The Practice of Creativity

Where Do You ‘Scratch’ for New Ideas? 3 Tips for Spring

Posted on: March 11, 2013

catimage

Scratching can look like borrowing and appropriating, but it’s an essential part of creativity. It’s primal and very private. It’s a way of saying to the gods, “Oh, don’t mind me, I’ll just wander around in these back hallways…”and then grabbing that piece of fire and running like hell.

-Twyla Tharp, choreographer

Where do you get your ideas? How do you generate small ideas that lead to big writing projects? It’s almost springtime and as we put away our winter coats, boots and hats, we naturally desire to generate fresh ideas for our writing life. Twyla Tharp, world famous choreographer, in her understated, but powerful book, The Creative Habit: Learn It and Use it For Life, uses the concept of ‘scratching’ as a method for finding and incubating new ideas.

‘Scratching’, she observes is what we do so we aren’t always waiting for the “thunderbolt” of inspiration to hit. Tharp says, “That’s what I’m doing when I begin a piece. I’m digging through everything to find something. It’s like clawing at the side of a mountain to get a toehold, a grip, some sort of traction to keep moving upward and onward.”

Twarp notes the importance of reading, as a place to scratch for ideas. Many writers reread the classics or work by mentors they love as a way to sharpen their senses and generate new perspectives. Tharp likes to read ‘archeologically’, backwards in time, working her way from a contemporary idea back to an ancient text.  When working on an idea for a dance she began with Nietzsche’s The Birth of Tragedy which led her to Dionysus and then studies of Dionysus (worship of and symbols connected to), which led her to Euripides and his The Bacchae. These readings led to her choreograph ‘Bacchae’, a dance that explores hubris and is loosely based on the Euripides text.

Years ago,  inspired by her idea of reading as a type of scratching, I made a list of the subjects that I typically read about both as an academic and as a creative writer.

List:  self-help /’how to’ in yoga, health and wellness, women’s health, women’s empowerment, public speaking; craft of writing books; cookbooks; leadership; 18-20th century African American history, spirituality; creativity; women’s spirituality; African American women; black feminism; dreams; sociology of race; women’s and gender studies; elections and campaigns; feminist theory, history of the American university; genres: speculative fiction, thrillers, literary

When finished with this list, I felt pretty impressed. But then I asked myself, what are the subjects I rarely read, have no working knowledge of, couldn’t put two sentences together about, or even avoid?

List: biographies, colonial American history, travel memoirs, animals, romance, celebrities, sailing, cars, history of language, math and science, sports, nature, children’s books, plays, poetry, Christian fiction, true crime, technical books

Doing this exercise motivated me to dig into many unexplored subjects.

What would your reading lists look like?

Here are three scratching strategies:

-Flirt with a different genre (or subgenre)-It’s always fun to explore a different genre than the one that’s become your norm.  In a recent writing workshop, the instructor encouraged us to take a short piece that we were working on, keep the characters but rewrite it using a different genre. This exercise felt so liberating. I found myself exploring space opera with what had started out as a realistic story. I have little working knowledge of space operas, but it was fun to use my imagination to fill in the gaps.

-Visit a writer’s residence or historic site-Traveling to see a writer’s home is a kind of pilgrimage that can bring us fresh insights. This spring, I’m hoping to travel to Edenton, NC to learn a bit more about Harriet Jacobs, a fugitive slave, writer and abolitionist who penned Incidents in the Life of a Slave Girl under the pseudonym Linda Brent.

-Mine Magazines-Acquire ten magazines that you never read (you can buy some and collect others from friends, the doctor’s office, libraries, etc.) and read them from cover to cover. Keep a list in your notebook about the trends, ideas, musings, and writers that spark your interest.

Where are you going to scratch for ideas this spring?

About these ads

9 Responses to "Where Do You ‘Scratch’ for New Ideas? 3 Tips for Spring"

My problem is too many ideas and not enough time to write them. LOL

Hey Kelly, you’re right–that is a different kind of problem to have and one that can be similarly vexing!

Michele, I plan to continue scratching the prose of my classic idols — Hemingway, Faulkner, and Fitzgerald. Within the next year I plan to re-visit 907 Whitehead Street and the North Carolina Literary Hall of Fame.

I’ll continue to read the published works of NC authors, like Marjorie Hudson (author of “Accidental Birds of the Carolinas” and “Searching for Virginia Dare”), Karen Pullen (author of the just released “Cold Feet”), and you, of course (your scary fiction piece “Family Line” in the anthology “You don’t say: stories in the second person”).

In addition I’m learning of other contemporary writers from my classes at CCCC, such as Canadian fiction writer Alice Munro.

I’m looking forward to a productive and enlightening 2013.

Hey Todd,
Further in the Tharp chapter, she talks about choosing the best to ‘scratch’ from–so studying the great writers you mention is a fine choice.
I’m happy to be included with the wonderful likes of Karen Pullen and Marjorie Hudson–I’ve got a lot more to publish to get close to them, so I better get busy!

Michelle.
What a thoughtful post. I often ‘scratch’ the other writers but I like to change the genre. Let’s say I’m reading a romantic mystery. And I start thinking: what would happen, if I transferred a similar plot to the fantasy genre, added magic to the mix, maybe removed the love line? The new story would be completely different, with only a couple elements of the old one. If I also take the story forward or backward in time, beyond the scope of the original, it would be practically unrecognizable, fully mine. The original would be an inspiration, no more.

Hey Olga,
Oh, it is so nice to see you here! I love that you are already scratching and mixing up genres–I never think to do that and am going to start employing that technique more often. It could yield mighty good material.

Hey. Yesterday Marjorie suggested in my class her at CCCC that I add some contemporary authors to my mix primarily to help me to work on POV, my nemesis.

Hi Michele- great idea to stretch our skills. I have been writing fantasy, thriller, and biography genres. I might be adding Golden Age to beef up dialogue and imagination. Love that you referenced Twyla Tharp- my favorite choreographer. Thanks for the inspiration.

Hi Cathy,
So good to hear from you. I was just thinking about you a few days ago. I hope you are well. I miss you! I take you have been busy both writing and doing all that you do. Watch for a FB message from me soon.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 83 other followers

%d bloggers like this: