The Practice of Creativity

Posts Tagged ‘healing

Besides loving to write fiction, I also love writing nonfiction. Over several decades, I have read and benefited from what’s known as ‘self-help, inspirational and personal transformation’ kinds of books. And, truth be told, I’ve always wanted to write a book that falls in the area of inspiration/personal transformation, especially as it relates to creativity. And, I’ve had my eye on Hay House Publishing for a long time.

Hay House Publishing is known for publishing leading self-help, health and wellness, and personal transformation books and has a very successful thirty-year track record. Deepak Chopra, Wayne Dyer and Kris Carr are well-known Hay House authors and many Hay House authors end up on the New York Times bestseller list. Hay House is one of the top twenty major publishers in the U.S. The founder of Hay House was Louise Hay and she wrote You Can Heal Your Life, book that sold millions and was translated into many languages. She helped to create the modern ‘self-help’ genre. I read her book in my twenties, loved it and shared it with everyone I knew. She was at the forefront of making the argument that what we think (and think about) can affect our bodies, now known as the ‘mind-body’ connection.

The U.S. ‘self-improvement market’ is estimated at 9 billion dollars and close to 800 million dollars of that involves books!

Hay House provides an experience for aspiring authors that no other publishing company does. For the past twelve years they have hosted the ‘Hay House Writer’s Workshop’, an intimate in-person event. They share with you the insider information about the publishing process from start to finish (i.e. developing an idea to submitting proposal to building a platform) and you get to hear from some of their most popular authors. The idea is to give aspiring authors a jump-start and leg up. And, here is the truly remarkable thing—if you attend a live event, you are eligible to participate in their exclusive contest (for that event) and submit a book proposal six months later. From every event they pick three winning book proposals with a commitment to publish those books. The Grand Prize is $10,000. You can only enter the contest by attending. And each event is attended by about 250 people. Reid Tracy, the CEO of Hay House said that despite those good odds, they often only end up with 60-80 entries. I like those odds!

And, so for years I have wanted to attend the Hay House Writer’s Workshop. I decided this was the year to commit, so a few weeks ago, I headed to the Houston event. I went with few expectations and can truly say that the experience was phenomenal.

Some highlights:

The People:

For me, there’s few better ways to spend my time than with other writers. I met people from all over the globe who had made their way to Houston. A few nights before I left, I put a note out on the site’s Facebook page to see if people wanted to get together for dinner when we got in as I knew no one in Houston. People responded right away and this became the beginning of a great group of about eight of us. One of the folks I met is a writer in Greensboro, just 45 minutes from where I live—we even know a ton of the same writers. Small world!

I was fascinated by people’s backgrounds and what was motivating them to attend. There were medical doctors, integrative health practitioners, therapists, grandmothers, seasoned writers, entrepreneurs,healers, energy workers, and newbie writers all wanting to know more about Hay House and how to get their book into the world and change people’s lives. Close to 90% percent were interested in writing prescriptive non-fiction and/or a ‘teaching memoir’. I don’t usually get to meet so many people that were interested in personal transformation topics so that was a treat. They were kind, funny and generous. It was also a diverse group of writers which I was very thankful for. I left with a new community of wonderful writers.

The Workshop/Speakers: 

Hay House delivered on providing an excellent, inspiring and informative curriculum. Reid and Kelly Notaras were our informative co-hosts.They spent a lot of time explaining the publishing market and led with the fact that authors need a platform (or the ability to create one) and that out of 80,000 books published a year only about 300 of them sell 50,000 copies (which in publishing is seen as a type of benchmark). They also talked about the range of options for publishing besides the traditional route and in both cases explained how important it is to work with an editor, before you send your proposal or book out the door.

Reid Tracy welcoming us and talking about the power of Hay House books to change people’s lives.

Each presenter provided insight either about the writing process, how to stay inspired, or how they broke in. They were engaging, funny and inspiring.

Mike Dooley shared his story of how he started his ‘notes from the universe’ when he was in a down period and how serving people over time helped him create a major platform. He started with 36 email addresses and now has thousands and thousands of people around the world who are engaged with his message.

Nancy Levin spoke from the heart about how she came to write her own book after being the Hay House events manager for over a decade. I was impressed that she spoke without notes or a fancy Powerpoint. She also talked openly about the value of working with an editor and a ghostwriter. On Sun morning she also led a fantastic meditation workshop that included poetry, very unique.

Robert Holden (toward the right of center), author of Shift Happens started his talk off with us dancing on stage with him to Stevie Wonder! As we had been sitting almost all day, this was such a joy. His talk was about how to write through fear and anxiety. And, he stressed writing as a spiritual practice which resonated with me.

Super inspiring to hear Rebekah Borucki’s journey. She attended a HH Writer’s workshop a few years ago but didn’t submit a proposal. She then worked on the book proposal for ‘You Have 4 Minutes to Change Your Life’ and platform. She submitted her proposal to Hay House via the traditional route and it got acquired and it is now out. She talked about writing the book of your heart. I also appreciated that they showcased an up and coming author and one who identifies as bi-racial.

The Materials:

I’m not a newbie to writing or publishing. For about a ¼ of the participants the idea of writing a book was new and they didn’t know a lot about publishing platforms, finding a writer’s group, how to put together a proposal, etc. I came knowledgeable about the publishing process, but learned lots! There were two things that got everyone up to speed. One was the long Q&A sessions on Sat afternoon and Sunday where anyone could ask a question and they all got answered as best they could by Reid and Kelly. And, the second was this incredible manual that they gave us that contained a successful proposal of a book that was acquired by Hay House, plus information about publishers in the field besides Hay House that publish in the self-help field, resources for platform building and other tips about both traditional and indie publishing. It was a gold mine of resources and alone was worth the cost of the trip.

I’m glad I got myself to Houston (didn’t do as much sight-seeing as I would have liked) and I know have until April to write my book proposal for the contest and send it in. I’ll keep you posted!

Becky Thompson has been an inspiration to many. She is an award-winning writer, professor, yoga instructor, and activist. She has spent the last twenty years traveling across the world researching, teaching, and writing on issues of social and racial inequality. An academic by training, she has written on a wide variety of topics that include eating disorders, HIV/AIDS, parenting a multi-ethnic family, and global activism. Her books are infused with creativity, scholarly rigor and meaningful engagement. They are magic carpet rides for the mind, body and spirit. She has also been a pedagogical pioneer in investigating and incorporating a wide range of contemplative practices in the classroom (including yoga, mindfulness, walking meditation, etc.). She uses the power of these practices to create a collective, intelligent and vulnerable space for students and teachers to engage deeply with difficult topics.

I count myself fortunate that I attended one of her contemplative pedagogy workshops, many years ago, while she was a visiting professor at Duke University. That made a deep impact on me though it would be years before I would muster up the courage to incorporate what I learned from Becky into my own teaching practice.

More recently, we’ve realized that we have overlapping interests in many areas, including yoga and social justice.

So, when I discovered that Becky has a new book that brings together narratives of social justice, yoga, trauma and healing, I couldn’t wait to find out more. Her latest book is Survivors on the Yoga Mat: Stories for those Healing from Trauma (North Atlantic Books), and it promises to be groundbreaking.

Thompson’s other books include Zero is the Whole I Fall into at Night (Main Street Rag Publishing Company, 2011); When the Center is on Fire (co-authored with Diane Harriford, University of Texas Press, 2008); Fingernails Across the Chalkboard: Poetry and Prose on HIV/AIDS From the Black Disapora (co-edited with Randall Horton and Michael Hunter, Third World Press, 2007); A Promise and A Way of Life (University of Minnesota Press, 2001); and Mothering without a Compass (University of Minnesota Press, 2000).

Thompson’s work has also been featured in multiple journals such as Harvard Review, Feminist Studies, Gender & SocietyWarpland: A Journal of Black Literature and Ideas, Amandla, Illuminations, and Margie.

Currently, Becky is Chair and Professor of Sociology at Simmons College in Boston, MA.

Becky sees her yoga practice as the foundation upon which her writing, teaching, poetry, and activism can flourish.

It’s is my distinct pleasure to welcome Becky Thompson to ‘The Practice of Creativity’.

 

beckythompson2

 

Tell us about your new book Survivors on the Yoga Mat: Stories for Those Healing from Trauma. What sparked your interest in writing this book? 

My initial motivation came from an early teacher training I was participating in where I realized that many of the participants were whispering—in the halls, after sessions—about the depressions, loss, sexual abuse, and accidents they had experienced. But they did not feel okay about “coming out” about these traumas. It was as if yoga was in one corner and trauma was in another with no meeting place in between. During that training, I also dissociated on my yoga mat one Sunday morning which surprised me and led me to co-lead a workshop on trauma for the other yogis. That initial push was coupled by the inspiration I was getting from people who started to talk with me about their own stories of using yoga to help heal from racism, sexual abuse, incarceration, accidents, addictions, illnesses, great loss, war, etc.

While I can point to a moment when I officially started writing Survivors, in many ways I have been working my way up to this book for years. In some ways, Survivors is an answer to my first book, A Hunger So Wide and So Deep since Survivors offers stories of people living in the land of healthy solutions, who are finding embodiment that trauma had formerly stolen. The book follows A Promise and a Way of Life since it seeks to offer examples of antiracist activism currently taking place in yoga communities. Although I didn’t know this consciously when I started Survivors, I now know that I needed the last twenty years of writing, living, healing, and activism to get prepared for Survivors. For example, this book is a lot about the process of manufacturing joy. I didn’t know I even needed more joy ten or twenty years ago. And I never would have been able to put so much of my own story of trauma into a book before. That took some real coaxing and guidance this time around.

Survivors is an intellectual book in that I incorporate trauma theory, neuroscience and yoga philosophy. And it is an experiential book in that it starts and ends with the body—its pleasures and pain. Two decades ago, I wouldn’t have had the confidence or the community ties I needed to reach out to and find Joanne Wyckoff, who became my agent. And I wouldn’t have had the guts to include a bunch of photos of “unconventional” collective poses (that we have created together in my years of teaching yoga in an eclectic range of communities) in the book’s glossary. I can’t wait to hear what readers think and feel about all of this.

survivors

-In the book, you explore the unique strengths and needs of trauma survivors. Can you tell us a bit about what you’ve discovered while working with trauma survivors?

One key lesson for me was learning that trauma survivors are special—subversive angels on the road to healing. There is a tendency when we hear the word “trauma” to back away. To pass the tissues. The word sounds heavy, intense. In fact, many trauma survivors have special characteristics. We tend to be highly intuitive and ingenious—we have had to be to survive. Trauma survivors tend to throw their weight behind the underdog, are willing to question authority, and take risks. Trauma survivors often come early to yoga classes and stay late. They know that their lives depends upon healing. We are the ones with the wiggles, who cry during savasana, who get up and try again.

-You have been thinking a lot about the connection between yoga and social justice activism. How can they inform each other?

Embedded in Patanjali’s Yoga Sutras and the “Native American Code of Ethics” (which are both guides for understanding yoga philosophy) are commitments for healing ourselves and our communities. It turns out that trauma survivors are often at the forefront of liberation struggles. Coming to terms with your life being turned upside down often provides motivation to try to turn the world right side up again. I am thinking for example of Lisa Houston, a Scottish woman whose story is in Survivors, who took her yoga mat with her in her work with refugees at the border of Thailand and Burma. I am thinking about Jarvis Jay Masters, a Buddhist man on death row in California who used his body to interrupt a stabbing in San Quentin. His years sitting on his meditation cushion guided him to do this. Survivors is full of stories by people who see activism as key to being human.

The well-known Buddhist Silva Boorstein has said that the longer she has practiced yoga and meditation, the more zealous she has become about social activism. This is a very good sign for yoga communities since practicing yoga certainly does not exempt us from enabling racism, sexism and elitism in our midst. We can’t just “om” ourselves into multiracial, global communities. Long-term yoga can help us listen more deeply and undo inequalities.

-You’ve written many different kinds of books (i.e. scholarly, creative, etc.), and across many types of genres (e.g. poetry, essay, narrative).  Who inspires you? Who are some of the writers that you continually mine for technique, style, or phrasing?

Joy Harjo remains one of the writers/activists/musicians whose work keeps me up at night. Her book, A Map to the Next World, has been the one book I have taken with me on my plane flights. Pure magic and talent in that book. Rolf Gates’ book Meditations from the Mat was the model for Survivors and the one I read to my grandmother in the last years of her life. I was thrilled when he consented to write the foreword for Survivors. Stephen Cope’s The Wisdom of Yoga and Matthew Sanford’s Waking are both yoga books I teach in my doctoral education and social theory classes. I like that cross-pollenization. I still think that Edwidge Dandicat’s Breath Eyes Memory is among the finest novels on sexual abuse, colonization and healing.   Dandicat also writes outstanding essays.

This Bridge Called my Back, edited by Gloria Anzaldúa and Cherrie Moraga gave me (and so many others) the intersectional analysis (attention to race, class, gender, sexuality, language, nation) that forms the theoretical foundation for Survivors (and my other justice books). That book combines many genres—poetry, creative nonfiction, essays. June Jordan, Dorothy Allison, Sonia Sanchez, and Jacqueline Woodson are marvelous models for me. Poetry and literature remain my company when I am lonely, worried, or trying to understand how to respond (or get quiet) in the face of much insanity around us.

Music also gives me much guidance: India.Arie, Angelique Kidjo, Sweet Honey, Bobby McFerrin, Snatum Kaur, Patti LaBelle and many others. Music makes so many invisible links that we need to write across genres—the improvisation in fiction, the steadiness of prose, the surprise in poetry. When I was finishing Survivors, the editor advised that I not include a music list in the appendix since people’s taste in music is so variable. But I couldn’t bear leaving out music and so I ended up labeling that section “idiosyncratic music list” and tucked it in after the “suggested further reading” in an appendix.

-If you could invite three living yoga teachers to a dinner party that you’re hosting, who would you invite and why?

I would love to have Angela Farmer (who teaches in Greece, is 76, and has been guiding us to go inside to find safety for 40 years), Angela Davis (who isn’t officially a yoga teacher but is a yogi), and Nikki Myers (founder of the innovative yoga and recovery model Y12sr) together. I would cook for days—wasabi tofu, grilled asparagus, sweet potatoes, Lundberg rice, homemade hummus, and divine salad. Mango and sticky rice for dessert. I would fantasize about the playlist for the dinner for weeks. Michele and Keval Kaur and Diane Harriford would need to come too. Life is short. I gotta figure out how to make this possible.

-What’s your best writing tip that you’d like to share?

Honor the muse no matter what she needs. If she needs to write while you are driving, pull over. If she wakes you up in the night, thank her. If she is shy or angry, she has good reason. For prose writing, expressing the ideas first as poems helps to keep the language lyrical. Writing after doing an intense yoga practice can bring us into a deeper register. Talking about the writing process is erotic, in the Audre Lorde, expansive sense of the word. Yoga is big like that too.

I am attaching a poem I recently wrote for Sonia Sanchez—long time meditator, poet, and dancer for justice—since the poem resonates with some of the questions you have asked. Thank you Michele, for your generosity and creativity.

She be

for Sonia Sanchez

 She be
Tupac in the summertime

She be
we tumble in the fall

She be
writing on the fast train

She be
writing honey slow

She be
listen, she say listen

She be
rhyming with Coltrane

She be
singing us some praise songs

She be
a chandelier of sound

She be
traveling with ashe ashe

She be
prancing with her sons

She be
channeling tenacity

She be
heart sing heart sing heart sing song

She be
circling her audience

She be
can’t wait, can’t wait for love

She be she be she bow she shy she shake   she cry   she glow   she slide
She fly   she be   she be   she be   she be

 

Becky Thompson has received numerous honors and awards for her work, including grants from the NEH, the Rockefeller Foundation, the American Association for University Women, the Ford Foundation, Political Research Associates and the Gustavus Myers Award for Outstanding Books on Human Rights in North America.

Becky is a senior level yoga teacher (YRT-500) and teaches yoga at conferences, workshops, in college classes, and community centers internationally and nationally.

Find out more about her and how to purchase Survivors on the Yoga Mat here


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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