The Practice of Creativity

Yes, Virginia, There Really is a Menopausal Superhero: Author Interview with Samantha Bryant

Posted on: April 20, 2015

I first met Samantha Bryant online, last November, during the intense worldwide writing challenge known as National Novel Writing Month (NaNoWriMo). Novice and veteran writers alike try to complete a 50,000 word first draft of a novel in a month. This was my first NaNoWriMo and I was looking for local writers to connect with, who were also undertaking NaNoWriM0, during what promised to be an exhilarating and caffeine-laden month. By sheer chance, I ran across Samantha’s profile on the NaNoWriMo site and saw that we had a lot in common and that she only lived an hour away. We both like to read and write speculative fiction, are great fans of ‘The Magic Spreadsheet’ (a writing accountability tool), and are bloggers. Samantha’s wonderful blog is called ‘The Balancing Act’ and she routinely writes about being an educator, the craft of writing and being a mom. The other thing that I took notice of right away was that Samantha was coming out with her first novel with a fabulous premise—women who through experiencing menopause develop superhero abilities. I could be wrong, but I don’t think that the speculative fiction field has produced many menopausal superheroes. Menopause is such an important social, biological, cultural and even spiritual transformation for many women, yet it rarely receives prime time attention in fiction. In Samantha’s debut novel, Going Through the Change, four unrelated women experience menopause in a way that triggers superhuman capabilities. They must find out how to use their powers and why they have them. Sounds irresistible, right?

It’s been a blast getting to know Samantha and her writing. During NaNoWriMo, she was a kind and encouraging writing buddy. And, we both completed our NaNoWriMo drafts!

I am delighted to welcome Samantha Bryant to ‘The Practice of Creativity’.

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Tell us about your new book Going Through the Change: A Menopausal Superhero Novel. What inspired this book?

I’m a long time comic book reader. My mom used to take Little Me to a bookshop on the avenue in my hometown where I could buy old comic books for a dime each and she could get mystery novels for a quarter. I was allowed to spend a whole dollar, so I’d get a lot of interesting reading that way! So, superheroes have been part of my imaginative landscape from the beginning.

Much more recently, through my library, I met a local writer, James Maxey, who was holding some craft and business of writing workshops. James wrote a superhero novel (Nobody Gets the Girl) and an even more awesome side-quel about the villains (Burn Baby Burn). Up until then, I didn’t know the “superhero novel” was a thing. I was so excited to learn that it’s a thriving subgenre!

I’d been writing a women’s fiction novel (unpublished as of yet: His Other Mother). I feel proud of the book, but finishing it was emotionally difficult. So, I promised myself that, if I finished that book, I could write something “fun” next. The actual idea sprang from a long, rambling conversation with my husband about the relationship between hormones and superpowers.

What is your biggest hope for Going Through the Change as it meets readers?

In my wildest fantasies, the book sells a bajillion copies and wins all the awards and I give up my day job and enable my husband do so, too, and we and our girls travel the world solving crimes and saving people like Nick and Nora Charles, but with less inebriation.

More realistically, I just hope I find some readers and they enjoy reading it as much as I enjoyed writing it. The thing I’ve always loved about science fiction and fantasy in all its forms is the way you can explore life issues without feeling as though you’re taking them seriously. At its best, it’s fun and thought-provoking at the same time. It’s emotionally true, even when you’re dealing with things that can’t possibly happen in real life, like flying women or women who can throw fire.

Through Linda, I got to explore issues of gender identity, racism, and what makes a strong marriage. Patricia let me find out what it might have been like to choose a single life in a powerhouse career instead of becoming a wife and mother. Writing Jessica taught me about inner strength and reinventing yourself when life throws you curve balls. Helen had a lot to say about regret and bitterness and how they can twist a person.

Writing this novel let me live inside each of these women. I love them all and they are all in me in some way. I hope my readers will come to love my superwomen the way I do.

Please tell us how you came to work with your publisher, Curiosity Quills Press.

This will be my first published novel, but it’s not the first one I wrote. When I finished Change, I had been playing submission tag (mostly I was “not it”) for a year and a half with my other novel. I’d gotten some nibbles, but no bites. In the process, I learned that I didn’t have the patience for large publishers. I’m okay with “no” for an answer, but I just wanted to get an answer sooner, so I could move on and try someone else if my book wasn’t a good fit.

So, for this book, I only looked at small, independent publishers. I started paying more attention in my online life to speculative fiction writers who were working with small presses. Matthew Graybosch, author of Without Bloodshed, and fellow user of Google+, had posted a few times about his publisher, Curiosity Quills.

So, I cyber-stalked them a little. I liked what I saw. They seemed to really love what they were doing. Their website had personality. They were transparent about what kind of deal I could expect from them if they accepted my work. So, I wrote up a query letter and sent some pages.

It was a really pleasant surprise how quickly things moved from there. Within a few days, I had a request for the full manuscript. A contract was in my in-box just a few days after that. Working with them has been lovely so far! All my questions are answered promptly and seriously and the entire community of Literary Marauders has been warm and welcoming.

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How do story ideas usually come to you? Do you start with character, plot or conflict, etc.?

The best ideas seem to come from something that scares me a little or worries or upsets me. My first novel came about from my unreasonable fear that I would be hit by a car in the grocery store parking lot and that my infant daughter would be left alone. Going Through the Change stems from my anxieties surrounding doctors, going through menopause, and getting older. A short story I wrote recently is, in a way, about how much I don’t like gardening.

Usually, I have a vague idea about a scene and a sketchy outline of a character in mind and I sit down and start writing. I’m very much a discovery writer at first–I write to discover what the story is going to be. When it’s going well, it feels more like I’m channeling a story from some external source than like I’m making it up inside my own brain. I’m one of those writers who wants to kvetch about what her characters did to her today.

If you could be any superhero for a day, who would you be? Why?

I’m not very tall or very strong and am always frustrated by my lack of vertical reach, so I would probably love being Helen Parr (Elastigirl from The Incredibles) for a day. She’s also a great mom and manages, in the end, to balance superhero and family life. That’s quite a role model.

It could also be cool to be Buffy Summers of Buffy the Vampire Slayer. For one thing, Joss Whedon would write my dialogue. For another, I’d be preternaturally strong and fast and athletic. I wouldn’t want her love life though.

In my child’s heart, though, I’d probably be Red Sonja. She was my first superheroine love, after all-from those ten-cent comics days. Because she’s mostly naked all the time, I was sure I shouldn’t be allowed to read her, which, of course, made her all the more appealing. She’s fierce and unafraid, undeniably female and strong. A truly independent warrior.

What’s your best writing tip that you’d like to share?

The one thing that truly made a difference for me was committing to a daily writing habit. For me, I did that with Magic Spreadsheet, a gamification tool for writers created by Tony Pisculli, which awards points for meeting a daily minimum word count.

For many years, I struggled to write while meeting all the rest of my responsibilities as a teacher, wife, mother, dog-mom, sister, daughter, etc., etc., etc. I would get a few hours once a month or so, and spend half of them just trying to get back in the flow.

But, once I committed to writing at least 250 words every day, come hell or high-water, that problem disappeared. It’s not hard to find my way back into the story if I’ve only been away twenty-four hours. It made the time I had more productive. Over time, with practice, I became able to write more words in one hour than I used to write in a four or five hour session. I began to finish things. So there it is: write every day.

 

Samantha Bryant is a middle school Spanish teacher by day and novelist by night. She lives in Hillsborough, North Carolina with her husband, daughters and dog. Her secret superpower is finding lost things.

Connect with Samantha in multiple ways:

Her blog: http://samanthabryant.com
Author Facebook page: https://www.facebook.com/samanthadunawaybryant
Author’s page on Curiosity Quills: https://curiosityquills.com/authors/samantha-bryant/
Twitter: https://twitter.com/mirymom1
On Google+: https://plus.google.com/u/0/+SamanthaDunawayBryant/posts

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Michele Tracy Berger

Michele Tracy Berger

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