Posts Tagged ‘Juliet Greenwood’
Celebrating women’s wrinkles, women’s wisdom and the power of gardens: Interview with UK Author Juliet Greenwood
Posted on: March 22, 2012
I’m so excited to introduce readers to novelist Juliet Greenwood. Her novel Eden’s Garden has just been released from Honno Press. Juliet is a writer and active participant on She Writes. Eden’s Garden follows the intertwined stories of the Meredith family of Plas Eden, a dilapidated mansion with a collection of mysterious statues in its overgrown garden, and the servants who once served there.
Juliet’s wonderful blog post, last month, for my ‘Loving Your Creative Self’ series made me want to know more about her latest novel and writing practice.
1) Where did the idea for your current novel come from?
The idea originally came from a Celtic myth of a woman made out of flowers to be a perfect wife. In the story, the woman is punished when she stops being what simply what other people want her to be.
As I’ve grown older, that story has gained so much resonance. While men are venerated as they grow older and wiser, women are still valued for being young and pretty and pleasing. I feel passionately that women’s life experiences are rich, complex and testing and we should be celebrating our wrinkles as a badge of honour, not hiding them in shame.
So Eden’s Garden is about two women, living a hundred years apart, who each have choices to make and a journey to follow. It is, I hope, a positive, life-affirming story as they each become a little older and wiser – and infinitely more human – along the way.
I also love gardening and visiting gardens, so the garden in the book was inspired by many gardens, primarily the one at Plas Brondanw, which was home to Clough Williams-Ellis who built the famous Italianate village of Portmeirion. http://www.brondanw.org/
2) What does your writing practice look like?
When I’m preparing my ideas for a book, I have an A4 lined notebook which is usually to hand wherever I am. That way I can make notes and jot down ideas as they come to me – whether in the middle of the night or idly watching TV.
When I’m writing, I write straight onto the computer. I aim to write around 1000 words a day. At this point I don’t edit, I just concentrate on getting the story down so I can see it as a whole. A first draft will always change, so I think I’ve learned to trust that. Unless a book takes a completely unexpected direction, I’ll work steadily through a first draft and then go back and edit. I usually have a rough idea of the beginning and the end of the book and the main characters. But of course all that can change – and usually does!
3) What (or who) inspires you to write and why?
Telling women’s stories and exploring women’s lives are what inspires me to write. In my ‘day’ job, I work on oral history projects. So often the women come in saying they have nothing to say and they’ve led an ‘ordinary’ life. But if you can persuade them to speak, their lives are usually an extraordinary and touching mix of many experiences, with tragedies overcome and compromises made with resilience and courage. Women’s experiences are so often dismissed as merely ‘domestic’: as small and insignificant, while important things like wars and politics take place elsewhere. Even if you are Jane Austen.
4) Will we see more of your main characters? What’s your next writing project?
Eden’s Garden is a completely self-contained story so there won’t be a sequel. I’ve started a completely new project, which this time has a Dickensian theme. Like Eden’s Garden, I feel this one will also be about women growing older and wiser through some pretty hard-won life experience – but in a very different way…. So watch this space!
5) Who is one writer that you’d love to know was reading your work?
That would have to be Charlotte Bronte. Jane Eyre is my favourite book. I love Jane’s passion and independence and her struggle to be a free spirit in a world that valued wealth and superficial beauty and doesn’t understand her at all.
But I’m a coward. So I’d probably never get the book into Miss Bronte’s hand. I’d probably run away first.
6) You’re an avid gardener and that passion figures in your writing. When did you take up gardening and why is it important to you?
I took up gardening nearly twenty years ago, when I bought my cottage. It was the first home I had ever owned and I’d always yearned for a place where I could sit and read in the sun and grow things. The cottage was shabby and needed plenty of work, but I fell in love with the large and totally overgrown garden on sight. I’d been living in London for the past ten years and I’d really missed seeing nature and greenery and watching the changing of the seasons.
I’ve always loved creating order out of chaos, so the challenge of turning a neglected wilderness back into a peaceful haven was wonderful. I suppose that’s where I really fell in love with gardening itself. Unfortunately, soon after I started I became ill with glandular fever, which led to years of M.E./Chronic Fatigue syndrome. That was when my garden became the most amazing place of healing. Being ill taught me to sit and appreciate the life going on around me. I’m well now, but I’ve learnt a passion for coaxing nature into doing the work for me and to sit quietly watching the beauty of the seasons as they change.
7) What’s your best writing tip that you’d like to share?
To write about the things you feel most passionately about. When you are starting out as a writer you have to make some compromises to fit in with the market and give yourself the best chance of being published. But the thing that will make you stand you – that will give you that elusive thing known as a ‘unique voice’ – comes from feeling passionately about your characters.
For years, I was afraid to expose my deepest feelings in my writing. I was lucky; I was given the amazing chance of working with an editor, who was like personal trainer stretching me to do more and reach deeper inside to tell the story I had wanted to tell all along. So my tip would be to go for it: feel passionately and stretch yourself even further than you think you can go. After all, you’ve nothing to lose. And if nothing else, it’s one exhilarating – if at times painful – ride.
Juliet Greenwood is the author of Eden’s Garden, published by Honno Press in March 2012. http://www.amazon.co.uk/Edens-Garden-Juliet-Greenwood/dp/1906784353
Eden’s Garden follows the intertwined stories of the Meredith family of Plas Eden, a dilapidated mansion with a collection of mysterious statues in its overgrown garden, and the servants who once served there. If you love ‘Downton Abbey’ and the novels of Kate Morton, this is the book for you!
After working in London for years, Juliet now lives in a traditional Welsh cottage halfway between the romantic Isle of Anglesey – where Prince William and Princess Catherine have their home- and the beautiful mountains and ruined castles of Snowdonia. As well as novels under her own name, Juliet writes stories and serials for magazines as ‘Heather Pardoe’. She is a passionate gardener and proud owner of a cutting from the grape vine in Hampton Court Palace, London. She lives in hope of grapes.
Links: Website: http://www.julietgreenwood.co.uk/
Blog: http://julietgreenwoodauthor.wordpress.com/
Twitter @julietgreenwood
If I Move You Up On My To-Do List, Creative Self, Will You Be My Valentine?
Posted on: February 14, 2012
Happy Valentine’s Day! I’m delighted to welcome writer and She Writes friend Juliet Greenwood to the final installment in the ‘Love Your Creative Self’ series. My reflection and the follow-up to the exercise ‘Welcoming the Creative’ follow.
HOW DO I LOVE MY CREATIVE SELF?
By accepting her for what she is. Understanding there are times she needs to hide away on her own, in solitude and silence. Knowing this is the way she works, and is not an avoidance of the world. Having faith that she will return to enjoy the company of others, when she is ready.
By knowing that she cannot live without the food of beauty, good books, laughter and, at times, wine.
By loving her in all her moods: without makeup, her hair unbrushed, and just slightly fragile round the edges.
By loving her the way those who truly love, and would not have me any other way, love me.
Juliet Greenwood is the author of ‘Eden’s Garden’, published by Honno Press in March 2012. Check out Juliet’s website: www.julietgreenwood.co.uk
In the ‘LYCS’ series, I wanted us to asses our relationship to our creative self and creative projects. Juliet’s post reminds us that the creative self has its own needs and desires. Just like any other relationship that we value, we must make time for our creativity. And, just like any other relationship, feelings of pleasure, kindness and affection make us and others feel good. By starting off with feelings of love and friendship for our creative self and long term creative projects, we may discover that we can muster up the energy to find out what we want to do next and how to get support for it.
Getting your creative projects to migrate from the bottom to the top of your list is no easy feat. Ariel Gore makes this point in her witty book, How to Become a Famous Writer Before You’re Dead. She notes that most of us believe that making time for creative work is selfish, so we put it at the end of our to-do lists:
“And then we kick ourselves because the novel isn’t written. We look down at our laps and blush when our writing teacher asks us if we got a chance to write this week. Of course we didn’t get a chance to write—it was the last thing on our list. We had a glass of wine with dinner. We got sleepy .I’m going to tell you something, and it something I want you to remember: No one ever does the last thing on their to-do list.”
Gore’s hypothetical list looks like anyone’s and she makes a compelling case that we’ll always lose out if creativity ends up at the bottom of our to-do lists. I don’t think moving creativity up on our to-do lists is just a physical act though; it’s a psychological one, too. It’s about declaring, ‘I desire to create and I claim the time.’ And, the moment we do that, we’re bound to wake up some part of ourselves that is going to argue. So, sometimes we avoid making more space for creativity because we’re not psychologically prepared to deal with the inner critic, judge, or evaluator. That’s a thread for another blog post. Let’s say, for sake of argument, that you’ve had those conversations with the inner critic and have managed to come to some sort of temporary arrangement that allows you to create periodically without a lot of drama or shame.
How might you reorder your to-do list to move creativity up? I’ve adapted Gore’s to-do list example to include creative breaks and motivation throughout the day.
-Wake up (for a lot of people waking up a half hour earlier to work on their creative stuff is an important strategy)
-Stay in bed for at least 1 minute telling yourself one reason you’ve woken up is to create something new. (Or, you can use a positive statement, “I am filled with creative potential.”)
-Shower (showering or bathing is a perfect time to remind yourself of what creative thing you’re working on)
-Make breakfast
-Take kids to school/walk dogs/etc
-5-15 minute Creative Break—do a writing prompt; draw/sketch, assemble your packets of seeds for the beautiful garden you are planning (Creativity expert SARK uses the concept of micromovements to break tasks into manageable segments of 5 seconds to 5 minutes. Very effective!)
-Put a load in the laundry
-Dress and go to work
-On the way to work, instead of listening to the radio, take a few minutes and talk out loud about what else you’d like to get done on your creative project today.
-Work
-5-15 minute Creative Break during lunch-your lunch break is a perfect time to do some writing, surf the web for research that will help your creative project along, order needed supplies for a creative project, or take a book on creativity with you and read for 15 minutes while you eat. If you need a recommendation, I have chronicled some of the best creativity books of the decade here.
-On the way home from work, turn off the radio and enjoy some quiet time, this also feeds your intention to create more. Keep a small notebook and a pen handy so you can record your musings at a stoplight.
-Pick up kids/pay bills/feed dogs, etc
-Say hello to partner, spouse, etc
-Run out to store for forgotten ingredient for dinner
-Make dinner
-Collapse in front of TV and eat dinner
-5-15 Minute Creative Break: Turn off TV and excuse yourself for this last creativity break (you’ll have to tell yourself, yes you have the energy for it)
-Put kids to bed/take dog for a walk/take shower, etc
-Sleep (and tell your subconscious you’d like it to supply you with ideas for your creative project tomorrow)
So this to-do list may not model yours exactly. Yours may not have kids or it might have an hour at the gym. What’s important for sustaining creativity is finding dedicated time throughout the day. There are of course times that we will have to get up an hour earlier or spend a chunk of time on the weekend to complete a creative project we’re working on. But, more often than not, we don’t do the daily work of keeping ourselves connected to what matters most—our creative lives—because we believe that either we’ll get to it later (after everything else), or that we need a BIG chunk of time. If those beliefs have worked well for your creative output, hats off. If not, experiment with moving creativity to the top of your to-do list by integrating smaller chunks of time throughout the day.
Welcoming the Creative-Part 2
I heard from many folks that they enjoyed Deena Metzger’s ‘Welcoming the Creative’ exercise posted last week. That exercise encourages us to think about the requirements of a creative life and what we must do to nurture it. Also the exercise reminds us that we can be gifted with the creative at any point in our lives. If you want more, you might want to try the next part of the exercise:
Yes, the creative has been assigned to your house. What must you do to prepare? Write the moment in which it arrives. Then write the first day. What are its needs and demands? How can you meet them? Do you meet them? What happens that is unexpected?
Now the creative has been with you for a year. How do the two of you live your daily life? What relationship have you established? Again, what is transpiring between you that is unexpected?
Adapted from Deena Metzger’s Writing for Your Life: A Guide and Companion to the Inner Worlds
Thanks to everyone who wrote for the LYCS series and for all the wonderful feedback.
Photo Credit: http://www.thoughtful-self-improvement.com/to-do-list.html
