The Practice of Creativity

Over the past two weeks I’ve had the opportunity to practice being ‘a writer in public’. Often aspiring writers write behind closed doors and without many opportunities to get publicly affirmed about their writing efforts. It’s hard to claim a writing identity if one isn’t widely published. If you’re working 9-5 and writing at night (or on the weekends), there’s little time to go to readings, writers’ conferences or open mics where you can be a writer in public. However, a bit of practicing being a writer in public provides a wonderful psychological boost, lessens isolation, helps you understand the business of writing and can form part of your writing education. You can also claim a writing identity without embarrassment and thwart imposter syndrome feelings with a bit of practice. Here are some observations and tips:

Ways to Practice Being a Writer in Public: Attend Writers’ Conferences

I attended the spring North Carolina Writers’ Network Conference. It’s a one day affair that includes craft workshops, lunch with an author, faculty readings, a panel with editors and an open mic reading. I’ve attended this conference before, but this time I was with several members of my core writing community; people who I knew well.  We encouraged each other to embody being a writer in public.

—Practice your pitch before you go. Whether you’re working on a memoir or a collection of short stories, you need a 2-3 sentence description that engages the listener and that rolls off your tongue. You need this pitch not only for when you are lucky enough to bump into agents and editors at a bar or in the elevator, but  in order to talk with fellow writers that you’ll meet(who may be able to support you in a variety of surprising ways). This is your way of making a good impression on people, so don’t leave it to chance. More likely than not, you’ll feel tongue-tied, anxious and inadequate if you don’t role play ahead of time. My writing friends and I practiced our pitches on the ride to the conference. For great ideas about learning how to pitch and deal with any fears or anxiety that might arise, see Eric Maisel’s Living the Writer’s Life.

—Bring a short polished piece to read for open mic. Many writing conferences feature an open mic program that you can sign up for when you arrive. A writer is always working on something and should always have something to read.  The piece that you read should be short and polished, somewhere between 5-8 minutes.  My friend and writing buddy, Santa Al is working on a memoir about his twenty year career as a professional Santa and he signed up and got to read during the NCWN conference. He received wonderful feedback from audience members and successfully peaked people’s interest in his work. This year, I didn’t read and I was annoyed with myself that I didn’t take time to prepare anything. Reading in public makes it that much easier for fellow writers to walk up to you, introduce themselves and ideally tell you how much they enjoyed what you read.

—Visit the book exhibit and chat up folks, and bring mints and use them, especially at the end of the day. At a good writers’ conference everyone is tired at the end of the day. If you’ve had a successful time you’ve met other writers, learned new craft techniques, and heard heated exchanges about the future of publishing. By the end of the day you’ll probably head over to the book exhibit which is where you’ll find editors of small presses (and sometimes big presses), literary journals and magazines hanging out. You want to walk up, fresh-faced, with some energy left and have a friendly chat. The last thing you want to worry about is bad breath.

My writing friend Whitney and I made our way to the book exhibit an hour before the end of the conference. We happened upon the Press 53 booth, a unique small press devoted to publishing short story and poetry collections. Press 53 is also the publisher of the works of our beloved writing teacher, Marjorie Hudson. Kevin Morgan Watson, the publisher greeted us and immediately made us feel welcome. Full of energy, he engaged us quickly. While I was trying to talk about the finer points of speculative fiction and whether he publishes it or not, I couldn’t help but wondering, Wow, is my breath kicking it? Don’t let this happen to you! Bring mints and use them.

Ways to Practice Being a Writer in Public: Writer: Support a Published Writer

I was invited by my writing teacher, Marjorie, to drive and accompany her to a speaking event. We drove to Winston-Salem, visited the offices of Press 53 and hung out with Kevin Watson (I made sure to have fresh breath this time!), and were hosted by Vijya, a local aspiring writer and gracious host.

(Kevin Watson and Marjorie Hudson)

We had dinner, got settled and were off to the event at the public library (part of the ‘Road Scholar’ program of the North Carolina Humanities Council that helps bring writers to local communities). Marjorie’s talk focused on mosaic writing in nonfiction that incorporates historical detail, memoir, and fictional interludes as her Searching for Virginia Dare does brilliantly. We came back to Vidya’s house and got to listen to Marjorie and Steve Mitchell (a new Press 53 author) talk about the writing life and the challenges of book promotion. The next day, we were up and on the road to Barnhill’s Books, a thriving small bookstore that also sells local wine and art, where Marjorie did a lunch with author event. During this trip, I felt privileged to glimpse a working writer living the writer’s life: speaking, promoting, coaching, and book signing.

—Volunteer to support a writer that you know—Writers always need more support. If you have a friend or an acquaintance who has recently published a book, offer to help them promote it in some way. Be a personal assistant or driver for a day. If they are scheduled to give readings, see if you can help carry books, set up a display, sell books, and assist with small tasks that would make their life easier. You can learn a lot from watching how other writers handle being in the public eye.

–When you sell books, bring a nice tablecloth—Marjorie brought along a white tablecloth to cover the ordinary table set up for me to sell her books. That simple item elevated the feel of the room.

—Chat up bookstore managers and owners. They are a wealth of knowledge! They sometimes are also writers. Ask them about their work and tell them about yours.

(Marjorie doing a book signing, and above-hanging out with the manager at Barnhill’s)

Ways to Practice Being a Writer in Public: Read Your Work to an Audience

And finally, Marjorie held a reading for her students at the wonderful McIntyre’s Fine Books. Since June 2010 writers have been meeting with her in a variety of venues to generate new writing from prompts, work on revision and make their writing dreams come true. She printed up a program, brought food, and invited the writing community. It was an elegant, professional and supportive event. Few writing teachers would make the time to support students like this and her students are incredibly lucky. I read two poems. They were both poems I read before but not to a big formal audience. I enjoyed reading and hearing the compelling work of other aspiring writers.

(me, reading my work)

– If you get to read your work in public, be gracious if someone compliments you on your writing. Don’t say that you’re not really a writer because you’re not published yet (or published widely), or let any negative comments about your work leak out. Shine in the moment.

So, how have you been practicing being a writer in public?

(Photo credit Jesse Akin)