The Practice of Creativity

Posts Tagged ‘Doll Seed

Happy holidays everyone! I hope you are safe and well!

I wanted to share some EXCELLENT news!

I recently discovered that my novelette “Doll Seed” published last year (in FIYAH: Magazine of Black Speculative Fiction) has won the Carl Brandon Kindred Award from the Carl Brandon Society.

It carries with it a $1,000 cash prize.

The Carl Brandon Society is composed of fans and writers of speculative fiction and their mission is to increase racial and ethnic diversity in the production of and audience for speculative fiction.

I’m thrilled, honored and a little breathless!

My story is about dolls, magic, and civil rights. It even imagines what happened to those black and white dolls that were used in psychology experiments leading up to the famous Brown vs. Board of Education Supreme Court case.

Persistence and belief in one’s ideas is everything—I worked on and submitted this story for YEARS before it found a fantastic home!

My thanks goes to Marjorie Hudson who gave me great editorial advice on the story, many moons ago, and Val Nieman who was an early and enthusiastic reader.

Congrats to Akwaeke Emezi for winning the Parallax Award for their YA novel Pet (Random House) & all the amazing writers on the Honors Lists!

More about the Carl Brandon Society and the awards here.

“Doll Seed” appeared last summer in FIYAH. I’d love for people to support this wonderful magazine, so if interested, you can purchase the issue here.

 

 

 

This week, I’ve been deep in editing land for my novelette “Doll Seed” due to appear next month in FIYAH: Magazine of Black Speculative Fiction.

It’s always a revelation to receive editorial comments on a story. Especially a story that you’ve lived with for years, have honed substantially and have vetted through numerous writing groups.  Such was the case for “Doll Seed”.

In the past few years, I’ve felt lucky to have worked with fantastic editors. Great editors reveal new perspectives in your work, encourage clarity and support your authorial voice. In the case of Reenu-You and Nussia with Book Smugglers Press, I spent time revising a few scenes where my characters were under reacting.  With “Doll Seed”, I worked some on this issue, but more on clarifying how the magic works in the story and fine tuning the ending. I enjoyed editing “Doll Seed”. In revising these stories, all of which were written years ago, I see how much I’ve grown as a writer and storyteller.

One of the tools that has helped me become more proficient at self-editing has been my ‘weasel words’ list. A few years ago, I took a class on revision and the instructor introduced us to a list of words and/or phrases that weaken one’s writing. We can usually either delete the word or find a more active and vivid word to substitute. I believe she adapted this list from the one in James Scott Bell’s Revision and Self-Editing for Writers. I keep this list close when I revise. Doing a search for these words once yielded dramatic results. Last year, I was frantically trying to pare a story down to submit to an anthology and using this list I reduced the word count by over 500 words! That’s a lot of weasel words to round up!

Weasel Words to Watch Out For

Very
Almost
Just
Really
Finally
Actually
Maybe
Definitely
Certainly
A little
A lot
A bit
Tried to
Started to
Began to
Wanted to
Meant to
Intended to
Had to
Had been

I also overuse the words lively, inviting and flat in describing the expression of a character’s eyes.

Do you have a weasel words list? What are your pet phrases that you strike when revising?


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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