The Practice of Creativity

Posts Tagged ‘Rachael Herron

My 90 day fast draft novel challenge is done! I finished up last week. I ended up with a little under 55,000 words. Not bad for a first draft. I had a few setbacks though, including losing 6,000 words (!) due to a computer glitch in a recent Microsoft Word update for the Mac. Losing that much material really sucked, but overall, I feel inspired about the progress I’ve made on my nascent horror novel.

Why This Challenge Worked for Me:

-I love a good writing challenge! Doing a fast draft appeals to me for the same reason that doing NaNoWriMo appeals to me. Both challenges provide structure and encourages and rewards daily effort. I love stretching past what I think I can do. With NaNoWriMo, you also get community through numerous online support via their website. Since I was posting my word counts on my author Facebook page, many folks cheered me on there.

-I also love the first drafting process. The first draft, as Jane Smiley has said, “only needs to exist.” In first drafts, I can put all my crazy ideas, flights of fancy, strange characters, and meandering subplots in. Although I was thinking some about the reader experience while writing, I was mostly writing to discover what I thought about the setting, the characters, my themes, etc.

-It gives me something to revise later. In Neil Gaiman’s MasterClass he said that when revising, you should look at a first draft and figure out the themes and ideas you were interested in exploring and then in the next draft to consciously write toward them.

-Writing 800-1,000 words five days a week was demanding, but also doable. I took Mondays and Tuesdays off which gave me some time to mull over what I was writing. NaNoWriMo’s daily word count of 1,667 words is not for the faint-hearted. This lower word count was just enough of a challenge to keep me focused, but it wasn’t so demanding that I had to keep the breakneck pace that NaNoWriMo requires.

-This challenge requires writing all the way to the end of the story. It forces you to construct some type of ending, no matter how provisional.

The only thing that I didn’t like about this challenge was that the research, writing and reading in the field was so all-consuming I couldn’t work on much of anything else during the 90 days. My submission rate plummeted. So, if I do this again, I will be more intentional about using one of my off days to stay on top of my submissions.

What’s next?

This big messy draft exists somewhere between an extended outline and fully fleshed out scenes and chapters. I’ll sit down in the middle of October, read it, make a new outline and write the next draft.

Want to know more about 90 day fast drafting? Check out Racheal Herron’s inspiring video.

It’s the end of the first week of July. We’re in the third quarter of the year.

As I look back over the first two quarters, I can count some successes:

Two pieces of mine are out circulating in the world!

My novelette “Doll Seed” appears in the recent issue of FIYAH: Magazine of Black Speculative Fiction. FIYAH is a quarterly, digital publication of fantasy, science fiction, and horror by Black writers. It is about dolls, magic and civil rights! You can read excerpts and even hear a playlist for the issue, as well as buy the issue here.

My essay, “The Poison Our Grandmothers and Mothers Drank” is reprinted in this gorgeous new book whose cover I love:

Available for purchase at all online booksellers.

My goal for the next 90 days include producing a fast draft of my horror novel. I’m aiming for around 60,000 words. I was inspired to do this by Rachael Herron’s YouTube video about why it is a good thing to fast draft a book. Rachael Herron is an author and podcaster. She said doing a fast draft ensures you are the same writer from roughly start to finish. As a writing instructor she said she witnessed many students struggle with projects that were undertaken over many many years. She said these kinds of projects can be beasts to revise because the writing was completed in very different stages of ability. That makes so much sense to me as someone who has had to mine a 400,000 word unfinished novel over the years!

She gives great suggestions on how to fast draft a novel (but could work for memoir, too), including how to outline and how to stay motivated with the writing. Herron backs up her ideas by describing the success stories of her students that she’s taken through this process. In some ways producing a fast draft over 90 days is like doing an extended NaNoWriMo, but without the exhaustion and frantic energy.

Beginning July 1, I committed to writing between 800-1,000 words a day, 5 days a week.

To give me a little more incentive and accountability, I decided to post my word counts on my Author Facebook page. Knowing I am sharing it with everyone there keeps me honest–public accountability = heightened private results.

It’s funny how quickly one can establish a new normal when you commit. I made my goal this week and have almost 5,000 words. Fast drafting is by far the hardest part of my day and so I try to get to it before the afternoon. This pace hopefully will be my new normal for the next 90 days to produce a draft.

I’m also doing Camp NaNoWriMo, a virtual writing retreat that takes place in July. If there’s a project you’d like to set a goal to move toward completing in July, this might be a fantastic way to get support.

Thinking about and writing a fast draft of the novel is going to take up most of this quarter. I’ll still actively submit work, but I won’t be producing a lot of new work. I’m also judging a literary award for the North Carolina Humanities Council and a writing fellowship for the North Carolina Writers’ Network, so I’ll be busy with those service commitments. It’ll be busy but really fun!

What are your third quarter goals?

I’ve found that different creative projects require new ways of brainstorming and opening channels for getting inspired. For the last few weeks, I’ve been playing around with two different items that have kickstarted my brainstorming sessions for my horror novel.

One was already on my shelf, bought years ago. It’s called The Observation Deck: A Tool Kit for Writers by Naomi Epel. Published more than 20 years ago, I remember using it for stories I wrote a long time ago. It has been fun to rediscover its usefulness now. A new edition is available on Amazon.

It includes 50 fun and innovative cards that offer techniques to bust through writer’s block. The cards match to short chapters where Epel draws on her experiences as a writer and advice gleaned from many best-selling authors.

I love the design of the cards. Some of the approaches will feel familiar (like what I drew recently which was to ask ‘What If’ questions; still a good prompt as I made myself come up with 50 plot ideas), others offer fresh approaches that I haven’t seen elsewhere like ‘Follow a Scent’.

I heard about Caroline Myss’s Archetype Cards through the fabulous How Do You Write podcast (a new favorite of mine), by Rachael Herron when she interviewed W.L. Hawkin, a writer of edgy urban fantasy. The idea of an archetype was theoretically developed by psychologist Carl Jung. Archetypes are recognizable human patterns, signs and symbols that are found all over the world and across time (e.g. ‘the witch, ‘the maiden’, ‘the hero’, etc). Many writers and storytellers have drawn on Jung’s work to understand how archetypes figure in storytelling.

Hawkin said that she uses the archetype cards to help her brainstorm aspects of her story, especially in developing characters. Here’s the episode. I thought this was a brilliant idea and immediately bought the deck. I’ve done a lot of reading on my own about archetypes but have never thought to apply them to fiction.

There are 74 archetype cards and each description includes light and shadow attributes. She also includes  6 blank cards for your own creations. Although the deck was designed for personal use (i.e. to discover how you embody certain archetypes), it adapts beautifully to storytelling.

The artwork is compelling.

For the horror novel, it’s currently looking like I will have at least six viewpoint characters. And, I’m far enough along to know some things about them including their fears, secrets, needs and wants. But, I was interested in how might they interact with each other (especially under stress), and what could cause conflict between the characters based on how they were expressing aspects of their archetype.

I was able to easily pick out dominant archetypes for each character! So, for example, I have a stunt woman character and it made sense to connect her to the Athlete archetype and use that to explore what aspects of this archetype might she express both consciously and unconsciously. When people are less conscious of how they are acting out of these patterns, it can lead to inner and outer turmoil. And, of course turmoil adds heat to a story!

It’s fun to think about how to update archetypes, too. You can do so by emphasizing lesser known characteristics of the archetype. One of my characters will have a combo personality of the femme fatale and bully. That should be fun!

I had so much fun looking through these cards and making notes, I lost track of time. I’m keeping these cards close as I write.


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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