The Practice of Creativity

Posts Tagged ‘writing podcasts

Dear readers,

I’ve missed you. It’s been more than a month since my last post—extremely unlike me. I will have lots of wonderful writing updates to share shortly—which will explain my absence. And, I expect to resume my weekly posts. In the meantime, I am excited to share the interview below.

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In 2016, I became a fan of Jake Bible, a writer and the host of the ‘Writing In Suburbia’ podcast. Writing In Suburbia is geared toward pro-writers, but is chock-full of great information for writers at all levels. The podcast is irreverent and speaks to the less glamorous side of the writing life (e.g. embracing housework chores of the day). Jake’s a prolific writer across many genres. He typically writes a novel a month. You read that right, a novel a month!

One of the features that Jake hosts on his website is ‘Friday Night Drabble Party’. Drabble was a new term to me. A drabble is a 100 word story. He writes a new one just about every Friday. I enjoy reading his drabbles and that got me interested in microfiction.

I’m grateful that Jake is always encouraging writers to look at our self-limiting beliefs and challenges us to prepare for success. Check out his ‘Prepare for Success’ episode on WIS.

I didn’t believe that I could write a drabble, or rather a good drabble. But, I decided that such a belief was really limiting. What was it based on anyway? I had never even tried to write a compressed story. So this spring, I challenged myself to write several drabbles a week for fun. I read a lot of micro and flash fiction and got very inspired. I got into a rhythm with writing drabbles and thought some of them were good enough to submit. One has already been published in the Thing Magazine and another has been accepted for publication (news forthcoming). This happy turn of events would not have happened with being inspired by Jake’s fiction and podcast.

When I heard that his new novel was in a genre he hadn’t written in before and with a new publisher, I figured that he would have valuable insights to share.

Jake Bible is a Bram Stoker Award nominated-novelist, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel. Jake is the author of the bestselling Z-Burbia series set in Asheville, NC, the bestselling Salvage Merc One, the Apex Trilogy (DEAD MECH, The Americans, Metal and Ash) and the Mega series for Severed Press, as well as the YA zombie novel, Little Dead Man, the Teen horror novel, Intentional Haunting, the middle grade scifi/horror ScareScapes series, and the Reign of Four series, which he calls “medieval space fiction” for Permuted Press. As of 2017, he also publishes with Bell Bridge Books and will be releasing three books, starting with Stone Cold Bastards.

I’m delighted to welcome Jake Bible to ‘The Practice of Creativity’.

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-Tell us about your new novel, Stone Cold Bastards. What inspired it?

The title. I came up with the title one night and wracked my brain trying to figure out what story would go with such a cool title. It came to me eventually, since it’s kind of in the first two words: stone and cold. What are stone and cold? Gargoyles!

-Can you tell us about some of the characters that we meet in this work?

The novel centers on a rag tag team of misfit gargoyles that have been tasked with protecting the last of humanity from the demon-possessed hordes that have taken over the world. This is a novel that has a lot of characters. You have the gargoyles, you have the humans being protected, you have demons, you have other survivors out in the ravaged landscape. My favorite of them all has to be Mordecai. While not the leader of the gargoyles, he is the one the others turn to when things are about to go down. He’s kind of the rock of the group, no pun intended. He’s a gruff bastard and constantly has a cigar clamped between his stone teeth. Yet despite that hard exterior, he does have a soft spot inside for the humans he’s been given the impossible task of keeping alive. He works his stone butt off and takes his job very seriously. I really dig Morty.

-You’re known as a writer who crosses many genres. This novel is urban fantasy, a genre that you hadn’t written in before. What did you learn about yourself as a writer while completing this novel?

I learned that while genres matter, and make a difference in the tone and setting of a novel, in the end all novels come down to the story and the characters. Once I got into the swing of the story, just like I do with all the novels I write, the setting fell away and I was able to concentrate on the characters. I was able to focus on action and dialogue. The fact that it was a new genre was more daunting in the beginning, but after a couple of chapters I said to myself, “You’ve got this. It’s just another novel. Do your thing.” So I did my thing and was able to relax into it.

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-What aspect of the writing craft felt the most difficult for you to understand and execute when you were a beginning writer?  How did you overcome this?

The mechanics of writing was tough for me. I do not have a college degree. I didn’t go through a creative writing program. I am 100% self-educated, so I had to apply everything I’d learned as a reader to my writing. Simple mistakes in grammar that sound good coming out of my mouth, were not so good on the page. I had to unlearn a lot of my verbal affectations so that my writing could come across as something other than illiterate garbage. The way I overcame this was to write my very first novel in a drabble format. A drabble is a piece of micro-fiction where the entire story is exactly 100 words, no more, no less. I wrote Dead Mech in 100 word sections. That forced me to go back over what I wrote and edit on the spot. I quickly saw my mistakes, fixed them, tightened up the prose, and moved on to the next drabble. By the end of the novel, I was a tight writer. The grammatical mistakes I was making when I started were corrected by the end. I’ll never write another novel that way again, but it gave me a crash course in the craft that I’d missed by not going to college.

-If you could invite three living writers to a dinner party that you’re hosting, who would you invite and why?

Living writers? Yikes. Uh, Cormac McCarthy because Blood Meridian is one of the greatest horror novels ever written even though people call it a western. It’s not. It’s horror. Robert McCammon because he has been a huge influence on me as a writer. Also, I want to pick his brain about going from a career writing horror novels and into writing historical mystery novels in his Matthew Corbett books. Jeez, picking a third writer is hard. All my heroes are dead. Maybe Christopher Moore. I love his writing and the guy is hilarious. He’d help keep the dinner talk from getting too morose and serious.

-What’s your best writing tip that you’d like to share?

Never quit. Sit your ass down and do the work. Writing is work. The vast majority of people who are not writers think it’s fun and being a writer must be a dream come true. It is fun and it is a dream come true, but the fun and the dream happen because you sit in your chair and work until you can’t work anymore. Then you do the same thing the next day. And the next. You never quit. You do the work and keep doing the work until you get to where you want to be.

 

Born Jacob David Bible pre-Microsoft in Bellevue, WA, Jake was whisked away to the Beaver State when he was three and raised fundamentalist pagan. Fed a steady diet of Doritos, Fritos Bean Dip and Chinese herbal tonics, Jake had so many vivid hallucinations that he was writing and binding his own books by fifth grade. True story.

He grew up fascinated with the speculative and the macabre. He spent many summers on his grandparents’ lake reading a leather bound, Franklin Library Edition of The Tales of Edgar Allan Poe. No, it wasn’t a haunted book. And, no, it wasn’t a haunted lake. Yes, his grandparents were actually re-animated corpses that had been accidentally murdered and then raised from the dead when a cocktail party got just a little out of hand. And they drank gin and tonics. True story.

Jake currently lives in the Asheville, NC area with his wife, two kids, and two dogs. And although he writes about zombies and cannibals, Jake does not eat of the flesh himself (that means he’s a vegetarian, son. I say, I say, stop bein’ so dense, ya hear?). But, he will eat the non-homicidal animal foodstuffs because pizza is its own food group and soy cheese just ain’t gonna cut it.

True story.

Visit him at https://jakebible.com/

 

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NaNoWriMo update: I’m pleased to say that after the first week of NaNoWriMo, I am on track with a word count of over 15,000 words. And, I haven’t overindulged in caffeine or pulled any all-nighters. I attribute this success mostly to drawing on an outline that I wrote during the summer. As I said in an earlier post, I tend to be a discovery writer (or ‘pantser’). However, for this project I am experimenting with using an outline. I have found Elizabeth George’s Write Away: One Novelist’s Approach to Fiction and The Writing Life extremely helpful on the topic of outlines. She encourages writers to do a step outline (basically a list of scenes), for each section of the book and then write a plot outline. Since I am working on a mystery, where plot is essential, these have been helpful tools. I also have been experimenting with the well-known ‘Snowflake technique’ that helps with structuring a story.

This foundation has been a lifesaver, especially since I missed three days of writing. The other thing I do before I begin writing is to compose a nice note or affirmation about my writing. It’s usually something short and sweet: “Michele, you create magic when you write.” I find that taking the time to say something positive helps my mental outlook. For more thoughts on writing affirmations and how to use them, see this post. Also, NaNoWriMo’s organization and communication with us is great. I have enjoyed receiving emails this week from NaNoWriMo that tell me about ‘writing sprints’ organized on Twitter. The NaNoWriMo website is a treasure trove of help, support and encouragement. When inspiration (and willpower) during the month flags, writers can check out the “Pep Talkers” section, where bestselling authors including Brandon Sanderson (“Mistborn”), Jim Butcher (“The Dresden Files”), and Kami Garcia (co-author of the “Beautiful Creatures” series) will provide encouragement.

One of the ways I treat myself (and also sometimes procrastinate) is to listen to podcasts about writing. I thought I’d share my favorites with you. I hope these stimulate and inspire your creative work. I’d love to hear about any writing podcasts that you adore, too.

I Should Be Writing: host, Mur Lafferty

‘Winner of the Podcast Peer Award and the Parsec Award, this is a show about a writer going from wanna-be to pro. Focusing on the emotional road blocks one finds in a writing career, this show speaks to over 8000 listeners every week. ‘

What I love about it: Mur is a speculative fiction writer and this is one of the longest running podcasts of its kind. Mur’s honesty about the ups and downs of the writing process really speaks to me. She’s very encouraging and a master at sharing tips on how to keep one’s self writing (and why it is important to do so). She periodically conducts interviews and also an occasional feedback show where people can send in questions that she answers.

New Letters on the Air: host, Angela Elam

‘New Letters on the Air is the half-hour radio companion to the literary quarterly magazine New Letters. Each week the program features intimate conversations with contemporary writers who reveal secrets about their creative methods, read a few favorite passages, and inspire the listener’s imagination.’

What I love about it: This podcast makes me feel like I am sitting in the audience, listening to excellent writers talk about craft and read their work. I don’t get to enough readings and this podcast introduces me to many literary poets and novelists that I might not know about otherwise. Angela asks smart and thoughtful questions of each guest.

Writing Excuses: hosts: Mary Robinette Kowal, Howard Tayler, Brandon Sanderson and Dan Wells

‘To educate aspiring writers in the ways of the author. Writing excuses is a fast-paced, weekly podcast covering topics related to writing genre fiction.’

What I love about it: This podcast’s tagline is ‘Fifteen minutes long, because you’re in a hurry and we’re not that smart’. All joking aside, this is an insightful podcast hosted by some of the most well-respected and successful writers and artists working in fantasy, horror and science fiction. They work well as a team and cover a wide range of topics about novel writing. And a bonus is that at the end of every episode, they offer a writing prompt.

The Dead Robots’ Society Podcast: hosts, Paul E. Cooley, Jason Macumber, Terry Mixon, and Scott Roche

‘This podcast is by aspiring writers for aspiring writers. The Dead Robots’ Society was created by Justin Macumber in an effort to offer advice and support to other aspiring writers. It was inspired — in part — by Mur Lafferty’s podcast “I Should Be Writing.” Over the course of the show’s storied life it’s had a bevy of co-hosts.

All the hosts, current and former, have writing experience of some kind. They gather on a weekly basis to share stories of their individual journeys and discuss topics important to the world of writing. Occasional forays into the territories of brown dragons, taco eating cowboy space ninjas, or random discussions involving monkeys are all considered rumor at best and none of the hosts are willing to admit any of that actually happened.’

What I love about it: These hosts are funny, bawdy and pretty rowdy. They cover the business of writing (especially about self-publishing and working with indie presses) and also how to stay motivated.

The Roundtable Podcast: hosts, Dave Robinson and Brion Humphrey

‘The Roundtable Podcast is about nurturing ideas, fostering inspiration, and getting the creative juices flowing.  It’s also about mistakes and blind alleys, harsh reality and uncomfortable truths.

Each week we invite publishers, editors, and authors to get on the line with a writer who presents an idea on the table… an idea for a story they want to write.  And then everyone digs in, asking questions, pointing out problems, and proposing solutions.  Characters are dissected or dismissed, plots reinforced or torn apart altogether, and hopefully what started as an idea, becomes something more.’

What I love about it: I’m a new listener to this podcast. I’m captivated by the variety of formats they have: interviews, workshops and themed conversations. They try to create ‘literary alchemy’ with each podcast. I think they do.


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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