The Practice of Creativity

Posts Tagged ‘UnCommon Origins

One of the best occurrences in my writing life this past year has been getting to know writers in the ‘UnCommon’ anthologies community. The UnCommon anthologies are published by Fighting Monkey Press, founded by Pavarti Tyler. The series includes UnCommon Bodies, UnCommon Minds and UnCommon Origins and they all have a speculative fiction edge. Last year, my story, “The Curl of Emma Jean” was selected to appear in UnCommon Origins: Collection of Gods, Monsters, Nature and Science.  As part of the process of being published in the anthologies, Pavarti invites authors to a private Facebook group. The Facebook group includes many authors from the anthologies and everyone is committed to helping make each anthology successful. I have learned so much about indie publishing through this group and have been grateful for the encouragement we give each other.

I recently discovered that there is a new UnCommon anthology launching soon. Yay! It’s titled, Uncommon Lands: A Collection of Rising Tides, Outer Space, and Foreign Realms and it will feature a fabulous lineup of writers. I have invited one of those writers to share some insights about being a Native American speculative fiction writer writing across communities. She provides a behind the scenes look at her submission to UnCommon Lands.

I’m delighted to welcome Ashleigh Gauch to The Practice of Creativity!

Shamanism and Navigating as Native in a White World: Walker Between the Worlds

“Walker Between the Worlds” was inspired by the shamanic journeys I took under the watchful eyes of my aunt and grandmother, and by the identity struggle I felt when transitioning between being bullied at school in a predominantly white community and the beautiful native stories and experiences I had on Whidbey Island. The more I learned about my heritage, the more I realized the way shamanism and native spirituality is portrayed in the media is a gross misinterpretation of what it means to be a shaman.

In early drafts I mentioned my protagonist Shephard had a lighter skin tone, and everyone who read the story thought he must be white. I was even lectured about what shamanism is and isn’t by a middle aged white member of my group – who based his theories on Carlos Castaneda’s work and movies he’d seen when he was younger!

There’s a cultural perception about what it means to be native, and “reddish” skin is a must. If you don’t look like a Midwestern native, you must not be indigenous. I had to change the description to tawny—something I was deeply against—in order for people to believe he was Haida, despite details about his growing up on the reservation and receiving shamanic training.

The story centers around Shephard’s having to give up pieces of himself, breaking his most sacred code in order to fit in with the high-stakes world of trading securities. His identity as a native man was always overshadowed by his ambitions in the white world he found himself in, as the identities of those who try to navigate through a world that no longer tries to understand them often are. When his girlfriend’s soul is stolen by Ta’xit, the god of death in battle, he has to go on a true shamanic journey in order to recover her soul – and his sense of self.

It was a challenge to write, in part because of fear that I was the “wrong” person to tell this story. There are so few of us left in the tribe, and my family isn’t even registered because of fears of racist repercussions my great grandfather had when he removed us from tribal rolls. It took a lot of courage to accept that my experiences were relevant and very real, despite the cultural demand that my family be more “red” in order to be native.

Because my stories take a dark slant, people often ask me who my influences are. Ray Bradbury, Clive Barker, Margaret Atwood, Garth Nix, Mercedes Lackey, Robert Jordan, Piers Anthony, and Orson Scott Card all top the list. Ray Bradbury and Margaret Atwood in particular—their lyrical, authoritative voices still fill me with wonder.

I strive to one day find my place among these inspiring voices, to touch the hearts of readers who’ve struggled with their sense of identity in a world that refuses to accept them. I hope one day we will all be equal in the truest sense—able to be ourselves, embrace our identities, without fear of retribution or rejection.

Ashleigh Gauch is a Haida author currently living just south of her hometown of Seattle, Washington. She went to college for nutrition but ultimately found her true passion not in the study of science, but in the genesis of science fiction.

Her work has been featured in the online periodical Bewildering Stories, Starward Tales from Manawaker Press, Uncommon Minds from Fighting Monkey Press, the upcoming anthologies UnCommon Lands and Starward Two, and the magazine Teaching Tolerance.

Story Summary: When Shephard Mercer breaks the greatest law found in Haida shamanism and uses his powers for his own personal gain, his love, Aria, pays the price. Now he must go through live burial and a series of trials in the World Between to earn her soul back and prove himself worthy enough to return to the world of the living.

Pre-order UnCommon Lands here.

 

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Pavarti Tyler is an adored writer and publisher. Under the moniker P.K. Tyler, she writes speculative fiction and other genre bending fiction. She’s published works as Pavarti K. Tyler and had projects appear on the USA TODAY Bestseller’s List. She also created Fighting Monkey Press.

IndieReader has said this about Pavarti: “Tyler is essentially the indie scene’s Margaret Atwood; she incorporates sci-fi elements into her novels, which deal with topics such as spirituality, gender, sexuality and power dynamics.”

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I know Pavarti because I’m one of the 22 authors in her recent Uncommon Origins: A Collection of Gods, Monsters, Nature and Science anthology published through Fighting Monkey Press. This is the second UnCommon anthology that she has published, beginning with UnCommon Bodies. She is currently reviewing manuscripts for UnCommon Minds.

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Not only was I delighted to have my work accepted for UnCommon Origins, I was thrilled to become part of Pavarti’s community of writers. Leading up to the launch for UnCommon Origins, Pavarti mentored and supported us in learning about marketing, branding, and finding audiences that would love our work. I learned so much! I also got to interact with authors involved in UnCommon Origins and authors from UnCommon Bodies and other projects that Pavarti has brought to fruition. She’s nurtured a group of writers who are incredibly generous and supportive of each other. As I noted in an earlier post, the launch for UnCommon Origins was incredibly successful and continues to trend on Amazon. Pavarti knows both art and the marketplace.

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I recently discovered one of her other series: Mosaics: A Collection of Independent Women. This collection is ambitious in scope and features a diverse group of self-identified women writing about intersectionality (e.g. how social categories of race, class, sexuality, nationality, etc. come together simultaneously to shape both privilege and power). Pavarti has recently released the second Mosiacs collection with its multi-faceted look at the history and culture surrounding femininity: “If gender is a construct, this anthology is the house it built. Look through its many rooms, some bright and airy, some terrifying– with monsters lurking in the shadows.” This work offers readers poetry, essays and fiction, showcasing voices that don’t often get represented.

Profits from both collections are donated to the Pixel Project to end Violence Against Women.

I’ve written about intersectional theory, practice and methods as a scholar, so I was especially interested in this project. Mosaics is timely given the ongoing VIDA: Women in Literary Arts conversations about gender equity and the We Need Diverse Books movement.

I wanted to know more about Mosaics and Pavarti’s writing career. I’m delighted to welcome Pavarti Tyler to The Practice of Creativity.
 

 -Tell us about the Mosaics collections. What inspired them?

Mosaics was a project conceived by Kim Wells.  We decided to work together because our politics and philosophies are so in line.  Both books were filled with stories the two of us hand selected for inclusion and that we believed brought something special not only to the literary world, but also contributed to the conversation about sex and gender. There has been so much controversy and misunderstanding about feminism and equality lately, we felt it was important to give voice to a wide variety of women and experiences on how gender intersects with issues of race, sex, and ability.  In the end, we had so many amazing submissions we weren’t able to put together just one collection and had to expand the scope to two books.  It was a tremendous amount of work, but work I’m exceptionally proud of as both an author and publisher.

– You’ve edited several anthologies over the past few years. What do you enjoy about being an editor? How was editing Mosaics different than your other anthologies (i.e. UnCommon Bodies)?uncommonbodies

I’m actually not an editor.  I’m lucky I’m able to spell my own name right most days. In all these projects I’ve worked as curator, coordinator, and publisher (and often marketer).  I love the chance to bring together new voices and curate selections that stand up as individual works, but which also add something to the greater whole when seen in context of the collection.

-You manage to pack a lot into your day! You are a blogger, writer, editor and publisher. How do these activities feed each other and you?

I’m not sure if this question makes me want to laugh or cry.  I do pack a lot into my days and I’m exhausted most of the time, but everything I do is done out of love and passion.  A passion for language, for story, for the fundamental belief that it’s essential to the human condition to share experiences. Of everything, blogging is the one thing I don’t do consistently, only when something strikes my fancy or inspiration, but I do try to put up something every few weeks.  While it’s not my primary passion, it’s a great way for me to connect with readers in a direct and personal way.

-Is there a story behind the name of your publishing imprint—Fighting Monkey Press?

Yes.  My husband and our friends were ridiculous creatures when we met.  I called the group of them my monkeys because of their penchant for climbing walls and jumping over things on rollerblades.  They were also all on the fencing team.  So when it came time to name my company, Fighting Monkey just made sense.

-Do you consider yourself a discovery writer (also known as a pantser) or outliner? Or do those categories not apply?

I plot, but I’m not a micro plotter.  I use a 5 act structure and outline the basics of where I’m going and then beat plot a few chapters ahead of where I am before writing.  The essential part of this for me though is the willingness to just delete it all if the characters take me in another direction.  They usually know the story better than I do so I follow their lead.  So I’m a plotter who sometimes gets swept away by my pants.

-What’s your best writing tip that you’d like to share?

Shut up.  I know that sounds harsh, but there are only 2 rules for writing: 1 – Shut Up 2 – Write.  If you can get past the first one, I believe everyone has a story to tell.  So silence your inner critic, stop talking about the things you want to do, stop posting on Facebook about writing, just shut up and write.

 

Pavarti Tyler attended Smith College and graduated with a degree in Theatre. She lived in New York, where she worked as a Dramaturge, Assistant Director and Production Manager on productions both on and off-Broadway. Later, Pavarti went to work in the finance industry for several international law firms. Now located in Baltimore Maryland, she lives with her husband, two daughters and two terrible dogs. When not penning science fiction books and other speculative fiction novels, she twists her mind by writing horror and erotica. Find out more about her here.

 

Woo-hoo! A few weeks ago I did a cover reveal about my story that is in UnCommon Origins.

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It’s now really here. The UnCommon Origins anthology launched this week and I am thrilled! Get it here!

UnCommon Origins: A Collection of Gods, Monsters, Nature, and Science

UnCommon Origins presents 22 depictions of moments on the precipice, beginnings both beautiful and tragic. Fantastical stories of Creation, Feral Children, Gods and Goddesses (both holy and horrific), and possibilities you never dared imagine come to life.

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Including stories from some of the most talented Speculative Fiction and Magical Realism authors around, UnCommon Origins will revisit the oldest questions in the universe:

Where did we come from?
and
What comes next?

We even have our own book trailer!

My story, ‘The Curl of Emma Jean’ is about two sisters, race, fairies and the God Faunus. What more could you ask for?

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My writing buddy, Fraser Sherman gave a thoughtful (and positive) review of the collection on his excellent blog. We already have over 50 reviews on Amazon! It’s also trending in the horror anthology Amazon category.

For three months, our publisher P.K. Tyler has been working on promotion and also teaching myself and the other 21 authors about how to launch a book. I’ve learned so much and I can’t wait to share some of my insights with you in another post.

If you like speculative fiction, you’ll enjoy this collection. It’s got something for everyone. Get it here.

Also, if you’re willing to provide an honest review on Amazon, Goodreads or your blog, within the next two weeks, contact me about getting a complimentary copy.

In other news, last weekend I attended the historic State of Black Science Fiction Convention in Atlanta. It was a mind-blowing experience. SOBSFC brought together creators from different mediums (e.g. filmmakers, comic book artists, writers, producers, scholars, etc.,) to converge, discuss and share about the world of sci-fi and the Black experience over the past two centuries. There were panels on everything from Afrofuturism in Arts and Culture to Black Southern Folklore in Horror Literature.

I even dipped my toe into SteamFunk cosplay for the first time ever. Loved it!

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I plan on writing a blog post about attending this transformative con.

June is my birthday month and with this book launch and conference, it’s been a fantastic one so far. I hope your June has been offering you writerly goodness.

 

I am so excited to share with you a COVER REVEAL for a new anthology that will be out in June that I have a story in! I am thrilled to be included in this collection with such wonderful writers.

UnCommon Origins: A Collection of Gods, Monsters, Nature, and Science

UnCommon Origins presents 22 depictions of moments on the precipice, beginnings both beautiful and tragic. Fantastical stories of Creation, Feral Children, Gods and Goddesses (both holy and horrific), and possibilities you never dared imagine come to life.

uncommonorigins

Including stories from some of the most talented Speculative Fiction and Magical Realism authors around, UnCommon Origins will revisit the oldest questions in the universe:

Where did we come from?
and
What comes next?

Featuring:
The Hanging Gardens of Brooklyn by Rhoads Brazos
Aplanetary by Holly Heisey, Author
Glass Heart by Sacha Hope
Cultural Gleanings by Deanne Charlton
Fringling by J.D. Harpley – Astral Scribe
Poseidon’s Tears by E.L. Johnson
The Curl of Emma Jean by Michele Tracy Berger
The Price by Samuel Peralta
Growing Simon by Jo West
The Terrible Discovery of Professor Charles Cooper by Jonathan Cromack
The Last Star by DL Orton
My Darlings by P.K. Tyler
The Tombstone Man and the Coming of the Tigress by Nillu Nasser Stelter
In The Periphery by Erica Ruhe
Exhale by Laxmi Hariharan
Ifrit by Brent Meske
Swim With The Beavers by Robert Allen Lupton
The Least Child by Daniel Arthur Smith
Consciousness by Zig Zag Claybourne
Her by Rebecca Poole
The Apple by Shebat Legion
Becoming Mage by Melanie Lamaga

This anthology is being edited by the amazing writer, editor and publisher P.K. Tyler of Fighting Monkey Press. I had a really good feeling about the call for submissions that I saw for this collection a few months ago. I thought my story, ‘The Curl of Emma Jean’ would be a perfect fit for this anthology and it was! I’ll have more to say about the story, it’s origins, and lessons learned along the way to this publication experience. And, of course, I’ll share a pre-order link soon! For now, I’m just excited to share a first look at the cover.

What do you think?


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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