The Practice of Creativity

Archive for the ‘women of color’ Category

Happy holiday weekend! It’s that time of year where our thoughts turn to gift-giving. Looking for ideas for voracious readers on your list? Looking for diverse authors? Looking for something for yourself? Check out poet Li Yun Alvarado’s holiday list–it’s got a GREAT list of recommendations and I’m honored to be on it! This list has something for everyone, including recommendations for poetry, memoir, literary and genre fiction. Li Yun and I were buddies at the AROHO residency in 2015. She inspires me in so many ways–as a writer and creative entrepreneur.

https://www.liyunalvarado.com/blog/2018-books?fbclid=IwAR3VH7o0gTQggBK_KJo7wtjPkBx5juyumQwpKPbmHK2Jq97cZ6d51MN-19w

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The literary community has lost a brilliant playwright, poet and visionary–Ntozoke Shange has died. I am quite sad.

I discovered her work in college and was transfixed by it.

Two of my favorite novels of hers include Sassafras, Cypress and Indigo, a novel about three African American women who are sisters and their path of creative self-discovery and Betsey Brown, a historical novel that chronicles what desegregation was like for an African American girl in the 7th grade in St. Louis, Missouri.

Shange wrote poetry, plays, children’s books, and novels, leaving us a rich corpus of work.

I took a workshop with her in my early 20s that was truly transformative and gave me courage and inspiration that I drew on decades later. Her work influenced a whole generation of women of color creatives. She will be missed.

Read more about her here.

Hi Creative Peeps,

I’m so happy to share this wonderful news and hope that you will help me spread the word. I am a Trustee on the Board of the North Carolina Writers Network and I was thrilled to have played a role in getting our newest literary prize, the Jacobs/Jones African-American Literary Prize, off the ground. We are launching a new annual contest to honor the best in short prose by African-American writers in North Carolina!

Historical marker for Harriet Jacobs, one of the amazing writers this award is named after.

This new literary prize will be administered by the Creative Writing Program at UNC-Chapel Hill. Many people helped make this a reality including writing faculty at UNC-Chapel Hill Daniel Wallace and Randall Kenan. North Carolina Poet Laureate, Jacki Shelton Green also played a pivotal role.

North Carolina native, writer and UNC-Chapel Hill alum, Cedric Brown developed this amazing idea, so all credit begins there.

The winner receives $1,000 and possible publication in The Carolina Quarterly. Submissions open November 1.

This link takes you to the announcement and all the important details, including eligibility criteria, information about the name of the prize and the judge. If you fit the criteria, please consider submitting. If not, please help spread the word in your writing communities.

 

Whew, last week was busy, productive and full of surprises.

-The Locus Science Fiction Foundation recently handed out their year’s best awards and guess what??? Luminescent Threads: Connections to Octavia Butler won for best nonfiction!!! This wonderful book was edited by Alexandra Pierce and Mimi Mondal. Mimi was actually at the ceremony and didn’t expect to win and thus didn’t have an acceptance speech prepared, lol. I know, however, that she was thrilled. I’m so proud that my essay is in this collection. All nominees and winners can be found here.

-I started a story two years ago in a wonderful speculative fiction workshop run by Samantha Bryant. The story takes place in the 1930s and involves the writer, folklorist and anthropologist Zora Neale Hurston and a young woman named Etta who dances at the famous Cotton Club in Harlem.

Zora Neale Hurston

They get up to all kinds of trouble when Zora asks Etta to to help conjure up a spirit and dance for it. I am generally fascinated by the time period of the 1920s-1940s and have always been interested in the Cotton Club as my maternal grandmother danced there for a brief period.  In the story, I get to explore the race, class and gender dynamics of the day as the Cotton Club practiced segregation (only white patrons were seated) and colorism (i.e. African American female dancers that were hired were typically “light-skinned” or with a “cafe au lait” complexion).

Several Cotton Club dancers

The Apollo Dancers at the Cotton Club Revue in 1938. still from BEEN RICH ALL MY LIFE, a film by Heather MacDonald

I worked on this story off and on for the past two years but got determined to finish it when I saw a call for an anthology that I thought would make a perfect fit for it. As I tend to write long works, I’m proud of myself that I completed a 5,000 story on Saturday and got it submitted (minutes before the deadline!). And, even if it gets rejected from the anthology, I can submit it elsewhere.

-My novelette Nussia was released last week! What goes into writing a sci-fi horror story like Nussia? In this brief “Inspirations and Influences” essay, I talk about the influences of everything from incisive comedy by African American comedians to the horror movies of the 1980s.

You can read Nussia for free on the Book Smugglers website.

It’s also available as an e-book from all major online retailers and includes a very cool interview with me.  If you pick it up from Amazon, please consider using my link below. I am an Amazon Associate. As an Amazon Associate I earn from qualifying purchases.

 

I’m thrilled that Book Smugglers has released a sneak peek of the new cover for “Nussia”, my sci-fi short story that will be published by them at the end of the month. It will be featured in their Awakenings series this summer.

Always believe in your work! Sometimes you’re ahead of the market or trends.

I wrote this story years ago and couldn’t place it. Over many years, I kept honing it and believing in it. I’m so glad it has found a home!

“Nussia” is set in the late 1970s and in many ways, it’s my anti-ET story.

Lindsay, an African American girl “wins” an extraterrestrial in a national contest only to find her family’s life upended. It’s E.T. meets Fatal Attraction.

I found this interview with the multi-talented actress, Sandra Oh so inspirational. She talks about keeping herself engaged and inspired as an actress even when she wasn’t getting the kind of work she wanted. In the end, as creatives, we only control how we partner with the creative process and what we produce. In addition, she talks about how important it is for creators from marginalized communities to believe that we can be the heroines in our own stories–even if that isn’t always mirrored around us.

Check it out: http://www.vulture.com/2018/04/sandra-oh-killing-eve.html

It was a busy weekend! My first stop was at High Point University. I was invited by the English Club to give a craft talk and also discuss the political and structural interests that led me to speculative fiction and Afrofuturism, in particular.

The thing is, I had never given a ‘craft talk’ before! I’ve given lots of academic talks, of course, and have also done several readings of Reenu-You, but never a craft talk. What goes into a craft talk? I found out that a craft talk is just what it sounds like—a writer talking about techniques and processes of writing.

I knew that the English Club would be marketing my visit for a broad audience, so I needed to keep in mind that not everyone would want to hear specific details about writing craft. I spent the last few weeks working on my craft talk.

In the end, I decided to focus the first half of the talk on the speculative media influences on my childhood and young adult years (e.g. the television show, Lost in Space, the Bionic Woman and the film Star Wars). I then talked about my desire to connect to characters in speculative fiction and media with backgrounds that were similar to mine or connected to African American history and for a LONG time how hard that was. By college I was trying to “write myself” into the text and I spent time talking about how during college I discovered both the African American literary canon and feminist speculative fiction! Toward the end of the talk, I then discussed more ‘crafty’ things like how much I love first person narration and why I chose to use two first person narrators in Reenu-You. The audience was composed of students, faculty and parents (it was family weekend!) and they were warm and asked great questions.

I’m so grateful to the students and faculty that brought me to campus.

Dr. Jenn Brandt and Dr. Jacob Paul, organizers of the events

students

Lauren (on the left) who introduced me at the reading and Molly who is the president of the English Club. They are amazing!

hpu2

On Saturday at Park Road Books, in Charlotte, I was on a fantastic panel put together by writer and publisher Nicole Kurtz. The panel featured Black women speculative fiction authors including Nicole, Alledria Hurt, Marcia Colette and myself.

On such a cold wintry day, we had a spectacular turnout. The audience was engaged and we talked about diversity in publishing, the possible impact of the films, Black Panther and A Wrinkle in Time for young people and pitched our books. We sold out of our books and several panelists and audience members made our way over to a local restaurant for talk and conversation. It was a truly wonderful and uplifting experience! We may try to replicate this panel at future sci-fi conventions.

 


Michele Tracy Berger

Michele Tracy Berger

Author, Academic, Creativity Expert I'm an award winning writer.

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