not thinking about these issues, or choosing to engage with them as they see fit. The good news is that is changing.

Here’s what I want to say to you, dear reader: I’m thinking about you. If you are struggling as the world is changing around you, you’re not alone. Your creativity and work, however, in the world matters. So does, in my opinion, trying to make the world more just. We as writers and creatives are being called on to undertake more visible and transformative social justice work in the world. This means exploring injustice at the micro and macro levels. In the writing world, this could mean looking at the leadership and structure of the writing organizations we support, the kinds of books we review, and the authors we network with. I believe this is a good thing. I hope you have the energy to do something to make the world more just in your sphere of life. It’s messy. It’s tiring and it sure isn’t pretty. If you don’t have the tools, find kind people that will share their tools with you. Doing this work in community makes the work more joyous.

Also, I have always known that my role on the earth is to uplift and inspire others. I do that in multiple ways as a coach and writer. It does no good for me to play small and hide in the shadows. There are a million ways to resist interrelated systems of oppression and for me, one of them is creating. It does no good for you to play small, either. I will write and share about whatever moves me. That’s basically what I have been doing for the last decade on this blog. I’m saying it here so that I remember it, too.

I’m sharing with you some recent writing joys. I’d love to hear yours, too.

My noir-ish story, “Miss Black Little Hill of 1965” appeared in the recent issue of Blood and Bourbon, a Canadian literary journal. I can now say that I am an internationally published author! A snippet below.

Miss Black Little Hill of 1965

Isabel fingered the teardrop emerald earrings while waiting for her husband to open the passenger door of their car. Two weeks into their marriage, and his gifts kept coming. And, he promised more! She smiled at her good fortune.

He’d caught her eye at church. Strangers at church always do. He said he was visiting his distant cousin. Smooth dark skin, wavy hair, a fine new peanut-brown cashmere coat. Ruby rings on his fingers. From Pensacola, the big city.

A smarter woman would have noticed different things about this man, asked pointed questions. But she didn’t need to be smart, did she? She was, after all, recently crowned Miss Black Little Hill. 1965 was her year, she could feel it.

 

I shared last November that I attended the Hay House Writers Workshop in Houston. It is hosted by Hay House Publishing, a leading giant in the publishing field on health, spirituality and personal transformation books. In the workshop, they teach you about the publishing business, especially how to write and pitch nonfiction book proposals. Unlike fiction manuscripts where you complete the entire book and then pitch your work, in nonfiction, you write a proposal *before the book* and pitch the idea.


I had wanted to attend this conference for years as I have been working on a book about creativity for some time. So, I made the commitment to go. It was a gift to myself. One of the wonderful things about the workshop is that attendees can submit their book proposals six months later to HH in consideration for publication and you only “compete” with the other attendees. How cool is that? There were about 250 people in attendance and about 75 people submitted proposals. They provide three publishing prizes. Although I didn’t win one of them, I did receive HONORABLE MENTION for my book proposal: The Creative Tickle: 52 Ways to Tap into Your DNA and Divinity!!! And with honorable mention (which I didn’t even know they did) I got SPECIALIZED FEEDBACK on my proposal from the Acquisitions editors. How cool is that? I’m that much closer to getting my ideas into the world. I’m so glad that I didn’t talk myself out of going to the conference (which would have been easy to do for a million reasons) and also of submitting my work (ditto!).

 

I gathered some of the many wonderful authors together to do a virtual reading from Feminine Rising: Voices of Power and Invisibility, a collection that was released last year, edited by Andrea Fekete and Lara Lillibridge.

I shared some insights from the introduction and then several amazing contributors read an excerpt of their piece. I read a snippet from my essay, “The Poisons Our Mothers and Grandmothers Drank”. The anthology was published last year and there were a few live readings. Timing is a funny thing though, many of us had hoped for the collection to be more visible and despite their being more than 70+ authors, it was hard to get the marketing efforts off the ground. Then the readings that were scheduled for this spring were cancelled due to the pandemic. I decided to reach out to the editors and suggest hosting some virtual readings. They loved the idea and I ran with it. I’ll probably host two more. It was fun and I always learn something new using Zoom. Writers and readers are all desperately seeking community and to feel connected and virtual readings help. I also think that this collection gets timelier every single day.

  • Your invitation still stands, click here to get your ‘Ten Ways to Keep Connected to Your Writing Self during COVID-19’.

In late April, I started a YouTube channel. I have been populating it with short excerpts of me reading from recently published fiction. It’s been fun!

 

Reminder: Last Write-IN happening tomorrow: Thursday, May 28 (3-5 pm and 8-9 pm EST).

How it works:

You log on through a Zoom link, see me on Zoom (everyone one is muted, and video off) and I lead you through a 5 minute writing prompt, mindfulness exercise or gentle stretch.

After that, I turn on an online timer for 45 minutes. You write. At the end of 45 minutes, I come on and encourage you to take a break before the next session (i.e. stretch, drink some water, etc.). We do the same thing during the second hour.

To get the Zoom links for tomorrow’s Write-IN, go here.

 

Hi Writers,

Right now many writers I know are struggling with focus, accountability and staying inspired. Like other aspects of our lives, our precious writing routines have been (and continue to be) disrupted.

What many of us crave is connection, both to other writers and our inner writing rhythms.

A few weeks ago, I hosted several FREE Write-INS to gather together virtually and write.

I called it ‘Write, Connect and Share’: Virtual Write-INs’

Here’s how it works:

You log on through a Zoom link, see me on Zoom (everyone one is muted, and video off) and I lead you through a 5 minute writing prompt, mindfulness exercise or gentle stretch.

After that, I turn on an online timer for 45 minutes. You write. At the end of 45 minutes, I come on and encourage you to take a break before the next session (i.e. stretch, drink some water, etc.). We do the same thing during the second hour.

Why this structure? It’s been proven one of the most effective ones for helping writers minimize external and internal distractions. And doing shorter sessions prevents binge writing. This is the structure that I have used consistently and successfully for both my scholarly and creative work for the past five years. This format encourages a mindful approach and helps me write smack-dab in the middle of my busy life.

So, many folks showed up at the Write-INs. Some people came to all of the sessions, others to just one session. Some stayed for the full two hour block and others came for one hour. Many people said it was the first time they had written in weeks. Others noted how calm they felt before and after their writing session.

Here’s the best part—I’m doing it again for FREE on Monday, May 25 (7:30-9:30 am EST) and Thursday, May 28 (3-5 pm and 8-9 pm EST).

I’m only offering this support to folks who are readers of this blog and/or subscribers to my newsletter .

I’d love for you to join me.

Writing together, in community, in a focused way can boost the writing routine you have or get you back on track if you haven’t been writing much during the past few weeks.

To get the Zoom links for the upcoming Write-INs, go here.

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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